{"title":"EarthQuaker Devices","description":null,"products":[{"product_id":"earthquaker-devices-easy-listening-analog-amp-simulator-headphone-amp","title":"EarthQuaker Devices 'Easy Listening' Analog Amp Simulator \/ Headphone Amp","description":"\u003cp\u003eWith its finely tuned preamp circuitry and sweet analog cabinet simulation, Easy Listening delivers a big, lush sound with zero latency and no harsh digital artifacts. Think of it as the perfect marriage of vintage tone and modern convenience, offering all the high headroom and low noise of an actual tube amp but small enough to fit in your pocket. No menu diving, no IR loading, and nothing else getting in-between you and your tone.\u003c\/p\u003e\n\u003cp\u003eInternally, it's meticulously voiced to capture the soul of one of our favorite classic American guitar amps—a '65 Deluxe—with all the harmonic complexity guitar players crave. Its all-analog circuitry provides a more immediate feel with rich low-end resonance, slightly scooped mids, and that crystalline top end chime that makes electric guitars sing.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003c\/p\u003e\n\u003cp\u003e3.625 x 1.875 x 1.5 in. (92 × 48 × 38 mm)\u003c\/p\u003e\n\u003cp\u003eCurrent Draw\u003c\/p\u003e\n\u003cp\u003e75 mA\u003c\/p\u003e\n\u003cp\u003eInput Impedance\u003c\/p\u003e\n\u003cp\u003e1 MΩ\u003c\/p\u003e\n\u003cp\u003eOutput Impedance\u003c\/p\u003e\n\u003cp\u003e39 Ω\u003c\/p\u003e\n\u003cp\u003eInput\u003c\/p\u003e\n\u003cp\u003eMono TS ¼\"\u003c\/p\u003e\n\u003cp\u003eOutput\u003c\/p\u003e\n\u003cp\u003eStereo TRS ¼\" (Tip is the left channel, Ring is the right channel)\u003c\/p\u003e\n\u003cp\u003eFor use with headphones\u003c\/p\u003e\n\u003cp\u003eRequires headphones with a ¼\" TRS plug.\u003c\/p\u003e\n\u003cp\u003eFor use with a DAW\u003c\/p\u003e\n\u003cp\u003eYou can use either a mono TS cable into one channel of your interface or a stereo TRS cable with a splitter into two channels.\u003c\/p\u003e\n\u003cp\u003ePower\u003c\/p\u003e\n\u003cp\u003eThis device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430834204765,"sku":"BM810019914911","price":175.75,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/easy-listening-analog-amp-simula.png?v=1778344842"},{"product_id":"earthquaker-devices-x-sunn-o-life-pedal-v3","title":"EarthQuaker Devices x Sunn O))) Life Pedal V3","description":"\u003cp\u003eSunn O))) Life Pedal V3 is a distortion with a blendable analog octave up and a booster combined in one compact package. The “Amplitude” side is faithfully modeled after the classic “White Face” distortion unit, using modern, reliable components to last a lifetime. The only modifications made to the original circuit are in the clipping section. The traditional circuit uses a single pair of silicon diodes for a tight, compressed crunch. The Sunn O))) Life Pedal V3 introduces two additional clipping options to better adapt to different rigs. The first position is no diodes to allow for full, grinding Op Amp assault at maximum volume. The second position utilizes two silicon diodes and one LED in an asymmetrical clipping configuration. This delivers a slightly compressed and smooth crunch, similar to a valve amplifier. The last position is the stock double silicon diode configuration which provides that classic tone you know and love. \u003c\/p\u003e\n\u003cp\u003eThe Octave in Sunn O))) Life Pedal V3 is an all-discrete, analog full-wave rectifier base on a classic vintage design. Located at the input of the circuit, the Octave control slowly blends in the octave effects as you turn it clockwise. This feature can also be used via expression control allowing for wild, hands-free octave swells mid-riff or using the footswitch for immediate octave fuzz destruction. Because this is an analog octave effect, it is monophonic and works best playing single notes above the twelfth fret while using the neck pickup. Playing chords with the analog octave will sound clanging and chaotic. Using the bridge pickup and playing below the twelfth fret will produce a very subtle octave effect. Going full Octave transforms Life Pedal from a simple distortion device into a swelling, raging fuzz similar to the classic Super Fuzz! \u003c\/p\u003e\n\u003cp\u003eThe “Magnitude” section of Sunn O))) Life Pedal V3 is a simple all-discrete MOSFET booster designed to blast your preamp tubes and drive them wild. It is a 100% clean, no-nonsense, high impedance booster that adds very little color to your tone. It does not add distortion on its own but has plenty of output to push your amp into saturation. \u003c\/p\u003e\n\u003cp\u003eThe signal path goes Octave\u0026gt;Distortion\u0026gt;Boost. The octave distortion and booster can be used independently with their own respective foot switches. The Petrine Cross is the octave distortion and the Christian Cross is the booster. \u003c\/p\u003e\n\u003cp\u003eSunn O))) Life Pedal V3 is a distortion with a blendable analog octave up and a booster\u003cbr\u003eFeatures 3 different clipping options: Symmetrical Silicon, Asymmetrical Silicon \u0026amp; LED, and pure OpAmp Drive\u003cbr\u003eDistortion and booster can be used independently\u003cbr\u003eExpression and Footswitch control over analog octave up\u003cbr\u003eOctave blend allows total control over how much Octave is mixed into the circuit\u003cbr\u003eTrue bypass with silent relay based soft touch switches\u003cbr\u003eFeatures EarthQuaker Devices’ proprietary Flexi-Switch® Technology\u003cbr\u003eLifetime guarantee\u003cbr\u003eCurrent Draw: 25 mA\u003cbr\u003eOctave Distortion: Input impedance: 1 MOhm \/ Output impedance: Booster: Input Impedance: 500 KOhm \/Output Impedance: Boxed Dimensions: 165mm x 133mm x 83mm – 0.69kg\u003cbr\u003eOut of Box Dimensions: 146mm x 121mm x 38mm – 0.54kg\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430886010973,"sku":"EQD-LIFEV3","price":484.5,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/sunno_-life-pedal.jpg?v=1778345696"},{"product_id":"earthquaker-devices-gary-automatic-pwm-fuzz-overdrive","title":"EarthQuaker Devices GARY Automatic PWM Fuzz + Overdrive","description":"\u003cp\u003eEarthQuaker Devices is proud to introduce you to your new best bud, Gary. This little big guy was dreamt up by the one and only Lee Kiernan from the crushing and most necessary band, Idles!\u003c\/p\u003e\n\u003cp\u003eGary started as a simple request to create a compact version of the now discontinued Gray Channel, which was a mainstay on Lee’s board and a big part of his main drive tone. This was all fine and good, and sounded quite sick, but Gary was demanding that we look deeper and explore his dark side a little more, Gary after dark, Saturday night Gary. So, we sat him down and began the trek of figuring old Gare-Bear out once and for all. The result is a real exercise in light and dark; smooth to shredded and everything in between.\u003c\/p\u003e\n\u003cp\u003eGary’s right brain consists of a dynamic and destructive fuzz that is both domineering and interactive. It is a ripping fuzz tone with an envelope-controlled variable pulse width and enough volume to blow everything up. This nasty little fuzz turns the signal into a square wave and allows you to dynamically adjust the duty cycle with pick attack. Yes! Controls the sensitivity of the envelope. When this is all the way down you will get an unadulterated thick and heavy square wave fuzz tone that will sustain for days and go dead quiet when you stop playing. As you increase the Yes! control, the envelope becomes more interactive, and the pulse width narrows the harder you hit it. As the pulse width narrows, the tone becomes more nasal and biting until it gets so narrow that Gary goes to his dark place and disappears completely. In other words, with higher sensitivity settings, the sound will disappear entirely and come cruising back to Gary’s big guy tone. With proper playing dynamics, this creates a very cool effect that can sound like an exploding amp coming in and out of life, blown through a phase shifter.\u003c\/p\u003e\n\u003cp\u003eThis effect can also be controlled with an expression pedal for manual operation or for finding just the right pulse width to cut through the mix for a set-and-forget operation. When using an expression pedal, Yes! operates in conjunction with the expression pedal to set the peak of the sweep. Set Yes! to the desired stopping point and express yourself as you please without worry of taking Gary over the edge!\u003c\/p\u003e\n\u003cp\u003eOosh acts as the master volume for Gary’s nasty side. There is an insane amount of volume on tap so use this control wisely!\u003c\/p\u003e\n\u003cp\u003eGary’s left brain displays his softer side. This is a simple and natural sounding overdrive that keeps your tone lively and drives your amp crazy. This side is based on the green channel of our Gray Channel, which is our take on the classic little yellow overdrive that started it all for us. Lee used this pedal with the clipping switch permanently set to the middle position, which removes all the diodes from the circuit, producing a full-bodied, cutting opamp distortion with plenty of volume on tap. We have reproduced that tone here with exacting precision. Go sets the opamp drive and can range from a simple full-range clean boost all the way up to a smooth and natural distortion. In conjunction with That’s It, which is the master volume for the drive side, you can use Gary’s softer side as a clean boost to push your amp into overdrive or turn up Go and use all of Gary’s internal magic to create the finely tuned dirt you desire.\u003c\/p\u003e\n\u003cp\u003eGary’s signal path is fuzz into overdrive for total tonal integrity and cannot be changed. This is where Gary put his foot down, and we obliged.\u003c\/p\u003e\n\u003cp\u003eEach and every Gary was softly brought to life by the delicate hands of EarthQuaker Devices in the elegantly unrefined canal-front city of Akron, Ohio USA.\u003c\/p\u003e\n\u003cp\u003eControls\u003c\/p\u003e\n\u003cp\u003eYes!- Sets the sensitivity for the envelope that controls the duty cycle for the square wave fuzz. The envelope is highly dependent on the level of the incoming signal, which can be affected by any gain pedals in front of Gary, pickup strength, source instrument, etc. For best results, place Gary near the front of the signal chain to get the most dynamic response from the envelope. Once this control gets around noon, the pulse becomes so narrow that the signal will disappear. This is completely normal.\u003c\/p\u003e\n\u003cp\u003eOosh- Master volume for the fuzz side.\u003c\/p\u003e\n\u003cp\u003eEXP- Controls the pulse width with an expression pedal. This will defeat the internal envelope and allow you to adjust the duty cycle in real time. Note that the Yes! Control remains active when an expression pedal is in use and sets the peak of the sweep, allowing you to fine tune the range. \u003c\/p\u003e\n\u003cp\u003ePRO TIP: Plug a dummy cable into the expression jack to defeat the envelope and use the Yes! Control to hard-set the duty cycle to find your perfect ripping fuzz tone!\u003c\/p\u003e\n\u003cp\u003eGo- Gain control for the overdrive. Turn this up to increase the opamp gain to a thick and full distortion or turn it down and turn up That’s It to use it as a clean boost.\u003c\/p\u003e\n\u003cp\u003eThat’s It- Master volume for the overdrive side.\u003c\/p\u003e\n\u003cp\u003eRight Footswitch: Fuzz\u003c\/p\u003e\n\u003cp\u003eLeft Footswitch: Overdrive\u003c\/p\u003e\n\u003cp\u003eFlexi-Switch® Technology \u003c\/p\u003e\n\u003cp\u003eThis device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching. \u003c\/p\u003e\n\u003cp\u003e• For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. \u003c\/p\u003e\n\u003cp\u003e• For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch, the effect will be bypassed. \u003c\/p\u003e\n\u003cp\u003eSince the switching is relay based, it requires power to pass signal.\u003c\/p\u003e\n\u003cp\u003ePower \u003c\/p\u003e\n\u003cp\u003eThis device requires a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.\u003c\/p\u003e\n\u003cp\u003eDO NOT RUN AT HIGHER VOLTAGES!\u003c\/p\u003e\n\u003cp\u003eCurrent Draw: 20 mA\u003c\/p\u003e\n\u003cp\u003eTech Specs\u003c\/p\u003e\n\u003cp\u003eFuzz Input Impedance: 1M\u003c\/p\u003e\n\u003cp\u003eOutput Impedance: \u0026lt; 1K\u003c\/p\u003e\n\u003cp\u003eOverdrive Input Impedance: 500K\u003c\/p\u003e\n\u003cp\u003eOutput Impedance: \u0026lt; 1K\u003c\/p\u003e\n\u003cp\u003eArtwork by Charlotte Gosch\u003c\/p\u003e\n\u003cp\u003estudio other types\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430892957789,"sku":"BM0810019914478","price":312.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/gary.jpg?v=1778345756"},{"product_id":"earthquaker-devices-blumes-low-signal-shredder-pedal","title":"Earthquaker Devices Blumes Bass Overdrive Pedal","description":"\u003cp\u003eBlumes is an overdrive based on the Plumes circuit for bass players and all purveyors of low-end. While embodying the key characteristics and features of the Plumes, EQD have modified this circuit. With double the gain and a deeper bass response to retain all the low end.\u003c\/p\u003e\n\u003cp\u003eAt lower gain settings, bass players get all of the crunchy tone from the original, but this changes once they get above noon on the Gain control.\u003c\/p\u003e\n\u003cp\u003eThis all-analogue tri-mode overdrive with soft clipping carries the torch of the classic screamer circuit but has a voice all on its own. With its +\/- power supply, it utilises bipolar power, which gives players more dynamic, clarity, and all the headroom they could ever desire. Blumes provides a three-dimensional tone with added clarity that pushes a nice tube amp over the edge.\u003c\/p\u003e\n\u003cp\u003eMuch like the Plumes, this pedal offers three different clipping options for desired low end face melting needs. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBass overdrive based on a modified Plumes.\u003c\/li\u003e\n\u003cli\u003eDeep bass response.\u003c\/li\u003e\n\u003cli\u003eTwice as much gain as the Plumes.\u003c\/li\u003e\n\u003cli\u003eFeatures 3 different clipping options: symmetrical LED, asymmetrical silicon, and no diode OpAmp drive.\u003c\/li\u003e\n\u003cli\u003eOperates off internal bipolar power for more headroom and signal integrity.\u003c\/li\u003e\n\u003cli\u003eAll-analogue signal path.\u003c\/li\u003e\n\u003cli\u003eTrue bypass.\u003c\/li\u003e\n\u003cli\u003eSilent relay-based switching with Flexi-Switch Technology.\u003c\/li\u003e\n\u003cli\u003eLifetime warranty.\u003c\/li\u003e\n\u003cli\u003eCurrent Draw: 25 mA.\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 10 M Ω.\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 100 Ω.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430893056093,"sku":"EQD-M00010200","price":217.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/blumes-1.jpg?v=1778345757"},{"product_id":"earthquaker-devices-zoar-dynamic-audio-grinder-fuzz-distortion-pedal","title":"EarthQuaker Devices ZOAR Dynamic Audio Grinder Fuzz \/ Distortion Pedal","description":"\u003cp\u003eEarthquaker are always giving us Zoar. Hitting hard with a new \"discrete\" mid-high gain distortion \/ fuzz in their ranks, this pedal uses multiple transistor stages, rather than op-amps, to push, grit, carve and amplify your signal. Check it out, if you love dynamic and hard hitting distortion sounds it won't disappoint!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDynamic Audio Grinder\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eZoar is a medium-high gain discrete distortion (using only transistors; no opamps or diodes in here!) that has that touch sensitive amp-like quality to it that everyone craves. It has been finely tuned to create a highly tweakable hi-fi and modern sounding distortion, but with the ghosts of old school circuitry to deliver a grind that is both instantly familiar and delightfully unique. Want that defined sparkle and tightness of an overdrive? This has it. Want that low-medium gain fuzz that’s perfect for drop tuned guitars and basses? This has it. Want to be able to dial in and control every nuance of your tone from jangly on-the-verge of break up to blowing the walls out heavy saturation? Then this is the pedal for you.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustomize Your Sound\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003eThis meticulously crafted box has six knobs that allow you to truly customize your sound with the Level, Weight, Gain, Bass, Middle, and Treble controls. The red LED light indicates when the distortion is activated by the Flexi-Switch® enabled footswitch.\u003c\/p\u003e\n\u003cp\u003eThe Gain control on Zoar goes from the edge of break up all the way over the cliff into the crunchy, grinding abyss. The character of the distortion is heavily dependent on the setting of the Weight control as well as your guitar’s pickup type, and it is further fine-tuned by the EQ section.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTouch-Sensitive Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile having its roots in a very familiar past, the passive 3-band EQ has been finely tuned for modern tones. While this style of tone shaping seems simple on the surface, it is deceptively complex and highly interactive.\u003c\/p\u003e\n\u003cp\u003eThe 3-band EQ and Gain controls give you nearly unlimited options with great focus and sensitive precision, but the real powerhouse of Zoar is the Weight control. This control dictates the amount of low end that is passed into the circuit, thus controlling the entire character of the pedal. From a mere clean boost to a high gain distortion to overdrive to the crispy Hi-Fi fuzz territory, this function gives you everything.\u003c\/p\u003e\n\u003cp\u003eThe Level control hits unity gain around noon, but this is dependent on where the other controls are set. In addition to controlling the output volume, it also plays a small part in the controlling the voice of Zoar. By adjusting the Level control with any combination of EQ (boosting the frequency bands and cutting the output volume), you can achieve drastically different curves that have the feel of the more traditional low pass filter type tone control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRunning Zoar at 18v\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWant to elevate your sonic spirit to a higher level? Try running Zoar at higher voltage! Zoar can handle power up to 18v DC. Higher voltages will yield a different frequency response with more defined dynamics and a faster response. When powered at 18v, the range of clean tones are widened, dirty tones become punchier with better note articulation, low frequencies are tightened, the Treble control will cover a broader spectrum without becoming harsh and the output volume nearly doubles! The experience is not unlike plugging into a wall of high wattage tube amplifiers!\u003c\/p\u003e\n\u003cp\u003eControls:\u003c\/p\u003e\n\u003cp\u003eLevel: Adjusts the output volume.\u003c\/p\u003e\n\u003cp\u003eWeight: This is an input frequency control that changes the voice and saturation of the distortion. Turning Weight clockwise allows more low frequencies to pass through. This increases the gain, allows lower frequencies to clip faster and can shift the tone of the pedal from tight distortion to a loose fuzz.\u003c\/p\u003e\n\u003cp\u003eGain: Turn clockwise to increase distortion. This adjusts the transistor bias. A little static sound when turning is completely normal.\u003cbr\u003eBass: Passive bass control, adjusts the low frequency content between 0 and 800Hz +\/- 15dB.\u003c\/p\u003e\n\u003cp\u003eMiddle: Passive middle control, adjusts the midrange frequency content between 500Hz and 3kHz +\/- 10dB.\u003c\/p\u003e\n\u003cp\u003eTreble: Passive treble control, adjusts the high frequency content between 1kHz and 10kHz +\/-15dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower \u003c\/strong\u003e\u003cbr\u003eThis device takes a 9-18 volt DC power supply with a standard 2.1mm negative center barrel plug. We recommend using a pedal-specific, transformer-isolated, wall-wart power supply or a power supply with multiple isolated-outputs. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not always filter dirty power and may result in unwanted noise. DO NOT POWER THE ZOAR HIGHER THAN 18V!\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430896562269,"sku":"BM810019913631","price":265.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/zoar-dynamic-audio-grinder-2.png?v=1778345823"},{"product_id":"earthquaker-devices-special-cranker-analog-overdrive-preamp-pedal","title":"Earthquaker Devices Special Cranker Analog Overdrive \/ Preamp Pedal","description":"\u003cp\u003eThe Special Cranker™ is an all-discrete analog distortion enhancement device designed to give your signal some extra grit and boost without drastically altering your tone and retaining all of the natural nuances and character of your amp. Think of it as sticking an extra preamp tube in your amplifier for more saturation. Single notes will blossom and bloom with rich harmonics and singing sustain with responsive, tube-like sag. Power chords will sound thicker and crunchier, a little more ragged around the edges. Complex chords will remain distinct and complex, as the Special Cranker is designed to preserve your tone’s integrity without muddying up the low-end or smearing the midrange.\u003c\/p\u003e\n\u003cp\u003eThe Special Cranker picks up where the beloved Speaker Cranker left off. It has the same spongy, dynamic, and touch-sensitive character of the original but with more gain, double the output volume (now with a user-friendly Level control), an added Tone control to shape your signal, and a diode selector switch featuring the original asymmetrical Silicon diodes as well as a hot, new Germanium diode option.\u003c\/p\u003e\n\u003cp\u003eThe More control goes from nearly clean to a medium gain overdrive when at maximum. This control adjusts the bias of the transistor, so you may hear a little noise as you turn the control. Don’t freak out; it’s totally fine. The gain characteristics are dependent on which diodes are chosen. When the Germanium diodes are selected, the Special Cranker delivers a softer, more rounded response with tamed highs and lower output, while the Silicon diodes add a brighter, more modern edge and higher output. Both are exceptionally responsive to playing dynamics and have excellent clarity. The Tone control gives the user full command over treble frequencies, cutting the highs when counterclockwise and adding a slight high frequency boost when turned clockwise. The Level control adjusts the output from nothing to nearly double at maximum.\u003c\/p\u003e\n\u003cp\u003eEach and every Special Cranker is all-analog, true bypass, and built one-at-a-time by some serious experts in Akron, Ohio, USA – home of the best burgers on THIS Earth.\u003c\/p\u003e\n\u003cp\u003eTech Specs:\u003c\/p\u003e\n\u003cp\u003e• Current Draw: 15 mA\u003cbr\u003e• Input Impedance: ≈5 MΩ\u003cbr\u003e• Output Impedance: • Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430903378013,"sku":"935042002106","price":217.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/special-cranker.jpg?v=1778345878"},{"product_id":"eqd-plumes-overdrive","title":"EarthQuaker Devices Plumes Overdrive Pedal","description":"\u003cp\u003eThe Plumes is a low to medium gain overdrive based on the trusty lime-green overdrive that has been an industry staple since its inception. This is the kind of overdrive that works in conjunction with a good valve amp to create the warm saturation people like to call “transparent”. While this circuit has been the foundation of countless other overdrives available today, we feel the Plumes has a few twists and turns to make it unique enough to stand out.\u003c\/p\u003e\n\u003cp\u003eThe Plumes does away with the trusted JRC4558 OpAmp and the BJT buffers and replaces them with low noise JFET OpAmps for a more robust and precise signal with a significantly lower noise floor. The 9v power input is internally converted to +\/- 9v for more headroom and a clarity that is almost three-dimensional. We’ve raised the input impedance to a whopping 10 megaohms for a stronger signal with more clarity and chime. We’ve also adjusted the cutoff of the tone control to deliver a more useful range of travel with more booming bass on the low end without sacrificing the cutting midrange and bright top end.\u003c\/p\u003e\n\u003cp\u003eLast, but certainly not least, the Plumes offers three different clipping options to ensure that it will work with a wide variety of gear and playing styles. Mode 1 is symmetrical clipping utilizing a pair of light emitting diodes. This is the crunchiest setting the Plumes has to offer. When played through a clean amp, it’ll deliver a reasonable facsimile of that classic crunchy valve amp tone. Mode 2 is clean boost mode. This eliminates the soft clipping diodes altogether and leaves you with straight OpAmp drive. This is perfect for pushing your clean tone out in front or driving the preamp of an already overdriven amp into tasteful breakup territory. Mode 3 is an asymmetrical silicon diode arrangement similar to the stock screamer but with more output and clean clarity; the tone some people describe as “transparent”.\u003c\/p\u003e\n\u003cp\u003eThe Plumes features EarthQuaker Devices relay-based “soft touch” Flexi-Switch™ Technology for both momentary and latching footswitch operation as well as a very low 25mA current draw.\u003c\/p\u003e\n\u003cp\u003eEach and every Plumes is built one-at-a-time by delightful little hands in Akron, Ohio; the charred, black heart in the heart of it all…\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnique approach to a classic tube-like overdrive circuit offering more headroom, lower noise and far better signal integrity\u003c\/li\u003e\n\u003cli\u003eFeatures 3 different clipping options: symmetrical LED, asymmetrical silicon, and no diode OpAmp drive\u003c\/li\u003e\n\u003cli\u003eReimagined tone control to sculp low end, clear top end, and focused midrange\u003c\/li\u003e\n\u003cli\u003eTrue bypass\u003c\/li\u003e\n\u003cli\u003eSilent relay-based switching\u003c\/li\u003e\n\u003cli\u003eFeatures EarthQuaker Devices’ proprietary Flexi-Switch™ Technology\u003c\/li\u003e\n\u003cli\u003eAll-analog signal path\u003c\/li\u003e\n\u003cli\u003eLifetime guarantee\u003c\/li\u003e\n\u003cli\u003eCurrent Draw: 25 mA\u003c\/li\u003e\n\u003cli\u003eInput impedance: 10M\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 100 ohms\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430908784733,"sku":"935042001598","price":217.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/plumes_1.jpg?v=1778345983"},{"product_id":"eqd-acapulco-gold-v2","title":"EarthQuaker Devices Acapulco Gold v2 Power Amp Distortion Pedal","description":"\u003cp\u003eAcapulco Gold™\u003cbr\u003ePower Amp Distortion\u003cbr\u003eThe Acapulco Gold is a dirt-simple distortion Device modeled after the sound of a cranked vintage Model T amplifier, bringing the openness, clarity, and crunch that only a dimed tube amp can provide, at a fraction of the size, and without expensive maintenance costs!\u003c\/p\u003e\n\u003cp\u003eSince tone is in the hands, we decided to keep the controls of the Acapulco Gold as simple as possible. The footswitch turns the pedal on and off, and the giant knob controls the output volume. That’s it. The rest is at your fingertips. Want less gain? Turn down your guitar’s volume knob. Need a darker rhythm tone? Roll back your guitar’s tone control. Easy, right?\u003c\/p\u003e\n\u003cp\u003eWith your guitar’s volume all the way up, the Acapulco Gold roars like a wide-open Model T on the verge of explosion. At just-barely-backed-off, the Gold becomes a raunchy overdrive. At minimum guitar volume settings, the Acapulco Gold delivers a hazy, Nashville-sounding spank to your tone.\u003c\/p\u003e\n\u003cp\u003eHow about this? If your guitar has separate volume and tone controls for each pickup and a three-way selector switch, this little one-knob banger becomes a three-channel tone monster at the flick of your wrist!\u003c\/p\u003e\n\u003cp\u003eEach Acapulco Gold is made part-by-part, wire-by-wire, giant knob-by-giant knob with real, live humanimal hands in our gilded manufactory located in gray olde Akron, Ohio USA.\u003c\/p\u003e\n\u003cp\u003eControls\u003cbr\u003eBig Knob: The big knob sets the output level, sometimes known as Volume. PLEASE BE CAREFUL! The Acapulco Gold is extremely loud!\u003c\/p\u003e\n\u003cp\u003eMeasures\u003cbr\u003e4.75″ x 2.50″ x. 2.25″ with knob\u003c\/p\u003e\n\u003cp\u003eSwitching\u003cbr\u003eThis device is true bypass and uses electronic relay-based switching. Audio will not pass\u003cbr\u003ewithout power.\u003c\/p\u003e\n\u003cp\u003ePower\u003cbr\u003eThis device can only be powered a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!\u003c\/p\u003e\n\u003cp\u003eCurrent Draw: 18mA\u003cbr\u003eInput Impedance: 50K Ohm\u003cbr\u003eOutput Impedance:\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430909309021,"sku":"930042020682","price":217.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/acapulco-gold.jpg?v=1778345992"},{"product_id":"earthquaker-devices-barrows-fuzz-attacker","title":"EarthQuaker Devices Barrows Fuzz Attacker","description":"\u003cp\u003eGreetings, tone archaeologists and fuzz disciples! You are looking at a portal to one of the most revered and mystical circuits in the pantheon of guitar effects - the classic three transistor TB MkII. The Barrows pays homage to this iconic germanium temple while adding modern refinements that would make even the most discerning vintage purist weep tears of harmonic joy.\u003c\/p\u003e\n\u003cp\u003eAt its heart, Barrows features a trio of carefully matched germanium transistors nestled within finely tuned circuitry that has been lovingly coaxed to produce everything from light, singing distortion to crushing fuzz tones with nearly infinite harmonic-rich sustain. This isn't just another fuzz box - it's a portal to the fabled tones that have haunted the dreams of fuzz fanatics for decades\u003c\/p\u003e\n\u003cp\u003eCONTROLS\u003c\/p\u003e\n\u003cp\u003e1. Level - Controls the output volume of the Barrows. Unity gain sits around noon, but you'll find plenty of volume boost available when you need to push your amplifier into blissful submission.\u003c\/p\u003e\n\u003cp\u003e2. Attack - This is where the magic happens. At lower settings, Barrows provides singing, amplike distortion with superb touch sensitivity. As you rotate clockwise, the circuit transforms into an increasingly aggressive fuzz monster, building to crushing, sustain-drenched tones that seem to go on forever. The wide range of this control means you can find everything from gentle breakup to full-on sonic annihilation.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003c\/p\u003e\n\u003cp\u003e3.75 x 2.00 x 1.75 in. (95 x 51 x 44 mm) with knobs\u003c\/p\u003e\n\u003cp\u003eCurrent Draw\u003c\/p\u003e\n\u003cp\u003e10 mA\u003c\/p\u003e\n\u003cp\u003eInput Impedance\u003c\/p\u003e\n\u003cp\u003e10 kΩ\u003c\/p\u003e\n\u003cp\u003eOutput Impedance\u003c\/p\u003e\n\u003cp\u003e100 Ω\u003c\/p\u003e\n\u003cp\u003eSwitching\u003c\/p\u003e\n\u003cp\u003eBarrows uses mechanical true bypass switching.\u003c\/p\u003e\n\u003cp\u003ePower\u003c\/p\u003e\n\u003cp\u003eThis device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430915043421,"sku":"BM810019915284","price":217.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/large_jpeg-barrows-ivory.jpg?v=1778346102"},{"product_id":"earthquaker-devices-chelsea-low-end-fuzz-driver-pedal","title":"EarthQuaker Devices CHELSEA Low End Fuzz Driver Pedal","description":"\u003cp\u003eWith only three controls, this deceptively powerful pedal offers you everything from light overdrive to full on distortion with clarity and blissful grinding. A Tone On\/Off switch allows you remove the Tone control from the circuit, opening up a whole new world of midrange grind. Switch it off for a simplified and straightforward attack or leave it on for a full-bodied distortion with loads of low-end with a slight natural scoop. Roll up the Sustain for wall-shaking bass notes or sustaining lead and adjust the Tone for a wild and wide frequency response from aggressive top end to low-end rumble.\u003c\/p\u003e\n\u003cp\u003eDesign Notes\u003cbr\u003e \u003cbr\u003eSometimes pedals can change. Parts drift, pots break, transistors go bad. They go to new homes; they get neglected and resold. Sometimes people get in there and try to revive them to their original state and sometimes they just throw whatever is laying around inside and hope it does the trick. In this case, we’re pretty sure all the above happened to the fuzz pedal that made its way to James Murphy and ended up finding a forever home with LCD Soundsystem.\u003c\/p\u003e\n\u003cp\u003eThis particular pedal really does have something special. It’s heavy without being too heavy, clean but not too clean. A simple set of controls yet it has an expansive array of tones that makes it very versatile on a wide variety of instruments. It has clarity when you need it and can blur all discernible lines when you don’t. It still retains the familiar foundation of the classic fuzz it was intended to be but something special happened to it over the years and it has very much grown into its own thing.\u003c\/p\u003e\n\u003cp\u003eI’m going to guess that you have heard this pedal. It has been the chosen bass fuzz for several LCD recordings and has traveled around the world with them. I’d say that it is a prized possession, a real one-of-a-kind pedal. It has been beat up and taped back together. It looks like it shouldn’t work but it always delivers. It is old, it is fragile, and it sounds massive. Too good to retire yet too tired to keep going. That is where we come in. We were tasked with replicating the exact sound of this pedal but in a reliable format that can withstand the stresses of this modern world. No easy feat, for sure, but we persevered and have brought you the Chelsea.\u003c\/p\u003e\n\u003cp\u003eNamed after the guitar shop in which it was purchased back in 1989, the Chelsea recreates all the idiosyncrasies of the original but without the threat of total collapse. Each Chelsea is handmade at EarthQuaker Devices headquarters in always sunny Akron, Ohio, USA by a bunch of pretty nice humans and one big robot.\u003c\/p\u003e\n\u003cp\u003eControls:\u003c\/p\u003e\n\u003cp\u003eSustain: Adjusts the amount of distortion and sustain.\u003c\/p\u003e\n\u003cp\u003eTone: Use this to fine tune the frequency response. Boost treble by turning clockwise, boost bass and tame the top end by turning counterclockwise.\u003cbr\u003e\u003cbr\u003eTone On\/Off: This switch bypasses the tone control and delivers a more mid focused response.\u003c\/p\u003e\n\u003cp\u003eLevel: Controls the output volume.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430915240029,"sku":"BM810019914157","price":303.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/large_jpeg-chelsea.jpg?v=1778346106"},{"product_id":"earthquaker-devices-hizumitas-fuzz-sustainar-pedal","title":"Earthquaker Devices Hizumitas Fuzz Sustainar Pedal","description":"\u003cp\u003eThe Hizumitas was designed for the one and only guitar sorceress, Wata, from the legendary band, Boris! We could not be more excited to have the honor of working with such an iconic legend known for her crushing riffs and mind-melting leads. The Hizumitas is a faithful sonic recreation of her go-to distortion which has been a staple of her tone for many years: the Elk BM Sustainar.\u003c\/p\u003e\n\u003cp\u003eDesign Notes\u003cbr\u003e\u003cbr\u003eThe Elk Sustainar is a Japanese variant of the more well-known “Triangle” BMP. During development, we used several vintage models of the BMP, as well as a few different versions of the Elk, and quickly realized all of them were wildly different. The only way we were going to truly capture the magic was to get our hands on her original pedal. Wata was kind enough to send her beloved pedal halfway across the world so we could see what made it tick. Right away, we realized it had something special that none of the others had - heavy saturation with a gritty edge and a massive bottom while still maintaining a clear and dynamic tone with enough mids and top end to cut through the sludge. We set out to faithfully recreate all these characteristics in the Hizumitas!\u003cbr\u003eThe Hizumitas has loads of heavy distortion and smooth sustain with an underlying grit to it that sounds like the speakers are on the verge of ripping apart, all while still delivering amazing clarity that you wouldn’t expect from something this aggressive sounding. The Sustain control has a wide range of saturation, even small changes will have a great effect on the overall tone. The Hizumitas has excellent response to different pickup types and playing dynamics. Power chords sound huge and heavy, open chords are dynamic with fantastic note separation, and single-note leads are smooth and powerful, especially when using the neck pickup.\u003cbr\u003e\u003cbr\u003eThe Tone control is atypical for this type of distortion and can drastically change the distortion’s character in conjunction with the Sustain setting. Bass frequencies are boosted clockwise while treble frequencies are boosted when turned counterclockwise. The treble side can go from piercing highs to an aggressive mid-range grind. As the Tone is turned clockwise, the mids become less present, highs are tamed, and a massive, thundering low-end comes to the forefront.\u003c\/p\u003e\n\u003cp\u003eAs you might expect, there is plenty of output gain on tap, so be careful. Unity is around 9-10 o’clock and everything above that is set to destroy.\u003c\/p\u003e\n\u003cp\u003eTech Specs\u003cbr\u003e\u003cbr\u003eDimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs\u003cbr\u003e\u003cbr\u003eCurrent Draw 10 mA\u003cbr\u003e\u003cbr\u003eInput Impedance ≈150 kΩ\u003cbr\u003e\u003cbr\u003eOutput Impedance \u003cbr\u003eSwitching\u003cbr\u003eThis device uses relay-based true bypass switching; it requires power to pass signal.\u003cbr\u003e\u003cbr\u003ePower \u003cbr\u003eThis device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430918025309,"sku":"935042002015","price":261.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/hizumitas.jpg?v=1778346166"},{"product_id":"eqd-hoof-v2","title":"EarthQuaker Devices Hoof v2 Hybrid Fuzz Pedal","description":"\u003cp\u003eHoof™\u003cbr\u003eHybrid Fuzz\u003cbr\u003eOur flagship fuzz pedal can be found on thousands on pedalboards around the world and has rocked countless stages from stinky suburban basements to Madison Square Garden. Twice.\u003c\/p\u003e\n\u003cp\u003eThe Hoof is loosely based on the classic green Russian fuzz circuit and features a hybrid Germanium\/Silicon design, pairing maximum tone with maximum temperature stability not found in finicky and expensive vintage units. We hand-match our NOS Germanium transistors to exacting specifications for pedal-to-pedal consistency, taking the guesswork out of your fuzz purchase, and guaranteeing that your Hoof delivers the same smooth, natural, and harmonically-rich sustain as all your friends’ Hoofs. All your friends have Hoof fuzzes, right?\u003c\/p\u003e\n\u003cp\u003eMeasures: 4.75\" x 2.50\" x 2.25\" with knobs\u003cbr\u003eCurrent Draw: 15mA\u003cbr\u003eInput Impedance: 130K Ohm\u003cbr\u003eOutput Impedance: Switching\u003cbr\u003eThis device is true bypass and uses electronic relay-based switching. Audio will not pass without power.\u003c\/p\u003e\n\u003cp\u003ePower\u003cbr\u003eThis device can only be powered by a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430920089693,"sku":"930042020699","price":312.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/hoof.jpg?v=1778346204"},{"product_id":"earthquaker-devices-zeqd-pre-tube-preamp","title":"EarthQuaker Devices ZEQD-Pre Tube Preamp","description":"\u003cp\u003e\u003cstrong\u003eA collaboration between EarthQuaker Devices and Dr. Z Amplification\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis all-analog tube preamplifier brings together EarthQuaker Devices’ innovative pedal design and Dr. Z Amplification’s decades of tube amp expertise. With a passive three-band EQ, professional headphone output, balanced XLR output, and onboard analog cabinet simulation, the ZEQD-Pre delivers authentic tube warmth and dynamic response in a complete analog amplifier system that fits right on your pedalboard.\u003c\/p\u003e\n\u003cp\u003ePractice Amp with Headphones\u003cbr\u003eThe headphone output features built-in analog cabinet simulation for a realistic amp feel during quiet practice sessions. Enjoy the full EF86 tube character without disturbing your housemates.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eDirect Amplifier via XLR\u003cbr\u003eRun the balanced XLR output straight into any console or interface and use the ZEQD-Pre as your main amp. The analog cabinet simulation is there when you need it, or flip the Cab Bypass switch to send a pure signal to your preferred IR loader or modeling software. Perfect for direct recording, backline-free gigs, or hybrid rigs with multiple signal paths.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFlexible Routing\u003cbr\u003eAll outputs work simultaneously, even when the pedal is bypassed. Send your signal to an amp, route a direct feed to front-of-house, and monitor through headphones—all at once. This routing flexibility makes the ZEQD-Pre an invaluable studio tool.\u003c\/p\u003e\n\u003cp\u003eWhy The EF86 Tube?\u003cbr\u003eThe ZEQD-Pre uses the EF86 pentode—the same tube that gives many Dr. Z amplifiers their pristine hi-fi tone and makes them such responsive pedal platforms.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe Technical Side\u003cbr\u003eUnlike the common 12AX7 triode (two elements plus cathode), the EF86 pentode has four internal elements plus cathode. This structure yields measurably superior performance:\u003c\/p\u003e\n\u003cp\u003eGain Factor of 185: Significantly higher than comparable triodes\u003c\/p\u003e\n\u003cp\u003e44V RMS Output: Substantial voltage swing for enhanced dynamics\u003c\/p\u003e\n\u003cp\u003eExtended Frequency Response: Full-spectrum clarity from deep lows to detailed highs\u003c\/p\u003e\n\u003cp\u003eWhat This Means for You\u003cbr\u003eThese specifications translate directly to playing experience:\u003c\/p\u003e\n\u003cp\u003eTouch Sensitivity: The EF86 responds to every dynamic nuance in your playing. Play lighter and it cleans up; dig in and it blooms. Natural expression that follows your hands.\u003c\/p\u003e\n\u003cp\u003eFull-Frequency Clarity: Extended response means harmonic richness without sacrificing definition. Bass notes stay tight, highs remain bell-like and clear.\u003c\/p\u003e\n\u003cp\u003eResponsive EQ: Higher voltage and broader bandwidth let the passive Three-Band EQ shape your tone effectively with minimal signal loss. The interactive controls behave like classic tube amp tone stacks—predictable and musical across their entire sweep.\u003c\/p\u003e\n\u003cp\u003eThe EF86 brings hi-fi performance to tube preamplification while staying responsive and musical.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTECH SPECS\u003c\/strong\u003e\u003cbr\u003eDimensions\u003c\/p\u003e\n\u003cp\u003e5.88 x 3.94 x 2.75 in. (149 x 100 x 70 mm) with knobs\u003c\/p\u003e\n\u003cp\u003eCurrent Draw\u003c\/p\u003e\n\u003cp\u003e500 mA\u003c\/p\u003e\n\u003cp\u003eInput Impedance\u003c\/p\u003e\n\u003cp\u003e10 MΩ\u003c\/p\u003e\n\u003cp\u003eOutput Impedance\u003c\/p\u003e\n\u003cp\u003eVariable\u003c\/p\u003e\n\u003cp\u003eHeadphone Out Impedance\u003c\/p\u003e\n\u003cp\u003e39 Ω\u003c\/p\u003e\n\u003cp\u003eDirect Out Impedance\u003c\/p\u003e\n\u003cp\u003e100 Ω\u003c\/p\u003e\n\u003cp\u003eSwitching\u003c\/p\u003e\n\u003cp\u003eZEQD-Pre uses mechanical true bypass switching.\u003c\/p\u003e\n\u003cp\u003ePower\u003c\/p\u003e\n\u003cp\u003eThis device takes a standard 500 mA (or higher) 9-volt DC power supply with a 2.1 mm negative-center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains, and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430922350685,"sku":"BM810019915383","price":664.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/LargeJPEG-ZEQD-Pre.jpg?v=1778346254"},{"product_id":"eqd-arrows","title":"EarthQuaker Devices Arrows v2 Preamp Booster","description":"\u003cp\u003eArrows™\u003cbr\u003ePre-Amp Booster\u003cbr\u003eThe Arrows is an all-discrete tone sculpting preamp booster. It was designed with the intention of adding an additional channel of gain to all your dirt pedals as well as brightening up neck pickups. It boosts midrange, tightens up the low end and makes the top end shine while adding some push to drive your dirt into blooming sustain with excellent harmonics. Its simple interface is no nonsense; a single control that will either boost or cut your signal. Use the Arrows to remove the muck from bass heavy fuzz pedals, push light overdrives into higher gains than you thought possible or even on its own to make your signal really pop with more pizazz. All analog, true bypass and handmade one at a time in the weird pit of Akron, Ohio.\u003c\/p\u003e\n\u003cp\u003eControls\u003cbr\u003eLevel: Controls the volume.\u003c\/p\u003e\n\u003cp\u003eMeasures\u003cbr\u003e4.75″ x 2.50″ x 2.25″ with knob\u003c\/p\u003e\n\u003cp\u003eSwitching\u003cbr\u003eThis device is true bypass and uses electronic relay based switching. Audio will not pass without power.\u003c\/p\u003e\n\u003cp\u003ePower\u003cbr\u003eThis device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!\u003c\/p\u003e\n\u003cp\u003eCurrent Draw: 8mA\u003cbr\u003eInput Impedance: 10M\u003cbr\u003eOutput Impedance: \u0026lt;1K\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430924611677,"sku":"930042020686","price":189.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/arrows.jpg?v=1778346288"},{"product_id":"earthquaker-devices-towers-stereo-reverberant-filter","title":"EarthQuaker Devices Towers Stereo Reverberant Filter","description":"\u003cp\u003eTowers teleports your sound into a vast stereophonic expanse, weaving it into its unique resonant filtered feedback networks. Reflections hang in the air and move in and out of a sprawling multidimensional soundscape, where they don’t just fade away—they radiate, breathe and drift endlessly into the void.\u003c\/p\u003e\n\u003cp\u003eThe filter frequency offers three distinct modes of navigation: Manual Mode puts the player in charge of the filter frequencies.  Envelope Mode where playing dynamics breathe and morph into everchanging filter movements. LFO Mode where the player surrenders control to a slow-moving oscillator that sweeps across the stereo field.\u003c\/p\u003e\n\u003cp\u003eManual Mode\u003cbr\u003eThe filter frequency is manually changed by adjusting the Frequency control. This works across the stereo field, with the left channel opposite the right.\u003c\/p\u003e\n\u003cp\u003eEnvelope Mode\u003cbr\u003eThe filter frequency is changed with an envelope that is controlled by picking dynamics. In this mode, the Frequency control adjusts the sensitivity of the envelope.\u003c\/p\u003e\n\u003cp\u003eLFO Mode\u003cbr\u003eThe filter frequency is controlled by a slow moving LFO, and the Frequency control adjusts the rate. This mode also sweeps across the stereo field creating a slow panning filter effect.\u003c\/p\u003e\n\u003cp\u003eDesign Notes\u003c\/p\u003e\n\u003cp\u003eAt the heart of Towers lies an architectural marvel of aural alchemy—your input signal is fed into an array of infinitely repeating micro-echoes, creating dynamic generative impulses which feed an immense cathedral style reverb where the Length control shapes the decay time and density of reflections. This reverberant foundation is then interwoven with a resonant low-pass filter that intersects the delay and reverb pathways at multiple points, crafting a massive, unearthly sound that transcends the limitations of traditional hardware. The result is not merely an effect, but an experiential journey into the expanse. \u003c\/p\u003e\n\u003cp\u003eThe filter frequency is your spectral guide through these hazy realms, offering three distinct modes of navigation. In Manual Mode, you are the commander of your own frequency. By turning the Frequency control, you can create opposing movements between left and right channels. Envelope Mode transforms playing dynamics into filter movement, where each strike of the strings becomes a catalyst for harmonic resonance while the Frequency control maintains proper sensitivity. LFO Mode surrenders control to a slow-moving oscillator that sweeps across the stereo field, and the Frequency adjusts the rate at which it sways. \u003c\/p\u003e\n\u003cp\u003eThe resonant low-pass filter, reminiscent of those found in many beloved vintage synthesizers, generates warm and ringy tones that impart layers of dark atmosphere into the reverberated echoes. Through the Filter control, you determine how intensely this harmonic disturbance intertwines with the reverb pathways, while the Mix control becomes your balance between the celestial realms above and the grounded reality below. Eight user assignable presets await to capture and recall your most cherished settings with the turn of a knob and press of a switch. \u003c\/p\u003e\n\u003cp\u003eTowers can be further pulled across space and time by initiating the extraordinary phenomenon known as Stretch. This spellbinding feature doubles the length of reverb effect by slowing the processor speed which generates a lo-fi effect that pulls apart the delay lines while smearing the filter and lowering the frequency responses. Pleasant surprises and delightful musical inaccuracies will emerge, creating unique atmospheres that serve as the ultimate vibe setter. With the stretch footswitch, you can tap it for an instantaneous effect or hold it and marvel as the entire system of Towers descends into the abyss, spawning mesmerizing artifacts along the way. \u003c\/p\u003e\n\u003cp\u003eControls;\u003c\/p\u003e\n\u003cp\u003eMode: This is a 3-position toggle switch that changes the mode of operation.\u003c\/p\u003e\n\u003cp\u003eLength: Controls the length of the reverb – lower settings are shorter, higher settings are longer. This control also has a secondary function to adjust the speed of the Stretch feature. \u003c\/p\u003e\n\u003cp\u003eMix: This sets the overall level of the effect, balancing the ethereal with the earthly. \u003c\/p\u003e\n\u003cp\u003eStretch Footswitch: Stretch slows down the entire digital system of Towers. As a result, the reverb length is doubled, the spectrum of frequencies is altered and a pitch bending effect can be heard throughout the morphing process.\u003c\/p\u003e\n\u003cp\u003eFrequency: This controls the filter frequency and has several different functions depending on which mode is selected. \u003c\/p\u003e\n\u003cp\u003eFilter: Controls how much the resonant low pass filter is mixed into the reverb pathways, determining the depth of harmonic resonance. \u003c\/p\u003e\n\u003cp\u003ePreset: Selects which user preset to use in preset mode, allowing you to recall your favorite mystical configurations.\u003c\/p\u003e\n\u003cp\u003eActivate Footswitch: This turns the effect on and off.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430941814877,"sku":"BM810019915208","price":474.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/Towers-Stereo-Reverb.png?v=1778346511"},{"product_id":"earthquaker-devices-spatial-delivery-v3-envelope-filter-w-sample-hold","title":"EarthQuaker Devices Spatial Delivery v3 Envelope Filter w\/Sample + Hold","description":"\u003cp\u003eThe Spatial Delivery is an oddball, a voltage controlled envelope filter that allows you to step outside the universe of funk while reinforcing your secret love affair with auto-wah. This baby has three modes with the switchable Up Sweep, Down Sweep, and Sample \u0026amp; Hold functions, along with Range, Resonance and Filter controls. Get some wild filter sweeps with the Up and Down modes and adjust the Range to control the sensitivity and reaction time of the envelope, which alters the width of the frequency sweep. Reign in the controls a bit, add your favorite overdrive\/fuzz after the Spatial Delivery and you’ve got a real nice resonant, cut-through-the-mix lead tone.\u003c\/p\u003e\n\u003cp\u003eWe took the already cosmic, original Spatial Delivery and added six available preset slots for you to store your preferred settings. Even the expression jack assignment can be saved and recalled in any of the slots so that the signature sounds you dial in are readily available with a quick tap of the switch. Save your settings confidently on the go thanks to the two modes indicated by the LED Save\/Recall switch.\u003c\/p\u003e\n\u003cp\u003eGlobal Features\u003cbr\u003e \u003cbr\u003ePresets\u003cbr\u003eSpatial Delivery has six available preset slots for you to save and recall your favorite settings. The settings for each of the three controls, the Mode switch and the expression jack assignment can be saved and recalled in any of the slots.\u003c\/p\u003e\n\u003cp\u003eOperating Modes\u003cbr\u003eSpatial Delivery has two operating modes which are indicated by the color of the Save\/Recall switch LED. In Live mode, the pedal will operate exactly where the controls are set and any changes will have no effect on the presets unless saved. In Preset mode, stored presets, including expression pedal mapping, are selected using the Preset switch, and the physical settings of the controls will be ignored. It’s never been easier to switch between Live and Preset modes on the fly, vastly expanding your sonic cosmos - no bending down required!\u003c\/p\u003e\n\u003cp\u003eUser-Assignable Expression Control\u003cbr\u003eUse any TRS expression pedal to take control over the Range, Resonance or Filter controls.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003c\/p\u003e\n\u003cp\u003e4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs\u003c\/p\u003e\n\u003cp\u003eCurrent Draw\u003c\/p\u003e\n\u003cp\u003e75 mA\u003c\/p\u003e\n\u003cp\u003eInput Impedance\u003c\/p\u003e\n\u003cp\u003e500 kΩ\u003c\/p\u003e\n\u003cp\u003eOutput Impedance\u003c\/p\u003e\n\u003cp\u003e100 Ω\u003c\/p\u003e\n\u003cp\u003eFlexi-Switch® Technology\u003c\/p\u003e\n\u003cp\u003eThis device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.\u003c\/p\u003e\n\u003cp\u003e• For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.\u003c\/p\u003e\n\u003cp\u003e• For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed.\u003c\/p\u003e\n\u003cp\u003eSince the switching is relay based, it requires power to pass signal.\u003c\/p\u003e\n\u003cp\u003ePower \u003c\/p\u003e\n\u003cp\u003eThis device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!\u003c\/p\u003e\n\u003cp\u003eArtwork\u003c\/p\u003e\n\u003cp\u003eArtwork by Matt Horak\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430942830685,"sku":"BM810019913969","price":331.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/large_jpeg-spatial-delivery.jpg?v=1778346525"},{"product_id":"earthquaker-devices-buffer-splitter","title":"EarthQuaker Devices Buffer Splitter","description":"\u003cp\u003eA buffer is an important tool to combat tone loss with long cable runs or in signal chains running lots of true bypass pedals. The EarthQuaker Devices Buffer\/Splitter uses the same great high 1 Mohm input impedance and low 100 ohm output impedance found in our Buffer\/Preamp to restore your tonal integrity! This buffer is designed to both maintain high end and give your low end a subtle, yet powerful, little kick for some added dimension!\u003c\/p\u003e\n\u003cp\u003eWhat’s better than a single output buffer? A dual output buffer, that’s what! Use the EarthQuaker Devices Buffer\/Splitter to split your signal into two and send them anywhere you like! Two amps! Turn a mono signal into a stereo signal! Send one output to your effects and use the other as a dry-through! Remove your tuner from the signal path… you get the idea!\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430955577437,"sku":"BM810019914423","price":151.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/buffer-splitter.png?v=1778346666"},{"product_id":"earthquaker-devices-buffer-preamp","title":"EarthQuaker Devices Buffer Preamp","description":"\u003cp\u003eA buffer is an important tool to combat tone loss with long cable runs or in signal chains running lots of true bypass pedals. With its high 1 Mohm input impedance and low 100 ohm output impedance, the EarthQuaker Devices® Buffer\/Preamp will restore your tonal integrity and give you back the clear and dynamic signal you deserve and your amp craves. Want more? Not only will it restore high end loss, this device has a little trick up its sleeve that will also give your low end a subtle, yet powerful, little kick for some added dimension. \u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430955642973,"sku":"BM810019914447","price":132.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/buffer-preamp.png?v=1778346668"},{"product_id":"eqd-bit-commander-v2","title":"EarthQuaker Devices Bit Commander v2 Analog Octave Synth Pedal","description":"\u003cp\u003eAnalog Octave Synth\u003cbr\u003eThe Bit Commander is a monophonic analog guitar synthesizer with four octaves of vintage square wave synth tones. Its no-nonsense interface makes it easy to add or subtract octaves to create a wide variety of sounds without having to dial in envelopes or oscillators. Ripping sub-octave thump, pulsing octave down, a lightly squared base tone and a swelling transformer based octave up all join together to make a single guitar sound like an army of olde tyme synths.\u003c\/p\u003e\n\u003cp\u003eLike all analog octave effects, there are some basic rules to follow that will get you the most enjoyment from your Bit Commander. Use the neck pickup and play single notes. The best tracking occurs from the 7th fret up on all the strings. Below the 7th will still track but there will be occasional glitches and stutters. The lower the note, the harder it is for the Bit Commander to register. The use of Bass and lower registers on keyboards will yield unexpected, sometimes pleasing, sometimes disgusting results. These are not mistakes or flaws, it is the nature of analog octaves.\u003c\/p\u003e\n\u003cp\u003eAnalog, true bypass and hand made one at a time in the republic of Akron Ohio.\u003c\/p\u003e\n\u003cp\u003eControls\u003cbr\u003eSub: Two octaves down level\u003c\/p\u003e\n\u003cp\u003eDown 1: One octave down level\u003c\/p\u003e\n\u003cp\u003eUp 1: One octave up level\u003c\/p\u003e\n\u003cp\u003eBase: Squared input signal level\u003c\/p\u003e\n\u003cp\u003eLevel: Master volume\u003c\/p\u003e\n\u003cp\u003eFilter: Tone control, more highs clockwise, more warmth counter clockwise\u003c\/p\u003e\n\u003cp\u003eMeasures\u003cbr\u003e4.75″ x 2.50″ x. 2.25″ with knobs\u003c\/p\u003e\n\u003cp\u003ePower\u003cbr\u003eOur pedals take a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!\u003c\/p\u003e\n\u003cp\u003eCurrent draw is 25 mA.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44430963179613,"sku":"930042020688","price":312.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/bit-commander.jpg?v=1778346797"},{"product_id":"earthquaker-devices-silos-multi-generational-time-reflection-device","title":"Earthquaker Devices SILOS Multi-Generational Time Reflection Device","description":"\u003cp\u003eHey there, fellow Time Travelers! Are you tired of trying to fit all of your favourite delays onto your already overflowing pedalboard? Did you constantly have trouble choosing just one pedal to serve as the catalyst of your echo-centric musings? Had you wished that a pedal company would give you more bang for your buck by merging multiple classic delay effects into one simple little box? Well hold on to your whammy bar, because your problems are solved now that you’ve found the new Silos™ Multi-Generational time Reflection Device! \u003c\/p\u003e\n\n\u003cp\u003eThat’s right, we’ve taken a digital delay, an analogue delay, and a tape delay and merged them all together as one pedal with six presets, a tap-tempo, and user assignable expression control. Take a moment to compose yourself, we totally understand. Let us give you a little backstory; it all started when EQD founder Jamie Stillman was admiring his three favourite delay pedals from his personal collection and began ruminating on their vast differences. This sparked an ambitious foray into uncharted territory in finding a way to assemble them all together as one uncomplicated unit. After months of tinkering, his mission was accomplished and the Silos™ was born. With just four knobs, one three-way switch, one Save\/Recall button, and two footswitches, he made the impossible possible and now your guitar playing shall reap the rewards! \u003c\/p\u003e\n\n\u003cp\u003eEach of the three modes offers up to one second of delay time which allows it to be a longer delay than our other delay pedals. From noon and back is 500 milliseconds to zero, which has its own character. From 500 milliseconds to one second of delay time, it’s an entirely different beast. Dial them in for shorter delay times where they really excel and add loads of atmosphere and vibes. Push them further for rhythmic delays that are perfect for strumming and adding extra ambiance for your riffs. And the tap tempo is truly precise and responsive so you can lock in your rate quickly within the first revolutions\u003c\/p\u003e\n\u003cp\u003eThree-mode delay with the ability to save and recall six presets, tap-tempo, and user-assignable expression control \u003cbr\u003eMix, Time, and Repeats knobs dial in the sound in each of the 3 modes\u003cbr\u003eMode D: Digital Delay mode offers nearly infinite repeats that hold their fidelity while gradually rolling off the top end with each regeneration.\u003cbr\u003eMode A: Analog Delay mode is more mid-focused in the initial attack and gradually degrades while getting darker with each repeat.\u003cbr\u003eMode T: This mode resembles an old, well-loved tape delay with all its glorious artifacts. Dark and moody with just a hint of distortion when you hit it just right. \u003cbr\u003eUser-assignable expression control\u003cbr\u003eDedicated tap tempo footswitch\u003cbr\u003eTwo global operating modes which are indicated by the colour of the Save\/Recall switch: \u003cbr\u003eGreen = Live Mode\u003cbr\u003eRed = Preset Mode\u003cbr\u003eBuffered bypass featuring Flexi-Switch® Technology with tails \u003cbr\u003eLifetime warranty\u003cbr\u003eCurrent Draw: 75 mA\u003cbr\u003eInput Impedance: 500 kΩ\u003cbr\u003eOutput Impedance: 100 Ω\u003cbr\u003eBoxed Dimensions: 8.2 cm x 13.9 cm x 8.2 cm\u003cbr\u003eOut of Box Dimensions: 6.6 cm x 12.7 cm x 5.8 cm\u003cbr\u003eBoxed Weight: 0.38kg\u003cbr\u003eOut of Box Weight: 0.3 kg\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431000535133,"sku":"BM810019914409","price":323.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/silos.jpg?v=1778346968"},{"product_id":"earthquaker-devices-time-shadows-v2-subharmonic-multi-delay-resonator-pedal","title":"EarthQuaker Devices Time Shadows v2 Subharmonic Multi-Delay Resonator Pedal","description":"\u003cp\u003eThis joint collaboration between EarthQuaker Devices and Death By Audio is a major update to the original Time Shadows that was released in 2020 and limited to 1000 units! Time Shadows now features 3 modes, user assignable expression control and 6 preset slots to save and recall your favorite settings. The EQD Mode is an envelope controlled sub-octave filter delay, the ALL NEW !¡ Mode is a dual delay where each repeat simultaneously shifts up and down with each regeneration, and the DBA Mode is a multi-delay regenerating filter. All three sounds are wildly different from each other and yet share a perfectly designed harmony to be completely complementary and suitable for every style and genre of music.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ev2 update to the original limited edition Time Shadows with an added 3rd mode and new features.\u003c\/li\u003e\n\u003cli\u003eEQD Mode is an envelope controlled sub-octave filter delay.\u003c\/li\u003e\n\u003cli\u003e!¡ Mode is a dual delay where each repeat simultaneously shifts up and down with each regeneration.\u003c\/li\u003e\n\u003cli\u003eDBA Mode is a multi-delay regenerating filter\u003c\/li\u003e\n\u003cli\u003eTime, Span, and Filter knobs dial in the sound in each of the 3 modes\u003c\/li\u003e\n\u003cli\u003eUser-assignable expression control\u003c\/li\u003e\n\u003cli\u003eTwo global operating modes which are indicated by the color of the Save\/Recall switch: Green = Live Mode, Red = Preset Mode\u003c\/li\u003e\n\u003cli\u003eSilent relay-based switching with Flexi-Switch® Technology\u003c\/li\u003e\n\u003cli\u003eTrue bypass\u003c\/li\u003e\n\u003cli\u003eLifetime warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431000993885,"sku":"EQD-M00010245","price":350.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/time-shadows.jpg?v=1778346972"},{"product_id":"earthquaker-devices-disaster-transport-legacy-reissue-delay-pedal","title":"Earthquaker Devices Disaster Transport Legacy Reissue Delay Pedal","description":"\u003cp\u003eBehold! The newest incarnation of one of EQD’s most beloved pedals ever, the Disaster Transport. We’re talking Disaster Transport OG – an analogue-voiced digital delay that can teleport your sound into the stratosphere.\u003c\/p\u003e\n\u003cp\u003eInitially setting out to recreate the original Disaster Transport pedal in its earliest form, Jamie Stillman couldn’t resist tinkering and improving the whole thing, so you just got upgraded, my friend. In doing so, EQD redesigned the delay line to reduce the noise floor and improve the quality of the delay.\u003c\/p\u003e\n\u003cp\u003eThe output is boosted with a cleaner mixing section; it’s now filtered to sound more like an analogue delay than any of the previous versions.\u003c\/p\u003e\n\u003cp\u003eThis strictly limited edition delay pedal sits perfectly in the background with more of an evolved ambiance to it, but it can be dialled in for more of a dramatic effect of your choosing.\u003c\/p\u003e\n\u003cp\u003eMod Mode with Blend and Stretch\u003c\/p\u003e\n\u003cp\u003eA Mod Mode switch has been added that allows you to choose between bending (Bend) and stretching (Stretch) the modulation wave. The Bend setting offers a subtler vibe closer to a traditional chorus sound, while the new Stretch option gives you loads of pitch-stretching modulation to run wild with. \u003c\/p\u003e\n\u003cp\u003eThe newly added Mod Speed three-position toggle switch offers Slow (S), Fast (F), and Medium (M) settings. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUse modulation to match your riff's tempo\u003c\/p\u003e\n\u003cp\u003eThe newly designed enclosure features knobs to control the Speed, Intensity, Mix, Repeats, and Time, with Modulate and Activate Switches, making this a highly customisable pedal to get the delay sound of your dreams.\u003c\/p\u003e\n\u003cp\u003eThanks to the ramp modulation circuitry, you can turn the delay time down and start to use feedback and modulation at a higher setting to harness a bizarre modulator and achieve subtle to wild chorus-type effects.\u003c\/p\u003e\n\u003cp\u003eOr set your delay time how you want to set it and use your modulation rates to set your tempo, so you can strum or pluck to the climbs and drop offs to match your riffs. The possibilities are endless. \u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eDisaster Transport Specs\u003c\/p\u003e\n\u003cp\u003eLimited to 4000 units worldwide\u003cbr\u003eReissue of the first version of the classic EQD modulated delay circuit\u003cbr\u003eAnalogue-voiced modulated digital delay\u003cbr\u003eReduced noise floor\u003cbr\u003eBoosted output with a cleaner mixing section\u003cbr\u003eMod Mode switch chooses between bending (Bend) and stretching (Stretch) the modulation wave\u003cbr\u003eMod Speed three-position toggle switch Slow (S), Fast (F), and Medium (M)\u003cbr\u003eAll-analogue signal path\u003cbr\u003eTrue bypass\u003cbr\u003eSilent relay-based switching with Flexi-Switch Technology\u003cbr\u003eLifetime warranty\u003cbr\u003eCurrent Draw: 35 mA\u003cbr\u003eInput Impedance: 1M\u003cbr\u003eOutput Impedance: 1K\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431002075229,"sku":"EQD-M00010077","price":317.3,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/large_jpeg-disaster-transport-reissue.jpg?v=1778346995"},{"product_id":"eqd-dispatch-master-v3","title":"EarthQuaker Devices Dispatch Master v3 Digital Delay Pedal","description":"\u003cp\u003eDigital Delay \u0026amp; Reverb\u003cbr\u003eThe Dispatch Master is a hi-fi digital Delay \u0026amp; Reverb Device that combines independent delay and reverb effects into one space-saving enclosure, so you can keep deep ambient echoes (or just a quick slapback) on speed-dial.\u003c\/p\u003e\n\u003cp\u003eThe best-selling EarthQuaker Devices pedal just got bester [sic] with new Flexi-Switch™ Technology! Want to dip into ambient delay and reverb sounds for just one note? Press and hold the footswitch for as long as you use the effect, release it when you’re finished, and resume your regularly scheduled dry sound. To use the Dispatch Master as a normal effects pedal, press the switch once to activate and again to bypass.\u003c\/p\u003e\n\u003cp\u003eMeasures: 4.75\" x 2.50\" x 2.25\" with knobs\u003cbr\u003eCurrent Draw: 78mA\u003cbr\u003eInput Impedance: 1M Ohm\u003cbr\u003eOutput Impedance:\n\u003c\/p\u003e\u003cp\u003eFlexi-Switching\u003cbr\u003eThis device features Flexi-Switch™ Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.\u003c\/p\u003e\n\u003cp\u003eFor standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.\u003c\/p\u003e\n\u003cp\u003eFor momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed.\u003c\/p\u003e\n\u003cp\u003eSince the switching is relay based, it requires power to pass signal.\u003c\/p\u003e\n\u003cp\u003ePower\u003cbr\u003eThis device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431006203997,"sku":"935042001536","price":312.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/dispatch-master.jpg?v=1778347075"},{"product_id":"eqd-avalanche-run-v2","title":"EarthQuaker Devices Avalanche Run v2 Stereo Reverb \u0026 Delay Pedal w\/Tap Tempo","description":"\u003cp\u003eStereo Reverb \u0026amp; Delay with Tap Tempo\u003cbr\u003eThe Avalanche Run is a dreamy stereosonic exploratory multi-tool that includes up to 2 seconds of delay time, reverse delay, tap tempo with subdivision control, switchable true bypass or buffered bypass with 5 different tail lengths (including a sound-on-sound style lo-fi looping mode) and an assignable expression control that maps the expression jack to a control of your choice, including the toggle! The delay section allows tweaking from tape emulation to bucket brigade styles with a twist of the wide-range Tone control. The cavernous, plate-style reverb has just a touch of modulation similar to the one found in our precious Dispatch Master only more lush with an adjustable Decay. Otherworldly reverse delay and dynamic swelling reverb settings are accessible through a 3-way toggle switch. And that’s just the beginning...\u003c\/p\u003e\n\u003cp\u003e1. Time: This controls the delay time and goes from 0ms to just under 2000ms.\u003c\/p\u003e\n\u003cp\u003e2. Repeats: Controls the regeneration of the delay, from zero repeats to near infinite.\u003c\/p\u003e\n\u003cp\u003e3. Tone: Controls the tone for the delay line only. Roll off highs to the left, roll off lows to the right and get a flat response in the middle.\u003c\/p\u003e\n\u003cp\u003e4. Mix: The is the volume control for the delay line. This blends in the wet with dry until 1 o’clock, 1 o’clock to 3 o’clock boosts the wet signal over the dry and 3 o’clock up brings down dry until it is fully wet when all the way up.\u003c\/p\u003e\n\u003cp\u003e5. Expression Jack Assign Switch: Use this switch to map the expression jack to one of the assigned controls.\u003c\/p\u003e\n\u003cp\u003eDecay: Controls the reverb decay length\u003c\/p\u003e\n\u003cp\u003eR Mix: Controls the reverb mix\u003c\/p\u003e\n\u003cp\u003eTime: This takes over for the delay time control and is DRASTICALLY different than the interface control. Using the expression pedal to control the time will give you all kinds of wild effects that can not be achieved by turning the knob.\u003c\/p\u003e\n\u003cp\u003eRepeats: Controls the delay repeats\u003c\/p\u003e\n\u003cp\u003eD Mix: Controls the delay mix\u003c\/p\u003e\n\u003cp\u003eToggle: This takes over for the toggle switch and will cross fade from forward delay in heel down position to reverse delay in toe down position.\u003c\/p\u003e\n\u003cp\u003e6. Ratio Selector Switch: Selects delay subdivisions when time is set by the “Tap” switch.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1\/1: Quarter Note\u003c\/li\u003e\n\u003cli\u003e3\/4: Dotted 8th\u003c\/li\u003e\n\u003cli\u003e2\/3: Quarter Note Triplet\u003c\/li\u003e\n\u003cli\u003e1\/2: 8th Note\u003c\/li\u003e\n\u003cli\u003e1\/3: 8th Note Triplet\u003c\/li\u003e\n\u003cli\u003e1\/4: 16th Note\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e7. Decay: Controls the decay length of the reverb, short decay counterclockwise, long cavernous decay clockwise.\u003c\/p\u003e\n\u003cp\u003e8. Toggle Switch (Mode Selector)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBoth: This is the “standard” delay and reverb mode\u003c\/li\u003e\n\u003cli\u003eReverse: This is reverse delay mode with “standard” reverb\u003c\/li\u003e\n\u003cli\u003eSwell: This is the volume swell modew\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e9. Mix: This is the volume control for the reverb. Blends in the wet with dry until 1 O’clock, 1 O’clock to 3 O’clock boosts the wet signal over the dry and 3 O’clock up brings down dry until it is fully wet when all the way up.\u003c\/p\u003e\n\u003cp\u003eMeasures: 4.65″ x 4.15″ x 2.25″ with knobs\u003cbr\u003eCurrent Draw: 410mA\u003cbr\u003eInput Impedance: 1M Ohm\u003cbr\u003eOutput Impedance: 100 Ohm\u003cbr\u003eS\/N Ratio: 115dB typical\u003cbr\u003e24-bit 96kHz A\/D \u0026amp; D\/A converters\u003cbr\u003eAll analog dry signal path\u003cbr\u003eAll digital wet signal path with 20Hz – 20kHz frequency response\u003cbr\u003eExpression Jack\u003cbr\u003eThe expression jack is located on the west side of the pedal. It is a TRS jack with the tip acting as the wiper.\u003c\/p\u003e\n\u003cp\u003eWe recommend using a Moog expression pedal with the output adjustment knob all the way up.\u003c\/p\u003e\n\u003cp\u003eWe cannot guarantee any other expression pedal to work with the Avalanche Run.\u003c\/p\u003e\n\u003cp\u003eFlexi-Switching\u003cbr\u003eThis device features Flexi-Switch™ Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.\u003c\/p\u003e\n\u003cp\u003eFor standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.\u003c\/p\u003e\n\u003cp\u003eFor momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed.\u003c\/p\u003e\n\u003cp\u003eSince the switching is relay based, it requires power to pass signal.\u003c\/p\u003e\n\u003cp\u003ePower\u003cbr\u003eFor best results, please use the included 9v center-negative 1-amp DC power supply.\u003c\/p\u003e\n\u003cp\u003ePCBs populated by a combination of artificial and human intelligence in the Akron, Ohio of America.\u003c\/p\u003e\n\u003cp\u003eEach and every Avalanche Run is completely assembled, wired and tested by total human beans in the tiny tundra town of Akron, Ohio.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431006236765,"sku":"930042020685","price":635.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/avalanche-run.jpg?v=1778347075"},{"product_id":"earthquaker-devices-ledges-tri-dimensional-reverberation-machine-pedal","title":"EarthQuaker Devices Ledges Tri-Dimensional Reverberation Machine Pedal","description":"\u003cp\u003eLedges is a three-mode reverb with the ability to save and recall six presets and user-assignable expression control with loads of customisable options. From classic, standard reverb tones to undiscovered sonic reaches, it’s everything you’ve ever wanted and needed out of a reverb. \u003c\/p\u003e\n\u003cp\u003eThe three switchable modes each deliver a unique blend of reverb, but are connected through a spectrum where the Room (R) reverb’s longest setting is the Hall (H) reverb’s shortest setting, the Hall reverb’s longest setting is the Plate’s (P) shortest setting, and the Plate’s longest setting just keeps on going. The Room setting at its shortest achieves a small, boxy room sound that gradually gets bigger as you turn it up. As you increase the Hall setting, it morphs into a Cathedrals™-style reverb that becomes really big, boomy and echoey with distant reflections. Turn up the Plate setting to get bouncy reflections that recycle and reverberate forever. \u003c\/p\u003e\n\u003cp\u003eLedges can go from an ‘80s slapback reverb mix to a bigger room spring reverb with the twist of the dials. The Mix knob lets you control how much your signal is affected, while the Length knob controls the size of the reverb. The Damping knob subtly mutes the high-frequency reflections of the reverb, which you’ll hear clearly by adjusting your gain. \u003c\/p\u003e\n\u003cp\u003eIn addition to all of the features, there are six Presets available. Simply select a number with the switchable knob and then engage the Save on the center button and dial in your perfect sound. A quick Recall on the same button and you have all of your personalised reverb sounds with a single tap. You can assign an expression pedal to each of the three controls and then save it all in the presets.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThree-mode reverb with the ability to save and recall six presets and user-assignable expression control \u003c\/li\u003e\n\u003cli\u003eMix, Length, and Damping knobs dial in the sound in each of the 3 modes\u003c\/li\u003e\n\u003cli\u003eMode R: The Room setting at its shortest achieves a small, boxy room sound that gradually gets bigger as you turn it up\u003c\/li\u003e\n\u003cli\u003eMode H: The Hall setting becomes really big, boomy, and echoey with distant reflections\u003c\/li\u003e\n\u003cli\u003eMode P: The Plate setting creates bouncy reflections that recycle and reverberate forever\u003c\/li\u003e\n\u003cli\u003eUser-assignable expression control\u003c\/li\u003e\n\u003cli\u003eTwo global operating modes which are indicated by the colour of the Save\/Recall switch: \u003c\/li\u003e\n\u003cli\u003eGreen = Live Mode\u003c\/li\u003e\n\u003cli\u003eRed = Preset Mode\u003c\/li\u003e\n\u003cli\u003eBuffered bypass with tails\u003c\/li\u003e\n\u003cli\u003eSilent relay-based switching with Flexi-Switch® Technology\u003c\/li\u003e\n\u003cli\u003eLifetime warranty\u003c\/li\u003e\n\u003cli\u003eCurrent Draw: 75 mA\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 500 kΩ\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 100 Ω\u003c\/li\u003e\n\u003cli\u003eBoxed Dimensions: 133.35 x 82.55 x 82.55mm\u003c\/li\u003e\n\u003cli\u003eOut of Box Dimensions: 127 x 67 x 54mm\u003c\/li\u003e\n\u003cli\u003eBoxed Weight: 453.6g\u003c\/li\u003e\n\u003cli\u003eOut of Box Weight: 279.3g\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431009710173,"sku":"EQD-M00010134","price":303.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/ledges.jpg?v=1778347147"},{"product_id":"eqd-astral-destiny","title":"Earthquaker Devices Astral Destiny Modulated Octave Reverb Pedal","description":"\u003cp\u003e\u003cstrong\u003eAn Octal Octave Reverberation Odyssey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Astral Destiny is a compact and powerful modulated octave reverb pedal that features 8 reverb modes with 8 editable presets, assignable expression control, tails for natural reverb decay when the effect is bypassed and a super cool stretch feature that doubles the length of the reverb while adding an adjustable pitch bending effect.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8 celestial reverb modes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e| Abyss: Huge reverb with no octave effect\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e| Shimmer: Adds an upper octave to the reverb tail\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e| Sub: Adds a lower octave to the reverb tail\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e| Sub Shimmer: Adds an upper and lower octave to the reverb tail\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e| Astral: Adds an upper and lower octave combined with a regenerating tail\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e| Ascend: Upward pitch bending; best used on sustained notes and chords\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e| Descend: Downward pitch bending; best used on sustained notes and chords\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e| Cosmos: Adds a regenerating fifth to the reverb tail; best used on sustained notes and chords\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8 completely customisable presets\u003c\/li\u003e\n\u003cli\u003eAssignable expression or CV over Length, Depth, Rate, Tone, or Mix panel controls\u003c\/li\u003e\n\u003cli\u003eAdjustable modulation from zero to cosmic lasers\u003c\/li\u003e\n\u003cli\u003eBuffered bypass switching with tails or no tails operation. Factory ships with tails for natural reverb decay when effect is bypassed\u003c\/li\u003e\n\u003cli\u003eUnearthly stretch feature which doubles the reverb length while adding an adjustable pitch bending effect\u003c\/li\u003e\n\u003cli\u003eAll analogue dry signal path and a totally digital effect signal path\u003c\/li\u003e\n\u003cli\u003eArtwork from world-renowned Marvel comic book artist, Matt Horak\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePresets\u003cbr\u003eAstral-Destiny-Presets.jpg\u003cbr\u003eThe Astral Destiny operates between two different modes: Live or Preset. It comes with 8 factory presets, 1 for each reverb mode, that can be edited or completely overwritten for your enjoyment. The settings for Length, Depth, Rate, Tone, Mix as well as EXP assignment and Stretch length can all be stored and recalled. Any of the Astral Destiny’s 8 reverb modes can be used as the basis for each of the 8 presets.\u003c\/p\u003e\n\u003cp\u003eLive Mode\u003c\/p\u003e\n\u003cp\u003eThis is the standard mode of operation that the Astral Destiny ships in and is indicated by a Green or Red Activate LED depending on the bypass state. Astral Destiny will operate manually in this mode and all controls will visually indicate the current settings.\u003c\/p\u003e\n\u003cp\u003ePreset Mode\u003c\/p\u003e\n\u003cp\u003eThis puts the Astral Destiny into one of the 8 presets selected by the Preset rotary switch. This mode is indicated by a Yellow Activate LED. The panel controls will no longer operate as visually set and instead, the Astral Destiny will use the stored control settings for each selected preset position. If a control change is made while in Preset Mode, the Activate LED will begin to flash. You can easily save this change by holding down both footswitches until both LED’s flash 4 times indicating that the change has been saved.\u003c\/p\u003e\n\u003cp\u003eDimensions: 4.65 x 3.65 x 2.25 in. (118 x 93 x 57 mm) with knobs\u003cbr\u003eCurrent Draw: 85 mA\u003cbr\u003eInput Impedance: 500 kΩ\u003cbr\u003eOutput Impedance: 100 Ω\u003cbr\u003eExpression Jack\u003cbr\u003eUse any TRS expression pedal to take control over the Length, Depth, Rate, Tone, or Mix panel controls! You can also use Control Voltage with the EXP Jack. The CV range is 0 – 3.3v.\u003c\/p\u003e\n\u003cp\u003eEXP Jack Internal Connections:\u003cbr\u003eSleeve= Ground\u003cbr\u003eRing= 3.3v\u003cbr\u003eTip= Wiper (CV)\u003c\/p\u003e\n\u003cp\u003eTails or Full Bypass Switching\u003cbr\u003eAstral Destiny can operate in two different bypass states: Tails or Full Bypass. It comes factory set in Tails Mode which allows the reverb effect to naturally decay after the effect is bypassed and is indicated by a Green Activate LED. Full Bypass will cut the reverb effect completely when the effect is bypassed and is indicated by a Red Activate LED.\u003c\/p\u003e\n\u003cp\u003eAstral Destiny is buffered bypass which means that there will always be an active buffer present and it requires power to pass signal.\u003c\/p\u003e\n\u003cp\u003eStretch Footswitch\u003cbr\u003eThe Stretch footswitch doubles the length of the reverb effect while adding a temporary change in pitch.\u003c\/p\u003e\n\u003cp\u003eTap for an immediate pitch change.\u003c\/p\u003e\n\u003cp\u003eHold for a temporary pitch bending effect.\u003c\/p\u003e\n\u003cp\u003eAdjusting the speed of the pitch bend\u003cbr\u003eThe speed of the of the pitch bending effect created by holding the Stretch footswitch can be adjusted by following these steps:\u003c\/p\u003e\n\u003cp\u003eHold down the Stretch footswitch.\u003c\/p\u003e\n\u003cp\u003eTurn the Length control clockwise for a longer pitch bend or counterclockwise for a shorter pitch bend.\u003c\/p\u003e\n\u003cp\u003eRelease the Stretch footswitch once you have selected your desired length.\u003c\/p\u003e\n\u003cp\u003eThe Stretch footswitch will now operate at the selected speed every time the Astral Destiny is powered on.\u003c\/p\u003e\n\u003cp\u003ePower\u003cbr\u003eThis device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431013576797,"sku":"935042001901","price":398.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/astral-destiny.jpg?v=1778347157"},{"product_id":"eqd-afterneath-v3","title":"EarthQuaker Devices Afterneath v3 Otherworldly Reverberator Pedal","description":"\u003cp\u003eAfterneath® Enhanced Otherworldly Reverberator\u003cbr\u003eThe Afterneath sounds a lot like it looks – a wizard bursting forth from ethereal cave and ready for the ambient battle. You are the wizard – or sorceress, if you prefer – and the cave is your instrument’s signal, vast, expansive, and magical. Do you go inside? Roll a D20 to proceed!\u003c\/p\u003e\n\u003cp\u003eOnce inside, a reflection of light from an unknown source catches your eye, and you notice a bizarre sheen on the walls of the cave. You timidly inch closer to the walls of the cave. Placing your hand gently on the cavern wall, you feel the rock move. The cave is alive! Alarmed, you emit a loud gasp, which reverberates throughout the subterranean landscape. Upon further listening, it appears as though the reverberations of your voice are in fact a swarm of short digital delays which may be used to create wild and cavernous reverbs, or scattered, short, rhythmic delays with bizarre characteristics.\u003c\/p\u003e\n\u003cp\u003eTake a moment to consider your Intelligence and Wisdom scores, as well as your spell inventory before proceeding further. You have seven spells at your disposal…\u003c\/p\u003e\n\u003cp\u003eWill you cast “Length,” which controls the decay length of the reverb?\u003cbr\u003eWhat about “Diffuse,” which adjusts the spread of the reverb? With your wand (or just the knob) turned counterclockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding hex.\u003c\/p\u003e\n\u003cp\u003eOverwhelmed by fear, you hastily cast “Dampen!” As you shout the incantation, you notice that a counterclockwise variation of this spell results in brighter tones, while as you rotate your wand clockwise; you hear darker tones with a mellower top-end. It’s almost as if your magic changes the hardness of the cavern walls, and thus the tonal characteristics of the reverb!\u003c\/p\u003e\n\u003cp\u003eElsewhere in your book of magic is “Drag,” which separates the individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return. Clockwise “Drag” positions will gather the delay lines close together for a more reverb-like effect. Turn the “Drag” counterclockwise, and the delay lines will begin to pull apart for a scattered ping-pong delay effect.\u003c\/p\u003e\n\u003cp\u003eThe Drag can be put under voltage or expression control using the “EXP” jack located on the side and operates in 9 different modes which are selected by the small “Mode” control. These modes are: Unquantized, Unquantized with slew, Unquantized volt\/octave,\u003cbr\u003eChromatic scale, Major scale, Minor scale, Pentatonic scale, Octaves \u0026amp; fifths and Octaves. These modes drastically change the way the Drag control functions, especially while using an expression control or CV.\u003c\/p\u003e\n\u003cp\u003eThe “Reflect” alters the depth of the cave, and with it the regeneration of the reverb. This acts as a feedback control and will self-oscillate if cast by a high-level user. Turn clockwise for more wash and echoes, counterclockwise for less.\u003c\/p\u003e\n\u003cp\u003eFinally, the “Mix” alters the alchemical balance between the input signal and the effect. The Afterneath does not go fully wet but does lower the level of the input signal as you raise this control to create the appearance of a fully wet reverb.\u003c\/p\u003e\n\u003cp\u003eModes\u003cbr\u003eThe Modes control changes the way the Drag control functions. The LED will change colors indicating which mode you are in.\u003c\/p\u003e\n\u003cp\u003e1. Unquantized: Smooth, unquantized response over the operating range\u003c\/p\u003e\n\u003cp\u003e2. Unquantized with Slew: Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. The “Drag” will lag behind the knob or cv changes, but then quickly catch up.\u003c\/p\u003e\n\u003cp\u003e3. Unquantized Volt\/Octave: Smooth and unquantized, yet scaled to align with the 1v\/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage controlled oscillator.\u003c\/p\u003e\n\u003cp\u003e4. Chromatic Scale: Quantized 1v\/octave to the chromatic scale\u003c\/p\u003e\n\u003cp\u003e5. Minor Scale: Quantized 1v\/octave to the minor scale\u003c\/p\u003e\n\u003cp\u003e6. Major Scale (Lydian): Quantized 1v\/octave to the major scale (Lydian)\u003c\/p\u003e\n\u003cp\u003e7. Pentatonic Scale: Quantized 1v\/octave to the pentatonic scale\u003c\/p\u003e\n\u003cp\u003e8. Octaves \u0026amp; Fifths: Quantized 1v\/octave to omit all but octaves and fifths\u003c\/p\u003e\n\u003cp\u003e9. Octaves: Quantized 1v\/octave to omit all but octaves\u003c\/p\u003e\n\u003cp\u003eDimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs\u003cbr\u003eCurrent Draw: 100 mA\u003cbr\u003eInput Impedance: 1 MΩ\u003cbr\u003eOutput Impedance: 500 Ω\u003cbr\u003eExpression Jack\u003cbr\u003eThis is an expression pedal control jack for the Drag. Any expression pedal will work with the Afterneath. Tip is the wiper, Ring is 5v and Sleeve is ground.\u003c\/p\u003e\n\u003cp\u003eYou can also use CV with this jack. CV operates 0-5v.\u003c\/p\u003e\n\u003cp\u003eFlexi-Switch® Technology\u003cbr\u003eThis device features Flexi-Switch Technology! This electronic switching style allows you to simultaneously use momentary and latching style switching.\u003c\/p\u003e\n\u003cp\u003eFor standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.\u003c\/p\u003e\n\u003cp\u003eFor momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch, the effect will be bypassed.\u003c\/p\u003e\n\u003cp\u003eThe Afterneath uses electronic buffered bypass, it requires power to pass signal and the buffer is always active. You may experience a pop the first time the Afterneath is switched on after power up.\u003c\/p\u003e\n\u003cp\u003eTails \/ No Tails Switching\u003cbr\u003eThe Afterneath is factory set in “tails mode.” This means that the wet signal will naturally decay and slowly fade to silence after the effect is switched off.\u003c\/p\u003e\n\u003cp\u003eTo deactivate this feature:\u003c\/p\u003e\n\u003cp\u003eUnplug the power cable from the power jack.\u003c\/p\u003e\n\u003cp\u003eHold down the footswitch and insert the power cable.\u003c\/p\u003e\n\u003cp\u003eThe LED will flash 3 times. You can now release the footswitch.\u003c\/p\u003e\n\u003cp\u003eFollow the same steps to reactive tails mode.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431028617309,"sku":"935042001695","price":407.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/afterneath_1.jpg?v=1778347172"},{"product_id":"eqd-ghost-echo-v3","title":"EarthQuaker Devices Ghost Echo v3 Vintage Reverb Pedal","description":"\u003cp\u003eVintage Voiced Reverb\u003cbr\u003eYou hear that EVP, bud? It’s the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is our spooky take on the haunted* amp-top spring reverberation units of yesteryear. This creepy analog\/digital spring reverb emulation machine boasts a terrifying 30ms – 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you’ll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient “depth” that fattens up the sound – and look out, it’s right behind you!\u003c\/p\u003e\n\u003cp\u003ePhew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet\/dry mix, but we like to think of it more as how scary the overall effect is.\u003c\/p\u003e\n\u003cp\u003eThe Ghost Echo is true bypass and built one at a time by a team of friendly ghosts in the never-ending hall of funhouse mirrors that is Akron, Ohio, USA.\u003c\/p\u003e\n\u003cp\u003eV3 UPDATES - JUNE 2017:\u003cbr\u003eUpgraded op-amps for better performance and lower noise\u003cbr\u003eStronger reverb signal with 2x the output\u003cbr\u003eRecalibrated Dwell control capable of self-oscillations when all the way up\u003cbr\u003eNew artwork\u003cbr\u003eSilent relay-based switching\u003cbr\u003e*Not actually haunted. Or are they?\u003c\/p\u003e\n\u003cp\u003eControls\u003cbr\u003eAttack: Adjusts the length of the pre-delay, from 30ms at minimum to about 150ms at maximum. When the Dwell is set to self-oscillate, this will change the pitch of the oscillations.\u003c\/p\u003e\n\u003cp\u003eDwell: Adjusts the length of the decay. This will start to self-oscillate around 3 O’Clock, the pitch of the oscillations can be changed by turning the Attack control.\u003c\/p\u003e\n\u003cp\u003eDepth: Mixes in the wet signal with the dry, unity is around noon and everything after is boosted.\u003c\/p\u003e\n\u003cp\u003eMeasures\u003cbr\u003e4.75″ x 2.50″ x. 2.25″ with knobs\u003c\/p\u003e\n\u003cp\u003ePower\u003cbr\u003eThe Ghost Echo should be powered by a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!\u003c\/p\u003e\n\u003cp\u003eCurrent Draw\u003cbr\u003e80ma\u003c\/p\u003e\n\u003cp\u003eInput Impedance\u003cbr\u003e10M\u003c\/p\u003e\n\u003cp\u003eOutput Impedance\u003cbr\u003e1K\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431029076061,"sku":"930042020695","price":312.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/ghost-echo.jpg?v=1778347178"},{"product_id":"earthquaker-devices-aurelius-tri-voice-chorus-pedal","title":"Earthquaker Devices Aurelius Tri-Voice Chorus Pedal","description":"\u003cp\u003eWelcome, fellow frequency chaser! Kudos to you for referring to the official manual of this majestic Device rather than diving into its powers blindly. Or equally likely, traveling down a YouTube pedal demo rabbit hole where you eventually find yourself watching a tutorial on how to make gnocchi from scratch at 3am. We can tell you’re a true tone aficionado, which is why we’re going to be straight with you: you’re about to embark on a magical journey with this mighty Aurelius™ pedal in front of you. \u003c\/p\u003e\n\n\u003cp\u003eYou see, this is not simply your run of the mill chorus pedal. This compact, beautifully cased wonder is a three-mode chorus with six programmable presets and an expression control. Choose from Vibrato (V) Mode, Chorus (C) Mode, and Rotary (R) Mode and manipulate their Width, Rate, and Balance to achieve your ideal sound. Shift seamlessly from one mode to another to cop a blend that is all your own. Just one simple tap of the Preset (“Save\/Recall”) switch and you can summon up to six settings of your choosing at will. Feeling pretty powerful now, aren’t you? \u003c\/p\u003e\n\n\u003cp\u003eInspired by the 1970s CE-1 Chorus Ensemble pedal, this digital unit has been tirelessly tweaked and fine-tuned to give you an all-encompassing chorus and vibrato experience like nothing else. We even took it way back to the 1940s and the advent of the Leslie speaker to boldly capture the sound of its rotating baffle system for the Rotary mode. We studied the way that the horn and the rotor moved on Leslie speakers and emulated the phasing and speeds of the low frequency oscillator, but we exaggerated the hell out of them to make it sonically suitable for guitar, bass or your instrument of choice. \u003c\/p\u003e\n\n\u003cp\u003eAnd by popular demand, like many of our pedals, we’ve equipped this with an expression control so you can use any TRS expression pedal to manipulate the Width, Rate or Balance. Put it in the Vibrato mode and you’ll have a really subtle chorus with a seasick vibrato and alternate quickly between the two seamlessly. And that’s only just one mode. The possibilities are endless. Think about it. \u003c\/p\u003e\n\n\u003cp\u003eThis compact world of chorus in a box will fit on any pedalboard and is so intuitive and easy to use that you most likely won’t have to refer to this manual ever again. So, if we don’t see you back here, it’s been a pleasure and good luck with the gnocchi. \u003c\/p\u003e\n\n\u003cp\u003eEach and every Aurelius is hand crafted in Akron, Ohio, USA and is inspected by the spirit of speaker innovator Donald Leslie. \u003c\/p\u003e\n\n\u003cp\u003eMode V: Chorus\/Vibrato\u003c\/p\u003e\n\u003cp\u003eThis mode is a familiar traditional chorus type effect that leans towards vibrato with a triangle LFO modulating a short delay line. When the Balance control is turned fully clockwise, the dry signal is removed and the effect becomes a pitch vibrato.\u003c\/p\u003e\n\n\u003cp\u003eControls\u003c\/p\u003e\n\u003cp\u003eWidth: Controls the amplitude of the LFO and determines how wide the pitch modulation will sweep.\u003c\/p\u003e\n\n\u003cp\u003eRate: Adjusts the speed of the LFO.\u003c\/p\u003e\n\n\u003cp\u003eBalance: In Mode V, the Balance control adjusts the amount of pitch modulation that is blended in with the dry signal. When the Balance control is turned fully clockwise, the dry signal is removed and the effect becomes a pitch vibrato.\u003c\/p\u003e\n\n\u003cp\u003eMode C: Chorus\/Flanger\u003c\/p\u003e\n\u003cp\u003eMode C is a blend of chorus and flanger. It has more warmth and slower rates than Mode V and uses a sine wave LFO to modulate the delay line. The Width control plays a major role in this mode and determines which type of modulation is more prominent.\u003c\/p\u003e\n\n\u003cp\u003eControls\u003c\/p\u003e\n\u003cp\u003eWidth: Controls the amplitude of the LFO and determines how wide the pitch modulation will sweep. Higher Width settings have a more pronounced Flanging effect. When the Width control is turned past the center point, feedback is gradually added and makes the flanging effect more prominent.\u003c\/p\u003e\n\n\u003cp\u003eRate: Controls the speed of the LFO.\u003c\/p\u003e\n\n\u003cp\u003eBalance: In Mode C, the Balance control adjusts the level of the modulated signal. Turn clockwise for a more pronounced effect.\u003c\/p\u003e\n\n\u003cp\u003eMode R: Rotary Chorus\u003c\/p\u003e\n\u003cp\u003eMode R is a rotary chorus effect modeled after the sound of a Leslie speaker cabinet. This effect combines both amplitude and frequency modulation for a doppler effect.\u003c\/p\u003e\n\n\u003cp\u003eControls\u003c\/p\u003e\n\u003cp\u003eWidth: Controls the amplitude of the LFO and determines how wide the pitch modulation will sweep. Lower settings accentuate the lower “woofer” frequencies and higher settings accentuate the upper “horn” frequencies.\u003c\/p\u003e\n\n\u003cp\u003eRate: Controls the speed of the LFO.\u003c\/p\u003e\n\n\u003cp\u003eBalance: In Mode R, the Balance control adjusts the wet\/dry balance of the signal. Turn clockwise for a more pronounced and pulsing sub frequency effect.\u003c\/p\u003e\n\n\u003cp\u003eGlobal Features\u003c\/p\u003e\n\u003cp\u003eAurelius has two operating modes which are indicated by the color of the Save\/Recall switch LED. \u003c\/p\u003e\n\n\u003cp\u003eGreen = Live Mode\u003c\/p\u003e\n\u003cp\u003eIn Live Mode, the pedal will operate exactly where the controls are set and any changes will\u003c\/p\u003e\n\u003cp\u003ehave no effect on the presets unless saved. The Save\/Recall switch LED will stay static green.\u003c\/p\u003e\n\n\u003cp\u003eRed = Preset Mode\u003c\/p\u003e\n\n\u003cp\u003eIn Preset Mode, stored presets are selected using the Preset switch, and the physical settings of the controls will be ignored. The Save\/Recall switch LED will stay static red.\u003c\/p\u003e\n\n\u003cp\u003eAurelius comes factory set to start up in Live Mode. \u003c\/p\u003e\n\n\u003cp\u003ePresets\u003c\/p\u003e\n\u003cp\u003eAurelius has six available preset slots for you to save and recall your favorite settings. The settings for each of the three controls, the Mode switch and the expression jack assignment can be saved and recalled in any of the slots. \u003c\/p\u003e\n\n\u003cp\u003eSaving a preset:\u003c\/p\u003e\n\u003cp\u003eTurn the Preset rotary switch to the desired location you wish to save your preset.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eDial in the settings you want to save. Remember; expression pedal assignment and the selected Mode can also be saved!\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eHold the Save\/Recall switch down until the LED flashes between green and red and then release.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eYour preset is now saved!\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eRecalling a preset:\u003c\/p\u003e\n\u003cp\u003eSelect the desired preset you wish to use with the Preset selector switch and do one of the two following actions:\u003c\/p\u003e\n\n\u003cp\u003eWhen the pedal is activated and the effect is in use, hold down the foot switch for at least 0.75 seconds, and it will switch from Live Mode to Preset Mode. You can switch between Live and Preset mode on the fly!\u003cbr\u003eOr:\u003c\/p\u003e\n\n\u003cp\u003eTap the lighted Save\/Recall switch. The switch LED will turn from green to red, indicating you are now in preset mode. Tap again and the switch LED will turn from red to green indicating you are in live mode.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eEditing\/Overwriting a preset:\u003c\/p\u003e\n\n\u003cp\u003eOnce in Preset Mode (the lighted Save\/Recall switch LED will be red), make the desired changes to any of the controls in the selected preset. The Save\/Recall switch LED will begin to flash red, indicating a change has been made to the stored preset. Any controls that are not changed will remain as previously saved.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eHold the Save\/Recall switch down until the LED flashes between green and red and then release.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eThe Save\/Recall switch LED will return to static red and the previous preset has been overwritten.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eHelpful preset tips:\u003c\/p\u003e\n\n\u003cp\u003e· Different EXP assignments can be saved in each preset!\u003c\/p\u003e\n\n\u003cp\u003e· Presets can be stored and overwritten when Aurelius is in Live or Preset Mode. \u003c\/p\u003e\n\n\u003cp\u003e· To make changes to an existing preset, you must first be in Preset Mode before making the desired changes. \u003c\/p\u003e\n\n\u003cp\u003e· There is no undo for preset saving, so make sure you are not overwriting your favorite sound, especially when you are saving presets from Live Mode!\u003c\/p\u003e\n\n\u003cp\u003eExpression control\u003c\/p\u003e\n\u003cp\u003eUse any TRS expression pedal to take control over the Width, Rate or Balance! Aurelius ships with the EXP jack mapped to the Rate. Follow these steps to reassign the EXP functionality:\u003c\/p\u003e\n\n\u003cp\u003e1. Insert the expression pedal TRS plug into the EXP jack.\u003c\/p\u003e\n\u003cp\u003e2. Place the expression pedal in the toe down position.\u003c\/p\u003e\n\u003cp\u003e3. Turn the panel control on the Aurelius that you wish to put under control of the expression pedal. It doesn’t matter how far or which direction you turn the control.\u003c\/p\u003e\n\u003cp\u003e4. Put the expression pedal in the heel down position.\u003c\/p\u003e\n\u003cp\u003e5. This control is now assigned to the EXP jack and can be used with an expression pedal!\u003c\/p\u003e\n\n\u003cp\u003eHelpful Expression assignment tips:\u003c\/p\u003e\n\n\u003cp\u003e· If you turn the panel control that is assigned to the EXP jack while the expression pedal is plugged in, the panel control will override the expression pedal setting. The expression pedal will reassume control the next time it is used.\u003c\/p\u003e\n\n\u003cp\u003e· Different EXP assignments can be saved in each preset.\u003c\/p\u003e\n\n\u003cp\u003e· You can also use Control Voltage with the EXP Jack! The CV range is 0 to 3.3v. \u003c\/p\u003e\n\n\u003cp\u003eTRS expression pedal wiring:\u003c\/p\u003e\n\u003cp\u003eTip: Wiper\u003cbr\u003eRing: +3.3V\u003c\/p\u003e\n\u003cp\u003eSleeve: Ground\u003c\/p\u003e\n\n\u003cp\u003eFlexi-Switch® Technology \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis device features Flexi-Switch Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching-style switching. \u003c\/p\u003e\n\n\u003cp\u003e· For standard latching operation: Tap the footswitch once to activate the effect and then tap again to bypass. \u003c\/p\u003e\n\u003cp\u003e· For momentary operation: With the effect off, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch, the effect will be bypassed. \u003c\/p\u003e\n\n\u003cp\u003eNote: holding the bypass switch down while Aurelius is activated will switch into the selected Preset Mode!\u003c\/p\u003e\n\n\u003cp\u003eSince the switching is relay-based, it requires power to pass signal. \u003c\/p\u003e\n\n\u003cp\u003ePower Requirements\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCurrent Draw: 75 mA\u003c\/p\u003e\n\u003cp\u003eThis device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We recommend using a pedal-specific, transformer-isolated, wall-wart power supply or a power supply with multiple isolated-outputs. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not always filter dirty power and may result in unwanted noise. \u003c\/p\u003e\n\u003cp\u003eDO NOT RUN AT HIGHER VOLTAGES! You have been warned. \u003c\/p\u003e\n\n\u003cp\u003eTech Specs\u003c\/p\u003e\n\n\u003cp\u003eInput Impedance: 500 kΩ\u003c\/p\u003e\n\n\u003cp\u003eOutput Impedance: 100 Ω\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431037202525,"sku":"EQD-M00010060","price":280.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/aurelius.jpg?v=1778347232"},{"product_id":"eqd-sea-machine-v3","title":"EarthQuaker Devices Sea Machine v3 Super Chorus Pedal","description":"\u003cp\u003eSea Machine™\u003cbr\u003eSuper Chorus\u003cbr\u003eThe Sea Machine is a chorus pedal with as many modulation possibilities as there are fish in the ocean. That’s a lot of fish. And a lot of modulation. From subtle, shimmery chorus sounds, to wobbly, seasick, warbly pitch-bent detuning that rocks the boat, the Sea Machine is the audio bait that’ll help you reel in the big one.\u003c\/p\u003e\n\u003cp\u003eThe Sea Machine ain’t no one-trick seahorse. A variable waveshape LFO (adjustable via the Shape control) modulates your chorus tone from a smooth triangle shape, to a rough and choppy square wave, and an extended delay line allows you to dive deeper into uncharted modulated waters than ever before. Other LFO controls include Rate, which sets the speed of the LFO, and Depth, which sets how strongly the LFO modulates the delay time.\u003c\/p\u003e\n\u003cp\u003eThe delay line has controls for Dimension, Animate, and Depth. The Dimension control adds a slightly detuned slapback at low levels, reverb-like ambience at mid-levels, and a trippy echo-resonance that leads to self-oscillation when cranked. The Animate control is the real pearl in the Sea Machine’s oyster, if you will. This controls how far the pitch swings. At lower settings, you’ll hear slight detuning for a subtle double-tracked thickening effect, á la traditional chorus pedals. As you increase the Animate control, the pitch swings further and further away from the root note for an effect that lies somewhere between chorus and vibrato, before landing at full tilt on sonar-like oscillations that sound more like a giant monster-movie beast awaking from its undersea slumber than any effects pedal we’ve ever heard. Finally, the Intensity control rounds out the delay line, adjusting the blend between the modulated and dry signals.\u003c\/p\u003e\n\u003cp\u003eWith this mix of standard and unique controls, everything from subtle warble, classic Leslie, seasick pitch bends, strangled alien sounds, stunted arpeggiations and many more far out sounds are available. Or you could just use it as a chorus. That works, too. Oh, and if you’re a bass player who fancies themselves a fan of the classic 80s post-punk bass sound, the Sea Machine is pretty much just like (tone) heaven.\u003c\/p\u003e\n\u003cp\u003eWe’ve designed the Sea Machine to work well following fuzz \/ overdrive \/ distortion pedals without getting muddy, lowering in output, or breaking up, because we like running distortion pedals into things. Also, when engaged, the Sea Machine’s transparent buffer leaves the all-analog dry signal unaltered and crystal clear.\u003c\/p\u003e\n\u003cp\u003eThe Sea Machine is true-bypass, uses silent relay-based switching, and is built one at a time in the belly of the great white whale along the shores of the Ohio \u0026amp; Erie Canal in Akron, Ohio, USA.\u003c\/p\u003e\n\u003cp\u003eV3 UPDATES - JUNE 2017:\u003cbr\u003eImproved circuitry for better performance, cleaner sound, and lower noise\u003cbr\u003eMore range added to almost every control from subtle modulation to extreme oscillation\u003cbr\u003eSilent relay-based switching\u003cbr\u003e\u003cbr\u003eControls\u003cbr\u003eRate: Sets the speed of the LFO. The miniature LED will show the tempo even in bypass mode.\u003c\/p\u003e\n\u003cp\u003eShape: From soft triangle through hard square wave.\u003c\/p\u003e\n\u003cp\u003eDimension: Adds a slight slap-back at low levels, reverb-like ambiance at mid levels and an echo-resonance at max.\u003c\/p\u003e\n\u003cp\u003eDepth: How much the LFO modulates the delay time.\u003c\/p\u003e\n\u003cp\u003eAnimate: How far the pitch shifted signal swings, lower levels equals a tighter and more focused shift à la traditional chorus. As you increase the control a more wild and animated pitch shift begins to emerge.\u003c\/p\u003e\n\u003cp\u003eIntensity: How much modulated signal is blended in with the dry signal.\u003c\/p\u003e\n\u003cp\u003eMeasures\u003cbr\u003e4.75″ x 2.50″ x. 2.25″ with knobs\u003c\/p\u003e\n\u003cp\u003ePower\u003cbr\u003eOur pedals take a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!\u003c\/p\u003e\n\u003cp\u003eCurrent draw is 50 mA.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431038382173,"sku":"930042020710","price":312.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/sea-machine.jpg?v=1778347257"},{"product_id":"eqd-grand-orbiter","title":"EarthQuaker Devices Grand Orbiter v3 Phase Pedal","description":"\u003cp\u003ePhase Machine\u003cbr\u003eThe Grand Orbiter™ is a 4 stage OTA-based phaser with a diverse feature set that can go from stationary and resonant to slow and mellow and on through fast and swirly. It has three way toggle switch to select between the ranges of modulation: Rate 1 is slow sweep mode, Rate 2 kills the LFO and allows you to use the Grand Orbiter as a fixed resonant filter and Rate 3 is fast sweep mode. The master Rate control fine tunes the speed of the LFO in each of these modes and the flashing red LED acts as a visual indicator, even when the effect is in bypass mode. The Depth control blends the shifted signal in with the dry signal and controls the intensity of the effect. The Sweep control governs the peak frequency of the phased signal’s tone, turned full clockwise the sweep is lively and intense, whereas turning counter clockwise yields a darker, more laid back peak. The Resonance provides a wide range of control over regeneration and at higher settings adds a more pronounced and resonant tone. You can also use the Grand Orbiter as a true pitch vibrato with the “Phase\/Vibrato” switch. When in “Vibrato” mode, the dry signal is removed and the Depth controls acts as a volume control. This pedal is 100% analog, true bypass and built by entirely by hand in beachy Akron, Ohio.\u003c\/p\u003e\n\u003cp\u003eControls\u003cbr\u003eDepth: Controls the amount of phase effect mixed with dry signal. Clockwise for more intense phasing, counterclockwise for less. In “Vibrato” mode, this acts as a volume control.\u003c\/p\u003e\n\u003cp\u003eRate: Controls the speed of the LFO. Faster clockwise, slower counter clockwise.\u003c\/p\u003e\n\u003cp\u003eSweep: Controls the frequency peak of the sweep. Higher peak clockwise, lower peak counter clockwise.\u003c\/p\u003e\n\u003cp\u003eResonance: Controls the regeneration of the phased signal. More resonant clockwise, more subtle counter clockwise.\u003c\/p\u003e\n\u003cp\u003eRate 1,2,3: Changes the range of the speed control. Rate 1 is slow mode, rate 2 is LFO kill to use the Orbiter as a fixed resonant filter, rate 3 is fast mode.\u003c\/p\u003e\n\u003cp\u003ePhase\/Vibrato: Cuts the dry signal to create a vibe\/vibrato effect depending on the setting of the other controls. Vibrato is created by turning the resonance down low.\u003c\/p\u003e\n\u003cp\u003eMeasures\u003cbr\u003e4.75″ x 2.50″ x. 2.25″ with knobs\u003c\/p\u003e\n\u003cp\u003eFlexi-Switching\u003cbr\u003eThis device features Flexi-Switch™ Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.\u003c\/p\u003e\n\u003cp\u003eFor standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.\u003c\/p\u003e\n\u003cp\u003eFor momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed.\u003cbr\u003eSince the switching is relay based, it requires power to pass signal.\u003c\/p\u003e\n\u003cp\u003ePower\u003cbr\u003eThe Grand Orbiter can be powered by a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!\u003c\/p\u003e\n\u003cp\u003eCurrent Draw: 45mA\u003cbr\u003eInput impedance: 1M\u003cbr\u003eOutput impedance: \u0026lt;1K\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431039561821,"sku":"930042020696","price":331.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/grand-orbiter.jpg?v=1778347282"},{"product_id":"earthquaker-devices-ltd-ed-pyramids-stereo-flanger-pedal-eclipse","title":"EarthQuaker Devices LTD ED Pyramids Stereo Flanger Pedal - Solar Eclipse","description":"\u003cp\u003ePyramids is a Stereo Flanging Device with five presets, eight flanger modes, tap tempo, tap subdivision, a multifunction Modify control, positive and negative Feedback, and a variable Mix control, which is something you don’t see on a flanger every day.\u003c\/p\u003e\n\u003cp\u003eBuilt upon the same proprietary DSP architecture as the Avalanche Run™, Pyramids delivers convincing jet-engine roar, authentic through-zero tape-style warble, infinite barber pole sweeps, flexible I\/O routing, and the ability to re-trigger the LFO cycle via footswitch opens up a fourth dimension of rhythmic possibilities that’s sure to tickle your third ear.\u003c\/p\u003e\n\u003cp\u003eModes\u003cbr\u003e \u003cbr\u003eClassic: Delivers the “classic” jet-plane liquid-silk flanging sound we all know and love and have come to expect from any reputable flanging device.\u003c\/p\u003e\n\u003cp\u003eThrough-Zero: Gives you authentic tape-style flanging without all the calibration, biasing, demagnetizing of heads, and so on that a real tape machine - two of ‘em, actually - requires.\u003c\/p\u003e\n\u003cp\u003eBarber Pole Up: “Barber Pole” flanging refers to an infinitely sweeping upward flange with no beginning, middle, or end.\u003c\/p\u003e\n\u003cp\u003eBarber Pole Down: Barber Pole Down is exactly like Barber Pole Up, except the flanging effect goes downward in pitch, rather than upward.\u003c\/p\u003e\n\u003cp\u003eTrigger Up: Similar to Barber Pole Up mode, except in this mode, your pick attack (or pressing the Tap\/Trigger switch) re-triggers the flange from the beginning.\u003c\/p\u003e\n\u003cp\u003eTrigger Down: Trigger Down is exactly the same as Trigger Up, only the flanger sweeps downward.\u003c\/p\u003e\n\u003cp\u003eStep: Step mode tries to restore order to the universe by sweeping up and down in stepped increments, kind of like the sequencer on a synthesizer.\u003c\/p\u003e\n\u003cp\u003eRandom: Random mode is like Step mode, except the sweep is randomized without reason or rhyme.\u003c\/p\u003e\n\u003cp\u003eInputs \u0026amp; Outputs\u003cbr\u003e \u003cbr\u003eTo Use Pyramids in Mono\u003cbr\u003ePlug your instrument into the Left Input and use either the Left Output or the Right Output.\u003cbr\u003e \u003cbr\u003eTo Use Pyramids with a Mono Input and Stereo Output\u003cbr\u003ePlug your instrument into the Left Input and connect both the Left Output and Right Output to the next stereo pedal in your chain, to two inputs of your DAW, or to two amplifiers.\u003cbr\u003e \u003cbr\u003eTo Use Pyramids with a Stereo Input and Stereo Output\u003cbr\u003ePlug your stereo instrument into the Left Input and Right Input and connect both the Left Output and Right Output to the next stereo pedal in your chain, to two inputs of your DAW, or to two amplifiers. Pyramids is true stereo and will pan across the stereo field.\u003cbr\u003e \u003cbr\u003eTo Use Pyramids with Two Mono Sources\u003cbr\u003ePlug one instrument into the Left Input and connect the Left Output to the next pedal in your chain, to a DAW input, or to an amplifier. Then, plug another instrument into the Right Input and connect the Right Output to the next pedal in a separate effects chain, to a separate DAW input, or to a separate amplifier. I have no idea why anyone would want to do this, but it’ll work.\u003cbr\u003e \u003cbr\u003ePro Tip\u003cbr\u003eIn Trigger Up\/Down modes, you may re-trigger the flanger using an external source in what we call Side Chain Flanging. To trigger Pyramids using an external source, plug your primary instrument (the signal on which you want to hear the flanger) into the Right Input and connect Pyramids’ Right Output to your amplifier or DAW. Connect the external trigger source (drum machine, sequencer, or CV) to Pyramids’ Left Input. To hear only the affected primary instrument signal (as modulated by the external trigger source), do not connect the Left Output. Your primary instrument’s signal will pass through Pyramids’ Right Input \/ Output, but the flanger will react to changes in the external trigger signal instead of your primary instrument. To monitor the trigger source, connect Pyramids’ Left Output to a separate amplifier or DAW input.\u003cbr\u003e \u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431044313181,"sku":"EQD-M00010208","price":445.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/large_jpeg-pyramids-eclipse.jpg?v=1778347318"},{"product_id":"eqd-hummingbird","title":"EarthQuaker Devices Hummingbird v4 Repeat Percussions Tremolo Pedal","description":"\u003cp\u003eRepeat Percussions\u003cbr\u003eWelcome to your new Hummingbird™ Repeat Percussion tremolo! The Hummingbird is a choppy, sawtooth tremolo modeled on the vintage “repeat percussion” unit and similar to those found in old Valco and Vox amplifiers. It is capable of producing everything from classic “50’s style” shimmering tremolo to a synthy, delay-like chop that turns your signal into a burst of short pings and on through to near ring modulation speeds. Simply choosing between modes 1 (slow), 2 (mid-tempo) or 3 (fast) and adjusting the rate and depth controls will unlock a whole new world of amplitude modulation at your feet. The Rate is also expression pedal accessible to allow instant changes on the fly. Using an expression pedal opens up the possibility of true random amplitude modulation! In addition to the modulation, the Hummingbird has plenty of clean gain on-tap allowing you to either boost or cut the signal using the level control. If the Depth is turned to zero, the Hummingbird will become a JFET clean boost! The Hummingbird is all analog, true bypass and handmade one at a time on a gilded cloud in Akron, Ohio.\u003c\/p\u003e\n\u003cp\u003eControls\u003cbr\u003eRate: This adjusts the speed of the oscillator. Faster clockwise, slower counter clockwise.\u003c\/p\u003e\n\u003cp\u003eDepth: This adjusts how much the oscillator affects the signal. All the way clockwise produces a full chop, all the way counter clockwise produces no chop and the Hummingbird can be used as a simple JFET booster.\u003c\/p\u003e\n\u003cp\u003eLevel: Adjusts the output volume\u003c\/p\u003e\n\u003cp\u003eMode: Three way toggle switch which selects the range of the oscillator. Mode 1 is slow, mode 2 is mid tempo and mode 3 is fast.\u003c\/p\u003e\n\u003cp\u003eExpression Jack: Use an expression pedal to adjust the rate with your foot! When an expression pedal is in use the Rate control is defeated. We recommend the Moog EP-2 expression pedal.\u003c\/p\u003e\n\u003cp\u003eMeasures\u003cbr\u003e4.75″ x 2.50″ x. 2.25″ with knobs\u003c\/p\u003e\n\u003cp\u003eFlexi-Switching\u003cbr\u003eThis device features Flexi-Switch™ Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.\u003c\/p\u003e\n\u003cp\u003eFor standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.\u003cbr\u003eFor momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed.\u003cbr\u003eSince the switching is relay based, it requires power to pass signal.\u003c\/p\u003e\n\u003cp\u003ePower\u003cbr\u003eThe Hummingbird should be powered a standard 9volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.\u003c\/p\u003e\n\u003cp\u003eCurrent Draw: 10mA\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431049097309,"sku":"930042020698","price":312.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/hummingbird_1.jpg?v=1778347357"},{"product_id":"eqd-tentacle-v2","title":"EarthQuaker Devices Tentacle v2 Analog Octave Up Pedal","description":"\u003cp\u003eTentacle™\u003cbr\u003eAnalog Octave Up\u003cbr\u003eHello champ! Thank you for purchasing the Tentacle™ from EarthQuaker Devices brand effect pedals. The Tentacle is a classic analog octave up effect. It is the very same octave from our beloved Hoof Reaper pedal. We got so many requests to make this a stand-alone unit that we just had to make it a reality. You can now add an excellent, swelling octave up to anything your heart desires! Pair it with your favorite fuzz, strap on a headband and unleash your inner Jammy Hendrix. Put it in front of another octave up and blow your amps mind. Throw it in the effects loop of a delay and marvel at what happens (then tell us, we’d like to know too). What’s better? It has no controls! Nothing to worry about at all here, just hit the switch and go for it. The Tentacle is an analog octave up, the effect will become much more pronounced when using your neck pickup and playing above the 12th fret.\u003c\/p\u003e\n\u003cp\u003eControls\u003cbr\u003eYou don’t control me.\u003c\/p\u003e\n\u003cp\u003eMeasures\u003cbr\u003e4.55″ x 2.40″ x 1.95″\u003c\/p\u003e\n\u003cp\u003eFlexi-Switching\u003cbr\u003eThis device features Flexi-Switch™ Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.\u003c\/p\u003e\n\u003cp\u003eFor standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.\u003cbr\u003eFor momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed.\u003cbr\u003eSince the switching is relay based, it requires power to pass signal.\u003c\/p\u003e\n\u003cp\u003ePower\u003cbr\u003eTentacle should be powered by a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!\u003c\/p\u003e\n\u003cp\u003eCurrent Draw: 2mA\u003cbr\u003eInput Impedance: 100K\u003cbr\u003eOutput Impedance: \u0026lt;1K\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431051653213,"sku":"935042001524","price":199.5,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/tentacle.jpg?v=1778347405"},{"product_id":"eqd-rainbow-machine-v2","title":"EarthQuaker Devices Rainbow Machine v2 Polyphonic Pitch Mesmerizer Pedal","description":"\u003cp\u003eWelcome to the Rainbow Machine, in all its synthetic glory! This one is for experimenters, adventurists, and noisemakers. Totally not for purists and\/or tone hounds. There are no “natural sounds” that come from this box. It takes modern DSP and uses it as a tool of future past to create real-time pitch shifting using digital oscillators.\u003c\/p\u003e\n\u003cp\u003eThe Rainbow Machine has been completely re-imagineered from the pixie dust-covered ground up to be more versatile, twice as loud as the original, with an extended delay time, deeper chorus tones, silent flexiswitch footswitches on both the Activate (1) and Magic (2) functions, and most of all, more Magic.\u003c\/p\u003e\n\u003cp\u003eThe Rainbow Machine is built around a DSP pitch warping engine that’s designed to be slightly imperfect; colored with digital remnants of the cosmic dust we’ve picked up across the multiverse. That is to say it’s a cold digital beast made to pretend it has feelings.\u003c\/p\u003e\n\u003cp\u003eThe Pitch (3) control adjusts the frequency of the polyphonic pitch-warped harmony from a fourth below your input, to a third above, and every atonal pitch in-between. Noon is the unison position. Pitch may also be controlled via expression pedal. Use the Primary (4) function control to adjust the volume of the polyphonic harmony.\u003c\/p\u003e\n\u003cp\u003e[Pro Tip: With the Pitch control set to noon, the Rainbow Machine acts as a chorus. Use the Primary control to adjust the wet signal volume and select the delay time with the Tracking control. The tracking improves as this control is increased, so turn it up for tighter tracking with a shorter delay time or turn it down for longer delays and more ambience.]\u003c\/p\u003e\n\u003cp\u003eThe Tracking (5) control adjusts the lag time between the wet and dry signals. Tone (6) rolls off some treble for a darker, “vintage” sound. Clockwise Tone settings are bright, counterclockwise is dark.\u003c\/p\u003e\n\u003cp\u003eThe Secondary (7) control adds an octave of the Primary harmony. When the Pitch control is above noon, Secondary adds an octave above the harmony. When the Pitch control is below noon, the Secondary control will add one octave below the harmony. With the Pitch set to noon, the Secondary control adds an additional chorus voice for modulated, triple-tracked tones. Use this control to blend in faux-shimmer sounds or a low-frequency rumble. It’s up to you. From there, it’s only a matter of how weird you wanna get.\u003c\/p\u003e\n\u003cp\u003eAnd you can choose how weird you get with the Magic (8) control. This is a regeneration control that creates aliasing (among other things) by feeding the Primary and Secondary signals back on themselves and each other, and a bunch of other stuff no one understands.\u003c\/p\u003e\n\u003cp\u003eWith the Magic engaged and the control set low, you can squeeze a few extra repeats out of whatever setting you happen to be using. As you increase the Magic control, you’ll start noticing increased ambience, resonant, edge-of-oscillation pitch-shifting delays, chorus, metallic digi-flanging, ascending (or descending) pixie trails, controllable self-oscillation, squalls of synthetic noise, whale song, and finally, distortion. It’ll take you way beyond and open up your third eye, trust us. In conjunction with the Tracking control, the Magic creates wild pitch take offs and descends, chaos chorusing, shrieks, groans, gurgles, wizard-blessed wizardry, signal transformation, imminent destruction, and other general mayhem.\u003c\/p\u003e\n\u003cp\u003eMaybe you only wanna get weird for a second? Okay, with the Rainbow Machine engaged, hold down the Magic footswitch, get weird, and then let go to return to your boring, old Magic-less guitar tone. Or, press the switch like normal, and the Magic remains engaged until you press the switch again. Ditto for the Activate switch. Press and hold to use the Rainbow Machine as a momentary effect, then let go to bypass; or feel free to press the switch like normal and use the Rainbow Machine like you would any other effects pedal.\u003c\/p\u003e\n\u003cp\u003e[Pro Tip: The pitch warping behavior is entirely dependent upon the Pitch knob’s position relative to noon. Set above noon, echoes, pixie trails, and other effects will ascend in pitch as they sustain. With the Pitch control below noon, any lingering effects will descend in pitch. This becomes extremely important when using the Magic function.]\u003c\/p\u003e\n\u003cp\u003eMeasures: 4.65\" x 3.65\" x 2.25\" with knobs\u003cbr\u003eCurrent Draw: 68mA\u003cbr\u003eInput Impedance: 1M Ohm\u003cbr\u003eOutput Impedance: Expression Jack\u003cbr\u003eThis is an expression pedal control jack for the pitch. The Pitch control is defeated when an expression pedal is inserted. We recommend the Moog EP-2 or EP-3 for use with the Rainbow Machine and cannot guarantee that any others will work.\u003c\/p\u003e\n\u003cp\u003eFlexi-Switching\u003cbr\u003eThis device features Flexi-Switch™ Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.\u003c\/p\u003e\n\u003cp\u003eFor standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.\u003c\/p\u003e\n\u003cp\u003eFor momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed.\u003c\/p\u003e\n\u003cp\u003eSince the switching is relay based, it requires power to pass signal.\u003c\/p\u003e\n\u003cp\u003ePower\u003cbr\u003eThis device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431051685981,"sku":"930042020708","price":398.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/rainbow-machine.jpg?v=1778347406"},{"product_id":"eqd-organizer-v2","title":"EarthQuaker Devices Organizer v2 Polyphonic Organ Emulator Pedal","description":"\u003cp\u003ePolyphonic Organ Emulator\u003cbr\u003eThe Organizer is a polyphonic organ emulator designed to mimic the organ tones of yesteryear crossed with the highly unique “Guitorgan”. It has a warm and very analog feel with a hint of Leslie warble that is unlike other modern octave shifters. It is simple to dial in and tracks chords as well as single notes perfectly all over the neck on both guitar and bass. Not only can the Organizer be used on strings, it has been widely used on everything from vocals and synths to horns and drums… If it makes sound, the Organizer can handle it!\u003c\/p\u003e\n\u003cp\u003eThe Organizer uses a mix of analog and DSP circuitry with true bypass switching and an all analog dry signal path. It is made by hand, one at a time in dirty Akron, Ohio.\u003c\/p\u003e\n\u003cp\u003eCheck out the Organizer review in the October 2012 issue of Premier Guitar!\u003c\/p\u003e\n\u003cp\u003eNotes\u003cbr\u003eThe Organizer has an output gain stage with no master control. When it’s idle, even with all knobs at zero, the will be about as much “white noise” as an average overdrive pedal with it’s gain at zero and the level set to unity. A minimal amount while idle is normal but it will not be noticeable during play. The sound will be more apparent in front of a gained up amp or other dirt\/gain\/boost pedals.\u003c\/p\u003e\n\u003cp\u003eControls\u003cbr\u003eUp: Level control for the octave up.\u003c\/p\u003e\n\u003cp\u003eDown: Level control for the octave down.\u003c\/p\u003e\n\u003cp\u003eChoir: This control takes a mix of the octave up and octave down setting and regenerates it. The end result is an additional 2 octaves up, 2 octaves down and direct signal with a slight delay that adds a “church organ” like feel. This control only works if the octave up and octave down are in use.\u003c\/p\u003e\n\u003cp\u003eDirect: Level control for the analog dry signal.\u003c\/p\u003e\n\u003cp\u003eTone: Rolls off the high end as you dial it counter-clockwise.\u003c\/p\u003e\n\u003cp\u003eLag: Delay control for the wet signal. Full counter-clockwise is minimal delay, delay time increases as it rotates clockwise.\u003c\/p\u003e\n\u003cp\u003eMeasures\u003cbr\u003e4.75″ x 2.50″ x. 2.25″ with knobs\u003c\/p\u003e\n\u003cp\u003ePower\u003cbr\u003eOur pedals take a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!\u003c\/p\u003e\n\u003cp\u003eCurrent draw is 65 mA.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431051718749,"sku":"930042020704","price":331.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/organizer.jpg?v=1778347406"},{"product_id":"eqd-data-corrupter","title":"EarthQuaker Devices Data Corrupter Modulated Monophonic Harmonizing PLL Pedal","description":"\u003cp\u003eOkay Brainiac, it’s time to put down that graphing calculator and get to work decoding your brand new Data Corrupter!\u003c\/p\u003e\n\u003cp\u003eThe Data Corrupter is a monophonic analog harmonizing PLL with modulation. It takes your input signal and brutally amplifies it into a crushing square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-voice guitar synthesizer.\u003c\/p\u003e\n\u003cp\u003eThe Master Oscillator is the central nervous system at the heart of the Data Corrupter’s cyberpunk hive mind. The three-position switch on the Master Oscillator control panel labeled Root feeds your input to the Data Corrupter’s signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2). Use the Master Oscillator’s Root switch to fine tune the Data Corrupter’s tracking response for maximum compatibility with your preferred instrument and frequency register. Once you’ve chosen your input octave, the Data Corrupter will perform its calculations and spit out a synthesized frequency, the octave and\/or interval of which may be selected via the Master Oscillator’s eight-position rotary switch. The Voice Mixer’s Oscillator control adjusts the Master Oscillator blend.\u003c\/p\u003e\n\u003cp\u003eThe Frequency Modulator applies pitch-bend modulation to the Master Oscillator. In Glide mode, you’ll hear a smooth portamento as each note slides into the next. In Vibrato mode the pitch modulates up and down for a retro sci-fi laser effect.\u003c\/p\u003e\n\u003cp\u003eThe Subharmonic assimilates the input signal into one of eight lower octave programs between one and three octaves below the original. For a more stable lower octave, set the Subharmonic’s Root switch to the Unison position, which divides the Square Wave input signal, and removes the Frequency Modulator from the Subharmonic signal path. To unleash the cracked machine lurking within the Data Corrupter mainframe, set the Subharmonic Root switch to Oscillator and try not to look away as the sonic malware you just installed mangles your input signal into the sum and difference of both the Master Oscillator and Subharmonic with the Frequency Modulator applied to the upper and lower octaves. If you think you’re brave enough, set the Subharmonic Root switch to Oscillator and try experimenting with different Master Oscillator and Subharmonic programs to wind up the doomsday clock and inch ever closer to the Singularity. Adjust the Voice Mixer’s Subharmonic control to set the lower octave volume.\u003c\/p\u003e\n\u003cp\u003eFinally, (or is it?) the Square control located top-left on the Voice Mixer blends in a fuzzed-out square-wave take of your input in its original octave. That’s it. These aren’t the droids we’re looking for. Move along.\u003c\/p\u003e\n\u003cp\u003eEach and every Data Corrupter is built one-at-a-time by a team of ensigns aboard the Starship Enterprise locked in orbit around the Borg Cube of Akron, Ohio, USA. Make it so. Engage.\u003c\/p\u003e\n\u003cp\u003eControls\u003cbr\u003eNerd Talk\u003cbr\u003eThe heart of this pedal is based around a CMOS Phase Locked Loop (PLL) IC. In a nutshell, the PLL takes your input signal and compares its phase and frequency against an oscillator, generates an output proportional to their difference then feeds it back to the oscillator. This then causes the oscillator to lock onto the input signal and generate a synthesized frequency. Pretty cool, right? This synthesized frequency is referred to as the Master Oscillator on the Data Corrupter.\u003c\/p\u003e\n\u003cp\u003eMaster Oscillator\u003cbr\u003eThe Master Oscillator takes it’s input from one of three sources: Unison, one octave down and two octaves down. Some frequencies are too high for the Master Oscillator to divide, therefore, shifting them down one or two octaves brings them back into the proper range (it also happens to sound super cool). These sources are referred to as “Root” and can be selected via a three-position switch. The Root is then fed into the PLL and multiplied to create one of eight different intervals over three octaves that are selected by the rotary switch to create your harmony! This harmony can then be manipulated via the Frequency Modulator section.\u003c\/p\u003e\n\u003cp\u003eFrequency Modulator\u003cbr\u003eThe Frequency Modulator has two modes, Glide and Vibrato. In Glide mode, the pitch will glide from note to note and the speed of the glide can be adjusted by the Rate control. At faster settings, this takes on a very cool phase shifting effect. In Vibrato mode, the pitch varies up and down to create a laser-like effect. The Frequency Modulator only affects the Master Oscillator, unless the Subharmonic Root switch is in the Oscillator position.\u003c\/p\u003e\n\u003cp\u003eSubharmonic\u003cbr\u003eThe Subharmonic section of the Data Corrupter creates a sub octave of the Root and then divides it up into eight intervals over three octaves which are selected by the rotary switch to create your subharmonic harmony. The Root comes from one of two sources, Unison or the Master Oscillator. When Unison is selected, the Subharmonic will be a division of the square wave fuzz tone and the Frequency Modulator will have no effect. When Oscillator is selected, the Subharmonic will be a division of the Master Oscillator and the Frequency Modulator will be applied to the Subharmonic harmony.\u003c\/p\u003e\n\u003cp\u003eVoice Mixer and Level\u003cbr\u003eThe Master Oscillator, Subharmonic and Square wave fuzz tone all have volume controls under the voice mixer section. Use these to blend the three voices together to taste. The Level is a master volume and determines the overall output level of the effect.\u003c\/p\u003e\n\u003cp\u003eTracking\u003cbr\u003eThis pedal should be placed close to front of your signal chain and before any delay, reverb or modulation effect. While it will work with most bridge pickups, the neck pickup will provide the best tracking results. Precise picking and single notes will track quickly and cleanly. Chords and sloppy playing will result in chaos. There is no control over the amount of gain because it really needs to be fine-tuned to properly track. Weak signals (like backing off on the guitar volume) will lead to poor tracking and gating.\u003c\/p\u003e\n\u003cp\u003eDesign Notes\u003cbr\u003eThis Device takes its inspiration from the Electrax Synthax and the “Basic Frequency Synthesizer” by Ray Marston. Neither of these were really intended to be guitar effect pedals and a lot of work went into creating the Data Corrupter to provide excellent tracking and long sustain. We think you’ll find it more expressive and accurate than pretty much any other PLL based effect pedal around.\u003c\/p\u003e\n\u003cp\u003eMeasures\u003cbr\u003e5.65\" x 4.75″ x 2.25″ with knobs\u003c\/p\u003e\n\u003cp\u003ePower\u003cbr\u003eThe Data Corrupter should be powered a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!\u003c\/p\u003e\n\u003cp\u003eCurrent Draw\u003cbr\u003e25mA\u003c\/p\u003e\n\u003cp\u003eInput impedance\u003cbr\u003e1M\u003c\/p\u003e\n\u003cp\u003eOutput impedance\u003cbr\u003e1K\u003c\/p\u003e\n\u003cp\u003eSwitching\u003cbr\u003eThis device is true bypass and uses electronic relay based switching. Audio will not pass without power.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431051948125,"sku":"930042020690","price":445.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/data-corrupter.jpg?v=1778347412"},{"product_id":"earthquaker-devices-four-to-one-mixer","title":"EarthQuaker Devices Four-to-One Mixer","description":"\u003cp\u003eWe have created the Four to One Mixer as the final docking station for all of your diverging sonic journeys! The Four to One mixer is a simple and compact 4 channel mixer with independent level controls and selectable phase for each channel. This was primarily designed to be used with our One to Four Splitter to create 4 parallel signal paths, but it can be used just about anywhere you need to mix four different sources into a single output with your unique sound!\u003c\/p\u003e\n\u003cp\u003eThis high headroom device features a high 1 Mohm input impedance and a low 100 ohm output impedance ensuring all signals maintain their sonic integrity throughout their journey, even on long cable runs. The high headroom input impedance of this device allows it to accept a variety of instruments without distortion or clipping. This was built to handle just about anything, including guitars, basses, synthesizers, drum machines, and more!\u003c\/p\u003e\n\u003cp\u003ePhase selector switches for each channel will make sure to correct any issues you might have from mixing multiple different signals with opposing polarities. Sometimes mixes can sound out-of-phase, leaving the resulting signal sounding thin or tinnier. Adjusting the Phase on the Four to One Mixer will help you avoid these issues. When used in conjunction with the Four to One Splitter and our Flexi Loops, you can create wild parallel signal paths at the flip of a switch! Use it to mix 4 instruments into one amp! Run four synths into a single channel! Put the whole band through your wall of amps! The possibilities are still nearly endless.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431084060765,"sku":"EQD-M00011244","price":284.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/large_jpeg-four-to-one-mixer.jpg?v=1778347960"},{"product_id":"earthquaker-devices-one-to-four-splitter","title":"EarthQuaker Devices One-to-Four Splitter","description":"\u003cp\u003eWe have crafted the One to Four Splitter to route your next musical adventure and help you create sounds you never thought possible. This One to Four Splitter allows the user to take one input and send it through four buffered outputs for unlimited creative potential. Use it to run out to four amps to play in quadraphonic sound and blow people’s minds. Send a clean signal to your DAW and another through your normal signal chain to have a clean back up while recording. Run 2 parallel stereo signal paths! Use our One to Four splitter together with our Four to One Mixer and create wild parallel signal chains! Use our Buffer\/Splitter and run 2 x One to Four Splitters to have 8 parallel paths!!!\u003c\/p\u003e\n\u003cp\u003eThis device features a unity gain buffer on each buffer output for maximum punch and clarity. These buffered outputs have a flat frequency response with a high 1 Mohm input impedance and a low 100-ohm output impedance. This means that your signal won’t lose any quality and will sound just like you intended. Even long cable runs will be no match for the One to Four Splitter. Like our other products, our One to Four Splitter is made at our factory in Akron, Ohio and is backed up with our limited lifetime warranty.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431084781661,"sku":"EQD-M00011626","price":170.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/large_jpeg-one-to-four-splitter-4.jpg?v=1778347964"},{"product_id":"earthquaker-devices-aby-box","title":"EarthQuaker Devices ABY Box","description":"\u003cp\u003eThe EarthQuaker Devices® Passive ABY Box is the perfect solution if you can’t decide when and where you would like your signal to go. In its most basic form, this passive little box is commonly used to run a single input out to two destinations and lets you choose between using either individually or both at the same time. The most common problem an ABY is used to solve is one input being sent out to two amplifiers, but it doesn’t have to stop there! Because of its completely passive circuitry it can also be used in reverse to choose between two inputs to a single output. Use it to simultaneously run two different instruments to one input! An oboe and a bass, a keyboard and a harmonica, a lute and a modular synth… you know, whatever! This compact little device has a small footprint and won’t take up much real estate on your board and is built using high quality parts that will withstand years of use and keep going.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431086977117,"sku":"BM810019914492","price":204.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/passive-aby-box.png?v=1778347978"},{"product_id":"earthquaker-devices-flexi-loops","title":"EarthQuaker Devices Flexi Loops","description":"\u003cp\u003eUsing an effect loop switcher on your pedalboard allows you to easily remove all your effects from the signal path creating a path of least resistance to maintain full tonal integrity when they aren’t in use. Using a dual effect loop with Flexi-Switch® Technology allows you to create two distinct loops of effects and then introduce or remove them all on the fly with ease!\u003c\/p\u003e\n\u003cp\u003eYou aren’t just limited to using the Flexi Loops as a loop switcher! You can use one channel as a tuner out\/mute or even a plain old mute. Use the sends to run out to different sources and easily select between them!\u003c\/p\u003e\n\u003cp\u003eThe Flexi Loops uses high quality, soft touch momentary switches for durability and quick action to ensure a lifetime of switching enjoyment. This device is entirely passive and there is no circuitry in the signal path but it will require power for the relays to pass signal.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431087009885,"sku":"BM810019914522","price":208.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/flexi-loops.png?v=1778347978"},{"product_id":"earthquaker-devices-ab-box","title":"EarthQuaker Devices AB Box","description":"\u003cp\u003eThe EarthQuaker Devices® A\/B Box is a simple, compact tool that lets you choose between two of almost anything. Due to its completely passive design, there is no circuitry between the input and outputs, meaning it can be used in both directions. Use it to switch between two amps! Switch between two channels on a multi-channel amp! Use it as a tuner out\/mute switch! Switch between two instruments! Run a dry path and a wet path! The time to passively choose is now!\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431087108189,"sku":"BM810019914430","price":170.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/ab-box.png?v=1778347982"},{"product_id":"eqd-swiss-things","title":"EarthQuaker Devices Swiss Things Pedalboard Reconciler","description":"\u003cp\u003eOrganise your pedalboard\u003c\/p\u003e\n\u003cp\u003eSwiss Things is an all-in-one pedalboard reconciliation solution designed to really tie your rig together without resorting to some confusing loop-switching contraption bigger than a meatball party sub that eats up the entire bottom row of your board and kind-of-but-not-quite does what you need it to do.\u003c\/p\u003e\n\u003cp\u003eCombines two true-bypass Flexi-Switch™ enabled effects loops, a Flexi-Switch™ AB-Y box with transformer isolation between outputs, a buffered tuner output, 20dB of clean boost, an expression pedal output for volume control and a quiet, high headroom output buffer into a compact pedalboard-friendly signal routing junction box.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUse as many pedals as you’d like without tone-suck\u003c\/li\u003e\n\u003cli\u003eQuickly and easily bypass all pedals with one click\u003c\/li\u003e\n\u003cli\u003eUse Flexi-Switch™ Technology with every pedal in your setup\u003c\/li\u003e\n\u003cli\u003eEliminate volume pedal tone-suck by using any expression pedal to control volume\u003c\/li\u003e\n\u003cli\u003eUse multiple amps without phase issues, ground loops, or extra noise\u003c\/li\u003e\n\u003cli\u003eImproves pedalboard cable management\u003c\/li\u003e\n\u003cli\u003eShortens cable runs to reduce capacitance which causes tone loss\u003c\/li\u003e\n\u003cli\u003eKeeps all inputs and outputs in one convenient location\u003c\/li\u003e\n\u003cli\u003eTrue bypass\u003c\/li\u003e\n\u003cli\u003eSilent relay-based switching\u003c\/li\u003e\n\u003cli\u003eAll-analog signal path\u003c\/li\u003e\n\u003cli\u003eLifetime guarantee\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMeasures: 4.75″ x 5.65″ x 2.25″ with knobs\u003cbr\u003eCurrent Draw: 40mA\u003cbr\u003eInput Impedance: 1M Ohm\u003cbr\u003eOutput Impedance: 1K Ohm\u003cbr\u003eFlexi-Switching\u003cbr\u003eThis device features Flexi-Switch™ Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.\u003c\/p\u003e\n\u003cp\u003eFor standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.\u003c\/p\u003e\n\u003cp\u003eFor momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed.\u003c\/p\u003e\n\u003cp\u003eSince the switching is relay based, it requires power to pass signal.\u003c\/p\u003e\n\u003cp\u003ePower\u003cbr\u003eThis device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431088582749,"sku":"935042001523","price":493.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/swiss-things.jpg?v=1778348010"},{"product_id":"earthquaker-devices-the-wave-transformer-eurorack-module","title":"EarthQuaker Devices The Wave Transformer Eurorack Module","description":"\u003cp\u003eThe Wave Transformer is an analog, vintage-voiced, voltage-controlled oscillator with over 8 octaves of accurate pitch tracking. It has 7 simultaneous wave outputs, including a unique Complex output.\u003c\/p\u003e\n\u003cp\u003eThe Transform control morphs from a basic waveform through many strange iterations into a complex, gnarled mass of audio mutations at the Complex output. You can yield countless variations on these permutations by combining this novel circuit with Hard Sync, Soft Sync, Linear FM and Exponential FM. Additionally, you can mute the source waveform to use the circuit as a harmonic gate\/VCA, rendering The Wave Transformer a voice unto itself. If that is not enough, there is a Shape Insert that allows you to transform external oscillations and modular-level audio sources.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003cbr\u003e \u003cbr\u003ePanel Controls\u003cbr\u003e \u003cbr\u003eSub Source: Selects either the internal oscillator or the signal patched into the Shape Insert jack for use in generating sub octaves. This control affects the Complex, Sub Pulse and Sub Square outputs. Leave this set to “INT” unless you are tracking an external source.\u003c\/p\u003e\n\u003cp\u003eSub Octave: Selects between 1 octave down, 2 octaves down or muting the sub octaves. This control affects the Complex and Sub Square outputs. The Sub Pulse output is unaffected by this control, as it is fixed to 1 octave down.\u003c\/p\u003e\n\u003cp\u003eComplex Source: Selects between muting and unmuting the source wave for the Complex output. \u003c\/p\u003e\n\u003cp\u003eTune: Course control of the pitch of the oscillator, spanning approximately 7 octaves.\u003c\/p\u003e\n\u003cp\u003eFine Tune: Fine control of the pitch of the oscillator, spanning a little more than 1 octave.\u003c\/p\u003e\n\u003cp\u003eµTune (Micro Tune): Ultra fine control of the oscillator, spanning approximately 25 cents.\u003c\/p\u003e\n\u003cp\u003ePulse Width: Varies the Pulse Width of the Rectangle output between 0%–100%. At 0% or 100% Pulse Width, the Rectangle output is silent.\u003c\/p\u003e\n\u003cp\u003eTransform: Morphs the Complex output from a triangle wave through multiple iterations into a strange and harmonically complex waveform, using an asymmetrical multi-differential audio transmutation circuit.\u003cbr\u003eInputs\u003cbr\u003e \u003cbr\u003eHard Sync: Accepts +\/-5 volts. Uses the incoming signal to reset the phase of the oscillator to a particular phase, depending on the polarity of the incoming pulses.\u003c\/p\u003e\n\u003cp\u003eSoft Sync: Accepts +\/–5 volts. Positive pulses at this input will cause the upper peak of the waveform to prematurely change direction, while negative pulses will cause the lower peak to prematurely change direction.\u003c\/p\u003e\n\u003cp\u003eV\/Octave: Accepts traditional volt\/octave CV to control pitch.\u003c\/p\u003e\n\u003cp\u003eShape Insert: Accepts +\/-5 volts. Allows the insertion of another waveform or modular-level signal to be mutated by the Transform circuit. The new waveform will change the results heard at the Complex output.\u003c\/p\u003e\n\u003cp\u003eLin FM: Accepts +\/-5 volts audio signals. Allows linear frequency modulation.\u003c\/p\u003e\n\u003cp\u003eExpo FM: Accepts +\/-10 volts. Allows exponential frequency modulation.\u003c\/p\u003e\n\u003cp\u003ePulse Width CV Input: Accepts +\/-5 volts. Allows control or the pulse width of the Rectangle output from 0%–100% duty cycle.\u003c\/p\u003e\n\u003cp\u003eTransform CV Input: Accepts 0-5 volts. Allows control of the Transform circuit. This CV input is added to the Transform panel control. Use the panel control to set the default Transformation from which you would like to modulate.\u003c\/p\u003e\n\u003cp\u003eµTune CV Input: Accepts +\/-10 volts. This is an exponential CV input that allows precise modulation of the oscillator pitch. This input can be used to sequence precise pitch bends, adding pitch instability with a random voltage source, or sequencing tiny changes in pitch for drone or microtonal music.\u003c\/p\u003e\n\u003cp\u003eOutputs\u003cbr\u003e \u003cbr\u003eSine: +\/-5 volts\u003c\/p\u003e\n\u003cp\u003eTriangle: +\/-5 volts\u003c\/p\u003e\n\u003cp\u003eSaw: +\/-5 volts\u003c\/p\u003e\n\u003cp\u003eComplex: Up to +\/-10 volts. This strange and novel output varies between a simple waveform (triangle, unless you patch a signal into the Shape Insert jack) and a complex transformation of the harmonic structure of the original waveform. It contains a unique mixture of the fundamental frequency, odd order harmonics, even order harmonics and subharmonics. The Sub Octave panel control will determine whether the sub harmonics are derived from one octave down, two octaves down, or are muted altogether. It will vary from a simple waveform to a silhouette of your cat watching you as you react to a “present” that it left for you on the counter. No, seriously.\u003c\/p\u003e\n\u003cp\u003eRectangle: +\/-5 volts. The pulse width of this waveform is dependent upon the Pulse Width panel control and its associated CV input.\u003c\/p\u003e\n\u003cp\u003eSub Pulse: +\/-5 volts. 25% duty cycle sub octave signal that is fixed to 1 octave lower than the source signal.\u003c\/p\u003e\n\u003cp\u003eSub Square: +\/-5 volts. A sub octave square wave that is either 1 or 2 octaves down from the source signal, depending on the Sub Octave setting.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431704719453,"sku":"BM810019913877","price":331.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/large_jpeg-the-wave-transformer.jpg?v=1778358139"},{"product_id":"eqd-afterneath-eurorack-module","title":"EarthQuaker Devices Afterneath Eurorack Module (Special Order)","description":"\u003cp\u003eAfterneath® Eurorack Module\u003cbr\u003eThe Afterneath Eurorack Module brings the Otherworldly sounds from the effects pedal world right into your modular synthesizer with an expanded feature set. The Afterneath module features one main audio input, one main audio output, an audio send and return for the Reflect feedback path, and nine controls. Four of the parameters are controllable via CV, and each has been equipped with a dedicated inverting attenuator to process the incoming CV. The Afterneath module has a completely analog dry signal path and a totally digital wet signal path.\u003c\/p\u003e\n\u003cp\u003e1. Input: Adjusts the level of the incoming signal to allow for signals ranging from instrument-level (clockwise) to modular-level (counterclockwise).\u003c\/p\u003e\n\u003cp\u003e2. Dampen: Controls the tone of the wet signal. Clockwise for darker tones, counterclockwise for brighter tones.\u003c\/p\u003e\n\u003cp\u003e3. Reflect: Controls the regeneration of the reverb, turn clockwise for more wash and echoes, counterclockwise for less. This will self-oscillate if turned up high. Acts as an attenuator when there is a signal patched into the Reflect Return jack.\u003c\/p\u003e\n\u003cp\u003e4. Mix: Controls the amount of wet signal that is mixed with the dry signal. Though it does not actually go completely wet, you can achieve a fully wet signal by engaging the Dry Kill switch.\u003c\/p\u003e\n\u003cp\u003e5. Dry Kill: Eliminates the dry signal from the output, leaving only the wet signal.\u003c\/p\u003e\n\u003cp\u003e6. Drag: This digital reverb is made up of a bunch of short delays, Drag separates the delay lines creating a stuttering, pingy effect. This is the coolest control on the Afterneath; we highly advise slowly turning (or modulating) this while you let notes ring out for a cool warped speed effect. The effect is more delay-like as you turn it counterclockwise, and it is more reverb-like as you turn it clockwise. You will achieve shorter delay times as you move the control clockwise, and longer delay times when you turn the control counterclockwise. You will notice a change in pitch when adjusting this control with sound present in the effects buffer, or when the effect is self-oscillating.\u003c\/p\u003e\n\u003cp\u003e7. Mode: Controls the behavior of the Drag control as well as how it responds to control voltage. There are 9 different modes (see the following Modes section for explanations).\u003c\/p\u003e\n\u003cp\u003e8. Diffuse: Smooths and diffuses the delay repeats. Sharper transients with more attack counterclockwise, more ambient, reverb-like and washy as you turn it clockwise.\u003c\/p\u003e\n\u003cp\u003e9. Length: Controls the decay length of the reverb.\u003c\/p\u003e\n\u003cp\u003e10. Mode LED: Visually indicates the current mode.\u003c\/p\u003e\n\u003cp\u003e11. Drag CV Inverting Attenuator: Attenuates or inverts the incoming CV. The CV is at unity gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the CV is completely attenuated when the attenuator is in the 12 o’clock position.\u003c\/p\u003e\n\u003cp\u003e12. Mode CV Inverting Attenuator: Attenuates or inverts the incoming CV. The CV is at unity gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the CV is completely attenuated when the attenuator is in the 12 o’clock position.\u003c\/p\u003e\n\u003cp\u003e13. Diffuse CV Inverting Attenuator: Attenuates or inverts the incoming CV. The CV is at unity gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the CV is completely attenuated when the attenuator is in the 12 o’clock position.\u003c\/p\u003e\n\u003cp\u003e14. Length CV Inverting Attenuator: Attenuates or inverts the incoming CV. The CV is at unity gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the CV is completely attenuated when the attenuator is in the 12 o’clock position.\u003c\/p\u003e\n\u003cp\u003e15. Drag CV Input: Allows modulation of the Drag control using external CV.\u003c\/p\u003e\n\u003cp\u003e16. Mode CV Input: Allows modulation of the Mode control using external CV.\u003c\/p\u003e\n\u003cp\u003e17. Diffuse CV Input: Allows modulation of the Diffuse control using external CV.\u003c\/p\u003e\n\u003cp\u003e18. Length CV Input: Allows modulation of the Length control using external CV.\u003c\/p\u003e\n\u003cp\u003e19. Audio Input: Accepts audio signals ranging from instrument-level to modular-level, using the Input knob to adjust the level.\u003c\/p\u003e\n\u003cp\u003e20. Reflect Send: Allows external patching and processing of the Reflect feedback path. Patching from this output does not interrupt the internal feedback path.\u003c\/p\u003e\n\u003cp\u003e21. Reflect Return: Allows return of the externally patched and processed Reflect feedback path. Also, it can be used as an additional audio input if you wish to forgo the feedback. The Reflect knob acts as an attenuator for the audio that is patched to this input. Please note that processing of the Reflect feedback path can easily result in self-oscillation when processing with effects such as distortion or a resonant filter. The Reflect knob can be used to compensate for this factor. Patching a cable to this input will disconnect the internal feedback path, but the Reflect Send will still be active.\u003c\/p\u003e\n\u003cp\u003e22. Audio Output\u003c\/p\u003e\n\u003cp\u003eModes\u003cbr\u003e1. Unquantized: Smooth, unquantized response over the operating range\u003c\/p\u003e\n\u003cp\u003e2. Unquantized with Slew: Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. The “Drag” will lag behind the knob or CV changes, but then quickly catch up\u003c\/p\u003e\n\u003cp\u003e3. Unquantized Volt\/Octave: Smooth and unquantized, yet scaled to align with the 1v\/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage controlled oscillator\u003c\/p\u003e\n\u003cp\u003e4. Chromatic Scale: Quantized 1v\/octave to the chromatic scale\u003c\/p\u003e\n\u003cp\u003e5. Major Scale: Quantized 1v\/octave to the major scale\u003c\/p\u003e\n\u003cp\u003e6. Minor Scale: Quantized 1v\/octave to the minor scale\u003c\/p\u003e\n\u003cp\u003e7. Pentatonic Scale: Quantized 1v\/octave to the pentatonic scale\u003c\/p\u003e\n\u003cp\u003e8. Octaves \u0026amp; Fifths: Quantized 1v\/octave to omit all but octaves and fifths\u003c\/p\u003e\n\u003cp\u003e9. Octaves: Quantized 1v\/octave to omit all but octaves\u003c\/p\u003e\n\u003cp\u003eSelf-Oscillation\u003cbr\u003eIt is normal for the Afterneath Module to self-oscillate when using higher settings of the Length and Reflect controls – especially when both controls are set above the 12 o’clock position. When you combine the self-oscillation with CV control over the Drag parameter you have an interesting voltage controlled oscillator. Modes 3-9 will allow the self-oscillation to track volt\/octave scaling. When using an external control voltage, the Drag knob acts as an offset control for the incoming voltage. Due to the nature of the effect, the Drag parameter responds to only positive voltages between 1.6 and 4.1 volts. When using a voltage between 0 and 1.6 volts, you can turn the Drag knob clockwise to offset the incoming voltage to the response range. Please note that bipolar signals may need additional offset voltage from an external source to bring the entire control signal within the response range.\u003c\/p\u003e\n\u003cp\u003eKeep in mind that the Afterneath is not intended to be a precision oscillator. When self-oscillating, it’s pitch is mostly based upon the note that is played into it. While feeding back, the original note will transform through various harmonic and enharmonic frequencies, depending on the levels of the Length, Reflect and Dampen controls. Careful adjustment of the Length and Reflect controls can allow you to sustain sounds in the buffer for longer periods of time without it becoming unstable.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44431706456157,"sku":"935042001694","price":331.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/afterneath-eurorack-module.jpg?v=1778358206"},{"product_id":"eqd-aqueduct","title":"EarthQuaker Devices Aqueduct Vibrato Pedal","description":"\u003cp\u003eAqueduct™\u003cbr\u003eVibrato\u003cbr\u003eAqueduct™ is a vintage-inspired pitch vibrato with eight modulation modes delivering synth-like sonar pulses, touch-sensitive frequency modulation, gentle rolling pitch-wobbles, steady kosmische pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, pitch bends, pseudo-flange, and anything else your pitch-warped brain can picture in your murky mind’s eye.\u003c\/p\u003e\n\u003cp\u003eModes\u003cbr\u003eSine: The smoothest and most subtle of all waveforms, sine waves are most commonly associated with classic amp-like vibrato. Plug in, turn on, and commence the Chooglin’.\u003c\/p\u003e\n\u003cp\u003eTriangle: Triangle waves have a sharper rise and fall than sine waves with a more pronounced pitch bend at the peak of each LFO cycle.\u003c\/p\u003e\n\u003cp\u003eRamp: Like a triangle wave with a twist. The Ramp waveform has a sharp sonar pulse followed by a rapid downward slope with a synthesizer-like sustain and release. This is where things start to get a little weird.\u003c\/p\u003e\n\u003cp\u003eSquare: Square waves are the most rigid and abrupt of the waveforms. Rather than gliding smoothly between pitches, square waves produce an instant on-or-off transition between notes. Use this mode for trills when you get tired of doing hammer-ons and pull-offs.\u003c\/p\u003e\n\u003cp\u003eRandom: This waveform isn’t a waveform at all as much as it’s a drunken master of modulation who slurs your notes into an unpredictable assortment of greasy pitch-bends before disappearing at last call and leaving you stuck with the tab. It has a “warped record” effect at low Depth settings and becomes sloppier and more randomized as you increase the Depth control.\u003c\/p\u003e\n\u003cp\u003eEnv D: This is Envelope-Controlled Depth mode. The waveshape is set to a sine wave, the speed of which may be adjusted using the Rate control. The Depth control sets the sensitivity of the envelope - the point at which the effect kicks in as you play. In this mode, your pick attack sets the intensity of the modulation. The harder you dig in, the more pronounced the effect. Try it during your next motorik jam.\u003c\/p\u003e\n\u003cp\u003eEnv R: This is Envelope-Controlled Rate mode. In this mode, the input level (i.e. pick attack) controls the LFO rate. The LFO uses a sine waveshape. Play harder for faster modulation or lay low for slower modulation speeds. The Rate control adjusts the sensitivity of the envelope. Depth selects the LFO intensity.\u003c\/p\u003e\n\u003cp\u003eEnv P: This is Envelope-Controlled Pitch mode, which we’ve lovingly nicknamed “The My Bloody Valentine setting.” If your instrument doesn’t have a tremolo bar, it does now. In this mode, the LFO is set to a sine waveshape, and frequency modulation is controlled by the dynamics of your pick attack and not the LFO. Do yourself a favor and try this one with Flexi-Switching™.\u003c\/p\u003e\n\u003cp\u003eDepth sets the wet\/dry mix. This is the only mode that contains a wet\/dry mix and may be set to taste to create touch-sensitive dynamic vibrato, chorus, flanger, or tactile pitch drops. Full counterclockwise is all dry, full clockwise is all wet. With this control set to noon you will get a 50\/50 mix with a small amount of phase cancellation.\u003c\/p\u003e\n\u003cp\u003eRate sets the sensitivity and overall range of the pitch bend.\u003c\/p\u003e\n\u003cp\u003eMeasures: 4.75\" x 2.50\" x 2.25\" with knobs\u003cbr\u003eCurrent Draw: 68mA\u003cbr\u003eInput Impedance: 1M Ohm\u003cbr\u003eOutput Impedance: Flexi-Switching\u003cbr\u003eThis device features Flexi-Switch™ Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.\u003c\/p\u003e\n\u003cp\u003eFor standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.\u003c\/p\u003e\n\u003cp\u003eFor momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed.\u003c\/p\u003e\n\u003cp\u003eSince the switching is relay based, it requires power to pass signal.\u003c\/p\u003e\n\u003cp\u003ePower\u003cbr\u003eThis device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44432931749981,"sku":"930042020683","price":312.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/aqueduct.jpg?v=1778365820"}],"url":"https:\/\/gearstage.store\/collections\/earthquaker-devices.oembed","provider":"GearStage","version":"1.0","type":"link"}