{"title":"Strymon Pedals","description":null,"products":[{"product_id":"strymon-iridium","title":"Strymon Iridium Amp Modeller \u0026 Cab I.R. Pedal","description":"\u003cp\u003eLeave Your Amp At Home.\u003c\/p\u003e\n\u003cp\u003eNothing reveals the true nature of your guitar and your playing like a world-class tube amp driving a perfectly matched speaker cabinet in a great sounding room. Now there is a pedal that truly delivers that sound and feel, with simple controls for effortlessly dialing in the perfect amp tone when going direct. Discover inspiring tube amp responsiveness, unprecedented impulse response speaker cabinet realism, and controllable natural sounding room ambience.\u003c\/p\u003e\n\u003cp\u003eGo Direct With Gorgeous Tone.\u003c\/p\u003e\n\u003cp\u003eIridium gives you three iconic amplifiers, with a total of nine impulse response speaker cabinets that complement the tonality of the amp. Skip the hassle of lugging around or miking amps. Place Iridium on your pedalboard and send gorgeous stereo amplifier tones, stunningly realistic cabs, and lush room ambience direct to a recording interface or PA system. With Iridium, it’s a snap to dial in a direct tone that will truly inspire and sound great whether you are monitoring through in-ears, floor wedges, reference monitors, or studio headphones.\u003c\/p\u003e\n\u003cp\u003eThree Iconic Amplifiers\u003cbr\u003eOur Matrix Modeling™ process captures all the subtleties and unique tonal qualities of each amplifier. We’ve taken three iconic tube amps with distinct characters and mathematically modeled every aspect of their circuitry with absolute precision to deliver the response, feel, and inspiring experience of playing through the original amps at their best. Taking the process a step further, we’ve hot-rodded each amp to provide an extended range of tonal options beyond what was available from the original designs.\u003c\/p\u003e\n\u003cp\u003eNine Stereo IR Cabinets\u003cbr\u003eIridium’s speaker cabinets offer a level of realism and responsiveness unprecedented in outboard effects. Iridium delivers full stereo 24bit 96kHz resolution for the entire 500 milliseconds of its speaker cabinet impulse responses. Until now, IRs of this resolution have only been available for use within studio recording software. Iridium’s breakthrough technology means you can use the very best impulse responses available, bringing maximum realism to your pedalboard.\u003c\/p\u003e\n\u003cp\u003eAdjustable Room Ambience\u003cbr\u003eIridium’s hybrid room reverb combines a 256 millisecond stereo impulse response with Strymon’s reverb tank algorithm for extended decay. This combination places your amp and cab in a natural sounding room (small, medium, or large), creating a space for your amp to open up and breathe.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPEC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSound Design\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThree amplifier models crafted using Matrix Modeling™, capturing the subtleties and unique tonal qualities of each amp\u003c\/li\u003e\n\u003cli\u003eRound Amp – based on* a Fender® Deluxe Reverb®\u003c\/li\u003e\n\u003cli\u003eChime Amp – based on* the Brilliant channel of a Vox® AC30\u003c\/li\u003e\n\u003cli\u003ePunch Amp – based on* a Marshall® Plexi (Super Lead model number 1959)\u003c\/li\u003e\n\u003cli\u003eNine Impulse Response speaker cabinets, 24bit \/ 96kHz 500ms\u003c\/li\u003e\n\u003cli\u003eStereo (three per amp type), pre-loaded with a curated set of IRs:\u003c\/li\u003e\n\u003cli\u003eDeluxe Reverb 1×12″ by OwnHammer\u003c\/li\u003e\n\u003cli\u003eBlues Junior® 1×12″ by CabIR\u003c\/li\u003e\n\u003cli\u003eVibrolux® 2×10″ by CabIR\u003c\/li\u003e\n\u003cli\u003eAC30 2×12″AlNiCo by OwnHammer\u003c\/li\u003e\n\u003cli\u003e1×12″ AlNiCo by Celestion®\u003c\/li\u003e\n\u003cli\u003eMesa® 4×12″ by Valhallir\u003c\/li\u003e\n\u003cli\u003eGNR 4×12″ by OwnHammer\u003c\/li\u003e\n\u003cli\u003e2×12″ Vintage 30 by Celestion\u003c\/li\u003e\n\u003cli\u003eMarshall® 8×12″AlNiCo by CabIR\u003c\/li\u003e\n\u003cli\u003eLoad your own impulse responses using Strymon Impulse Manager software\u003c\/li\u003e\n\u003cli\u003eHybrid IR\/algorithmic Room control with selectable small, medium, and\u003c\/li\u003e\n\u003cli\u003elarge rooms\u003c\/li\u003e\n\u003cli\u003eSimple, responsive amp-style controls for Drive, Level, Bass, Middle,\u003c\/li\u003e\n\u003cli\u003eand Treble\u003c\/li\u003e\n\u003cli\u003ePremium stereo high impedance discrete JFET analog front end with\u003c\/li\u003e\n\u003cli\u003eup to 22dB of pure analog gain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIns, Outs, and Switches\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStereo Input (requires TRS adapter cable)\u003c\/li\u003e\n\u003cli\u003eStereo Output\u003c\/li\u003e\n\u003cli\u003eOperates at instrument and Line Level input sources\u003c\/li\u003e\n\u003cli\u003eDiscrete transistor headphone amplifier\u003c\/li\u003e\n\u003cli\u003eExpression pedal input provides seamless morphing between knob positions (Expression mode), or smooth pre\/post volume control with logarithmic taper (Volume mode)\u003c\/li\u003e\n\u003cli\u003eUSB jack for connecting to Strymon Impulse Manager software\u003c\/li\u003e\n\u003cli\u003eto add and edit your own speaker cabinet IRs\u003c\/li\u003e\n\u003cli\u003eCompatible with Strymon MultiSwitch Plus for remote selection of up to 4 presets\u003c\/li\u003e\n\u003cli\u003eFull featured MIDI control accessible via EXP Jack for remote parameter control and access to 300 preset locations (requires Strymon MIDI EXP cable or MIDI to TRS interface)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAudio Quality\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUltra-low noise, high performance 24-bit 96kHz A\/D and D\/A\u003c\/li\u003e\n\u003cli\u003econverters provide uncompromising audio quality\u003c\/li\u003e\n\u003cli\u003eSuper high performance SHARC and ARM co-processors\u003c\/li\u003e\n\u003cli\u003e32-bit floating point processing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMore\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTransparent Analog Buffered Bypass\u003c\/li\u003e\n\u003cli\u003eStrong and lightweight anodized black aluminum chassis\u003c\/li\u003e\n\u003cli\u003ePower requirements: maximum 9 volts DC center-negative, with a minimum of 500mA of current\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDimensions:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4.5″ deep x 4″ wide x 1.75″ tall\u003c\/li\u003e\n\u003cli\u003e11.4 cm deep x 10.2 cm wide x 4.4 cm tall\u003c\/li\u003e\n\u003cli\u003eDesigned and built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44430863892573,"sku":"930101004497","price":616.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/strymon-iridium.jpg?v=1778345368"},{"product_id":"strymon-fairfax-class-a-output-stage-drive","title":"Strymon Fairfax Class A Output Stage Drive","description":"\u003cp class=\"Body\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eMiniature Marvel\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eUnlike many units we associate with gain and overdrive, Fairfax isn’t really a distortion pedal. Instead, it’s a complete miniature amplifier in 100% analog form, based upon a little-known device from the 60’s that powered a number of classic rock anthems. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eThe sound and feel is extremely tube-like, with added harmonics and saturation coming from a clever circuit that emulates the critical behavior of a tube amp’s output transformer. It’s a drive pedal that feels completely natural to play, retains the natural sound of your guitar, and glues notes together in a truly organic way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eThe Story\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eFairfax was inspired by the original Garnet Amplifiers Herzog® unit designed for Randy Bachman in 1965. Bachman wanted the sustain of a cello for his electric guitar, so he started running the speaker output of a small combo amplifier into the input of another larger amplifier while chasing that sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eUnfortunately that scenario has a tendency to blow up the combo amplifier (sometimes in dramatic fashion!), so Bachman enlisted Gar Gilles to design a device that would behave in a similar way but not actually catch fire. Gar’s design ended up being a small tube amp based around a 12ax7 and 6v6 tube, with a built-in speaker load so that it wouldn’t blow up. The result is the classic sustaining lead sound from songs like “American Woman” by The GuessWho. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eMore Than A Drive Pedal\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eFairfax began as an engineering experiment, with the goal being to recreate all of the critical elements of the original circuit fully in the analog domain, but small enough to fit into a pedal enclosure. With JFETs in place of the tube stages and an ingenious custom circuit that emulates the characteristics of the output transformer (which is integral to the sound), Fairfax delivers the real-deal performance of the original unit, without the need for a 250V tube power supply. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eThere’s even a variable Sag circuit that behaves just like a real tube amp does, by dynamically varying the amount of available current to the preamp and power amp sections independently, based upon how much signal is being sent to the power amp and how hard the guitar is played. At low Sag values the behavior is mild and closer to a solid state rectifier, and at max values the JFETs can go crazy and unbias - which gates the input - leading to spitting and chortling sounds more commonly associated with gated fuzzes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eIn order for Fairfax to behave like a real amplifier it needed a ton of operating voltage, so a transformer-based power supply converts the 9VDC input voltage to 40V internally. This gives Fairfax the power that it needs for high headroom and amp-like feel, allowing for a wide range of tones. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eAt lower Gain settings Fairfax remains sweet, gently pushing the input to your amp with additional harmonic richness. At higher Gain levels the sound can become angular, compressed and much more aggressive depending on the guitar that’s driving it, and the large range of gain on tap allows Fairfax to be used in nearly any setup imaginable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eWorks The Way You Need It To\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eBecause it’s based upon a tube amp design, Fairfax plays well with all different types of amplifiers and amp modelers. The creamy sustain brings something new to both clean and naturally dirty amplifiers. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eWe’ve even included an internal jumper that determines the power up state, so if you plan on using Fairfax with a pedal loop switcher you can choose to have it turn on automatically when powered up. This saves you the step of turning the pedal on manually every time, which is a lifesaver on a dark stage or with a complex setup.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eThe Controls\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eThe Level Control sets the output level for the pedal. Lower settings send less total output signal to your amplifier, no matter where the other two knobs are set. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eThe Drive Control determines the amount of preamp gain. Working in tandem with the Level control, you can determine precisely how you’d like to drive your amplifier - with a bunch of crunch dialed in, as a clean boost, or anything in between.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eThe variable Sag control allows you to fine-tune the behavior of the Sag circuit, where the amount of Sag is dependent on both the level being sent to the power amp section and on your playing style. It’s fully dynamic, meaning that light playing may not change the sag\/compression character much at all even at high settings, while digging in hard with big strings might produce more artifacts even at much lower pot values. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eThe Bright switch determines the high frequency contour. With the switch set to ‘Off’ high frequencies are attenuated somewhat, smoothing out the frequency response. Set to ‘On’, the high frequencies are left untouched, giving you a brighter response with more treble.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eSeries A\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eKiller code only sounds killer when it’s hosted inside of an ideal analog environment, and even though we’re primarily known for our DSP prowess, our stuff wouldn’t sound the way that it does without our strong analog team.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eThe analog guys are always coming up with interesting designs, so we’ve launched the ‘Series A’ line of pure analog pedals to give them an outlet, with Fairfax being the first to be released. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eThe designs you\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan lang=\"AR-SA\" dir=\"RTL\" style=\"font-family: 'Arial Unicode MS',serif; mso-ascii-font-family: 'Helvetica Neue'; mso-hansi-font-family: 'Helvetica Neue';\"\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e’\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003ell be seeing in ‘Series A’ are intended to offer something different from traditional Strymon offerings, with minimal use of MIDI, USB, presets or any other type of external modern enhancements. These will be pedals that are unabashedly analog, which means it could get really interesting! Keep an eye out for more \u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan lang=\"AR-SA\" dir=\"RTL\" style=\"font-family: 'Arial Unicode MS',serif; mso-ascii-font-family: 'Helvetica Neue'; mso-hansi-font-family: 'Helvetica Neue';\"\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e‘\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eSeries A\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan lang=\"AR-SA\" dir=\"RTL\" style=\"font-family: 'Arial Unicode MS',serif; mso-ascii-font-family: 'Helvetica Neue'; mso-hansi-font-family: 'Helvetica Neue';\"\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e’ \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003epedals as we go forward.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eFeatures:\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eComplete tube amp circuit fully recreated in 100% analog\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eCustom analog circuits recreate multiple tube stages and the critical output transformer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eInput voltage converted to 40V internally via galvanically isolated power supply\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eControls for Drive, Level and a variable Sag control\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eBright switch allows fine-tuning of the high frequency response\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eWide range of natural sounding and tube amp-like gain for maximum versatility\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eSag circuit allows mild Sag effects at lower settings and spitting and gated sounds at max\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eRequires 9DVC at 500mA\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eSPECS\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eCircuit - analog\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eBypass - true bypass\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eAudio - mono\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003ePower Supply - 9VDC (typical 2.1mm center negative tip)\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eCurrent Draw - 500mA \u003c\/span\u003e\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44430886633565,"sku":"BM852571008660","price":318.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/Fairfax_Site_TopDown_Trans.png?v=1778345707"},{"product_id":"strymon-sunset-dual-overdrive-pedal","title":"Strymon Sunset Dual Overdrive Pedal","description":"\u003cp\u003e\u003cstrong\u003eClassic overdrive sound, x2.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSunset gives you the best of the best classic overdrive circuits, custom voiced for instantly gratifying control over a huge range of sought-after tones. We studied six circuit types found in many truly timeless and iconic overdrive and boost pedals, and put our takes on all six of them into a single two-channel unit.\u003c\/p\u003e\n\u003cp\u003eTwo pedals at once.\u003cbr\u003eSunset is really two customizable overdrive pedals, independently selectable and flexibly routable, designed and voiced for complementary tones when stacked. Six distinct circuits each feel and react differently in your hands, two at once, all in one convenient package. Push your amp any way you want, from transparent “more amp” to heavy saturated fuzz, and all the best places in between.\u003cbr\u003e\u003cbr\u003eHoly Grail tone, minus the quest.\u003cbr\u003eWe are all familiar with the endless search for the ultimate overdrive pedal and the perfect tone. We did the critical listening and custom voicing to design each side of Sunset with just one tone knob, so you can quickly dial in the sound you want. The knob ranges for each circuit type are custom calibrated to provide maximal usable control. We applied the same design philosophy and care to the stacking options, ensuring each combination interacts optimally and sounds great, so a huge range of classic overdrive tones are instantly achievable.\u003c\/p\u003e\n\u003cp\u003eSix classic circuits.\u003cbr\u003eSunset utilizes an all-analog JFET gain stage coupled with custom-voiced, precision-crafted DSP algorithms to capture the nuances and character of each circuit type.\u003c\/p\u003e\n\u003cp\u003eChannel A overdrive circuits\u003cbr\u003eThe Ge overdrive combines the softer response of germanium diodes with a parallel path that blends in the dry signal as the Drive is lowered. At higher gains the lower-midrange frequencies are emphasized to create a tight, thick response. This overdrive really fattens up single coil pickups, and responds with a bold push when paired with humbuckers.\u003c\/p\u003e\n\u003cp\u003eThe Texas overdrive employs a single stage soft-clipper configuration that is filtered before and after the gain stage to create a smooth and dynamic overdrive. The original signal dynamics are retained as the gain is increased – perfect for playing the blues or just fattening up your sound with a signature midrange bump.\u003cbr\u003e\u003cbr\u003eChannel A boost circuit\u003cbr\u003eThe Treble type is a treble booster that removes the low frequencies as the Tone knob is turned up – great for tightening up an overdriven amp, or driving another gain pedal that’s a bit looser on the low end. Turning the Tone knob down brings in the low end, making for a versatile all-around boost.\u003c\/p\u003e\n\u003cp\u003eChannel B overdrive circuits\u003cbr\u003eThe 2stage overdrive combines a soft-clipping stage followed by a hard-clipping stage, creating a complex overdrive with a wide range of gain. Its EQ structure preserves the low end while adding some muscle to push your amp. This overdrive can easily take you from lightly clipped to beefy saturation.\u003cbr\u003e\u003cbr\u003eThe Hard overdrive uses a single-stage hard-clipping circuit that has a ton of available gain, approaching fuzz territory with the Drive knob maxed. At lower gains, mildly clipped transparent tones are achieved with this versatile drive. The wide-ranging Tone knob lets you shape the top end from smooth to buzzy.\u003cbr\u003e\u003cbr\u003eChannel B boost circuit\u003cbr\u003eThe JFET type is a clean boost that subtly beefs up your signal with the dynamics and responsiveness created from the JFET front end. As you turn up the drive, the signal gets rounded and warmer. The is a great option when your amp just “needs a little extra.”\u003cbr\u003e\u003cbr\u003eOptimized Stacking.\u003cbr\u003eSince the time when overdrives were created to simply push an amp in order to achieve an overdriven sound even at sane volume levels, players have evolved to want more layered, multistage tonalities. Stacking gives you more flexibility and tone range on the floor. You can find an overdrive that sounds good on its own, then run it through a second drive to add new dimensions to your tone. Sunset allows you to use any of its six overdrive circuits on their own, or route the Channel A drive circuit through Channel B, or Channel B through Channel A, or use two circuits in parallel. Routing options have been chosen deliberately to present the best-sounding combinations of drive circuits. Sunset eliminates the guesswork.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44430911340637,"sku":"930101004513","price":489.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/sunset-large.jpg?v=1778346031"},{"product_id":"strymon-riverside-multistage-drive-pedal","title":"Strymon Riverside Multistage Drive Pedal","description":"\u003cp\u003e\u003cstrong\u003eStrymon Riverside Multistage Drive Pedal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRiverside is the culmination of a thorough analysis of numerous analog and vacuum tube circuits. Our goal? To deliver a new world of harmonically rich, incredibly versatile, tube-inspired drive sounds. We didn’t want to build just another distortion or overdrive. We knew we must examine what has been done, and bring a new approach to the world of drive sounds.\u003c\/p\u003e\n\u003cp\u003eDiscover your amp’s potential.\u003c\/p\u003e\n\u003cp\u003eRiverside’s cascading gain stages create harmonically rich tones that are immensely musical and natural—from silky clean overdrive to colossal distortion, and all points between. Our analog JFET front-end ensures that Riverside responds to your guitar with uncompromised dynamics and feel. The precision crafted DSP generates dynamic complexity and pleasing harmonics at every stage, letting your amp shine at any gain level. Riverside takes your amp to places you never knew it could go.\u003c\/p\u003e\n\u003cp\u003eInfinite sweet spot.\u003c\/p\u003e\n\u003cp\u003eRiverside’s continuously variable circuit tuning dynamically tweaks multiple parameters under the hood so that the sweet spot follows you at any gain setting. As you turn the Drive knob, Riverside makes continuous adjustments, tuning the circuit for optimum tone. This results in an incredibly versatile drive pedal that is equally capable of providing sparking cleans, mild overdrives, high-gain leads, and heavy saturated distortions.\u003c\/p\u003e\n\u003cp\u003eFlexibility to adapt to any amp.\u003c\/p\u003e\n\u003cp\u003eYour amp choice has a large influence on the sound of any drive pedal connected to it. Riverside’s musical 3-band EQ, with independent Bass, Middle and Treble knobs, is designed to complement your amp’s tone with the flexibility needed to dial in your sound effectively and efficiently. The three-position Presence switch tailors the highest frequencies, allowing Riverside to integrate perfectly with any amp or setup, no matter how dark or bright.\u003c\/p\u003e\n\u003cp\u003eDigital or analog?\u003c\/p\u003e\n\u003cp\u003eWe chose both.\u003cbr\u003eThe first stage of Riverside’s custom multistage drive topology is an all-analog, ultra low noise, discrete, class-A JFET circuit. This gain stage is digitally controlled to maximize headroom while adding as much as 20dB of pure analog gain, with tight integration to the subsequent DSP gain stages.\u003cbr\u003eWith our hybrid approach you get the best of both analog and digital worlds: The JFET stage provides exceptional touch sensitivity and dynamic interaction with your guitar, while the incredibly powerful SHARC DSP facilitates the great level of detailed complexity and responsiveness you’ll want to hear.\u003c\/p\u003e\n\u003cp\u003eSound Design\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCustom cascading multistage distortion topology provides a wide range of tube-inspired drive tones\u003c\/li\u003e\n\u003cli\u003eDigitally controlled analog class A JFET input gain stage maximizes headroom while adding up to 20dB of pure analog gain\u003c\/li\u003e\n\u003cli\u003ePrecision crafted DSP gain stages provide detailed complexity and responsiveness\u003c\/li\u003e\n\u003cli\u003eLow gain channel for smooth classic overdrive\u003c\/li\u003e\n\u003cli\u003eHigh gain channel for modern saturated distortion\u003c\/li\u003e\n\u003cli\u003e3-band EQ with independent Bass, Middle and Treble controls\u003c\/li\u003e\n\u003cli\u003eSelectable post-analog gain mid-band EQ push\u003c\/li\u003e\n\u003cli\u003ePresence switch to tailor the sound for use with all amplifiers from dark to bright\u003c\/li\u003e\n\u003cli\u003eOptional variable-threshold noise reduction helps tame noisy guitar pickups\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIns, Outs, and Switches\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh impedance mono input\u003c\/li\u003e\n\u003cli\u003eMono output\u003c\/li\u003e\n\u003cli\u003eFavorite footswitch to save a favorite setting\u003c\/li\u003e\n\u003cli\u003eExpression pedal input allows the connection an expression pedal for simultaneous morphing control over multiple parameters (Expression mode), or logarithmic taper for smooth volume control (Volume mode)\u003c\/li\u003e\n\u003cli\u003eBoost pedal input allows connection of an external footswitch for up to +6dB of analog boost, or to toggle the Favorite preset on other Strymon pedals (Favorite Out mode)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAudio Quality\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/li\u003e\n\u003cli\u003ePremium analog front end and output section\u003c\/li\u003e\n\u003cli\u003eSuper high performance SHARC DSP in a compact form factor\u003c\/li\u003e\n\u003cli\u003e32-bit floating point processing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMore\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrue Bypass (electromechanical relay switching)\u003c\/li\u003e\n\u003cli\u003eStrong and lightweight anodized gold aluminum chassis\u003c\/li\u003e\n\u003cli\u003ePower requirements: maximum 9 volts DC center-negative, with a minimum of 250mA of current\u003c\/li\u003e\n\u003cli\u003eDimensions:\u003c\/li\u003e\n\u003cli\u003e4.5″ deep x 4″ wide x 1.75″ tall\u003c\/li\u003e\n\u003cli\u003e11.4 cm deep x 10.2 cm wide x 4.4 cm tall\u003c\/li\u003e\n\u003cli\u003eDesigned and built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44430911864925,"sku":"930101004512","price":474.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/riverside_details_labels-927x1024.jpg?v=1778346040"},{"product_id":"strymon-canoga-vintage-silicon-fuzz-pedal","title":"Strymon Canoga Vintage Silicon Fuzz Pedal","description":"\u003cp\u003e\u003cstrong\u003eVintage Simplicity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSometimes simple wins. Ten years ago Gregg built a few custom fuzzes in an afternoon as a way of clearing his head, and they’ve been gathering dust on a shelf ever since. Unearthed seven years later when we needed a fuzz to pair with our killer UltraViolet vibe, that rediscovery became the catalyst for the creation of our new Series A line of all-analog pedals.\u003c\/p\u003e\n\u003cp\u003e Now we’re pleased to announce the arrival of Canoga, a tweaked version of a vintage silicon FuzzFace® based upon one of Gregg’s original three fuzz designs. Full up it works as a fuzz or distortion, but if you back the guitar’s volume down there’s a world of varied tones on tap for all different styles of music.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIt’s All About The Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCanoga is a simple pedal to use - there’s one knob for Drive and one for output Level - but the interaction between the guitar and Canoga’s input is critical, as is the interaction between it and your amp. As with many fuzz pedals, Canoga works brilliantly plugged into an amp with a bit of hair on the tone already, similar to how Jimi Hendrix and other guitar greats of the 60s and 70s ran their rigs. \u003c\/p\u003e\n\u003cp\u003eAdditional versatility comes from the interaction between your guitar’s volume knob and the pedal’s input. Traditionally, unbuffered fuzz pedals like to be connected directly to your guitar, so that the circuitry can “see” your guitar’s pickups and volume pot. Full up on both of Canoga’s pots and your guitar volume pot gets you the full fuzz experience, and rolling back the volume on the guitar opens up a new world of semi-clean blues, rock, Americana and pop sounds. The rolled back sound stays clear in the high frequencies and doesn’t get muddy, so you might find that Canoga allows you to convincingly play riffs that you would normally employ a distortion pedal for, not a fuzz. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSERIES A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKiller code only sounds killer when it’s hosted inside of an ideal analog environment, and even though we’re primarily known for our DSP prowess, our stuff wouldn’t sound the way that it does without our strong analog team.\u003c\/p\u003e\n\u003cp\u003eThe analog guys are always coming up with interesting designs, so we’ve launched the ‘Series A’ line of pure analog pedals to give them an outlet, and Canoga joins Fairfax as the second pedal in the series.\u003c\/p\u003e\n\u003cp\u003eThe designs you’ll be seeing in ‘Series A’ are intended to offer something different from traditional Strymon offerings, with no MIDI, USB, firmware or digital processing. These will be pedals that are unabashedly analog, which means it could get really interesting! Keep an eye out for more ‘Series A’ pedals as we go forward.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls and Routing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDrive - Controls the amount of distortion\u003cbr\u003eLevel - Controls the output level\u003cbr\u003eInput - High impedance audio input\u003cbr\u003eOutput - Low impedance audio output\u003cbr\u003e\u003cbr\u003e9VDC - Use a power supply or an adapter with the following rating: 9VDC, center negative, 50mA minimum (sold separately).\u003c\/p\u003e\n\u003cp\u003eIMPORTANT! Voltages higher than 9VDC can damage the pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures and Specs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTweaked version of a vintage silicon FuzzFace® style fuzz pedal\u003c\/li\u003e\n\u003cli\u003eHigh frequency response stays clear when the guitar’s volume is rolled back\u003c\/li\u003e\n\u003cli\u003eWide range of gain for different styles of music\u003c\/li\u003e\n\u003cli\u003eInternal jumper sets the initial power up state, either bypassed or engaged\u003c\/li\u003e\n\u003cli\u003e100% analog circuit\u003c\/li\u003e\n\u003cli\u003eTrue bypass\u003c\/li\u003e\n\u003cli\u003eMono In\/Out\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDimensions: 4.53” deep x 2.83” wide x 2.33” tall (11.51 cm x 7.19 cm x 5.92 cm)\u003c\/p\u003e\n\u003cp\u003ePower requirements: maximum 9VDC center negative, with a minimum of 50mA of current (sold separately)\u003cbr\u003e\u003cbr\u003eIMPORTANT! Voltages higher than 9VDC can damage the pedal.\u003cbr\u003e\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44430914617437,"sku":"BM852571008691","price":331.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/Canoga_1.jpg?v=1778346090"},{"product_id":"strymon-compadre","title":"Strymon Compadre Compressor \/ Boost Pedal","description":"\u003cp\u003eStart your signal chain with the best possible version of your guitar tone. Treat your guitar signal to true studio quality analog compression with two distinct voices for smooth transparency or vintage squeeze. Hit the Boost switch to add clean boost or soft-clipped dirty boost, with the EQ curve of your choice. Mix in some dry signal for natural attack even with extreme compression settings. Feel the perfectly tailored dynamic response, feeding your amp and effects just what they need to sound their best.\u003c\/p\u003e\n\u003cp\u003eFrom pickups, tubes, capacitors, to speaker cabinets—the aspects of a rig that can be upgraded or changed are nearly endless. Plug in Compadre and you may find you already have everything you need for the tone you’ve been seeking.\u003c\/p\u003e\n\u003cp\u003eBring out your amp’s character in ways you never thought possible. Compadre’s Class A JFET input circuit, studio quality analog compression, and musically voiced analog boost circuits all work together to make your amp sound like it was just modified by a world-class boutique amp designer.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIndependent Boost and Compression\u003c\/li\u003e\n\u003cli\u003eParallel Compression\u003c\/li\u003e\n\u003cli\u003ePremium VCA Volume Pedal\u003c\/li\u003e\n\u003cli\u003eClass A JFET Input Circuit\u003c\/li\u003e\n\u003cli\u003eReady for Guitar or Bass\u003c\/li\u003e\n\u003cli\u003eMIDI Control\u003c\/li\u003e\n\u003cli\u003eRecall favourite settings\u003c\/li\u003e\n\u003cli\u003ePrecise Level Control\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44430934474845,"sku":"930101004491","price":474.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/compadre_1.jpg?v=1778346440"},{"product_id":"strymon-mobius-modulation-effects-pedal","title":"Strymon Mobius Modulation Effects Pedal","description":"\u003cp\u003eSome might say we're driven. When our engineers lock themselves in our sound design labs for months on end, you might say we're obsessed. We have been dedicating ourselves to forging a collection of the most organic, luscious, expressive, and versatile modulation effects ever heard. It was an enormous mission—we painstakingly studied the nuances of the legendary modulations of celebrated tremolo effects, phaser pedals, chorus units, and more from the last five decades. We didn't stop at faithfully capturing these warm and lush vintage sounds—we expanded their vocabulary with extended versatility and sonic possibilities never before heard.\u003cbr\u003e \u003cbr\u003e Mobius gives you \u003cstrong\u003etwelve legendary, versatile, and inspirational modulation machines\u003c\/strong\u003e, all in an easy-to-use package. Go from lush, mouthwatering, vintage chorus sounds all the way to syrupy psychedelic phasers. Get classic, pulsating tremolos all the way to warbling crushed bits. Mobius opens up the history books of music and provides new sounds and inspiration for all of your musical ideas.\u003c\/p\u003e\n\u003cp\u003eWe knew we must surpass what has been done—in sound design, audio quality, hardware design, and processing power. Utilizing an insanely powerful \u003cstrong\u003eSHARC DSP\u003c\/strong\u003e, every drop of power is harnessed. Top it all off with \u003cstrong\u003e200 presets\u003c\/strong\u003e, full \u003cstrong\u003eMIDI implementation\u003c\/strong\u003e and a unique \u003cstrong\u003ePre\/Post Mode\u003c\/strong\u003e and you're on your way to modulation ecstasy.\u003c\/p\u003e\n\u003cp\u003eFor more info and sound samples check it out on the Strymon Website!\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44430950465629,"sku":"930101004501","price":683.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/0034865_strymon-mobius-multidimensional-modulation-effects-pedal.jpg?v=1778346583"},{"product_id":"strymon-lex-mkii","title":"Strymon LEX MKII Rotary Speaker Pedal","description":"\u003cp\u003e\u003cstrong\u003eBorn to Revolve.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere is something uniquely powerful about the sound of a vintage rotary speaker system. The organic chorusing as the treble horn and bass rotor start speeding up. The grit of the internal tube-driven amplifier, creating additional harmonics that spin around the room. Plug into Lex, close your eyes, and be transported by this classic sound, recreated with astonishing realism and depth for your pedalboard.\u003c\/p\u003e\n\u003cp\u003eComplete Rotary Speaker System.\u003c\/p\u003e\n\u003cp\u003eLex provides you with a complete, accurately reproduced rotary speaker system: the low-frequency bass rotor, the rotating treble horn, the tube-driven amplifier, finely tuned microphone placement, and all the complex sonic interactions between these elements. Powerful, intuitive controls mean you can quickly dial in just the customized sound you desire.\u003c\/p\u003e\n\u003cp\u003eClassic Sound, New Features.\u003c\/p\u003e\n\u003cp\u003eOur second generation Lex gives you the same rich rotary sounds of our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.\u003c\/p\u003e\n\u003cp\u003e● User Interface - A more powerful and intuitive user interface gives you instant control over mic position and distance, dry level, acceleration speed, volume boost\/cut, and easy customization of rotor speed. Everything you need for the full rotary speaker experience is at your fingertips.\u003c\/p\u003e\n\u003cp\u003e● MIDI - Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Lex’s EXP\/MIDI jack or USB-C connection. Rotor speed can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.\u003c\/p\u003e\n\u003cp\u003e● Hardware Improvements - A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003c\/p\u003e\n\u003cp\u003eTone Controls\u003c\/p\u003e\n\u003cp\u003eOur goal with Lex was to create the most realistic sounding, flexible rotating speaker effect ever fit within a pedal. As part of that, Lex features a full suite of practical controls to help you shape your rotary tone to your heart’s content. A major part of that is Lex’s dedicated Horn Level control, which adjusts the output level of the high frequency rotating horn. Turn it up for added output that will help your rotating effect cut through the mix, or dial things back to mellow out Lex’s higher frequencies.\u003c\/p\u003e\n\u003cp\u003eFor this new generation of Lex, we’ve added a Dry mix control, which allows you to add more dry mix to your signal for a cleaner, clearer tone — or go full wet, and truly immerse your signal in rotating speaker goodness. For added flexibility, we’ve also included a Volume knob for control over Lex’s significant +\/-6dB boost\/cut — perfect for dialing in the best level for a live or studio mix.\u003c\/p\u003e\n\u003cp\u003eMic Controls\u003c\/p\u003e\n\u003cp\u003eThe smallest changes in how a rotary speaker is mic’d can have drastic changes on its tone. Lex’s offers you all of the flexibility of different mic setups without ever needing to worry about setting one up.\u003c\/p\u003e\n\u003cp\u003eWant a more pronounced rotary effect? Bring Lex’s stereo mic setup closer for more prominent modulation, or back things up a bit for a further mic setup that brings more ambiance and space to your sound.\u003c\/p\u003e\n\u003cp\u003eA dedicated mic position switch also lets you choose between miking the partially covered front of the rotary speaker for a more diffused tone — or mic the open rear of the cabinet for a cleaner, more direct tone.\u003c\/p\u003e\n\u003cp\u003eSpeed\u003c\/p\u003e\n\u003cp\u003eOur new generation Lex makes it easier than ever to dial in the speed you need. Seamlessly shift between a slow or fast rotating speed with the dedicated Slow\/Fast switch. Want to bring things to a full stop? Press and hold the Slow\/Fast switch to gradually brake the rotary system — and let go to ramp back up to your chosen speed. Lex’s dedicated Ramp switch lets you choose how fast things slow down and speed back up when changing speeds or when braking the rotary system.\u003c\/p\u003e\n\u003cp\u003eDialing in your individual slow\/fast speeds is simple: press the Slow\/Fast footswitch to select your desired setting. From there, adjust the Speed knob to the desired speed for this mode. Press the footswitch again to go back to the other mode and set the Speed knob for that mode. Now Lex will smoothly transition between these two speeds when you alternate Slow\/Fast modes.\u003c\/p\u003e\n\u003cp\u003eRotary Brake\u003c\/p\u003e\n\u003cp\u003ePress and hold the Slow\/Fast switch to put the brakes on. The Lex rotary will wind down and stop. When at rest, the horn and drum “brake angle” is optimally positioned for consistent results. Release the Slow\/Fast switch and the rotary system will begin to spin again.\u003c\/p\u003e\n\u003cp\u003ePreamp Drive\u003c\/p\u003e\n\u003cp\u003eAt the heart of Lex’s rotary speaker is a tube preamp, ready to be pushed to add some grit to your tone. Lex’s Preamp Drive knob lets you control the drive of the rotary cabinet’s tube preamp and phase inverter stages. Set it to lower settings for a sparkly clean tone, or push things up a little bit to add some tasteful texture to your rotary tone.\u003c\/p\u003e\n\u003cp\u003eSecondary Functions\u003c\/p\u003e\n\u003cp\u003eIn order to keep Lex’s user interface as simple as possible while giving you as many powerful features as we can, we’ve included some unique Live Edit secondary functions for added tonal flexibility for just about any possible setup.\u003c\/p\u003e\n\u003cp\u003eCab Filter\u003c\/p\u003e\n\u003cp\u003eWant to run Lex directly into an audio interface, mixer, or full range speakers instead of a guitar amp? Lex’s Cab Filter Live Edit setting lets you do just that by tailoring the speaker cab filter response for use specifically with those types of systems, giving you a fuller tone when not using a guitar amp.\u003c\/p\u003e\n\u003cp\u003eBi-Amp Mode\u003c\/p\u003e\n\u003cp\u003eNeed to split things up? Bi-Amp Mode splits the output of Lex’s woofer and horn signal by sending only the horn signal to the left output and the woofer signal to the right output. This handy Live Edit setting works great if you want to apply specific effects to just the lower frequencies of Lex, or individually track or mix Lex’s two distinct speakers.\u003c\/p\u003e\n\u003cp\u003eMIDI\u003c\/p\u003e\n\u003cp\u003eOur new generation of Lex features full MIDI implementation, allowing you to control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Lex’s EXP\/MIDI jack or USB-C connection. Rotary speed can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.\u003c\/p\u003e\n\u003cp\u003eRemotely bypass or engage the pedal, sync rotary speed changes along with your tracks, automate knob adjustments, recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.\u003c\/p\u003e\n\u003cp\u003eTrue \u0026amp; Buffered Bypass\u003c\/p\u003e\n\u003cp\u003eLex lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.\u003c\/p\u003e\n\u003cp\u003eJFET Input\u003c\/p\u003e\n\u003cp\u003eUncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. Lex feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input.\u003c\/p\u003e\n\u003cp\u003eStereo In \u0026amp; Out\u003c\/p\u003e\n\u003cp\u003eNo need to make compromises when it comes to signal routing or pedal placement — Lex features full stereo in\/out capabilities. A single TRS input jack allows Lex to keep its compact form factor while giving you the option to use a stereo input signal. A dedicated rear panel Input switch allows you to easily set Lex for operation with a stereo (TRS) or mono (standard TS) input source. Low impedance dual TS output jacks let you use Lex as a stereo effect.\u003c\/p\u003e\n\u003cp\u003eLine\/Instrument Level\u003c\/p\u003e\n\u003cp\u003ePedals aren’t just for guitarists. Lex’s adjustable input signal level makes it a versatile tool for endless applications from the studio to the stage. By setting Lex to line level input mode, you get 10dB of added headroom, allowing you to use Lex with bass guitars with active pickups, synthesizers, keyboards, effects loops, and more.\u003c\/p\u003e\n\u003cp\u003ePowerful New ARM Processor\u003c\/p\u003e\n\u003cp\u003eSignificant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before. That means more processing power for every sonic nuance with less power consumption on your pedal board.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls \u0026amp; Routing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMIC\u003c\/p\u003e\n\u003cp\u003eChanges the position of the microphones relative to the cabinet.\u003c\/p\u003e\n\u003cp\u003efront: picks up the sound from the partially covered front of the cabinet.\u003c\/p\u003e\n\u003cp\u003erear: picks up the sound from the open back of the cabinet.\u003c\/p\u003e\n\u003cp\u003eSPEED\u003c\/p\u003e\n\u003cp\u003eControls the rotor speed for the SLOW and FAST modes.\u003c\/p\u003e\n\u003cp\u003eHORN LEVEL\u003c\/p\u003e\n\u003cp\u003eControls the output level of the high frequency rotating horn.\u003c\/p\u003e\n\u003cp\u003eMIC DISTANCE\u003c\/p\u003e\n\u003cp\u003eVaries the distance of the stereo mics from the horn rotor and the single mic on the woofer rotor. Turn left for a more pronounced effect. Turn right for more ambience.\u003c\/p\u003e\n\u003cp\u003eSLOW\/FAST\u003c\/p\u003e\n\u003cp\u003eToggles the rotor speed between SLOW and FAST. A flashing red LED indicates the rate. HOLD for brake.\u003c\/p\u003e\n\u003cp\u003eON\u003c\/p\u003e\n\u003cp\u003eEngages the effect. A red LED indicates the effect is engaged.\u003c\/p\u003e\n\u003cp\u003eRAMP\u003c\/p\u003e\n\u003cp\u003eControls how quickly the rotors transition when switching between speeds via the SLOW\/FAST switch. The rotors accelerate independently, with the low-frequency rotor accelerating more slowly, just like an actual rotating speaker system.\u003c\/p\u003e\n\u003cp\u003eVOLUME\u003c\/p\u003e\n\u003cp\u003eControls the +\/-6dB boost or cut when the pedal is engaged (12 o’clock is unity gain).\u003c\/p\u003e\n\u003cp\u003ePREAMP DRIVE\u003c\/p\u003e\n\u003cp\u003eControls the drive of the rotary cabinet’s tube preamp and phase inverter stages. Turn up for a more overdriven cab sound.\u003c\/p\u003e\n\u003cp\u003eDRY\u003c\/p\u003e\n\u003cp\u003eAdds your dry input signal to the effect signal. Dry is off at the minimum setting and blended 50\/50 with the effect signal at maximum.\u003c\/p\u003e\n\u003cp\u003eAUDIO INPUT SELECTOR\u003c\/p\u003e\n\u003cp\u003emono: Use with a mono input signal. Output is stereo. stereo: Use with a stereo input signal. Output is stereo.\u003c\/p\u003e\n\u003cp\u003eIN\u003c\/p\u003e\n\u003cp\u003eHigh impedance, ultra low-noise, discrete Class A JFET preamp input. TRS adapter cable required for stereo input signal.\u003c\/p\u003e\n\u003cp\u003eOUTPUTS\u003c\/p\u003e\n\u003cp\u003eLow impedance stereo audio signal outputs. Use OUT L for mono output.\u003c\/p\u003e\n\u003cp\u003eEXP \/ MIDI\u003c\/p\u003e\n\u003cp\u003eMultifunction communication jack for external control of Lex’s features and functions. Use a standard TRS expression pedal for continuous control over the knobs of the pedal (default setting). See complete User Manual for details about configuring for MIDI communication or accessories such as Strymon Conduit, MultiSwitch Plus, and MiniSwitch.\u003c\/p\u003e\n\u003cp\u003eUSB-C\u003c\/p\u003e\n\u003cp\u003eComputer connection for controlling via MIDI and firmware updates.\u003c\/p\u003e\n\u003cp\u003e9VDC\u003c\/p\u003e\n\u003cp\u003eUse the included power supply or an adapter with the following rating: 9VDC, center negative, 300mA minimum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIns, Outs, and Switches\u003c\/p\u003e\n\u003cp\u003e● High impedance ultra low-noise discrete Class A JFET TRS stereo input.\u003c\/p\u003e\n\u003cp\u003e● Low impedance independent TS stereo outputs.\u003c\/p\u003e\n\u003cp\u003e● Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.\u003c\/p\u003e\n\u003cp\u003e● USB jack for controlling via MIDI from a computer or for performing firmware updates.\u003c\/p\u003e\n\u003cp\u003e● Dedicated Slow\/Fast rotary speed \u0026amp; On\/Off footswitches\u003c\/p\u003e\n\u003cp\u003eAudio Quality\u003c\/p\u003e\n\u003cp\u003e● Premium JFET analog front end\u003c\/p\u003e\n\u003cp\u003e● Ultra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/p\u003e\n\u003cp\u003e● 520MHz ARM Superscalar processor\u003c\/p\u003e\n\u003cp\u003e● 32-bit floating point processing\u003c\/p\u003e\n\u003cp\u003e● 20Hz to 20kHz frequency response\u003c\/p\u003e\n\u003cp\u003e● Audio Input Impedance: 1M Ohm\u003c\/p\u003e\n\u003cp\u003e● Audio Output Impedance: 100 Ohm\u003c\/p\u003e\n\u003cp\u003eMore\u003c\/p\u003e\n\u003cp\u003e● Strong and lightweight anodized brown aluminum chassis\u003c\/p\u003e\n\u003cp\u003e● 9V DC power supply included\u003c\/p\u003e\n\u003cp\u003e● Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current.\u003c\/p\u003e\n\u003cp\u003e● Dimensions:\u003c\/p\u003e\n\u003cp\u003e- 4.5” deep x 4” wide x 1.75” tall\u003c\/p\u003e\n\u003cp\u003e- 11.4 cm deep x 10.2 cm wide x 4.4 cm tall\u003c\/p\u003e\n\u003cp\u003e- Designed and built in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44430958690397,"sku":"STRYMON-SN-LEX-2","price":565.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/lexrotaryv2-xlarge.jpg.auto.png?v=1778346713"},{"product_id":"strymon-olivera-vintage-oil-can-echo","title":"Strymon Olivera Vintage Oil Can Echo","description":"\u003cp\u003eTurn the clock back to a time when audio effects were still uncharted territory, and experience the vintage syrupy warble of a true oil can echo. From dark and modulated repeats to sustaining textures that approach the sound of classic spring reverb tanks, Olivera is the first pedal emulation that truly captures the mechanical yet wildly organic nature of these oddball machines, bringing funky inspiration to anything you run through it.\u003c\/p\u003e\n\u003cp\u003eDifferent By Design\u003cbr\u003eThe first oil can echoes were made by the Tel-Rey company in 1959, achieving the repeats using a small rotating can filled with conductive oil as the dielectric material instead of tape. This novel approach yields very different sounds than what you would hear from a tape machine, and the results instantly transport the listener to a darker and murkier place that positively oozes vibe.\u003cbr\u003eThe sheer number of variables in the design made authentic emulation challenging, requiring a ton of research and a brand new algorithm to get to the realism that we set out to achieve. We\u003cbr\u003efeel confident that Olivera captures the true soul of the original units, from the dark repeats with unique rhythmic and decay characteristics to the unreal thick modulation that changes and\u003cbr\u003emorphs as the audio does. No other type of delay can do what an oil can does, and no other pedal emulation comes close to Olivera.\u003c\/p\u003e\n\u003cp\u003eVintage Stereo Echo Enhanced With Modern Features\u003cbr\u003eOlivera has a host of powerful features that make it easy to integrate these nostalgic sounds into your modern rig: Discrete stereo operation for independent processing of the left and right\u003cbr\u003estereo inputs. A simplified control set and expression pedal and Multiswitch capability. Delay spillover for preserving repeats when the pedal is switched off. Discrete Class A JFET stereo\u003cbr\u003einput preamp for exceptional touch sensitivity and ideal frequency response. MIDI control of patch recall and continuous controller data. Premium components, rugged construction that\u003cbr\u003ecan take a beating and a USB jack for performing firmware updates or controlling the pedal from your computer. Olivera makes it easy.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMIDI\u003cbr\u003eOlivera features full MIDI implementation and 300 presets, allowing you to control it remotely via a MIDI controller or Digital Audio Workstation via either the EXP\/MIDI jack or USB connection.\u003cbr\u003e\u003cbr\u003eTrue Buffered Bypass\u003cbr\u003eOlivera allows you to choose between electromechanical relay-switched true bypass for fully untouched and unprocessed signal when the pedal is not turned on (the default behavior), or our premium buffered bypass, which preserves your signal’s integrity by preventing the loss of high frequencies that can happen due to long cable runs.\u003cbr\u003e\u003cbr\u003eJFET Input\u003cbr\u003eOur discreet Class A JEFT input preamp is one of our secret weapons, providing the ultimate in dynamics and feel. The preamp circuit prepares the incoming audio to be processed in the most ideal way possible, optimizing for ultra-low noise operation and a flat frequency response.\u003cbr\u003e\u003cbr\u003eStereo\u003cbr\u003eOlivera features full stereo input and output capabilities, processing incoming stereo signals independently so that you can confidently place it anywhere you like in your signal chain. There are three different input\/output routing options, which are accessible from the dedicated switch on the rear panel: Mono In\/Mono Out, Mono In\/Stereo Out, and Stereo In\/Stereo Out. The dedicated TRS stereo Inputs and Outputs make patching easy too (stereo in and out requires a TRS cable of some type for each jack).\u003cbr\u003e\u003cbr\u003eARM Processor\u003cbr\u003eWe are now using ARM processors in many of our products, which are an evolution in technology led by mobile devices and laptop computers. These devices offer the ability to perform more simultaneous processes than ever before, while consuming significantly less current. This provides more horsepower for emulating every sonic nuance, with less current draw from your pedalboard’s power supply.\u003c\/p\u003e\n\u003cp\u003eCONTROLS\u003cbr\u003eTime - The Time knob determines the delay time for the repeats by adjusting the rotational speed of the oil can. Some vintage units had a fixed speed, but we’ve allowed the rotational speed to vary between roughly 200ms to 800ms in total delay time, which can be further modified by the Head selection switch.\u003c\/p\u003e\n\u003cp\u003eHeads Control - Vintage oil can echo units had a single record head and two playback heads. The playback head’s distance from the record head determined the decay time of the echo, and you can choose from ‘Short’, ‘Long’ or ‘Both’ with this switch. The ‘Short’ setting selects the head that is the closest to the Record head for the shortest echo, and the ‘Long’ setting selects the head that is the furthest away from the Record Head for the longest echo. The ‘Both’ setting enables both heads at the same time, giving the repeats a lopsided and complex scenario.\u003c\/p\u003e\n\u003cp\u003eMix - This control determines the mix of the wet and dry signal, with a 50\/50 mix of wet and dry occurring at roughly 3 o’clock on the knob.\u003c\/p\u003e\n\u003cp\u003eRate - controls the speed of the modulation Intensity - controls the intensity of the modulation, where the modulation becomes much more prominent in the audio mix the higher the position of the knob.\u003c\/p\u003e\n\u003cp\u003eRegeneration - this control was often labeled “reverb” on vintage units, and it controls the amount of echo repeats are fed back into the can to be reprocessed. Higher settings of the knob create a reverberant and atmospheric character, which many would say is one of the signature elements to the sonic character of an oil can echo.\u003c\/p\u003e\n\u003cp\u003eNOTE: Hold the footswitch while turning the Regeneration knob to adjust the tone of the repeats. Noon on the knob is the character that we captured from our reference units, with lower settings being darker, and higher settings brightening the repeats.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431000043613,"sku":"BM852571008646","price":398.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/olivera_press_topdown_v2_hq.jpg?v=1778346958"},{"product_id":"strymon-ec-1-single-head-dtape-echo-pedal","title":"Strymon EC-1 Single Head dTape Echo Pedal","description":"\u003cp\u003eExperience the dreamy sound of a classic ‘60s tape echo complete with the harmonic richness of the accompanying tube preamp. Enjoy organic and ethereal modulation produced by countless subtle mechanical imperfections, and easily dial in anything from warm slapback to expansive echo feedback beds with a strikingly gorgeous stereo image. With beautifully-tuned low frequency response, lush tape saturation and sublime echo decay, EC-1 provides all the best of what a tube driven tape echo can deliver.\u003c\/p\u003e\n\u003cp\u003eFull-Featured Compact Stereo Tape Echo\u003c\/p\u003e\n\u003cp\u003eEC-1 offers impressive power and flexibility in a small and elegant form factor: Selectable tube-modeled preamp voices. Artifact-free tap tempo. Discrete stereo operation for independent processing of the left and right stereo inputs. Straightforward controls and expression pedal capability. High-impedance, ultra-low noise discrete Class A JFET stereo input preamp for exceptional touch sensitivity, dynamics and feel. MIDI control of tempo, patch save\/recall and more. Premium components, rugged construction and a USB jack for performing firmware updates or controlling the pedal from a computer.\u003c\/p\u003e\n\u003cp\u003eTape, Tubes, and the Best of the Best\u003c\/p\u003e\n\u003cp\u003eDevelopment of EC-1 started with the groundbreaking single moving head algorithm originally developed for our El Capistan pedal, which is renowned for its lifelike reproduction of vintage tape echo. From there, we were fortunate to acquire what turned out to be a very special Echoplex EP-2, as the unit was in amazingly good condition and had been worked on by storied technician Cesar Diaz. We discovered that several purposeful and skillfully-implemented modifications had been made to the unit, including tweaks to the tube preamp for a warmer\u003cbr\u003esound closer in frequency response to an EP-3. The modifications seemed aimed at bringing the best aspects of the various vintage Echoplex models into a single unit, and the inspiring result significantly informed development of EC-1, imbuing it with a special character that is immediately nostalgic.\u003c\/p\u003e\n\u003cp\u003eUnparalleled Sonic Character and Versatility\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLush Tape Saturation: Beautifully tuned low-frequency response ensures a warm, full-bodied tone with just the right amount of tape compression.\u003c\/li\u003e\n\u003cli\u003eEthereal Modulation: Subtle, organic warble and movement replicate the natural imperfections of vintage tape mechanisms.\u003c\/li\u003e\n\u003cli\u003eExpansive Stereo Imaging: Create a deep, immersive soundstage with a stereo spread that enhances any mix or live performance.\u003c\/li\u003e\n\u003cli\u003eVersatile Delay Control: Easily shape your echoes from short, rhythmic repeats to cascading, atmospheric trails.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Strymon EC-1 isn't just an effect—it's an instrument in itself, breathing new life into your sound with its legendary tape echo magic.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431000436829,"sku":"BM0852571008592","price":436.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/ec-1_top_down_final.jpg?v=1778346963"},{"product_id":"strymon-brig-dbucket-delay-pedal","title":"Strymon BRIG dBucket Delay Pedal","description":"\u003cp\u003eCertified Organic Delay\u003c\/p\u003e\n\u003cp\u003eThe delays that become true classics do not simply repeat the notes you play. They do something special to each delay repeat – something that evokes a feeling, fueling the music and inspiring you. Plug into Brig, play a note, and you’re instantly drawn in by repeats that evolve with captivating complexity and uncommonly rich tonal characteristics. Brig delivers all the warmth, subtle grit and unique tactile playing experience of analog bucket brigade delays (BBDs), offering three distinct delay voicings in one highly addictive stereo pedal.\u003c\/p\u003e\n\u003cp\u003eThree Delays in One\u003cbr\u003e \u003cbr\u003eBrig’s stunning dBucket sound generation gives you three different and meticulously crafted analog delay voicings. The 3205 voice delivers gritty repeats that can morph as it feeds back, creating sounds ranging from gorgeous slapback echoes to psychedelic sci-fi effects. The 3005 voice recreates a dual MN3005 BBD chip circuit running at 15V for longer delay times, higher headroom, and warm repeats with a soft, dreamlike quality. The Multi voice features two cross-coupled, super-clean dBucket delay lines with golden ratio timing to create complex soundscapes and a huge stereo soundfield that remains musical and clean even while sitting on the edge of self-oscillation.\u003cbr\u003e \u003cbr\u003eDeceptively Powerful\u003cbr\u003e \u003cbr\u003eBrig is a triumph of compact design, offering a huge amount of power and flexibility in an elegantly small form factor: Three truly distinct delay voices. Artifact-free tap tempo. Stereo operation. Straightforward responsive controls and expression pedal capability. High-impedance, ultra-low noise discrete Class A JFET stereo input preamp for exceptional touch sensitivity, dynamics and feel. MIDI control for tempo, patch save\/recall, and more. Premium components, rugged construction, and a USB jack for controlling the pedal via MIDI from a computer or for performing firmware updates.\u003c\/p\u003e\n\u003cp\u003eSpecs:\u003c\/p\u003e\n\u003cp\u003eHigh impedance ultra low-noise discrete Class A JFET TRS stereo input\u003cbr\u003eLow impedance TRS stereo output\u003cbr\u003eExpression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection\u003cbr\u003eUSB jack for controlling via MIDI from a computer or for performing firmware updates\u003cbr\u003ePremium JFET analog front end\u003cbr\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003cbr\u003e520MHz ARM Superscalar processor\u003cbr\u003e32-bit floating point processing\u003cbr\u003e20Hz to 20kHz frequency response\u003cbr\u003eAudio Input Impedance: 1M Ohm\u003cbr\u003eAudio Output Impedance: 100 Ohm\u003cbr\u003eTypical signal to noise ratio: 116dB\u003cbr\u003eStrong and lightweight anodized aluminum chassis\u003cbr\u003ePower requirements: maximum 9 volts DC center-negative, with a minimum of 250mA (power supply NOT included)\u003c\/p\u003e\n\u003cp\u003eDimensions:\u003cbr\u003e4.6” deep x 2.7” wide x 2.5” tall\u003cbr\u003e11.7 cm deep x 6.9 cm wide x 6.4 cm tall\u003c\/p\u003e\n\u003cp\u003eDesigned and built in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431002042461,"sku":"STR-SN-BRIG","price":398.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/brigdly-large.png?v=1778346992"},{"product_id":"strymon-el-capistan-mkii","title":"Strymon El Capistan MKII dTape Echo \/ Delay Pedal","description":"\u003cp\u003e\u003cstrong\u003eintage Vibe Machine.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlug in, play a note or chord, and you feel it: All the warm, saturated, distinctive qualities and subtle nuances of vintage tape echo combine to instantly create an unmistakable atmosphere. Everything from classic slapback echoes to psychedelic space explorations have stunning richness and depth, responding to each note and knob turn in a musically inspiring way. Turn up the repeats for organic delay feedback with just the right amount of grit. Dial in some spring reverb to further enhance the sense of space. Effortlessly create multi-layered ambient soundscapes with the tape-style sound on sound looper. Transform your pedalboard into the inspiration machine it was meant to be.\u003c\/p\u003e\n\u003cp\u003eMagnetic Monster.\u003c\/p\u003e\n\u003cp\u003eEl Capistan provides three different tape machine types in one pedal, each with three unique modes and extensive control over tape quality, machine health and tone shaping. Go from the full-range sonic stability of a fresh-from-the-factory echo machine, to the heavily fluctuating sound of a road-worn unit in need of service. Enjoy the full bodied sound of fresh tape, or dial in the dark, gnarled and vibey qualities of worn out tape.\u003c\/p\u003e\n\u003cp\u003eOur meticulously handcrafted dTape™ technology and powerful ARM DSP give you a range of tape experiences that would be unattainable with a single traditional tape machine. Plus you get sound on sound looping, all without the headaches of tape machine maintenance and repair.\u003c\/p\u003e\n\u003cp\u003eClassic Sound, New Features.\u003c\/p\u003e\n\u003cp\u003eOur second generation El Capistan keeps the same rich magnetic tape echo tones from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.\u003c\/p\u003e\n\u003cp\u003e● Spring Knob - Some classic tape echo machines included small integrated spring reverb tanks tuned for limited bandwidth. For El Capistan, we captured this vintage vibe while creating a spring reverb algorithm with a gorgeous, gentle character that stands on its own, in addition to enhancing delayed signals.\u003c\/p\u003e\n\u003cp\u003e● MIDI - Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via El Capistan’s EXP\/MIDI jack or USB-C connection. Delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.\u003c\/p\u003e\n\u003cp\u003e● Hardware Improvements - A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSOUND DESIGN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTape Machines\u003c\/p\u003e\n\u003cp\u003eClassic single-note slapback. Rhythmic multi-head delays. Ambient, washed-out echoes that dissolve into waves of noise. El Capistan’s three different tape machines provide a huge variety of vintage delay sounds, offering unique functionality depending on what the Mode switch is set to.\u003c\/p\u003e\n\u003cp\u003eThe fixed tape head machine creates a classic delay effect with tape speed controlled via the Time knob. The Mode switch selects between three playback heads, each a specific distance from the record head for a specific delay interval. Choose between: (A) short delay with 1\/16 note tap tempo, (B) medium delay with 1\/8 note tap tempo, and (C) long delay with 1\/4 note tap tempo.\u003c\/p\u003e\n\u003cp\u003eThe multi tape head machine has the same three playback heads as the fixed version, but simultaneously uses two of the three playback heads to create rhythmic delays that groove with one another. The Mode switch selects which two playback heads are active: (A) Heads 1 and 2 are active.(B) Heads 2 and 3 are active. (C) Heads 1 and 3 are active. The Time knob adjusts tape speed.\u003c\/p\u003e\n\u003cp\u003eThe single tape head machine changes things up by running the tape at a fixed speed while the Time knob sets the delay time by adjusting the position of a sliding record head. This tape machine also features a sound on sound looper. The Mode switch offers the following options: (A) Tape motor runs at double speed for higher fidelity with shorter delay times. (B) Tape motor runs at normal speed for lower fidelity with longer delay times. (C) Sound on Sound mode for tape-style looping with instant tape splice, bulk erase, and two tape speeds.\u003c\/p\u003e\n\u003cp\u003eDelay Controls\u003c\/p\u003e\n\u003cp\u003eA full suite of traditional delay controls make El Capistan a practical addition to any board. Set your preferred delay time using the dedicated Time knob, and dial in everything from snappy slapback delays to long, spacious echoes. Need to dial it on the fly? Use the dedicated Tap switch to lock in to your desired tempo without needing to turn a single knob.\u003c\/p\u003e\n\u003cp\u003eUse the Mix knob to make your delayed signal as subtle or noticeable as you need. From fully dry to fully wet, and everything in between. El Capistan’s Repeats knob lets you select just the right amount of repeats — from a single echo for double-tracking delays, to runaway oscillation madness at its upper settings.\u003c\/p\u003e\n\u003cp\u003eSpring Reverb\u003c\/p\u003e\n\u003cp\u003eLike certain echo machines of yesteryear, El Capistan features a finely-tuned spring reverb to add another dimension to your echoes. Use it to add subtle space and dimension to your delays at lower settings, or turn things up a notch for big, splashy waves of old-school spring reverb. Just want reverb? Turn the Mix knob to minimum to hear only your reverberated signal.\u003c\/p\u003e\n\u003cp\u003eWow \u0026amp; Flutter\u003c\/p\u003e\n\u003cp\u003eEl Capistan captures the nuances of the dozens of moving parts that contributed to the sound of classic tape echoes. A dedicated Wow \u0026amp; Flutter knob adjusts the amount of mechanically related tape speed fluctuations. From the crisp delays of a fully cleaned and serviced machine, to the warbly, pitch modulated echoes of a road worn piece of gear — El Capistan gives you all of the vibe and none of the maintenance.\u003c\/p\u003e\n\u003cp\u003eTape Age, Crinkle, and Bias\u003c\/p\u003e\n\u003cp\u003eOur goal with El Capistan was to offer the most authentic tape echo experience in a modern, compact form factor. A component of that was replicating the tonal effects that the tape medium itself can have on your signal depending on the age and condition of the tape itself, as well as taking into account the significant effect of the bias setting of the tape machine.\u003c\/p\u003e\n\u003cp\u003eA dedicated Tape Age knob lets you decide whether you want the full bandwidth of brand new, glossy tape — or the warm top end of older well-used tape. As a part of keeping things simple up-front, we added secondary functions for added control over the tape crinkle and tape machine bias.\u003c\/p\u003e\n\u003cp\u003eThe Tape Crinkle secondary function controls the amount and severity of tape irregularities, including friction, creases, splices and contaminants. Go from smooth and well-cared for tape, all the way to tape that’s been chewed and mangled. Just like the real thing, Tape Crinkle characteristics track accordingly to tape speed.\u003c\/p\u003e\n\u003cp\u003eWhile not a characteristic of the tape itself, how much bias signal is added to the tape’s audio signal can make huge tonal differences. By adjusting the Tape Bias secondary function, you can get high-headroom, extra clean, crisp echoes at lower settings, or crunchy, saturated echoes with higher bias levels. Higher bias settings also limit the echo volume, which can be useful at very high Repeats settings when you want to create high feedback and self-oscillation effects while still keeping output level under control. For \"optimal\" bias, set the knob at approximately 9 o'clock.\u003c\/p\u003e\n\u003cp\u003eLow End Contour\u003c\/p\u003e\n\u003cp\u003eEl Capistan’s Low End Contour secondary function gives you an extra layer of tonal control by shaping the low frequency content of the echo repeats. At the far left of the control, you get extended low frequency bandwidth for full, deep repeats. As you turn the Low End Contour knob clockwise, low frequencies are gradually filtered from the repeats, giving you the ability to create extremely high-passed echoes at the far end of the knob’s range.\u003c\/p\u003e\n\u003cp\u003eSound On Sound\u003c\/p\u003e\n\u003cp\u003eJust like one of our favorite moving head tape echo machines, El Capistan gives you a Sound on Sound mode, but with some cool new features. When you enter Sound On Sound mode (Single Tape Head, Mode C), the machine is already recording, just like a traditional tape echo machine. We go several steps further by giving you instant tape splice and bulk erase functions. It’s like having a built-in tape-style looper!\u003c\/p\u003e\n\u003cp\u003eTo set the length of your tape, press Tap once to set your splice ‘in’ point, and press Tap again to set your splice ‘out’ point. All of the tone shaping knobs are active and affect your loop as it plays back and re-records. Press Tap a third time to completely erase the tape. You get 20 seconds of tape at slow speed, 10 seconds at fast speed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMIDI Control\u003c\/p\u003e\n\u003cp\u003eOur new generation of El Capistan features full MIDI implementation, allowing you to control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via El Capistan’s EXP\/MIDI jack or USB-C connection. Delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.\u003c\/p\u003e\n\u003cp\u003eRemotely bypass or engage the pedal, sync delay BPM changes along with your tracks, automate knob adjustments, recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.\u003c\/p\u003e\n\u003cp\u003eTrue\/Buffered Bypass\u003c\/p\u003e\n\u003cp\u003eEl Capistan lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.\u003c\/p\u003e\n\u003cp\u003eAnalog JFET Input\u003c\/p\u003e\n\u003cp\u003eUncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. El Capistan feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input.\u003c\/p\u003e\n\u003cp\u003eBoost\/Cut\u003c\/p\u003e\n\u003cp\u003eWe all need a lift every once in a while. El Capistan features a +\/-3dB boost\/cut secondary function that lets you add a little extra “oomph” when you engage the pedal — or dial things back a bit if you need a more subtle delay without changing your Mix control.\u003c\/p\u003e\n\u003cp\u003eStereo In\/Out\u003c\/p\u003e\n\u003cp\u003eNo need to make compromises when it comes to signal routing or pedal placement — El Capistan features full stereo in\/out capabilities. A single TRS input jack allows El Capistan to keep its compact form factor while giving you the option to use a stereo input signal. A dedicated rear panel Input switch allows you to easily set El Capistan for operation with a stereo (TRS) or mono (standard TS) input source. Low impedance dual TS output jacks let you use El Capistan as a stereo effect.\u003c\/p\u003e\n\u003cp\u003eLine\/Instrument Level\u003c\/p\u003e\n\u003cp\u003ePedals aren’t just for guitarists. El Capistan’s adjustable input signal level makes it a versatile tool for endless applications from the studio to the stage. By setting El Capistan to line level input mode, you get 10dB of added headroom, allowing you to use El Capistan with bass guitars with active pickups, synthesizers, keyboards, effects loops, and more.\u003c\/p\u003e\n\u003cp\u003ePowerful New ARM Processor\u003c\/p\u003e\n\u003cp\u003eSignificant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before. That means more processing power for every sonic nuance with less power consumption on your pedal board.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTIME\u003c\/p\u003e\n\u003cp\u003eControls the delay time according to the selected TAPE HEAD type.\u003c\/p\u003e\n\u003cp\u003eWOW \u0026amp; FLUTTER\u003c\/p\u003e\n\u003cp\u003eControls the amount of mechanically related tape speed fluctuations.\u003c\/p\u003e\n\u003cp\u003eTAPE AGE\u003c\/p\u003e\n\u003cp\u003eControls the bandwidth of the tape, just as it would change over time in a traditional tape machine.\u003c\/p\u003e\n\u003cp\u003eREPEATS\u003c\/p\u003e\n\u003cp\u003eVaries the number of repeats from one to saturated oscillation.\u003c\/p\u003e\n\u003cp\u003eSPRING\u003c\/p\u003e\n\u003cp\u003eAdds spring reverb without affecting the level of the dry or echo signals.\u003c\/p\u003e\n\u003cp\u003eMIX\u003c\/p\u003e\n\u003cp\u003eControls the balance of the dry and echo signals, from 100% dry at minimum to 100% echo at maximum. Set to 3 o’clock for 50\/50 dry\/echo mix.\u003c\/p\u003e\n\u003cp\u003eTAPE HEAD\u003c\/p\u003e\n\u003cp\u003eChanges the selected Tape Machine\/Head configuration.\u003c\/p\u003e\n\u003cp\u003efixed: one head, TIME knob varies the tape speed multi: two heads, TIME knob varies the tape speed \u003c\/p\u003e\n\u003cp\u003esingle: TIME knob varies the head position, tape speed is fixed\u003c\/p\u003e\n\u003cp\u003eMODE\u003c\/p\u003e\n\u003cp\u003eChanges the operation of El Capistan depending on the TAPE HEAD setting. See complete User Manual for details and SOS looper info.\u003c\/p\u003e\n\u003cp\u003eTAP\u003c\/p\u003e\n\u003cp\u003eTap 1\/4 notes to set the delay time. The TAP LED flashes red to indicate tempo. Hold switch for infinite repeats.\u003c\/p\u003e\n\u003cp\u003eON\u003c\/p\u003e\n\u003cp\u003eEngages and bypasses effect. Red LED indicates the effect is engaged.\u003c\/p\u003e\n\u003cp\u003eIN\u003c\/p\u003e\n\u003cp\u003eHigh impedance, ultra low-noise, discrete Class A JFET preamp input. TRS adapter cable required for stereo input signal.\u003c\/p\u003e\n\u003cp\u003eOUT L\u003c\/p\u003e\n\u003cp\u003eLow impedance stereo audio signal output. Use Out L for mono output.\u003c\/p\u003e\n\u003cp\u003eOUT R\u003c\/p\u003e\n\u003cp\u003eLow impedance stereo audio signal output. Use Out L and Out R for stereo output.\u003c\/p\u003e\n\u003cp\u003eINPUT SWITCH\u003c\/p\u003e\n\u003cp\u003eSelect input signal type.\u003c\/p\u003e\n\u003cp\u003eMONO: Use with a mono input signal. Output is stereo.\u003c\/p\u003e\n\u003cp\u003eSTEREO: Use with a stereo input signal. Output is stereo.\u003c\/p\u003e\n\u003cp\u003eEXP\/MIDI\u003c\/p\u003e\n\u003cp\u003eMultifunction communication jack for external control of El Capistan’s features and functions. Use a standard TRS expression pedal for continuous control over the knobs of the pedal (default setting). See complete User Manual for details about configuring for MIDI communication or accessories such as Strymon Conduit, MultiSwitch Plus, and MiniSwitch.\u003c\/p\u003e\n\u003cp\u003eUSB\u003c\/p\u003e\n\u003cp\u003eComputer connection for controlling via MIDI and for perfoming firmware updates.\u003c\/p\u003e\n\u003cp\u003e9VDC\u003c\/p\u003e\n\u003cp\u003eUse the included power supply or an adapter with the following rating: 9VDC, center negative, 300mA minimum.\u003c\/p\u003e\n\u003cp\u003eSecondary Functions\u003c\/p\u003e\n\u003cp\u003eLow End Contour\u003c\/p\u003e\n\u003cp\u003eGives you control over the low frequency shaping of the echo repeats. Go from extended bandwidth to extremely high-passed, magnetic drum style repeats.\u003c\/p\u003e\n\u003cp\u003eTape Bias\u003c\/p\u003e\n\u003cp\u003eAllows you to make tape machine bias adjustments, from under-biased to over-biased. Higher bias levels result in reduced echo volume and limited headroom. Lower bias settings result in the cleanest echoes with the most headroom.\u003c\/p\u003e\n\u003cp\u003eBoost\/Cut (+\/-3dB)\u003c\/p\u003e\n\u003cp\u003eLets you achieve a plus or minus 3dB boost or cut when the pedal is engaged\u003c\/p\u003e\n\u003cp\u003eTape Crinkle\u003c\/p\u003e\n\u003cp\u003eTape Crinkle controls the amount and severity of tape irregularities, including friction, creases, splices and contaminants. Go from smooth and well-cared for all the way to chewed and mangled. Tape Crinkle characteristics track accordingly to tape speed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIns, Outs, and Switches\u003c\/p\u003e\n\u003cp\u003e● High impedance ultra low-noise discrete Class A JFET TRS stereo input.\u003c\/p\u003e\n\u003cp\u003e● Low impedance independent TS stereo outputs.\u003c\/p\u003e\n\u003cp\u003e● Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.\u003c\/p\u003e\n\u003cp\u003e● USB jack for controlling via MIDI from a computer or for performing firmware updates.\u003c\/p\u003e\n\u003cp\u003e● Dedicated tap tempo \u0026amp; On\/Off footswitches\u003c\/p\u003e\n\u003cp\u003eAudio Quality\u003c\/p\u003e\n\u003cp\u003e● Premium JFET analog front end\u003c\/p\u003e\n\u003cp\u003e● Ultra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/p\u003e\n\u003cp\u003e● 520MHz ARM Superscalar processor\u003c\/p\u003e\n\u003cp\u003e● 32-bit floating point processing\u003c\/p\u003e\n\u003cp\u003e● 20Hz to 20kHz frequency response\u003c\/p\u003e\n\u003cp\u003e● Audio Input Impedance: 1M Ohm\u003c\/p\u003e\n\u003cp\u003e● Audio Output Impedance: 100 Ohm\u003c\/p\u003e\n\u003cp\u003eMore\u003c\/p\u003e\n\u003cp\u003e● Strong and lightweight anodized dark gray aluminum chassis\u003c\/p\u003e\n\u003cp\u003e● Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current.\u003c\/p\u003e\n\u003cp\u003e● Dimensions:\u003c\/p\u003e\n\u003cp\u003e- 4.5” deep x 4” wide x 1.75” tall\u003c\/p\u003e\n\u003cp\u003e- 11.4 cm deep x 10.2 cm wide x 4.4 cm tall\u003c\/p\u003e\n\u003cp\u003e- Designed and built in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431003189341,"sku":"STRYMON-SN-EL-CAPISTAN-2","price":588.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/elcapistanv2-xlarge.jpg.auto.png?v=1778347017"},{"product_id":"strymon-dig-mkii","title":"Strymon DIG MKII Dual Digital Delay Pedal","description":"\u003cp\u003e\u003cstrong\u003eelay Doppelgänger.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDIG unearths the true soul of digital delay and doubles it — two simultaneous, integrated delays with captivating rack delay voicings from the 1980s and today, for incredible expressive potential. Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails, all in a compact, pedalboard-friendly format.\u003c\/p\u003e\n\u003cp\u003eRack to the Future.\u003c\/p\u003e\n\u003cp\u003eRack-mount digital delays of the ’80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays that had yet been heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever. Our thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early ’80s adaptive delta modulation mode, the mid-’80s 12 bit pulse code modulation mode, and the modern high-resolution 24\/96 mode.\u003c\/p\u003e\n\u003cp\u003eMultiply these distinct voicings by two and get DIG — your perfect dual delay ally.\u003c\/p\u003e\n\u003cp\u003eClassic Sound, New Features.\u003c\/p\u003e\n\u003cp\u003eOur second generation DIG keeps the same distinctive rack-mount digital delay tones from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.\u003c\/p\u003e\n\u003cp\u003e● Tone Knob - This powerful control sets the feedback filter response for tailoring the sound of your echoes. Fast and intuitive to use, it is actually two filters on one control:\u003c\/p\u003e\n\u003cp\u003eTurn left for high cut and right for low cut, or set at 12 o’clock for a flat response.\u003c\/p\u003e\n\u003cp\u003e● MIDI - Full MIDI implementation means you can sync delays to MIDI Clock, save your settings in one of 300 preset locations, and enjoy control over just about every knob, switch, and setting remotely via the EXP\/MIDI jack or USB.\u003c\/p\u003e\n\u003cp\u003e● Hardware Improvements - A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDelay Types\u003c\/p\u003e\n\u003cp\u003eDon’t all digital delays sound the same? What gives a digital delay its own unique personality?\u003c\/p\u003e\n\u003cp\u003eDigital conversion technologies in the late 70s were advancing rapidly, and clever electronics designers were on a quest to squeeze out the best possible performance specs, with fidelity not possible from tape or analog circuits. Their imaginative solutions to the limitations of the conversion process resulted in delays that possessed some unintended, unique characteristics. DIG accurately and beautifully reveals their individual personalities.\u003c\/p\u003e\n\u003cp\u003eADM – A one bit, high sample rate conversion technique that evolved from telecommunications voice coding. The conversion and supporting signal conditioning, limiting, and\u003c\/p\u003e\n\u003cp\u003epre-emphasis\/deemphasis create a percussive wide-band delay that adds more character when input dynamics increase.\u003c\/p\u003e\n\u003cp\u003e12 bit – A 12 bit, 32kHz PCM conversion made possible by monolithic IC chips developed in the late ’70s. Pre-emphasis\/de-emphasis and companding combine with the converters to produce a warm delay with a dimensional sense.\u003c\/p\u003e\n\u003cp\u003e24\/96 – A clean, high-resolution, high-bandwidth delay with a hint of dynamics that allow the delay to sit nicely with the analog dry signal. 24 bit resolution and a 96kHz sampling rate ensure uncolored, artifact-free repeats.\u003c\/p\u003e\n\u003cp\u003eTwo Delays\u003c\/p\u003e\n\u003cp\u003eAt the heart of DIG are two simultaneous, integrated delay machines.\u003c\/p\u003e\n\u003cp\u003eDelay 1 is the master delay — Its free-running delay time allows you to easily dial in delays from\u003c\/p\u003e\n\u003cp\u003e20ms to 1.6s with the Time knob or Tap Tempo switch.\u003c\/p\u003e\n\u003cp\u003eLonger delay times lend themselves to more ambient soundscapes while doubling and slapback effects can be achieved at short delay times.\u003c\/p\u003e\n\u003cp\u003eDelay 2 follows as the companion delay. A dedicated subdivision control determines the ratio between the two delays with one of five rhythmic subdivisions: triplet, eighth note, dotted eighth note, dotted quarter note, and the golden ratio.\u003c\/p\u003e\n\u003cp\u003eDon’t want your delays to be synchronized?\u003c\/p\u003e\n\u003cp\u003eDIG’s Free Mode secondary function disables time sync and subdivisions between Delay 1 and Delay 2, giving the Time 2 knob a full delay range from 20ms to 1.6s. This lets you use both of DIG’s delays as truly independent, standalone delay machines.\u003c\/p\u003e\n\u003cp\u003eRouting Options\u003c\/p\u003e\n\u003cp\u003eSeries, Parallel, Ping Pong — Set up your two delays in one of three configurations.\u003c\/p\u003e\n\u003cp\u003eSeries is like setting up pedals in a chain on your board one after the other, with Delay 2 feeding into Delay 1.\u003c\/p\u003e\n\u003cp\u003eParallel will orient your delay lines so that they remain independent — Delay 1 in the left channel and Delay 2 in the right channel. If used in mono, both delays are heard at once without feeding into each other.\u003c\/p\u003e\n\u003cp\u003eWith Ping Pong, each delay acts as a ping pong delay, interacting together when both Mix knobs are turned up. Use in stereo for captivating back and forth rhythms.\u003c\/p\u003e\n\u003cp\u003eDelay Controls\u003c\/p\u003e\n\u003cp\u003eDIG features a full suite of practical delay controls to dial in your dream reverb tone, from the studio to the stage.\u003c\/p\u003e\n\u003cp\u003eTwo dedicated Mix controls let you determine just the right amount of wet to dry signal, from no delays at all, to 50\/50 at 3 o’clock, all the way to full wet, delay-only tones, for both of DIG’s two delay machines.\u003c\/p\u003e\n\u003cp\u003eDIG’s Repeats knob adjusts the repeat amount for both delays. From singular repeats for short slapback delays, all the way to infinitely repeating echoes at its max position.\u003c\/p\u003e\n\u003cp\u003eWant a different amount of repeats for Delay 2? DIG features a secondary function to choose between individually dialing in Delay 2’s repeats amount, or having them controlled by the main Repeats knob.\u003c\/p\u003e\n\u003cp\u003eDIG also features two individual Time knobs for each of its two delay machines, giving you access to everything from super snappy quick delays, to long, spacey delays. Time 2 can be used to sync Delay 2’s delay time to one of 5 different delay subdivisions, or used in Free Mode to independently dial in your desired delay time. Delay time for Delay 1 can also be set with the Tap Tempo switch for easy on-the-fly tempo adjustments.\u003c\/p\u003e\n\u003cp\u003eModulation\u003c\/p\u003e\n\u003cp\u003eNeed to add some extra character to your repeats? DIG features three levels of delay line modulation, perfect for adding richness and dimension to your delays. Choose between no modulation to hear only your delays, light mod for subtle modulation, or deep mod for lush, thick increased modulation.\u003c\/p\u003e\n\u003cp\u003eTone\u003c\/p\u003e\n\u003cp\u003eOur new generation of DIG lets you fine tune your delay tone with a dedicated Tone control that adjusts the feedback filter response. Turn Tone to the left to cut out high frequencies for dark, washed out repeats, set it to noon for a neutral, flat response, or go past that for sparkly, shiny delays with reduced low frequencies.\u003c\/p\u003e\n\u003cp\u003eCircular Repeats\u003c\/p\u003e\n\u003cp\u003eWant to infinitely let your repeats echo on and on to create rhythmic soundscapes at the press of a button?\u003c\/p\u003e\n\u003cp\u003eHolding down the TAP footswitch enables circular repeats, where both delay lines maintain a static volume and repeat continuously until the TAP footswitch is disengaged. At this point, all previous settings will be restored.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMIDI\u003c\/p\u003e\n\u003cp\u003eOur new generation of DIG features full MIDI implementation, allowing you to control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via DIG EXP\/MIDI jack or USB-C connection. Delay times can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.\u003c\/p\u003e\n\u003cp\u003eRemotely bypass or engage the pedal, sync delay time changes along with your tracks, automate knob adjustments, recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.\u003c\/p\u003e\n\u003cp\u003eTrue \u0026amp; Buffered Bypass\u003c\/p\u003e\n\u003cp\u003eDIG lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.\u003c\/p\u003e\n\u003cp\u003eJFET Input\u003c\/p\u003e\n\u003cp\u003eUncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. DIG feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input.\u003c\/p\u003e\n\u003cp\u003eStereo In \u0026amp; Out\u003c\/p\u003e\n\u003cp\u003eNo need to make compromises when it comes to signal routing or pedal placement — DIG features full stereo in\/out capabilities. A single TRS input jack allows DIG to keep its compact form factor while giving you the option to use a stereo input signal. A dedicated rear panel Input switch allows you to easily set DIG for operation with a stereo (TRS) or mono (standard TS) input source. Low impedance dual TS output jacks let you use DIG as a stereo effect.\u003c\/p\u003e\n\u003cp\u003eLine\/Instrument Level\u003c\/p\u003e\n\u003cp\u003ePedals aren’t just for guitarists. DIG’s adjustable input signal level makes it a versatile tool for endless applications from the studio to the stage. By setting DIG to line level input mode, you get 10dB of added headroom, allowing you to use DIG with bass guitars with active pickups, synthesizers, keyboards, effects loops, and more.\u003c\/p\u003e\n\u003cp\u003ePowerful New ARM Processor\u003c\/p\u003e\n\u003cp\u003eSignificant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before. That means more processing power for every sonic nuance with less power consumption on your pedal board.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls \u0026amp; Routing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMOD TYPE\u003c\/p\u003e\n\u003cp\u003eSets the amount of delay line modulation:\u003c\/p\u003e\n\u003cp\u003eoff: no modulation\u003c\/p\u003e\n\u003cp\u003elight: subtle modulation deep: thick, rich modulation TIME\u003c\/p\u003e\n\u003cp\u003eControls the delay time for Delay 1. Acts as a master time control for both delays.\u003c\/p\u003e\n\u003cp\u003eTIME 2\u003c\/p\u003e\n\u003cp\u003eSets the rhythmic subdivision relationship between Delay 1 and Delay 2.\u003c\/p\u003e\n\u003cp\u003eTONE\u003c\/p\u003e\n\u003cp\u003eSets the feedback filter response. Turn left for high cut and right for low cut. 12 o’clock is a flat response.\u003c\/p\u003e\n\u003cp\u003eTAP\u003c\/p\u003e\n\u003cp\u003eTap to set the master delay time. The TAP LED flashes red to indicate the tempo. Hold the footswitch to engage circular repeats.\u003c\/p\u003e\n\u003cp\u003eON\u003c\/p\u003e\n\u003cp\u003eEngages the effect. A red LED indicates the effect is engaged.\u003c\/p\u003e\n\u003cp\u003eDELAY TYPE\u003c\/p\u003e\n\u003cp\u003eChanges the digital delay character:\u003c\/p\u003e\n\u003cp\u003e24\/96: modern, clean delay with subtle dynamics\u003c\/p\u003e\n\u003cp\u003eadm: early ‘80s adaptive delta modulation process provides snappy, percussive delays\u003c\/p\u003e\n\u003cp\u003e12 bit: mid 80’s 12-bit conversion method yields slightly darker and warmer delays\u003c\/p\u003e\n\u003cp\u003eMIX\u003c\/p\u003e\n\u003cp\u003eControls wet\/dry mix for Delay 1. 3 o’clock is 50\/50 mix.\u003c\/p\u003e\n\u003cp\u003eMIX 2\u003c\/p\u003e\n\u003cp\u003eControls wet\/dry mix for Delay 2. 3 o’clock is 50\/50 mix.\u003c\/p\u003e\n\u003cp\u003eREPEATS\u003c\/p\u003e\n\u003cp\u003eAdjusts the number of repeats for both delays.\u003c\/p\u003e\n\u003cp\u003eAUDIO INPUT SELECTOR\u003c\/p\u003e\n\u003cp\u003emono: Use with a mono input signal. Output is stereo. stereo: Use with a stereo input signal. Output is stereo.\u003c\/p\u003e\n\u003cp\u003eIN\u003c\/p\u003e\n\u003cp\u003eHigh impedance, ultra low-noise, discrete Class A JFET preamp input. TRS adapter cable required for stereo input signal.\u003c\/p\u003e\n\u003cp\u003eOUTPUTS\u003c\/p\u003e\n\u003cp\u003eLow impedance stereo audio signal outputs. Use OUT L for mono output.\u003c\/p\u003e\n\u003cp\u003eUSB-C\u003c\/p\u003e\n\u003cp\u003eComputer connection for controlling via MIDI and firmware updates.\u003c\/p\u003e\n\u003cp\u003e9VDC\u003c\/p\u003e\n\u003cp\u003eUse the included power supply or an adapter with the following rating: 9VDC, center negative, 300mA minimum.\u003c\/p\u003e\n\u003cp\u003eEXP \/ MIDI\u003c\/p\u003e\n\u003cp\u003eMultifunction communication jack for external control of DIG’s features and functions. Use a standard TRS expression pedal for continuous control over the knobs of the pedal (default setting). See complete User Manual for details about configuring for MIDI communication or accessories such as Strymon Conduit, MultiSwitch Plus, and MiniSwitch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIns, Outs, and Switches\u003c\/p\u003e\n\u003cp\u003e● High impedance ultra low-noise discrete Class A JFET TRS stereo input.\u003c\/p\u003e\n\u003cp\u003e● Low impedance independent TS stereo outputs.\u003c\/p\u003e\n\u003cp\u003e● Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.\u003c\/p\u003e\n\u003cp\u003e● USB jack for controlling via MIDI from a computer or for performing firmware updates.\u003c\/p\u003e\n\u003cp\u003e● Dedicated Tap Tempo \u0026amp; On\/Off footswitches\u003c\/p\u003e\n\u003cp\u003eAudio Quality\u003c\/p\u003e\n\u003cp\u003e● Premium JFET analog front end\u003c\/p\u003e\n\u003cp\u003e● Ultra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/p\u003e\n\u003cp\u003e● 520MHz ARM Superscalar processor\u003c\/p\u003e\n\u003cp\u003e● 32-bit floating point processing\u003c\/p\u003e\n\u003cp\u003e● 20Hz to 20kHz frequency response\u003c\/p\u003e\n\u003cp\u003e● Audio Input Impedance: 1M Ohm\u003c\/p\u003e\n\u003cp\u003e● Audio Output Impedance: 100 Ohm\u003c\/p\u003e\n\u003cp\u003eMore\u003c\/p\u003e\n\u003cp\u003e● Strong and lightweight anodized pink aluminum chassis\u003c\/p\u003e\n\u003cp\u003e● Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current.\u003c\/p\u003e\n\u003cp\u003e● Dimensions:\u003c\/p\u003e\n\u003cp\u003e- 4.5” deep x 4” wide x 1.75” tall\u003c\/p\u003e\n\u003cp\u003e- 11.4 cm deep x 10.2 cm wide x 4.4 cm tall\u003c\/p\u003e\n\u003cp\u003e- Designed and built in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431003222109,"sku":"STRYMON-SN-DIG-2","price":616.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/digdelayv2-xlarge.jpg.auto.png?v=1778347019"},{"product_id":"strymon-deco-mkii","title":"Strymon Deco MKII Tape Saturation \u0026 Doubletracker Pedal","description":"\u003cp\u003e\u003cstrong\u003eTape: The First Effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAdd warm dimensionality and luscious tape saturation to your signal. Teleport the tones of yesteryear to your board. Effortlessly create a huge range of beautiful, distinctive, and enveloping vintage sounds.\u003c\/p\u003e\n\u003cp\u003eOur journey begins with the early recording studios of the ’50s and ’60s. The introduction of reel-to-reel tape machines and the creative engineers that used them brought on some of the fattest sounds imaginable. These early machines really were the first effects pedals — they just wouldn’t have fit on your pedalboard!\u003c\/p\u003e\n\u003cp\u003eMid-Century Maverick.\u003c\/p\u003e\n\u003cp\u003eFrom the inherent warmth and luscious tape saturation to the forgotten art of how these machines were manipulated, Deco brings this original inspiration back, giving you these vintage tape effects from the earliest recording studios, right on your pedalboard.\u003c\/p\u003e\n\u003cp\u003eDeco’s Tape Saturation smooths out your sound with familiar and delicious tape compression and saturation, while fattening your tone with subtle tape-driven transparent overdrive. The Doubletracker provides the power to shift your sound in many ways, easily allowing you to achieve syrupy slapback tape echoes, psychedelic tape flanging, and gorgeous tape chorusing sounds.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClassic Sound, New Features.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOur second generation Deco gives you the same gorgeous reel-to-reel tape sounds from our original, while adding several significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.\u003c\/p\u003e\n\u003cp\u003e● New Tonal Options - We’ve added new controls for even more sonic flexibility. Deco now comes with an all-new cassette tape voicing that employs an auto level control (ALC) process common to many high-end cassette tape recorders, resulting in a compressed, fat tone. In addition, a new dedicated Tone knob lets you adjust the tone of the Tape Saturation exactly to your liking, from dark to bright.\u003c\/p\u003e\n\u003cp\u003e● MIDI - Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW vial\u003c\/p\u003e\n\u003cp\u003eDeco’s EXP\/MIDI jack or USB-C connection. Lag Deck delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.\u003c\/p\u003e\n\u003cp\u003e● Hardware Improvements - A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTape Saturation\u003c\/p\u003e\n\u003cp\u003eGive your sound the smooth and warm qualities of analog tape, along with the enhanced touch sensitivity and playing dynamics that are intrinsic to the inner workings of tape machines. Achieve incredible transparency at low levels, with reduced high frequency spikes and a harmonically rich low end. Turn up the Saturation to increase the amount of tape drive, dynamic compression and distortion.\u003c\/p\u003e\n\u003cp\u003eDeco is perfectly suited for a last-in-chain, “always on” sweetening effect. Everything sounds better on tape. Want to push the limits of tape beyond what was originally possible? Use Deco as a tape-style transparent overdrive—crank the Saturation all the way up to “peg the meters” and gently overload the machine’s input.\u003c\/p\u003e\n\u003cp\u003eDoubletracker\u003c\/p\u003e\n\u003cp\u003eGo back to the early days of recording studios, where a few creative audio engineers discovered a new world of augmented sound by pushing the limits of studio tape machines. By inventing automatic doubletracking, they introduced echo, flanging, and chorus to the world of recorded music.\u003c\/p\u003e\n\u003cp\u003eIntensify and widen your sound with Deco’s Doubletracker controls. Turn the Lag Time to obtain classic slapback tape echo, spacious doubletrack chorusing, and mind-bending tape flanging. Add random modulation with the Wobble control and go from very subtle movement to more extreme undulations—just like having a recording engineer vary the speed of the machine.\u003c\/p\u003e\n\u003cp\u003eAdd warm dimensionality and luscious tape saturation to your signal. Teleport the tones of yesteryear to your board. Deco is a jack of all trades capable of creating a huge range of beautiful, distinctive, and enveloping vintage sounds.\u003c\/p\u003e\n\u003cp\u003eTape Saturation Controls\u003c\/p\u003e\n\u003cp\u003eDeco’s Tape Saturation side features controls for dialing in everything from light, transparent saturation all the way to smooth, overdriven tape distortion. The Saturation knob allows for a wide range of tones that range from subtle saturation and compression at lower levels, to transparent tape overdrive at its upper limits. An adjustable Volume control for Deco’s Tape Saturation lets you raise the output volume when using Deco as a boost, or dial it back to achieve unity gain. Our new generation of Deco features a dedicated Tone knob that lets you adjust the tone of your Tape Saturation, from darker to brighter. \u003c\/p\u003e\n\u003cp\u003eThe new generation of Deco also introduces a Voice switch for an expanded range of available sounds. The Voice switch has two settings:\u003c\/p\u003e\n\u003cp\u003eclassic: produces the response and saturation characteristics of 2-track mastering reel to reel tape machines.\u003c\/p\u003e\n\u003cp\u003ecassette: employs an auto level control (ALC) process common to many high-end cassette tape recorders, resulting in a musically compressed, fat tone and a great-feeling response.\u003c\/p\u003e\n\u003cp\u003eBlend Type\u003c\/p\u003e\n\u003cp\u003eAdjusts phase and internal routing to customize tone and low-end response:\u003c\/p\u003e\n\u003cp\u003esum: decks are in phase\u003c\/p\u003e\n\u003cp\u003einvert: Lag Deck is phase inverted\u003c\/p\u003e\n\u003cp\u003ebounce: right Lag Deck is bounced to left input for stereo ping-pong or mono double-echo\u003c\/p\u003e\n\u003cp\u003eLag Time\u003c\/p\u003e\n\u003cp\u003eSimply by turning Deco’s Lag Time knob, you can unlock a whole variety of organic, tape based modulation and delay effects. When adjusting the delay offset between Deco’s reference deck and the Lag Deck with the Lag Time knob, you can achieve everything from tape flanging at lower settings (-.3 to 3ms), increase that a bit for lush tape chorusing (3 to 50ms), followed by snappy slapback delay at longer delay times (50 to 150ms), all the way to spaced out tape echoes (150 to 500ms).\u003c\/p\u003e\n\u003cp\u003eDoubletracker Controls\u003c\/p\u003e\n\u003cp\u003eIn addition to Lag Time, Deco’s Doubletracker features additional controls to help you achieve a wide variety of tape based effects.\u003c\/p\u003e\n\u003cp\u003eThe Blend control sets the mix level between Deco’s Lag Deck and Reference Deck, and can be lowered to hear more of the Reference Deck for less doubletracking, or raised if you want to hear more of the doubletracking effect.\u003c\/p\u003e\n\u003cp\u003eDeco’s Wobble knob adds random tape speed based modulations to the Lag Deck. Go from very subtle movement to more extreme undulations — just like having a recording engineer vary the speed of the machine. Wobble is super handy to increase the depth of the modulation effect you hear when Lag Time is set to act as a tape flanger\/chorus, or use it to add modulation to the Lag Deck when set as a slapback or tape echo.\u003c\/p\u003e\n\u003cp\u003eWide Stereo\u003c\/p\u003e\n\u003cp\u003eDeco gives you the option for extremely wide stereo imaging to broaden and intensify the sound of your stereo rig. Wide Stereo Mode sends the mono input (summed if using a stereo input) to the Left channel through the Reference Deck, and to the right channel via the delayed Lag Deck to create an adjustable stereo spread. The Blend control acts like a pan control by adjusting the relative levels of the two tape decks.\u003c\/p\u003e\n\u003cp\u003eAuto-Flange\u003c\/p\u003e\n\u003cp\u003ePress and hold the Doubletracker Bypass footswitch to achieve a recording studio-inspired through-zero flange effect. This engages a “virtual audio engineer” manning the faders and tape reels to create a smooth and predictable through-zero flange experience on the fly. After releasing the footswitch, the controls are smoothly returned to their previous settings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMIDI\u003c\/p\u003e\n\u003cp\u003eOur new generation of Deco features full MIDI implementation, allowing you to control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Deco EXP\/MIDI jack or USB-C connection. Lag Time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings. Remotely bypass or engage the pedal, sync Lag Time changes along with your tracks, automate knob adjustments, recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.\u003c\/p\u003e\n\u003cp\u003eTrue \u0026amp; Buffered Bypass\u003c\/p\u003e\n\u003cp\u003eDeco lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.\u003c\/p\u003e\n\u003cp\u003eJFET Input\u003c\/p\u003e\n\u003cp\u003eUncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. Deco feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input.\u003c\/p\u003e\n\u003cp\u003eStereo In \u0026amp; Out\u003c\/p\u003e\n\u003cp\u003eNo need to make compromises when it comes to signal routing or pedal placement — Deco features full stereo in\/out capabilities. A single TRS input jack allows Deco to keep its compact form factor while giving you the option to use a stereo input signal. A dedicated rear panel Input switch allows you to easily set Deco for operation with a stereo (TRS) or mono (standard TS) input source. Low impedance dual TS output jacks let you use Deco as a stereo effect.\u003c\/p\u003e\n\u003cp\u003eLine\/Instrument Level\u003c\/p\u003e\n\u003cp\u003ePedals aren’t just for guitarists. Deco’s adjustable input signal level makes it a versatile tool for endless applications from the studio to the stage. By setting Deco to line level input mode, you get 10dB of added headroom, allowing you to use Deco with bass guitars with active pickups, synthesizers, keyboards, effects loops, and more.\u003c\/p\u003e\n\u003cp\u003ePowerful New ARM Processor\u003c\/p\u003e\n\u003cp\u003eSignificant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before. That means more processing power for every sonic nuance with less power consumption on your pedal board.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls \u0026amp; Routing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVOICE\u003c\/p\u003e\n\u003cp\u003eSelects between two tape machine styles:\u003c\/p\u003e\n\u003cp\u003eclassic: produces the response and saturation characteristics of 2-track mastering reel to reel tape machines.\u003c\/p\u003e\n\u003cp\u003ecassette: employs an auto level control (ALC) process common to many high-end cassette tape recorders, resulting in a compressed, fat tone.\u003c\/p\u003e\n\u003cp\u003eSATURATION\u003c\/p\u003e\n\u003cp\u003eSets the amount of tape drive, dynamic compression, and distortion.\u003c\/p\u003e\n\u003cp\u003eTONE\u003c\/p\u003e\n\u003cp\u003eAdjusts the overall tone of the Tape Saturation, from dark to bright.\u003c\/p\u003e\n\u003cp\u003eVOLUME\u003c\/p\u003e\n\u003cp\u003eControls the output volume of the Tape Saturation.\u003c\/p\u003e\n\u003cp\u003eTAPE SATURATION ON\u003c\/p\u003e\n\u003cp\u003eEngages the TAPE SATURATION.\u003c\/p\u003e\n\u003cp\u003eDOUBLETRACKER ON\u003c\/p\u003e\n\u003cp\u003eEngages the DOUBLETRACKER. Hold to engage the instant Auto-Flange feature.\u003c\/p\u003e\n\u003cp\u003eBLEND TYPE\u003c\/p\u003e\n\u003cp\u003eAdjusts phase and internal routing to tailor tonality and low-end response:\u003c\/p\u003e\n\u003cp\u003esum: decks are in phase\u003c\/p\u003e\n\u003cp\u003einvert: Lag Deck is phase inverted\u003c\/p\u003e\n\u003cp\u003ebounce: right Lag Deck is bounced to left input for stereo ping-pong or mono double-echo\u003c\/p\u003e\n\u003cp\u003eLAG TIME\u003c\/p\u003e\n\u003cp\u003eSets the delay offset between the two decks. tape flange: -.3 to 3ms\u003c\/p\u003e\n\u003cp\u003etape chorus: 3 to 50ms slapback: 50 to 150ms tape echo: 150 to 500ms\u003c\/p\u003e\n\u003cp\u003eBLEND\u003c\/p\u003e\n\u003cp\u003eSets the relative mix level of the two tape decks. 12 o’clock is 50\/50 mix.\u003c\/p\u003e\n\u003cp\u003eWOBBLE\u003c\/p\u003e\n\u003cp\u003eAdds random modulation to the Lag Time setting.\u003c\/p\u003e\n\u003cp\u003eAUDIO INPUT SELECTOR\u003c\/p\u003e\n\u003cp\u003emono: Use with a mono input signal. Output is stereo. stereo: Use with a stereo input signal. Output is stereo.\u003c\/p\u003e\n\u003cp\u003eIN\u003c\/p\u003e\n\u003cp\u003eHigh impedance, ultra low-noise, discrete Class A JFET preamp input. TRS adapter cable required for stereo input signal.\u003c\/p\u003e\n\u003cp\u003eOUTPUTS\u003c\/p\u003e\n\u003cp\u003eLow impedance stereo audio signal outputs. Use OUT L for mono output.\u003c\/p\u003e\n\u003cp\u003eEXP \/ MIDI\u003c\/p\u003e\n\u003cp\u003eMultifunction communication jack for external control of Deco’s features and functions. Use a standard TRS expression pedal for continuous control over the knobs of the pedal (default setting). See complete User Manual for details about configuring for MIDI communication or accessories such as Strymon Conduit, MultiSwitch Plus, and MiniSwitch.\u003c\/p\u003e\n\u003cp\u003eUSB-C\u003c\/p\u003e\n\u003cp\u003eComputer connection for controlling via MIDI and firmware updates.\u003c\/p\u003e\n\u003cp\u003e9VDC\u003c\/p\u003e\n\u003cp\u003eUse the included power supply or an adapter with the following rating: 9VDC, center negative, 300mA minimum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIns, Outs, and Switches\u003c\/p\u003e\n\u003cp\u003e● High impedance ultra low-noise discrete Class A JFET TRS stereo input.\u003c\/p\u003e\n\u003cp\u003e● Low impedance independent TS stereo outputs.\u003c\/p\u003e\n\u003cp\u003e● Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.\u003c\/p\u003e\n\u003cp\u003e● USB jack for controlling via MIDI from a computer or for performing firmware updates.\u003c\/p\u003e\n\u003cp\u003e● Dedicated Tape Saturation On\/Off \u0026amp; Doubletracker On\/Off footswitches\u003c\/p\u003e\n\u003cp\u003eAudio Quality\u003c\/p\u003e\n\u003cp\u003e● Premium JFET analog front end\u003c\/p\u003e\n\u003cp\u003e● Ultra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/p\u003e\n\u003cp\u003e● 520MHz ARM Superscalar processor\u003c\/p\u003e\n\u003cp\u003e● 32-bit floating point processing\u003c\/p\u003e\n\u003cp\u003e● 20Hz to 20kHz frequency response\u003c\/p\u003e\n\u003cp\u003e● Audio Input Impedance: 1M Ohm\u003c\/p\u003e\n\u003cp\u003e● Audio Output Impedance: 100 Ohm\u003c\/p\u003e\n\u003cp\u003eMore\u003c\/p\u003e\n\u003cp\u003e● Strong and lightweight anodized dark gray aluminum chassis\u003c\/p\u003e\n\u003cp\u003e● Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current.\u003c\/p\u003e\n\u003cp\u003e● Dimensions:\u003c\/p\u003e\n\u003cp\u003e- 4.5” deep x 4” wide x 1.75” tall\u003c\/p\u003e\n\u003cp\u003e- 11.4 cm deep x 10.2 cm wide x 4.4 cm tall\u003c\/p\u003e\n\u003cp\u003e- Designed and built in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431003254877,"sku":"STRYMON-SN-DECO-2","price":588.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/decotapev2-xlarge.jpg.auto.png?v=1778347018"},{"product_id":"strymon-volante","title":"Strymon Volante Magnetic Echo Machine Delay Pedal","description":"\u003cp\u003eSounds From The Expanse.\u003cbr\u003eCreate instant retrofuture atmosphere with evocative vintage delay tones. Activate your imagination with evolving ambient echoes and warm, organic feedback with just the right amount of grit. Sculpt your soundscape in real time as Volante becomes an extension and expansion of your musical instrument. Infuse your pedalboard with stunning vintage vibes that resonate and inspire.\u003c\/p\u003e\n\u003cp\u003eDelays For Days.\u003cbr\u003eThree Magnetic Delay Types, Spring Reverb, Looper, and More.\u003cbr\u003eDelivering truly exceptional sound quality and intuitive playability, Volante is designed to radically enhance the sonic expressiveness of your pedalboard. Featuring magnetic drum echo, tape echo, and reel-to-reel studio echo, Volante is a stereo multi-head delay that also offers a looper and vintage spring reverb, with powerful sound-sculpting controls for limitless sonic possibilities.\u003c\/p\u003e\n\u003cp\u003eVintage Vibe.\u003cbr\u003eTo capture the nuance and complexity of classic tape and drum echo machines, every last magnetic delay system attribute was relentlessly studied and faithfully recreated. From the sought-after natural saturation and soft clipping of magnetic media when driven hard, to hands-on real-time controls for mechanics, wear, head-spacing, and low cut, Volante instantly adds tons of vibe to your sound.\u003c\/p\u003e\n\u003cp\u003eMulti-Head Maven.\u003cbr\u003eVolante provides the full experience and sonic attributes of iconic multi-head echo machines. At the center of Volante’s control surface are four delay playback heads with individual feedback, panning, and level controls—delivering unlimited creative options right at your fingertips. All of this range allows the creation of complex rhythmic patterns as well as reverb-like atmospheric textures.\u003c\/p\u003e\n\u003cp\u003eSound Design\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMulti-head magnetic media delay machine providing four playback heads with individual feedback, panning, and level controls\u003c\/li\u003e\n\u003cli\u003eProcessor-intense algorithms deliver meticulously nuanced recreations of vintage magnetic echo systems (drum echo, tape echo, studio reel-to-reel echo)\u003c\/li\u003e\n\u003cli\u003eDedicated control over echo machine tone and media: Low Cut, Mechanics, Wear\u003c\/li\u003e\n\u003cli\u003eInput Record Level for clean reproduction to warm, fat saturation\u003c\/li\u003e\n\u003cli\u003eIndependent Spring Reverb\u003c\/li\u003e\n\u003cli\u003eSound on Sound looping mode with reverse, pause, splice, and infinite repeat functions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIns, Outs, and Switches\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh impedance stereo input\u003c\/li\u003e\n\u003cli\u003eStereo output\u003c\/li\u003e\n\u003cli\u003eInput Level switch allows for both instrument and line level signals\u003c\/li\u003e\n\u003cli\u003eOn, Favorite, and Tap Tempo footswitches\u003c\/li\u003e\n\u003cli\u003eExpression pedal input allows the connection of an expression pedal, external tap pedal, 1\/4″ to MIDI cable, or MultiSwitch Plus.\u003c\/li\u003e\n\u003cli\u003eFull featured MIDI in\/out supporting MIDI CCs, program changes, and more\u003c\/li\u003e\n\u003cli\u003eUSB jack for controlling MIDI via computer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAudio Quality\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAnalog dry path for a zero latency dry signal that is never converted to digital\u003c\/li\u003e\n\u003cli\u003ePremium JFET analog front end\u003c\/li\u003e\n\u003cli\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/li\u003e\n\u003cli\u003eSuper high performance SHARC DSP\u003c\/li\u003e\n\u003cli\u003e32-bit floating point processing\u003c\/li\u003e\n\u003cli\u003e20Hz to 20kHz frequency response\u003c\/li\u003e\n\u003cli\u003eAudio Input Impedance: 1M Ohm\u003c\/li\u003e\n\u003cli\u003eAudio Output Impedance: 100 Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMore\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrue Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass\u003c\/li\u003e\n\u003cli\u003eStrong and lightweight anodized olive green aluminum chassis\u003c\/li\u003e\n\u003cli\u003ePower requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current\u003c\/li\u003e\n\u003cli\u003eDimensions:\u003c\/li\u003e\n\u003cli\u003e4.5″ deep x 7″ wide x 1.75″ tall\u003c\/li\u003e\n\u003cli\u003e114.3 mm deep x 177.3 mm wide x 44.5 mm tall\u003c\/li\u003e\n\u003cli\u003eDesigned and built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431006138461,"sku":"930101004515","price":688.75,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/volante-front_n3vyz7.jpg?v=1778347073"},{"product_id":"strymon-magneto","title":"Strymon Magneto Four Head dTape Echo \u0026 Looper Eurorack Module","description":"\u003ch3\u003eCreate expansive soundscapes and evolving, otherworldly tones. Add layers upon layers of harmonic and rhythmic complexity within an enveloping stereo field. Infuse your rack with vintage warmth and retrofuturistic soul.\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTape-voiced delay machine with four playback heads and one record head\u003c\/li\u003e\n\u003cli\u003eProcessor-intense dTape algorithm delivers meticulously nuanced recreations of vintage tape echo systems\u003c\/li\u003e\n\u003cli\u003eThree operational modes: Echo, Sound On Sound Looper, Phrase Sampler\u003c\/li\u003e\n\u003cli\u003eVarispeed algorithm with dynamic machine mechanics, 8:1 speed range\u003c\/li\u003e\n\u003cli\u003eInput record level for clean reproduction to warm, fat saturation\u003c\/li\u003e\n\u003cli\u003eSelf-oscillating for tone generation\u003c\/li\u003e\n\u003cli\u003eIndependent Spring Reverb\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTape Delay, Looper, And More.\u003c\/h3\u003e\n\u003cp\u003ePacked with powerful features while maintaining intuitive playability, Magneto is a stereo multi-head tape delay that also functions as a looper, phrase sampler, vintage spring reverb unit, phase-aligned clock multiplier, chaotic oscillator, zero latency sub-oscillator and more, with extensive CV I\/O.\u003c\/p\u003e\n\u003ch3\u003eTransform Your Modular.\u003c\/h3\u003e\n\u003cp\u003eTurn simple monophonic signals into complex orchestrations. Create new oscillator tones using self-oscillation. Add rich stereo dimension to your sound, and enjoy the inherent warmth and sweet, subtle distortion characteristics of magnetic tape. Magneto transforms even the smallest rack into a fully expressive, immersive instrument.\u003c\/p\u003e\n\u003ch3\u003eVintage Vibe.\u003c\/h3\u003e\n\u003cp\u003eTo capture the full experience and complexity of a vintage tape echo machine, every last tape system attribute was relentlessly studied and faithfully recreated. From the sought-after natural saturation and soft clipping of magnetic tape when driven hard, to hands-on real-time controls for tape age, tape crinkle, and mechanical wow and flutter, Magneto delivers a rich multi-head delay experience that adds life and vibe to your sound.\u003c\/p\u003e\n\u003ch3\u003ePlay It Like An Instrument.\u003c\/h3\u003e\n\u003cp\u003eEvery function, control, gain stage, and signal path component in Magneto works together to respond musically and smoothly, even during the wildest live modular improvisations. All this is combined with a luxurious spring reverb to take the sound of your modular setup to a new level, and your sonic explorations into far-out territories.\u003c\/p\u003e\n\u003ch3\u003eWarm Up Your Rack.\u003c\/h3\u003e\n\u003cp\u003eNot only does Magneto deliver the warm, luscious delay signals that tape delays are known for, it is also capable of a high degree of saturation. Turn up the Record Level knob to send a hot signal to the record head for any amount of tape saturation you desire. Turn up the Tape Age control for warmer repeats. Add some truly beautiful Spring Reverb. Magneto adds organic heart and soul to the sound of your modular.\u003c\/p\u003e\n\u003ch3\u003eTone and Mechanics Control.\u003c\/h3\u003e\n\u003cp\u003eThe effect of the Low Cut and Tape Age knobs are explored, followed by the mechanical ‘deterioration’ of the machine with the Crinkle and Wow and Flutter controls. The Speed knob is put to use for sonic enhancement.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431006793821,"sku":"930101004499","price":911.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/magneto_800.jpg?v=1778347087"},{"product_id":"strymon-timeline-multidimensional-digital-delay","title":"Strymon TimeLine Multidimensional Digital Delay Pedal","description":"\u003cp\u003e\u003cstrong\u003eInspiration Machine. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen we decided to create a studio-class stereo delay effects pedal, we knew we must go well beyond what has been done in the past—in sound quality, sonic flexibility, hardware design, and processing power. We spent months locked up in the Strymon sound design labs with an intense focus on dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilizing a ridiculously powerful \u003cstrong\u003eSHARC DSP\u003c\/strong\u003e, every drop of processing power is harnessed. Each algorithm is so detailed it requires the entire processor.\u003cbr\u003e\u003cbr\u003eTimeLine provides you with \u003cstrong\u003etwelve different delay machines\u003c\/strong\u003e, each with extensive control over sonic character and feel. Tweak to your hearts content and save up to \u003cstrong\u003e200 presets\u003c\/strong\u003e of your favorite sounds. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays. Top it all off with full \u003cstrong\u003eMIDI\u003c\/strong\u003eimplementation and a routable, \u003cstrong\u003e30-second stereo looper\u003c\/strong\u003e and you’re on your way to delay bliss.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431007678557,"sku":"930101004514","price":683.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/str-timeline.jpg?v=1778347107"},{"product_id":"strymon-cloudburst-ambient-reverb-pedal","title":"Strymon CLOUDBURST Ambient Reverb Pedal","description":"\u003cp\u003eSometimes a single pedal can be transformative. It can make your tone bloom in a way that draws the music out of you effortlessly and keeps you engaged for hours. Cloudburst simply produces some of the most gorgeous ambient reverb sounds you’ve ever heard. There is no other pedal like it.\u003c\/p\u003e\n\n\u003cp\u003eCelestial String Ensemble\u003c\/p\u003e\n\u003cp\u003eCloudburst’s Ensemble switch reveals a new world of captivating sounds never heard before from a reverb pedal. Use Ensemble subtly to add harmonically rich otherworldly dimensions to your ambient reverb soundscape, or use it liberally to hear a lush synthesized string section swell under your guitar playing. Ensemble reacts to your entire guitar signal smoothly, organically, and musically for a richly responsive and inspiring playing experience.\u003c\/p\u003e\n\n\u003cp\u003eFrom Amp-In-A-Closet to Infinite Space\u003c\/p\u003e\n\u003cp\u003eCloudburst is several distinct reverbs in one, with beautifully tuned, natural sounding small spaces at one end of the Decay knob, and vast, expansive atmospheres at the other. As you turn the Decay control, numerous internal parameters are automatically adjusted, allowing this ambient reverb pedal to produce outstanding studio quality rooms of any size at the turn of a single knob.\u003c\/p\u003e\n\n\u003cp\u003eCompact With No Compromises\u003c\/p\u003e\n\u003cp\u003eAll the premium components, sound quality, and road worthiness you expect from a Strymon reverb pedal are in Cloudburst’s new compact format. It’s got our discrete JFET analog front end, ultra-quiet 116dB signal to noise performance, a powerful ARM Superscalar processor, stereo input\/output, and full MIDI control. Featuring unbeatable ease of use and producing some of the finest reverb sounds we’ve ever created, Cloudburst could easily be the only reverb pedal you need on your pedalboard.\u003c\/p\u003e\n\n\u003cp\u003eSound Design\u003c\/p\u003e\n\u003cp\u003eDesign Concept\u003c\/p\u003e\n\u003cp\u003eWith Cloudburst, we had some very high goals in mind. Foremost was creating the best sounding single reverb algorithm we possibly could. We knew that at high decay settings, we wanted to provide the spacious experiences that are available from BigSky’s Cloud algorithm, and then we set about tailoring the short end of the decay range to generate a huge variety of natural sounding, studio quality smaller spaces. \u003c\/p\u003e\n\u003cp\u003eSecond, we wanted to provide a whole new variety of sounds never before heard from a reverb pedal with the addition of our new Ensemble effect. This effect’s design ensures a seamless, natural, and artifact-free interaction with the reverb and with your guitar signal. With the Ensemble switch in its mezzo piano (or “moderately soft”) position, it can subtly enhance the character of the reverberated signal, while in its forte setting, it can yield huge string ensemble effects reminiscent of vintage polyphonic string machine synthesizers.\u003c\/p\u003e\n\u003cp\u003eFinally, we wanted to create a pedal that was the most simple and intuitive to use of any product we’d ever designed. So with Cloudburst, there are no secondary or “hidden” functions. The pedal is controlled by just a few knobs and a switch exactly as they are labeled, so you can instantly dial up the perfect sound with no learning curve required.\u003c\/p\u003e\n\n\u003cp\u003eDecay\u003c\/p\u003e\n\u003cp\u003eThe Decay knob on Cloudburst does some seriously heavy lifting. Not only does it control the duration of the reverb tail, but it also dramatically transforms the character of the reverb via numerous continuous under-the-hood adjustments, allowing you to discover countless new musical and inspiring sounds at different points all along the dial. Even tiny adjustments of this knob can yield noticeable changes to the character of the reverb.\u003c\/p\u003e\n\n\u003cp\u003eEnsemble\u003c\/p\u003e\n\u003cp\u003eCoudburst’s Ensemble effect works by continuously analyzing 48 different frequency bands from your input signal, and generating upper harmonic partials of what it finds in each frequency band as you play. Rather than generating a static, synthetic signal based on pitch detection, Ensemble is a dynamic, organic effect that generates harmonics based on your playing and that varies its sonic character depending on real time factors like where you pick, which pickup you use, and the volume envelope of what you play. The result is a gorgeous string ensemble-like expansion of your reverberated signal that creates a unique and unforgettable playing and listening experience.\u003c\/p\u003e\n\n\u003cp\u003eMix\u003c\/p\u003e\n\u003cp\u003eControls the reverb mix from full dry at minimum to full wet at maximum. A 50\/50 mix occurs at approximately 3 o’clock on the knob. Additional power-up options allow for kill-dry (for use in effects loops) as well as an analog dry path option. Use moderate mix settings and darker tone settings combined with short decay times to create a variety of realistic small spaces, or soar through huge ambient cloudscapes with liberal mix settings and high decay times. \u003c\/p\u003e\n\n\u003cp\u003ePre-delay\u003c\/p\u003e\n\u003cp\u003ePre-delay lets you add space between your dry signal and reverb — a handy tool for maintaining clarity when using higher Mix and Decay settings. Also useful for creating swells or blooms after notes or chords. With short decay times, Cloudburst’s pre-delay can be used to create reverberant slap-back echoes.\u003c\/p\u003e\n\n\u003cp\u003eTone\u003c\/p\u003e\n\u003cp\u003eControls the amount of high frequencies within the reverb, with a damped high end at minimum to no damping at maximum. Set the Decay knob to tailor the sound of your reverb, or control it with an expression pedal to create dramatic effects in combination with long Decay times and Ensemble.\u003c\/p\u003e\n\n\u003cp\u003eModulation\u003c\/p\u003e\n\u003cp\u003eThere is a certain magic to the lush effects that can be created by modulating the lengths of the individual delay lines responsible for the reflections in a reverb tank. Cloudburst’s MOD control can take this a few steps further, especially when used together with Ensemble, where high MOD settings can create a fast, synth-like vintage science fiction pitch modulation.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cp\u003eMIDI\u003c\/p\u003e\n\u003cp\u003eCloudburst features full MIDI implementation, allowing you to control pedal parameters remotely by sending MIDI commands from your controller or DAW via Cloudburst’s EXP\/MIDI jack or USB-C connection. 300 MIDI preset locations are available for loading and saving your favorite settings. Remotely bypass or engage the pedal, automate decay time or other knob adjustments in your DAW, recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.\u003c\/p\u003e\n\n\u003cp\u003eTrue \u0026amp; Buffered Bypass\u003c\/p\u003e\n\u003cp\u003eCloudburst lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.\u003c\/p\u003e\n\n\u003cp\u003eJFET Input\u003c\/p\u003e\n\u003cp\u003eUncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. Cloudburst feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input. \u003c\/p\u003e\n\u003cp\u003eStereo In \u0026amp; Out\u003c\/p\u003e\n\u003cp\u003eNo need to make compromises when it comes to signal routing or pedal placement — Cloudburst is a stereo reverb pedal with full stereo in\/out capabilities. \u003c\/p\u003e\n\n\u003cp\u003eA single TRS input jack allows Cloudburst to keep its compact form factor while giving you the option to use a stereo input signal. A dedicated rear panel Input switch allows you to easily set Cloudburst for operation with a stereo (TRS) or mono (standard TS) input source. A single low impedance TRS output jack lets you use Cloudburst as a stereo effect with a TRS cable, or mono with a TS cable.\u003c\/p\u003e\n\n\u003cp\u003ePowerful ARM Processor\u003c\/p\u003e\n\u003cp\u003eSignificant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before. That means more processing power for every sonic nuance with less power consumption on your pedal board.\u003c\/p\u003e\n\n\u003cp\u003eControls \u0026amp; Routing\u003c\/p\u003e\n\n\u003cp\u003eDECAY\u003c\/p\u003e\n\u003cp\u003eControls the duration of the reverberated signal’s decay. Lower settings reduce the size of the reverberated space.\u003c\/p\u003e\n\n\u003cp\u003eENSEMBLE\u003c\/p\u003e\n\u003cp\u003eSets the amount of ensemble harmonics added to the reverb input:\u003c\/p\u003e\n\u003cp\u003eOff – no ensemble effect\u003c\/p\u003e\n\u003cp\u003emp – A medium amount of ensemble for a subtle enhancement\u003c\/p\u003e\n\u003cp\u003eforte – Maximum ensemble effect creating a lush and orchestral soundscape\u003c\/p\u003e\n\n\n\u003cp\u003eMIX\u003c\/p\u003e\n\u003cp\u003eControls the reverb mix from full dry at minimum to full wet at maximum. A 50\/50 mix occurs at approximately 3 o’clock on the knob. Additional power-up options allow for kill-dry (for use in effects loops) as well as an analog dry path option.\u003c\/p\u003e\n\n\u003cp\u003ePRE-DELAY\u003c\/p\u003e\n\u003cp\u003eSets the amount of time before the reverberated signal appears. For most natural results, use lower MIX settings when using higher PRE-DELAY.\u003c\/p\u003e\n\n\u003cp\u003eTONE\u003c\/p\u003e\n\u003cp\u003eAdjusts the high-end content of the reverb. Lower settings create darker, warmer reverberation. Higher settings are bright and crisp. NOTE: Also affects the presence of the ENSEMBLE effect.\u003c\/p\u003e\n\n\u003cp\u003eMOD\u003c\/p\u003e\n\u003cp\u003eControls the modulation of the reverb delay lines to create a variety of lush effects. Turning the knob clockwise from minimum increases modulation depth for the first half of the knob’s range. Continuing to turn the knob past its halfway point increases the speed of the modulation.\u003c\/p\u003e\n\n\u003cp\u003eFOOTSWITCH\u003c\/p\u003e\n\u003cp\u003eEngages and bypasses effect. RED LED indicates the effect is engaged.\u003c\/p\u003e\n\n\u003cp\u003eI\/O MODE SELECTOR\u003c\/p\u003e\n\u003cp\u003emono: mono input, mono output\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003emono stereo: mono input, stereo output\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003estereo: stereo input, stereo output\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eNote: Stereo operation requires a TRS adapter or cable.\u003c\/p\u003e\n\n\n\u003cp\u003eIN\u003c\/p\u003e\n\u003cp\u003eHigh impedance, ultra low-noise, discrete Class A JFET preamp input. TRS adapter cable required for stereo input signal.\u003c\/p\u003e\n\n\u003cp\u003eOUTPUTS\u003c\/p\u003e\n\u003cp\u003eLow impedance stereo TRS output. Use TS for mono output or TRS for stereo output..\u003c\/p\u003e\n\n\u003cp\u003eEXP \/ MIDI\u003c\/p\u003e\n\u003cp\u003eMultifunction communication jack for external control of Cloudburst’s features and functions. Use a standard TRS expression pedal for continuous control over the knobs of the pedal (default setting). \u003cbr\u003eCan be set to operate in one of five modes: Expression Pedal, Favorite, Freeze, Infinite, or MIDI Mode. See User Manual for details.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSee complete User Manual for details about configuring for MIDI communication or accessories such as Strymon Conduit, MultiSwitch Plus, and MiniSwitch.\u003c\/p\u003e\n\n\u003cp\u003eUSB-C\u003c\/p\u003e\n\u003cp\u003eComputer connection for controlling via MIDI and for performing firmware updates.\u003c\/p\u003e\n\n\n\u003cp\u003e9VDC\u003c\/p\u003e\n\u003cp\u003eUse a power supply or an adapter with the following rating: 9VDC, center negative, 250mA minimum. \u003c\/p\u003e\n\n\u003cp\u003eSpecs\u003c\/p\u003e\n\u003cp\u003eIns, Outs, and Switches\u003c\/p\u003e\n\u003cp\u003e• High impedance ultra low-noise discrete Class A JFET TRS stereo input.\u003c\/p\u003e\n\u003cp\u003e• Low impedance TRS stereo output.\u003c\/p\u003e\n\u003cp\u003e• Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.\u003c\/p\u003e\n\u003cp\u003e• USB jack for controlling via MIDI from a computer or for performing firmware updates.\u003c\/p\u003e\n\n\u003cp\u003eAudio Quality\u003c\/p\u003e\n\u003cp\u003e• Premium JFET analog front end\u003c\/p\u003e\n\u003cp\u003e• Ultra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/p\u003e\n\u003cp\u003e• 520MHz ARM Superscalar processor\u003c\/p\u003e\n\u003cp\u003e• 32-bit floating point processing\u003c\/p\u003e\n\u003cp\u003e• 20Hz to 20kHz frequency response\u003c\/p\u003e\n\u003cp\u003e• Typical signal to noise ratio: 116dB\u003c\/p\u003e\n\u003cp\u003e• Audio Input Impedance: 1M Ohm\u003c\/p\u003e\n\u003cp\u003e• Audio Output Impedance: 100 Ohm\u003c\/p\u003e\n\n\u003cp\u003eMore\u003c\/p\u003e\n\u003cp\u003e• Strong and lightweight anodized sky blue aluminum chassis\u003c\/p\u003e\n\u003cp\u003e• 9V DC power supply included\u003c\/p\u003e\n\u003cp\u003e• Power requirements: maximum 9 volts DC center-negative, with a minimum 250mA of current.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431008432221,"sku":"STRYMON-CLOUDBURST","price":436.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/cloudburst_topdown_trans_shadow.png?v=1778347122"},{"product_id":"strymon-flint-mkii","title":"Strymon Flint MKII Reverb and Tremolo Pedal","description":"\u003cp\u003e\u003cstrong\u003eA Perfect Gentleman.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.\u003c\/p\u003e\n\u003cp\u003eFlint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.\u003c\/p\u003e\n\u003cp\u003eFrom A Classic Era.\u003c\/p\u003e\n\u003cp\u003eFlint gives you the pulsating, soothingly hypnotic effects pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms. On the tremolo side of the pedal you can choose between the sonically complex ’61 Harmonic Tremolo, the swampy and sultry ’63 Power Tube Tremolo, and the sharp and balanced ’65 Photocell Tremolo. On the reverb side you can select the classic ’60s Spring Tank Reverb, the inventive ’70s Electronic Plate Reverb, or the nostalgic ’80s Hall Rack Reverb.\u003c\/p\u003e\n\u003cp\u003eWith nine parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads. Couple that with true bypass, and a premium quality analog front end and output section, and you have the history of tremolo and reverb in a pedalboard friendly format.\u003c\/p\u003e\n\u003cp\u003eVintage Sound, New Features.\u003c\/p\u003e\n\u003cp\u003eOur second generation Flint gives you the same gorgeous tremolo and reverb sounds from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio\u003c\/p\u003e\n\u003cp\u003e● Extended Control - Love slow tremolo? The Speed knob range has been expanded to slow the tremolo down to nearly 1Hz at its minimum setting. On the reverb side, pre-delay time is now adjustable.\u003c\/p\u003e\n\u003cp\u003e● MIDI - Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via El Flint’s EXP\/MIDI jack or USB-C connection. Tremolo speed can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.\u003c\/p\u003e\n\u003cp\u003e● Hardware Improvements - A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e‘61 Harmonic Tremolo\u003c\/p\u003e\n\u003cp\u003eThe ’61 Harmonic Tremolo is somewhat rare due to its very short period of availability in tube amplifiers in the early 1960s. It gets its signature sound through a dual-band filtering effect that alternately emphasizes low and high frequencies. The end result is a soothing pulse that has shades of a mild phaser effect combined with tremolo, due to the nature of the frequency bands that are alternated.\u003c\/p\u003e\n\u003cp\u003e‘63 Tube Tremolo\u003c\/p\u003e\n\u003cp\u003eThe ’63 Power Tube Tremolo utilized the LFO signal to directly influence the power tube bias of the amplifier’s push-pull output stage. The power tubes are biased into lower and higher idle currents, creating the fluctuating gain that produces the tremolo effect. The effects of crossover distortion at low tremolo volumes, increased power tube harmonic distortion at maximum tremolo volumes, as well as the influence of power-supply sag, all add up to the boggy and dirty nature of this tremolo circuit.\u003c\/p\u003e\n\u003cp\u003e‘65 Photocell Tremolo\u003c\/p\u003e\n\u003cp\u003eThe ’65 Photocell Tremolo is a faithful recreation of the classic photo-trem circuits found in mid-1960s American amplifiers. Those classic circuits used a light-dependent resistor (LDR) to attenuate the input signal, coupled with a miniature neon bulb that is connected to the LFO. As the LFO oscillates, the bulb gets brighter and dimmer which in turn varies the resistance of the LDR. The varying resistance works with other circuit impedances to change the signal level, which produces a characteristically “hard” sounding tremolo that moves between two levels, reminiscent of a square wave.\u003c\/p\u003e\n\u003cp\u003e‘60s Spring Tank Reverb\u003c\/p\u003e\n\u003cp\u003e'60s Spring Tank - The ’60s Spring Tank Reverb is our faithful recreation of the full-size two-spring tank that was commonly used in vintage amps. The two-spring tank uses spring segments of differing delay times, which adds to the complexity of the reverberated sound. Contributing greatly to the sound are the input and output tube circuits which convert the electrical guitar signal into a mechanical signal and then back to an electrical signal.\u003c\/p\u003e\n\u003cp\u003e‘70s Electronic Plate Reverb\u003c\/p\u003e\n\u003cp\u003eThe ’70s Electronic Plate Reverb pays homage to one of the earliest digital reverbs ever created. The astounding hardware-based algorithm used multiple delay-lines configured in parallel, with each delay featuring multiple output taps and filtered feedback paths. The result is a rich, smooth reverb with a very quick build-up in density due to the summation of the many parallel output taps.\u003c\/p\u003e\n\u003cp\u003e‘80s Hall Rack Reverb\u003c\/p\u003e\n\u003cp\u003eThe ’80s Hall Rack Reverb is our rendition of the now-nostalgic digital microprocessor rack reverbs from the late ’80s. The limited processing power of the day led to the implementation of efficient regenerative series loops of all-pass filters, delays, and low-pass filters. Modulating delay lines were used to increase the reverb density and add warmth. This reverb provides the signature sound of distinctive early reflections followed by the slowly-building density of the late reverberation.\u003c\/p\u003e\n\u003cp\u003eEffect Order\u003c\/p\u003e\n\u003cp\u003eWant to run your reverb intro tremolo like your favorite vintage tube amps did? Or do you prefer modulation before reverb for a cleaner, modern tone? Flint gives you options for both with an Effect Order secondary function that lets you choose exactly how you want your reverb and tremolo routed for ultimate tonal control. This setting is accessible as a Live Edit secondary function and is savable per-preset.\u003c\/p\u003e\n\u003cp\u003ePre-Delay\u003c\/p\u003e\n\u003cp\u003ePre-Delay controls the delay time before the reverberated signal appears, and is now accessible as a Live Edit secondary function, savable per-preset.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMIDI\u003c\/p\u003e\n\u003cp\u003eOur new generation of Flint features full MIDI implementation, allowing you to control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Flint’s EXP\/MIDI jack or USB-C connection. Tremolo speed can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.\u003c\/p\u003e\n\u003cp\u003eRemotely bypass or engage the pedal, sync tremolo speed changes along with your tracks, automate knob adjustments, recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.\u003c\/p\u003e\n\u003cp\u003eTrue \u0026amp; Buffered Bypass\u003c\/p\u003e\n\u003cp\u003eFlint lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.\u003c\/p\u003e\n\u003cp\u003eJFET Input\u003c\/p\u003e\n\u003cp\u003eUncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. Flint feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input.\u003c\/p\u003e\n\u003cp\u003eStereo In \u0026amp; Out\u003c\/p\u003e\n\u003cp\u003eNo need to make compromises when it comes to signal routing or pedal placement — Flint features full stereo in\/out capabilities. A single TRS input jack allows Flint to keep its compact form factor while giving you the option to use a stereo input signal. A dedicated rear panel Input switch allows you to easily set Flint for operation with a stereo (TRS) or mono (standard TS) input source. Low impedance dual TS output jacks let you use Flint as a stereo effect.\u003c\/p\u003e\n\u003cp\u003eLine\/Instrument Level\u003c\/p\u003e\n\u003cp\u003ePedals aren’t just for guitarists. Flint’s adjustable input signal level makes it a versatile tool for endless applications from the studio to the stage. By setting Flint to line level input mode, you get 10dB of added headroom, allowing you to use Flint with bass guitars with active pickups, synthesizers, keyboards, effects loops, and more.\u003c\/p\u003e\n\u003cp\u003eBoost\/Cut\u003c\/p\u003e\n\u003cp\u003eWe all need a lift every once in a while. Flint features two dedicated +\/-3dB boost\/cut secondary functions, one for each side of Flint. This lets you add a little extra “oomph” when needed, or to dial things back a bit. The tremolo boost\/cut ensures you can get the level you want with any tremolo depth and speed settings. The reverb boost\/cut is useful for setting a solo boost when engaging the verb, or reducing level when using huge ambient pads.\u003c\/p\u003e\n\u003cp\u003ePowerful New ARM Processor\u003c\/p\u003e\n\u003cp\u003eSignificant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before. That means more processing power for every sonic nuance with less power consumption on your pedal board.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls \u0026amp; Routing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTREMOLO TYPE\u003c\/p\u003e\n\u003cp\u003eSwitches between three tremolo types:\u003c\/p\u003e\n\u003cp\u003e‘61 harm: harmonic band filtering that alternates low and high frequencies for a hypnotic effect\u003c\/p\u003e\n\u003cp\u003e‘63 tube: a smooth volume pulsing created by modulating the bias point of the output tubes\u003c\/p\u003e\n\u003cp\u003e‘65 photo: a sharper-edged volume effect achieved by using a photocell and light-dependent resistor\u003c\/p\u003e\n\u003cp\u003eINTENSITY\u003c\/p\u003e\n\u003cp\u003eControls the intensity or depth of the tremolo effect.\u003c\/p\u003e\n\u003cp\u003eSPEED\u003c\/p\u003e\n\u003cp\u003eAdjusts the tremolo LFO frequency from slow to fast.\u003c\/p\u003e\n\u003cp\u003eTREMOLO ON\u003c\/p\u003e\n\u003cp\u003eEngages the TREMOLO. A red LED indicates the effect is engaged.\u003c\/p\u003e\n\u003cp\u003eREVERB ON\u003c\/p\u003e\n\u003cp\u003eEngages the REVERB. A red LED indicates the effect is engaged.\u003c\/p\u003e\n\u003cp\u003eREVERB TYPE\u003c\/p\u003e\n\u003cp\u003eSwitches between three reverb types:\u003c\/p\u003e\n\u003cp\u003e‘60s: full-size two-spring tank typical of those found on vintage guitar amps\u003c\/p\u003e\n\u003cp\u003e‘70s: electronic plate that uses multi-tap parallel delay lines with filtered feedback paths\u003c\/p\u003e\n\u003cp\u003e‘80s: studio digital microprocessor rack hall reverb with modulating delay lines\u003c\/p\u003e\n\u003cp\u003eMIX\u003c\/p\u003e\n\u003cp\u003eControls the reverb wet mix from 100% dry at minimum to 100% wet with no dry signal at maximum. Set to 3 o’clock for 50\/50 dry\/ wet mix.\u003c\/p\u003e\n\u003cp\u003eDECAY\u003c\/p\u003e\n\u003cp\u003eVaries the reverb time. The ‘70s and ‘80s verbs approach ‘infinite’ decay at maximum.\u003c\/p\u003e\n\u003cp\u003eCOLOR\u003c\/p\u003e\n\u003cp\u003eVaries the reverb tone from darker at low settings, to brighter at higher settings.\u003c\/p\u003e\n\u003cp\u003eAUDIO INPUT SELECTOR\u003c\/p\u003e\n\u003cp\u003emono: Use with a mono input signal. Output is stereo. stereo: Use with a stereo input signal. Output is stereo.\u003c\/p\u003e\n\u003cp\u003eIN\u003c\/p\u003e\n\u003cp\u003eHigh impedance, ultra low-noise, discrete Class A JFET preamp input. TRS adapter cable required for stereo input signal.\u003c\/p\u003e\n\u003cp\u003eOUTPUTS\u003c\/p\u003e\n\u003cp\u003eLow impedance stereo audio signal outputs. Use OUT L for mono output.\u003c\/p\u003e\n\u003cp\u003eEXP \/ MIDI\u003c\/p\u003e\n\u003cp\u003eMultifunction communication jack for external control of Flint’s features and functions. Use a standard TRS expression pedal for continuous control over the knobs of the pedal (default setting). See complete User Manual for details about configuring for MIDI communication or accessories such as Strymon Conduit, MultiSwitch Plus, and MiniSwitch.\u003c\/p\u003e\n\u003cp\u003eUSB-C\u003c\/p\u003e\n\u003cp\u003eComputer connection for controlling via MIDI and firmware updates.\u003c\/p\u003e\n\u003cp\u003e9VDC\u003c\/p\u003e\n\u003cp\u003eUse the included power supply or an adapter with the following rating: 9VDC, center negative, 300mA minimum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIns, Outs, and Switches\u003c\/p\u003e\n\u003cp\u003e● High impedance ultra low-noise discrete Class A JFET TRS stereo input.\u003c\/p\u003e\n\u003cp\u003e● Low impedance independent TS stereo outputs.\u003c\/p\u003e\n\u003cp\u003e● Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.\u003c\/p\u003e\n\u003cp\u003e● USB jack for controlling via MIDI from a computer or for performing firmware updates.\u003c\/p\u003e\n\u003cp\u003e● Dedicated Reverb On\/Off \u0026amp; Tremolo On\/Off footswitches\u003c\/p\u003e\n\u003cp\u003eAudio Quality\u003c\/p\u003e\n\u003cp\u003e● Premium JFET analog front end\u003c\/p\u003e\n\u003cp\u003e● Ultra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/p\u003e\n\u003cp\u003e● 520MHz ARM Superscalar processor\u003c\/p\u003e\n\u003cp\u003e● 32-bit floating point processing\u003c\/p\u003e\n\u003cp\u003e● 20Hz to 20kHz frequency response\u003c\/p\u003e\n\u003cp\u003e● Audio Input Impedance: 1M Ohm\u003c\/p\u003e\n\u003cp\u003e● Audio Output Impedance: 100 Ohm\u003c\/p\u003e\n\u003cp\u003eMore\u003c\/p\u003e\n\u003cp\u003e● Strong and lightweight anodized black aluminum chassis\u003c\/p\u003e\n\u003cp\u003e● 9V DC power supply included\u003c\/p\u003e\n\u003cp\u003e● Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current.\u003c\/p\u003e\n\u003cp\u003e● Dimensions:\u003c\/p\u003e\n\u003cp\u003e- 4.5” deep x 4” wide x 1.75” tall\u003c\/p\u003e\n\u003cp\u003e- 11.4 cm deep x 10.2 cm wide x 4.4 cm tall\u003c\/p\u003e\n\u003cp\u003e- Designed and built in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431008530525,"sku":"STRYMON-SN-FLINT-2","price":569.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/flintv2-xlarge.jpg.auto.png?v=1778347126"},{"product_id":"strymon-bigsky-mx","title":"Strymon BigSky MX Multi-Reverb Effect Pedal","description":"\u003cp\u003eBigSky MX packs a remarkable amount of premium features into a single pedal, the new pinnacle of what a reverb pedal can be has arrived.\u003c\/p\u003e\n\u003cp\u003eIn BigSky MX, raw computational power meets innovative design and consummate sonic craftsmanship to give you positively sublime reverbs with stunning new levels of richness and complexity.\u003c\/p\u003e\n\u003cp\u003e12 World-Class Reverb Machines: BigSky MX features seven brand-new algorithms in addition to significant enhancements to the other classics.\u003cbr\u003eTwo Reverbs At Once: Dual reverbs can be routed in Series, Parallel or Split modes, and individually panned per engine.\u003cbr\u003e10s Stereo Impulse Response Capability: Access full IR editing functionality, as well as custom long captures of classic studio gear.\u003cbr\u003eStereo Inputs and Outputs: Unlock massive width and presence with full stereo I\/O featuring our discrete Class A JFET input preamps.\u003cbr\u003eDedicated Infinite\/Freeze Footswitch: Create lush pads to play over, or infinitely sustain any notes played for unique atmospheric effects.\u003cbr\u003eFull MIDI Control And More: Change presets and control parameters with MIDI via USB-C, TRS, or DIN connections. Adjust controls on the fly via an expression pedal. All this and more in an elegant, easy-to-use pedal.\u003c\/p\u003e\n\u003cp\u003eWITH GREAT POWER COMES GREAT REVERBERATION\u003cbr\u003e- 800 MHz\u003cbr\u003e- Tri-Core Arm Processor\u003cbr\u003e- 32-Bit\u003cbr\u003e- Floating Point Processing\u003c\/p\u003e\n\u003cp\u003eBigSky MX features a staggering amount of computing power — it uses a high performance tri-core 800 MHz ARM processor — all dedicated to producing truly breathtaking reverbs. Our new reverb algorithms were meticulously created by hand, and then a state-of-the-art gradient descent optimization algorithm was used to dial out any undesirable ringing or artifacts. \u003c\/p\u003e\n\u003cp\u003eThis type of neural fine-tuning is based upon the same techniques that have enabled the recent AI revolution, and the result is springs that drip and splash, physical spaces you can really feel yourself in, and the sweetest possible musical response to every note you play.\u003c\/p\u003e\n\u003cp\u003eTWO REVERBS AT ONCE\u003cbr\u003eBigSky MX allows you to use two reverbs at once, for powerful sound sculpting and expansive reverb sounds that evolve organically over time.\u003c\/p\u003e\n\u003cp\u003eYou can switch between reverb engines with a single button press while editing, and easily see the Series, Parallel or Split audio routing state clearly displayed onscreen.\u003c\/p\u003e\n\u003cp\u003eSOMETHING NEW AT EVERY POSITION ON THE DIAL\u003cbr\u003eBigSky MX features seven brand new reverb algorithms built from the ground up, plus new features and enhancements for the classic BigSky algorithms. \u003c\/p\u003e\n\u003cp\u003eImpulse and Chamber were created specifically for BigSky MX, and Spring, Plate, Hall, Room and Shimmer boast entirely new handcrafted algorithms while still giving you access to the original BigSky voices for each one.\u003c\/p\u003e\n\u003cp\u003eWithin every reverb type on BigSky MX, there are new sounds and features ready for you to explore.\u003c\/p\u003e\n\u003cp\u003eFor a more interactive experience, you can dedicate a footswitch to control each reverb’s on\/off state if you desire.\u003c\/p\u003e\n\u003cp\u003eUNPRECEDENTED IMPULSE RESPONSE CONTROL\u003cbr\u003eBigSky MX gives you powerful editing tools to intuitively manipulate impulse responses in real time.\u003c\/p\u003e\n\u003cp\u003eSet decay envelopes, gate the reverb tail, reverse the entire IR, resample on the fly to shorten or stretch the impulse, and create infinitely sustaining granular pads at the press of the Infinite footswitch.\u003c\/p\u003e\n\u003cp\u003eAny compatible audio file can be loaded, allowing you to use convolution reverbs for everything from hyper-realistic spaces to wacky experimentation. \u003c\/p\u003e\n\u003cp\u003eBigSky MX comes preloaded with 22 unique stereo impulse responses, including a collection of our very own meticulous captures of legendary analog studio gear that are addictively inspiring.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431008858205,"sku":"SN-BIG-SKY-MX","price":1110.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/2bigskymx_press_anglebeauty_trans_ensemble.png?v=1778347133"},{"product_id":"strymon-bluesky-mkii","title":"Strymon blueSky MKII Reverb Pedal","description":"\u003cp\u003e\u003cstrong\u003eHigher Elevation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe pedal that revolutionized compact reverb pedals has evolved. Plug into blueSky for the most lush, majestic reverbs imaginable. Transform a single note or chord into vast sonic atmospheres with impossibly gorgeous, incredibly long reverb tails. Hear the inspiring splash of an upgraded spring algorithm dripping with vintage vibe. Lose track\u003c\/p\u003e\n\u003cp\u003eof time and space as you interact with deep and expansive new Shimmer sounds never heard anywhere before.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReverberant Bliss.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhether you’re a classic spring reverb fan, a studio rack aficionado, or an ambient soundscape creator searching for new sonic textures, the sounds you are looking for are here.\u003c\/p\u003e\n\u003cp\u003eblueSky provides three different reverb types: plate, room, and spring, and each type can produce everything from stunning realism to expanded sounds far beyond what would be physically possible, while always remaining musical and beautiful.\u003c\/p\u003e\n\u003cp\u003eIntuitive and powerful tone shaping controls allow you to easily dial in an endless variety of inspiring sounds. And with ultra low noise, high performance 24-bit 96kHz A\/D and D\/A converters and a 20Hz to 20kHz frequency response, blueSky is equally at home\u003c\/p\u003e\n\u003cp\u003eon top of a studio console or in front of a tube amp.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew Features.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOur second generation blueSky offers true studio quality reverbs in a compact pedal, and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.\u003c\/p\u003e\n\u003cp\u003e● Tone Shaping - A dedicated Shimmer knob and new Shimmer behaviors yield an inspiring variety of immersive new sounds. A new Mod switch allows you to select the modulation depth for each reverb type. A beautiful new Spring algorithm creates extraordinary vintage spring reverb sounds, as well as expanded spring textures and\u003c\/p\u003e\n\u003cp\u003ehauntingly unique interactions with an octave-down Shimmer.\u003c\/p\u003e\n\u003cp\u003e● MIDI - Full MIDI implementation allows you to control just about every knob, switch, and setting remotely via the EXP\/MIDI jack or USB. And you can save and recall all the new sounds you create via 300 onboard MIDI preset locations.\u003c\/p\u003e\n\u003cp\u003e● Hardware Improvements - A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of\u003c\/p\u003e\n\u003cp\u003ea rear panel switch. In addition, you can now control blueSky with an expression pedal or MultiSwitch Plus. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReverb Types\u003c\/p\u003e\n\u003cp\u003eblueSky features three reverb types, each with their own distinct flavor for every reverb application you may need. A high-quality vintage plate reverb gives you the smooth, crisp reverberations heard on classic records from the 60s and 70s. A versatile room reverb places your tone in cozy small rooms, massive arenas, and everywhere in between. Our splashy spring reverb, a faithful recreation of the best vintage spring reverb circuits we could find, instantly adds character and retro mojo to any signal.\u003c\/p\u003e\n\u003cp\u003eTone Controls\u003c\/p\u003e\n\u003cp\u003eDedicated tone controls make blueSky one of the most versatile reverb pedals around. blueSky’s Low control tightens up the low end of your reverb by gradually dampening the low end frequencies, perfect for cleaning up muddy or boomy low end reverberations. For dark, moody reverbs, use the High control to roll back the high frequencies and dial in the exact tone you’re looking for.\u003c\/p\u003e\n\u003cp\u003eShimmer\u003c\/p\u003e\n\u003cp\u003eblueSky’s unique Shimmer function can add sparkle or depth as well as expanded dimension and complexity to your tone by adding pitch shifting “in the tank.” This artifact-free pitch effect has a distinctive organic sound. blueSky’s Shimmer behaves differently depending on which reverb type is selected. Turn the Shimmer knob up when using the plate reverb to add regenerative octave-up pitch shifting. With the room reverb, shimmer regeneratively adds an octave plus a fifth. When used with the spring reverb, an intriguing octave down pitch effect with adjustable LFO speed is achieved.\u003c\/p\u003e\n\u003cp\u003eModulation\u003c\/p\u003e\n\u003cp\u003eThere is a certain magic to the lush effects that can be created by modulating the lengths of the individual delay lines responsible for the reflections in a reverb tank. With blueSky’s Mod switch set to its light position, the delay lines are modulated to add subtle motion to the reverb tail. With the Mod switch set to deep, the signal entering the reverb tank is also modulated, in addition to the individual delay lines within the reverb tank.\u003c\/p\u003e\n\u003cp\u003eReverb Controls\u003c\/p\u003e\n\u003cp\u003eblueSky features a full suite of powerful and intuitive reverb controls for easily dialing in your dream reverb tone in the studio or on the stage. A dedicated Mix control lets you determine just the right ratio of wet to dry signal, from no reverb at all, to 50\/50 at 3 o’clock, all the way to full wet, reverb-only tones. blueSky’s Decay control determines how long you want your reverb to ring out. Go from short, snappy reverb tails, to spacious, nearly-infinite reverberations. Pre-Delay lets you add space between your dry signal and reverb — a handy tool for maintaining clarity when using higher Mix and Decay settings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMIDI\u003c\/p\u003e\n\u003cp\u003eOur new generation of blueSky features full MIDI implementation, allowing you to control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via blueSky EXP\/MIDI jack or USB-C connection. 300 MIDI preset locations are available for loading and saving your favorite settings. Remotely bypass or engage the pedal, automate decay time or other knob adjustments in your DAW, recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.\u003c\/p\u003e\n\u003cp\u003eTrue \u0026amp; Buffered Bypass\u003c\/p\u003e\n\u003cp\u003eblueSky lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.\u003c\/p\u003e\n\u003cp\u003eJFET Input\u003c\/p\u003e\n\u003cp\u003eUncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. blueSky feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input.\u003c\/p\u003e\n\u003cp\u003eStereo In \u0026amp; Out\u003c\/p\u003e\n\u003cp\u003eNo need to make compromises when it comes to signal routing or pedal placement — blueSky features full stereo in\/out capabilities. A single TRS input jack allows blueSky to keep its compact form factor while giving you the option to use a stereo input signal. A dedicated rear panel Input switch allows you to easily set blueSky for operation with a stereo (TRS) or mono (standard TS) input source. Low impedance dual TS output jacks let you use blueSky as a stereo effect.\u003c\/p\u003e\n\u003cp\u003eLine\/Instrument Level\u003c\/p\u003e\n\u003cp\u003ePedals aren’t just for guitarists. blueSky's adjustable input signal level makes it a versatile tool for endless applications from the studio to the stage. By setting blueSky to line level input mode, you get 10dB of added headroom, allowing you to use blueSky with bass guitars with active pickups, synthesizers, effects loops, vocals and more.\u003c\/p\u003e\n\u003cp\u003ePowerful New ARM Processor\u003c\/p\u003e\n\u003cp\u003eSignificant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before. That means more processing power for every sonic nuance with less power consumption on your pedal board.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls \u0026amp; Routing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVERB\u003c\/p\u003e\n\u003cp\u003eSelects between three reverb types: \u003cbr\u003eplate: a high-quality vintage studio plate type reverb.\u003c\/p\u003e\n\u003cp\u003eroom: a versatile room ranging in size from a bedroom to an arena.\u003c\/p\u003e\n\u003cp\u003espring: a re-creation of the best vintage spring reverbs.\u003c\/p\u003e\n\u003cp\u003eDECAY\u003c\/p\u003e\n\u003cp\u003eControls the duration of the reverberated signal’s decay.\u003c\/p\u003e\n\u003cp\u003eLOW\u003c\/p\u003e\n\u003cp\u003eControls the amount of low frequencies within the reverb, with damped low end at minimum to no damping at maximum.\u003c\/p\u003e\n\u003cp\u003ePRE-DELAY\u003c\/p\u003e\n\u003cp\u003eTime before the reverberated signal appears.\u003c\/p\u003e\n\u003cp\u003eFAV\u003c\/p\u003e\n\u003cp\u003eLoad your saved Favorite setting, indicated by the RED LED. Press-Hold for BLUE flashing LED, then press for SAVE.\u003c\/p\u003e\n\u003cp\u003eON\u003c\/p\u003e\n\u003cp\u003eEngages and bypasses effect. RED LED indicates the effect is engaged\u003c\/p\u003e\n\u003cp\u003eMOD\u003c\/p\u003e\n\u003cp\u003eSelects between two different modulation intensities, light or deep, or no modulation when set to off.\u003c\/p\u003e\n\u003cp\u003eMIX\u003c\/p\u003e\n\u003cp\u003eControls the balance of the dry and wet signals from 100% dry at minimum to 100% wet at maximum, and a 50\/50 split when the knob is at 3 o’clock.\u003c\/p\u003e\n\u003cp\u003eHIGH\u003c\/p\u003e\n\u003cp\u003eControls the amount of high frequencies within the reverb, with a damped high end at minimum to no damping at maximum.\u003c\/p\u003e\n\u003cp\u003eSHIMMER\u003c\/p\u003e\n\u003cp\u003eWith the plate reverb, adds regenerative octave-up pitch shifting. With the room reverb, adds an octave plus a fifth. With the spring reverb, adds an octave down pitch effect with adjustable LFO speed.\u003c\/p\u003e\n\u003cp\u003eAUDIO INPUT SELECTOR\u003c\/p\u003e\n\u003cp\u003emono: Use with a mono input signal. Output is stereo.\u003c\/p\u003e\n\u003cp\u003estereo: Use with a stereo input signal. Output is stereo.\u003c\/p\u003e\n\u003cp\u003eIN \u003c\/p\u003e\n\u003cp\u003eHigh impedance, ultra low-noise, discrete Class A JFET preamp input. TRS adapter cable required for stereo input signal.\u003c\/p\u003e\n\u003cp\u003eOUTPUTS\u003c\/p\u003e\n\u003cp\u003eLow impedance stereo audio signal outputs. Use OUT L for mono output.\u003c\/p\u003e\n\u003cp\u003eEXP \/ MIDI\u003c\/p\u003e\n\u003cp\u003eMultifunction communication jack for external control of blueSky’s features and functions. Use a standard TRS expression pedal for continuous control over the knobs of the pedal (default setting). See complete User Manual for details about configuring for MIDI communication or accessories such as Strymon Conduit, MultiSwitch Plus, and MiniSwitch.\u003c\/p\u003e\n\u003cp\u003eUSB-C\u003c\/p\u003e\n\u003cp\u003eComputer connection for controlling via MIDI and for performing firmware updates.\u003c\/p\u003e\n\u003cp\u003e9VDC\u003c\/p\u003e\n\u003cp\u003eUse the included power supply or an adapter with the following rating: 9VDC, center negative, 300mA minimum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIns, Outs, and Switches\u003c\/p\u003e\n\u003cp\u003e● High impedance ultra low-noise discrete Class A JFET TRS stereo input.\u003c\/p\u003e\n\u003cp\u003e● Low impedance independent TS stereo outputs.\u003c\/p\u003e\n\u003cp\u003e● Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.\u003c\/p\u003e\n\u003cp\u003e● USB jack for controlling via MIDI from a computer or for performing firmware updates.\u003c\/p\u003e\n\u003cp\u003e● Dedicated Favorite \u0026amp; On\/Off footswitches\u003c\/p\u003e\n\u003cp\u003eAudio Quality\u003c\/p\u003e\n\u003cp\u003e● Premium JFET analog front end\u003c\/p\u003e\n\u003cp\u003e● Ultra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/p\u003e\n\u003cp\u003e● 520MHz ARM Superscalar processor\u003c\/p\u003e\n\u003cp\u003e● 32-bit floating point processing\u003c\/p\u003e\n\u003cp\u003e● 20Hz to 20kHz frequency response\u003c\/p\u003e\n\u003cp\u003e● Audio Input Impedance: 1M Ohm\u003c\/p\u003e\n\u003cp\u003e● Audio Output Impedance: 100 Ohm\u003c\/p\u003e\n\u003cp\u003eMore\u003c\/p\u003e\n\u003cp\u003e● Strong and lightweight anodized sky blue aluminum chassis\u003c\/p\u003e\n\u003cp\u003e● Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current.\u003c\/p\u003e\n\u003cp\u003e● Dimensions:\u003c\/p\u003e\n\u003cp\u003e- 4.5” deep x 4” wide x 1.75” tall\u003c\/p\u003e\n\u003cp\u003e- 11.4 cm deep x 10.2 cm wide x 4.4 cm tall\u003c\/p\u003e\n\u003cp\u003e- Designed and built in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431009742941,"sku":"STRYMON-SN-BLUE-SKY-2","price":616.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/blueskyrevv2-xlarge.jpg.auto.png?v=1778347149"},{"product_id":"strymon-starlab-time-warped-reverberator-module-for-eurorack","title":"Strymon StarLab Time-Warped Reverberator Module for Eurorack","description":"\u003cp\u003eModular Transformation Machine.\u003cbr\u003eExpand the sound of your modular rack with incredibly lush, ethereal reverbs. Enhance signals with gorgeous chorus, flanging, and modulated delays. Create uniquely expressive synth voices with Karplus-Strong string synthesis. Turn simple mono audio signals into vast stereo soundscapes. StarLab is a single module that will completely transform your modular rack.\u003cbr\u003e \u003cbr\u003eSingular Modular Reverb.\u003cbr\u003eFrom perfectly voiced room ambience to vast, immersive, nearly infinite decays, StarLab offers the pinnacle of premium reverb sounds with unparalleled depth and spaciousness. Add musical intervals to the reverb signal with Shimmer, and enhance the harmonic spectrum with Glimmer, while enjoying real-time control over the size\/pitch of the reverb process.\u003c\/p\u003e\n\u003cp\u003eModulation And Delay Effects.\u003cbr\u003eStarLab has vastly expanded what reverb pre-delay can do by allowing you to bus the pre-delay signal to the output while making the pre-delay time a modulation target. This results in the ability to create rich choruses, sweeping flanger effects, and beautiful modulated delays, while also processing signal through the reverb.\u003c\/p\u003e\n\u003cp\u003eKarplus-Strong String Synthesis.\u003cbr\u003eIn addition to input signal processing, StarLab is a powerful Karplus-Strong string synthesis voice module that allows freely alternating bowing and plucking as well as dynamic string damping. This results in an astoundingly expressive and lifelike instrument with a unique voice all its own, which can be enhanced and expanded by the full range of StarLab’s reverb capabilities. \u003c\/p\u003e\n\u003cp\u003eIntuitive Creation Station\u003cbr\u003eFrom patch creation to live performance, StarLab’s powerful features are easily accessible at the turn of a knob or the touch of a button. With no menus to wade through, StarLab’s interface is designed for intuitive hands-on sonic exploration, while every function and control works together to respond musically and smoothly. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSound Design\u003c\/p\u003e\n\u003cp\u003eThree selectable reverb types for a wide variety of ambient textures\u003cbr\u003eDELAY\/KARPLUS section with feedback\u003cbr\u003eDelay assignable to output for mod\/verb and delay\/verb effects\u003cbr\u003eFour-octave Karplus-Strong string synthesis mode with damping control for string\/verb full voice capability\u003cbr\u003eLFO section with various waveforms to modulate delay time, reverb size, or tone filters\u003cbr\u003eFILTER section to sculpt the high and low EQ of the reverb and DELAY\/KARPLUS section\u003cbr\u003eHARMONICS section to enhance the aural spectrum of the reverb\u003cbr\u003eAdjustable SHIMMER for adding pitch shifting of up to +\/- 1 octave to the reverb\u003cbr\u003eGLIMMER for dynamic enhancement of harmonics\u003cbr\u003eAdjustable reverb core size to increase or decrease the space for reflections, allowing for pitch control of the regenerating reverb content\u003cbr\u003e4-pole 24dB\/octave variable resonance low pass filter\u003cbr\u003eINFINITE freezes the input audio prior to the reverb tank\u003cbr\u003eIndependent WET and DRY level controls\u003c\/p\u003e\n\u003cp\u003eIns, Outs and Switches\u003c\/p\u003e\n\u003cp\u003eStereo inputs and outputs\u003cbr\u003eExtensive CV control of parameters\u003cbr\u003eAccess to four presets from the front panel\u003cbr\u003eUSB jack (located on the rear) for performing firmware updates\u003c\/p\u003e\n\u003cp\u003eAudio Quality\u003c\/p\u003e\n\u003cp\u003eAnalog dry path for a zero latency dry signal that is never converted to digital\u003cbr\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003cbr\u003eSuper high performance ARM DSP\u003cbr\u003e32-bit floating point processing\u003c\/p\u003e\n\u003cp\u003eDimensions and Power\u003c\/p\u003e\n\u003cp\u003eRack width: 28hp\u003cbr\u003eRack depth: 41mm, 1.61”\u003cbr\u003e+12V rail: 210mA\u003cbr\u003e-12V rail: 210mA\u003cbr\u003e+5V rail: 0mA\u003cbr\u003eDesigned and built in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431009939549,"sku":"935101000426","price":977.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/starlab-square-top-down-color-corrected.png?v=1778347153"},{"product_id":"strymon-nightsky","title":"Strymon NightSky Time-Warped Reverberator Pedal","description":"\u003cp\u003eTime-Warped Reverberator.\u003cbr\u003eCreate vast soundscapes with just a few notes from your instrument. Apply mind-bending pitch and harmonic manipulation to your reverb tails, with synth-like filter sweeps. Enter a world of new sounds that blow away the boundaries of what is possible with reverb. With pioneers and adventurous sonic explorers in mind we created a reverb pedal that can go where none have gone before.\u003c\/p\u003e\n\u003cp\u003eReverberant Synthesis Machine.\u003cbr\u003eNightSky is a reverberant synthesis workstation, and a powerful, hands-on experimental sound design platform. NightSky gives you real-time continuous control of reverb pitch\/processing rate\/core size, harmonics, and even a synth-like resonant filter with multiple modulation waveshapes, plus a step sequencer with variable glide. You haven’t heard a pedal like this before.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Rules of Space and Time Have Been Rewritten.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNew Sonic Territory.\u003cbr\u003eNightSky is a reverb pedal you will want to get your hands on. Deep and powerful sound manipulation with instant response knob-tweaking and no menu diving set a new standard in experimental reverb sound design.\u003c\/p\u003e\n\u003cp\u003eWarp Core Reverb.\u003cbr\u003eNightSky achieves some of its most mind bending sounds by using a Variable Process Rate for its reverb core, allowing you to simultaneously change the size of the reverb as well as the pitch. This pitch change can be completely smooth, or quantized to a variety of musical scales. And it can be sequenced.\u003c\/p\u003e\n\u003cp\u003eHarmonic Sculpture Machine.\u003cbr\u003eUse Shimmer to shift the harmonic structure by selectable musical intervals. Add Glimmer to dynamically enhance the harmonic spectrum. Turn up Drive to generate saturated overdriven harmonics. Then sculpt the resulting signal with NightSky’s synth-like variable-resonance low pass filter.\u003c\/p\u003e\n\u003cp\u003eChallenge The Conventions.\u003cbr\u003eNightSky evolved from a desire to push the envelope and challenge the conventions of traditional reverb while also paying homage to the experimental reverberant sounds from decades past.\u003c\/p\u003e\n\u003cp\u003eIt started with the variable rate core. Once that was nailed down, we knew we had to complement it with a set of sound-shaping features that could take full advantage of the unique possibilities and expand them exponentially. This led us to a full-featured modulation section, a 4-pole resonant filter, and a unique Voice section to control the reverb’s harmonic structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThree selectable reverb types offer a wide variety of ambient textures\u003c\/li\u003e\n\u003cli\u003eMOD section with various waveforms to modulate the reverb or tone filters\u003c\/li\u003e\n\u003cli\u003eTONE section to sculpt the high and low EQ of the reverb\u003c\/li\u003e\n\u003cli\u003eVOICE section to enhance the aural spectrum of the reverb\u003c\/li\u003e\n\u003cli\u003eAdjustable SHIMMER for adding pitch shifting of up to +\/- 1 octave to the reverb\u003c\/li\u003e\n\u003cli\u003eGLIMMER dynamically enhances high or low frequency harmonics for synth-like textures\u003c\/li\u003e\n\u003cli\u003ePre or Post DRIVE to add saturated overdriven harmonics to the reverb\u003c\/li\u003e\n\u003cli\u003eAdjustable reverb core size to increase or decrease the space for reflections\u003c\/li\u003e\n\u003cli\u003eIndependent REVERB and DRY level controls\u003c\/li\u003e\n\u003cli\u003eStep sequencer for programming rhythmic pitch variations of the reverb\u003c\/li\u003e\n\u003cli\u003eAccess to 16 presets from the front panel and 300 presets via MIDI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIns, Outs, and Switches\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh impedance ultra low-noise discrete Class A JFET preamp stereo inputs\u003c\/li\u003e\n\u003cli\u003eLow impedance stereo outputs\u003c\/li\u003e\n\u003cli\u003eInput Level switch allows for both instrument and line level signals\u003c\/li\u003e\n\u003cli\u003eOn, Favorite, and Infinite footswitches\u003c\/li\u003e\n\u003cli\u003eExpression pedal input allows the connection of an expression pedal, MultiSwitch Plus, or 1\/4” to MIDI cable\u003c\/li\u003e\n\u003cli\u003eFull featured MIDI in\/out supporting MIDI CCs, program changes, MIDI clock sync and more\u003c\/li\u003e\n\u003cli\u003eUSB jack for controlling via MIDI from a computer or for performing firmware updates\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor more specs, info and updates please visit the Strymon website!\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431013871709,"sku":"930101004504","price":688.75,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/nsk_store__40013.1600275707.1280.1280.jpg?v=1778347160"},{"product_id":"strymon-bigsky-multidimensional-reverb-pedal","title":"Strymon BigSky Multidimensional Reverb Pedal","description":"\u003cp\u003eClear Skies Ahead.\u003c\/p\u003e\n\u003cp\u003ePlug into BigSky and instantly lift your sound into the stratosphere. The world below you fades into the distance, and you're elevated into a glow of lush, glorious, radiant reverbs. \u003cbr\u003e\u003cbr\u003e To create a reverb experience as natural, beautiful, and immersive as BigSky required tremendous feats of sound engineering and artistic imagination. Using the fundamentals of acoustical science as our beacon, we carefully studied and scientifically analyzed reverb technology from the past fifty years. We faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future.\u003c\/p\u003e\n\u003cp\u003eFeel the mechanical tension of the Spring reverbs. Hear the floating particles of the Cloud machine. Defy the laws of physics with the Nonlinear reverbs. Unleash the multi-head reverberations of the Magneto machine. BigSky gives you \u003cstrong\u003etwelve studio-class reverb machines\u003c\/strong\u003e, each with simple yet powerful controls. \u003cbr\u003e\u003cbr\u003e We knew we must take reverb to a whole new level. With careful attention to detail, innovative analog circuitry design, an insanely powerful \u003cstrong\u003eSHARC processor\u003c\/strong\u003e, and the utilization of top-shelf components, we've developed a reverb pedal that fits on your pedal board yet has better audio quality than many rack reverb units. This fusion of science with art has just one goal. To provide you with the most musically inspirational reverb experiences possible.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431029502045,"sku":"930101004488","price":721.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/bigsky1_1.jpg?v=1778347186"},{"product_id":"strymon-ultraviolet-vintage-vibe-pedal","title":"Strymon ULTRAVIOLET Vintage Vibe Pedal","description":"\u003cp\u003eWhen it’s right, the sound of a vibe pedal can be magical, full of gooey swirls and low end that is thick enough to almost chew on when you dig in, especially when going into a slightly overdriven amp. It’s a sound that captivated players like Jimi Hendrix, Robin Trower, David Gilmour and Doyle Bramhall II, and it’s still highly sought after today. Up until now the best versions of these sounds have been large in size and expensive, but that has all changed now as we welcome Ultraviolet to the Strymon family!\u003cbr\u003eUltraViolet is a hyper-accurate recreation of the classic vibe sound that began with the original Shin Ei Univibe® in the late ‘60s, but it goes far beyond those original units in flexibility. We’ve captured all of the critical component interdependencies of the original down to the tiniest nuance, but we’ve also innovated by adding a new Blend mode to the original Chorus (50\/50) and Vibrato (100% wet) settings, to give you a 70\/30 mix of dry and wet for a more subtle effect. We’ve also added three different Bias settings, allowing you to fundamentally change the throb and growl of the vibe sound to suit the needs of the music. It’s highly addicting!\u003c\/p\u003e\n\u003cp\u003eHighlights\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHyper-accurate recreation of the original ‘60s vibe sound popularized by Jimi Hendrix and others.\u003c\/li\u003e\n\u003cli\u003eThree operating modes: Chorus (50\/50 mix), Vibrato (100% wet) and new Blend mode (70\/30)\u003c\/li\u003e\n\u003cli\u003eThree different Bias settings for determining the center frequency of the sweep - Low, Mid and High.\u003c\/li\u003e\n\u003cli\u003eControls for Speed, Intensity and Volume.\u003c\/li\u003e\n\u003cli\u003eTRS Stereo Input and Output jacks.\u003c\/li\u003e\n\u003cli\u003eUSB-C for firmware updates, MIDI connectivity and future compatibility with our Nixie software.\u003c\/li\u003e\n\u003cli\u003eTRS MIDI\/Expression jack for connecting to a TRS MIDI source or expression pedal.\u003c\/li\u003e\n\u003cli\u003eFull MIDI implementation and 300 preset slots.\u003c\/li\u003e\n\u003cli\u003ePremium discrete JFET analog input preamp.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431037169757,"sku":"SN-ULTRAVIOLET","price":398.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/1_1_8.png?v=1778347231"},{"product_id":"strymon-ola-dbucket-chorus-vibrato-pedal","title":"Strymon OLA dBucket Chorus \u0026 Vibrato Pedal","description":"\u003cp\u003eWhen we set out to design Ola dBucket Chorus and Vibrato, we knew that we wanted to take a high-performance SHARC DSP and dedicate all of it's horsepower to doing one thing—providing the most lush and organic chorus and vibrato sounds ever heard. Our hand-crafted, processor-intense dBucket algorithm delivers all of the warmth and sonic complexities of analog choruses and vibratos. We drew influence from some of our favourite vintage chorus effects and a certain little blue box vibrato with a strong cult following. Couple that with true bypass, a favourite preset, stereo input and output, and a super high quality analog front end and output section, and you have yourself a versatile chorus and vibrato workhorse..\u003c\/p\u003e\n\u003cp\u003eSOUND DESIGN\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHand crafted dBucket algorithm for highly accurate reproduction of every stage of an analog bucket brigade chip.\u003c\/li\u003e\n\u003cli\u003e3 modulation types (Single Delay-Line Chorus, Three-Phase Multi Delay-Line Chorus, Vintage Vibrato Circuit)\u003c\/li\u003e\n\u003cli\u003e3 dynamic modes (Normal, Envelope, Ramp)\u003c\/li\u003e\n\u003cli\u003eGlobal Tone control for the overall colour of your modulation\u003c\/li\u003e\n\u003cli\u003eMix control for dialing in the intensity of your modulation\u003c\/li\u003e\n\u003cli\u003eControllable ramp speed and envelope sensitivity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eINS, OUTS, SWITCHES AND MORE\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStereo input and output\u003c\/li\u003e\n\u003cli\u003eTrue Bypass (electromechanical relay switching)\u003c\/li\u003e\n\u003cli\u003eFavourite footswitch for saving your favourite setting\u003c\/li\u003e\n\u003cli\u003eNo-nonsense user interface\u003c\/li\u003e\n\u003cli\u003ePowered with a standard 9V center negative DC supply. 250mA minimum\u003c\/li\u003e\n\u003cli\u003eStrong and lightweight blue anodized aluminium chassis\u003c\/li\u003e\n\u003cli\u003eCrafted with love in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAUDIO QUALITY\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSuper low noise, high performance 24-bit 96kHz A\/D and D\/A converters\u003c\/li\u003e\n\u003cli\u003e110dB signal to noise\u003c\/li\u003e\n\u003cli\u003e20Hz to 20kHz frequency response\u003c\/li\u003e\n\u003cli\u003e+8dBu maximum input level easily handles instrument and line signals\u003c\/li\u003e\n\u003cli\u003ePremium analog front end and output section\u003c\/li\u003e\n\u003cli\u003eSuper high performance DSP stuffed into a compact form factor\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431039004765,"sku":"930101004510","price":455.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/ola-knobs-1600-953x1024_1024x1024_555df358-9c0c-48fc-87ba-89f3c02af984.jpg?v=1778347271"},{"product_id":"strymon-zelzah-multidimensional-phaser","title":"Strymon Zelzah Multidimensional Phaser","description":"\u003cp\u003eStep on Zelzah, play one chord, and you’re instantly taken back to a world of classic phaser tones as they were always meant to sound, perfectly voiced, with tons of vibe. Vintage 4-stage and 6-stage phasing with controls that allow seamless transitions to vibrato, gorgeous flanging and chorus, and new sounds never heard before—all instantly musical with great tone all the way across every dial.\u003c\/p\u003e\n\u003cp\u003eZelzah is actually two different phasers, side by side in one pedal. Zelzah’s 4-stage side gives you a wide array of classic tones ranging from phasing to vibrato and more, while the 6-stage side provides phasing, flanging, chorus, and all points in between. Dial in a chorus on one side and barber pole phaser on other, or a phaser on one side and tremolo on the other. Use the two sides independently or together in a variety of configurations. Zelzah may become the only modulation pedal you keep on your board.\u003c\/p\u003e\n\u003cp\u003eThe first Sweep mode is labelled “Classic” because this is the classic four stage phaser sweep we all know. In this Sweep mode, a single LFO with a warped triangle shape creates that familiar vintage sound.\u003c\/p\u003e\n\u003cp\u003eSimilar to the visual effect of a barber pole, the Barber sweep is a continuously rising or falling effect that is traditionally done with frequency shifters. In Zelzah we have used an arrangement of synchronised four stage phasers to produce the effect while maintaining the four stage sound.\u003c\/p\u003e\n\u003cp\u003eSet the Sweep switch to Env and you’ve got a whole new pedal under your feet. Now the phaser responds to your picking like an envelope filter\/auto-wah would, with the phaser sweep being dynamically controlled by your input signal, creating harmonically complex and very funky sounds.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003cbr\u003ePremium JFET analog front end\u003cbr\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003cbr\u003e480MHz ARM Superscalar processor\u003cbr\u003e32-bit floating point processing\u003cbr\u003e20Hz to 20kHz frequency response\u003cbr\u003eAudio Input Impedance: 1M Ohm\u003cbr\u003eAudio Output Impedance: 100 Ohm\u003cbr\u003eTwo independent effects that can be configured and controlled separately and used one at a time or simultaneously in series, parallel, or split configurations\u003cbr\u003eVintage 4-stage phaser with three phaser sweep modes: classic, barber, and envelope\u003cbr\u003eGroundbreaking new 6-stage phaser algorithm with a continuous range from classic pure 6-stage phasing to flanging to chorus, all with adjustable resonance\u003cbr\u003eTrue stereo operation means under the hood each half of the pedal has two phasers running side by side (two 4-stage and two 6-stage) or in series, with independently adjustable stereo spread for each\u003cbr\u003eAll controls are carefully voiced to produce musically useful sounds at any setting\u003cbr\u003eAdjustable input level switch to allow for both instrument and line level signals\u003cbr\u003eSelectable Buffered or True Bypass\u003cbr\u003eFull featured MIDI implementation via TRS or USB supporting MIDI CCs, MIDI clock sync, access to 300 preset locations\u003cbr\u003eHigh impedance ultra low-noise discrete Class A JFET TRS stereo input.\u003cbr\u003eLow impedance independent TS stereo outputs.\u003cbr\u003eExpression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.\u003cbr\u003eUSB jack for controlling via MIDI from a computer or for performing firmware updates.\u003cbr\u003eIndependent on\/off footswitch for each phaser\u003cbr\u003e \u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431043133533,"sku":"930101004516","price":536.75,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/str-zelzah.jpg?v=1778347295"},{"product_id":"strymon-orbit-dbucket-flanger-pedal","title":"Strymon ORBIT dBucket Flanger Pedal","description":"\u003cstrong\u003eBeyond Your Classic Flange.\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\nWith the Orbit dBucket Flanger, we've painstakingly recreated every aspect of some of the greatest vintage analog flangers. To go beyond that, we've also added features such as through zero flanging to take you where few have ever ventured before. Our high performance DSP is dedicated entirely to doing one thing and one thing only, delivering the ultimate flanger. Add true bypass, extensive expression pedal control, a favorite preset, super high quality analog front end and output sections, low power consumption and you'll never want to let go of your Orbit.","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431045328989,"sku":"930101004511","price":455.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/orbit_topdown_knobs_1600.jpg?v=1778347329"},{"product_id":"strymon-zuma-r300","title":"Strymon Zuma R-300 Low Profile Pedal Power Supply","description":"\u003ch3\u003eHigh Horsepower, Low Profile.\u003c\/h3\u003e\n\u003cp\u003eZuma R300 is the highest horsepower, most technologically advanced low profile effects pedal power supply. You get clean, rock-steady power for your 9V, 12V and 18V effects pedals in a pedalboard friendly, expandable package, giving you room to grow. Zuma R300’s ultra-low profile design means that it can fit under just about any pedalboard.\u003c\/p\u003e\n\u003cp\u003eDual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.\u003c\/p\u003e\n\u003ch3\u003eDual isolation.\u003c\/h3\u003e\n\u003cp\u003eZuma R300’s all analog circuitry offers two stages of isolation, completely eliminating ground loop and AC line noise issues, allowing your pedals to sound like they were designed to sound.\u003c\/p\u003e\n\u003ch3\u003eUltra-Low Profile.\u003c\/h3\u003e\n\u003cp\u003eZuma R300’s ultra-low profile design means that it can fit under just about any pedalboard. With built in threaded hardware, mounting to your board is simple.\u003c\/p\u003e\n\u003ch3\u003eNever run out of outputs.\u003c\/h3\u003e\n\u003cp\u003eHave a growing rig? Zuma R300 is part of an expandable system. Add more outputs by connecting a Strymon Ojai or Ojai R30 (sold separately) with the 24V Out jack.\u003c\/p\u003e\n\u003ch3\u003eIns \u0026amp; Outs\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e5 high-current, fully isolated outputs with center-negative polarity\u003c\/li\u003e\n\u003cli\u003e4 dedicated 9V outputs (500mA)\u003c\/li\u003e\n\u003cli\u003e1 adjustable output offers 9V (500mA), 12V (375mA), or 18V (250mA) DC options\u003c\/li\u003e\n\u003cli\u003e500mA per 9V output powers nearly any pedal\u003c\/li\u003e\n\u003cli\u003eDelivers a maximum of 36W\u003c\/li\u003e\n\u003cli\u003e5 pedal cables included (5.5mm x 2.1mm barrel connectors, right angle to right angle, 18″ length)\u003c\/li\u003e\n\u003cli\u003eIEC cable included\u003c\/li\u003e\n\u003cli\u003e24V Thru jack allows connection to Strymon Ojai or Ojai R30 (sold separately)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431069282397,"sku":"930101004519","price":360.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/strymon-zuma-r300-xl.jpg?v=1778347713"},{"product_id":"strymon-ojai-r30-power-supply","title":"Strymon Ojai R30 Pedal Power Supply","description":"\u003cp\u003eStrymon is well known for crafting high-tech products that often become the centerpiece of guitarists' pedalboards — the Ojai R30 is a great example of this. This 5-outlet pedalboard power supply not only pushes an astounding 500mA from each jack, but it handles pedals requiring 9-, 12- and 18-volt draws. While three of the outlets are reserved for the most common 9-volt operation, two boast easy-to-use switching for selecting the voltage that works for your pedal. And the Ojai R30's slim design and included power cables make it one of the more convenient pedalboard power options out there.\u003c\/p\u003e\n\u003ch3\u003eFive pedals, three different voltages\u003c\/h3\u003e\n\u003cp\u003eDespite its convenient low-profile design, the Strymon Ojai R30 effects pedal power supply can effortlessly power your most power-hungry pedals. Each of the Ojai's five outputs pumps out a respectable 500mA. That is plenty of juice for many digital delays and even some multi-effect units. And with two of the outputs adjustable between 9-, 12- and 18-volts, there aren't many pedals it can't handle. Each output is also fully isolated, eliminating any ground and AC line noise from entering your signal. And the Ojai R30's input and outputs adjust for power fluctuations, keeping your performance consistent.\u003c\/p\u003e\n\u003ch3\u003eConveniently expandable\u003c\/h3\u003e\n\u003cp\u003eA single Ojai R30 pedalboard power supply has enough juice to handle many player's whole setup. But don't worry if you're a pedal addict, like many of the players here at Sweetwater, the Ojai R30 has you covered too. It features a 24V Thru jack for adding on additional Ojai R30 or standard Ojais to your board. In fact, it's also a perfect way to expand Strymon's larger Zuma power supply for large and involved pedalboard setups. This feature allows you to keep adding on and create your perfect custom pedal rig.\u003c\/p\u003e\n\u003ch3\u003eBuilt for a guitarist's needs\u003c\/h3\u003e\n\u003cp\u003eThe Strymon Ojai R30 is engineered from the ground up to handle the demands of today's gigging guitarists. Besides its impressive power abilities, the Ojai R30 pedalboard power supply is built extremely rugged. It's anodized aluminum chassis will protect its circuitry for years to come. The Ojai R30's slimmer dimensions are also ideal for mounting on or underneath your board. And it boasts the ability to work perfectly with the various voltages around the world.\u003c\/p\u003e\n\u003ch3\u003eStrymon Ojai R30 Effects Pedal Power Supply Features:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eEffects pedal power supply for up to 5 pedals\u003c\/li\u003e\n\u003cli\u003e3 x 9V, 500mA outputs\u003c\/li\u003e\n\u003cli\u003e2 x switchable 9V, 12V, or 18V 500mA outputs\u003c\/li\u003e\n\u003cli\u003eDual-isolated outputs ensure noise-free pedal operation\u003c\/li\u003e\n\u003cli\u003e24-volt through allows the unit to be added to the Zuma or other Ojai supplies\u003c\/li\u003e\n\u003cli\u003eBuilt for the rigors of the road\u003c\/li\u003e\n\u003cli\u003eSlim dimensions mount easily under a tight pedalboard\u003c\/li\u003e\n\u003cli\u003eTech Specs\u003c\/li\u003e\n\u003cli\u003eInputs 24V DC (AC adapter included)\u003c\/li\u003e\n\u003cli\u003eOutputs 3 x 9V DC 500mA, 2 x 9V\/12V\/18V DC 500ma, 1 x 24V DC pass thru\u003c\/li\u003e\n\u003cli\u003eMaximum Output Current 2.5A (dependent on voltage)\u003c\/li\u003e\n\u003cli\u003eHeight 1.15\"\u003c\/li\u003e\n\u003cli\u003eWidth 2.3\"\u003c\/li\u003e\n\u003cli\u003eDepth 5.1\"\u003c\/li\u003e\n\u003cli\u003eWeight 6 oz.\u003c\/li\u003e\n\u003cli\u003eManufacturer Part Number Ojai R30\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431069642845,"sku":"930101004508","price":303.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/ojai_r30_front_detailslabels1-1024x503.jpg?v=1778347715"},{"product_id":"strymon-ojai-compact-hi-current-dc-pedal-power-supply","title":"Strymon Ojai Compact Hi Current DC Pedal Power Supply","description":"\u003cp\u003eRunning out of room? Or maybe you need to expand a little... Either way, the brand new Ojai from Strymon is going to be a great fit!\u003c\/p\u003e\n\u003cp\u003ePower your pedals with Ojai—the highest horsepower, most technologically advanced effects pedal power supply of its size. Ojai delivers clean, rock-steady power to your effects pedals in a lightweight and expandable package, giving you flexibility and room to grow.\u003c\/p\u003e\n\u003cp\u003eYou get five high-current, individually isolated, ultra-low-noise outputs—each with its own dedicated regulator and custom transformer. Each output provides a massive 500mA of current.\u003c\/p\u003e\n\u003cp\u003eOjai’s dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5 high-current, fully isolated 9V outputs\u003c\/li\u003e\n\u003cli\u003e500mA per output powers nearly any pedal\u003c\/li\u003e\n\u003cli\u003e5 pedal cables included (5.5mm x 2.1mm barrel connectors, center negative, right angle to straight cables)\u003c\/li\u003e\n\u003cli\u003ePower adapter and IEC power cable included\u003c\/li\u003e\n\u003cli\u003e24V Thru jack allows connection to additional Strymon Ojai (sold separately)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431069741149,"sku":"930101004506","price":280.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/ojai_front_detailslabels.jpg?v=1778347721"},{"product_id":"strymon-zuma-hi-current-dc-pedal-power-supply","title":"Strymon Zuma Hi Current DC Pedal Power Supply","description":"\u003cp\u003eComplete your Strymon collection with one of the most powerful power supplies on the market, the elegant and simple Zuma!\u003c\/p\u003e\n\u003cp\u003eZuma is the highest horsepower, most technologically advanced effects pedal power supply of its kind. Zuma offers nine high-current, individually isolated, ultra-low-noise outputs—each with its own dedicated regulator and custom transformer. Designed to meet the needs of today’s players, each output provides a staggering 500mA of current.\u003c\/p\u003e\n\u003cp\u003eZuma’s dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e9 high-current, fully isolated outputs\u003c\/li\u003e\n\u003cli\u003e9 outputs offer 9V DC option\u003c\/li\u003e\n\u003cli\u003e500mA per 9V DC output powers nearly any pedal\u003c\/li\u003e\n\u003cli\u003e2 selectable outputs offer 9V, 12V, or 18V DC options\n\u003cul\u003e\n\u003cli\u003e12V option provides 375mA, 18V provides 250mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e9 pedal cables included (5.5mm x 2.1mm barrel connectors, center negative, right angle to straight cables)\u003c\/li\u003e\n\u003cli\u003eDetachable IEC power cable included\u003c\/li\u003e\n\u003cli\u003e24V OUT jack allows connection to additional outputs via Strymon Ojai (sold separately)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431069773917,"sku":"930101004517","price":445.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/zuma_front_detailslabels.jpg?v=1778347722"},{"product_id":"strymon-conduit","title":"Strymon Conduit MIDI Hub","description":"\u003cp\u003e\u003cstrong\u003eSmart MIDI Control for Your Pedals.\u003c\/strong\u003e\u003cbr\u003eConduit is a premium, easily configurable, ultra-reliable MIDI interface that will work with just about any quarter-inch MIDI equipped effects pedals you have, and it also offers the best USB computer connection available for any TRS MIDI pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe MIDI Interface Your Pedalboard Has Been Waiting For.\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eSmart MIDI Control Distribution.\u003cbr\u003eEach of Conduit’s four bi-directional TRS jacks are independently configurable to work with most quarter-inch MIDI equipped pedals. Built-in grounding isolation ensures the quiet operation you expect from Strymon. And for pedals that only need to receive MIDI, Dual Mode allows you to connect two pedals to a single TRS output using an optional TRS splitter cable.\u003c\/p\u003e\n\u003cp\u003eUSB MIDI Interface For Your Pedals.\u003cbr\u003eConduit - MIDI HubConduit is designed to be a rock solid USB MIDI interface between your computer and your pedals. Send MIDI control change messages from a sequencer for perfectly synced pedal parameter changes. Automate pedal preset changes, load and save presets, or send SYSEX messages—all from your computer.\u003c\/p\u003e\n\u003cp\u003eEasy to Set Up. Easy to Use. Plug In and Go.\u003cbr\u003eConduit - MIDI HubOut of the box, Conduit’s 1\/4″ TRS MIDI jacks are configured to work with Strymon pedals—just plug and go! Other configurations are easily selectable with no DIP switches, no custom cables, and no screwdriver required. Need more TRS MIDI outputs? Just link another Conduit!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures \/ Specs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOne opto-isolated 5-pin DIN MIDI interface (IN and OUT ports)\u003c\/li\u003e\n\u003cli\u003eFour 1\/4″ TRS bi-directional MIDI ports\u003c\/li\u003e\n\u003cli\u003eFive MIDI status indicator LEDs\u003c\/li\u003e\n\u003cli\u003eOne USB Type-C to USB-A Male cable\u003c\/li\u003e\n\u003cli\u003eLightweight, compact anodized aluminum chassis with threaded mounting hardware\u003c\/li\u003e\n\u003cli\u003eWeight: 5 oz (141 g)\u003c\/li\u003e\n\u003cli\u003eDimensions: 2.63″ deep x 3.5″ wide x 1.2″ tall (7.2 cm deep x 9 cm wide x 3.8 cm tall)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431087992925,"sku":"930101004492","price":246.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/conduit_front_800.jpg?v=1778347996"},{"product_id":"strymon-pch-active-direct-interface","title":"Strymon PCH Active Direct Interface","description":"\u003cp\u003ePCH is an ultra-premium stereo active direct interface with a hidden superpower - an onboard console-quality headphone amplifier. Now you can rest easy knowing that the sound of your pedalboard won’t change even a little when passing through PCH, and the headphone amp means you won’t have to ask anyone how you sound. You’ll know.\u003c\/p\u003e\n\u003cp\u003ePCH has a recording console-quality headphone amplifier onboard, making it easy to monitor or practice listening to the sound of your entire rig or pedalboard in full stereo, no matter the\u003cbr\u003epedal order or the components.\u003c\/p\u003e\n\u003cp\u003eNo matter what instrument or genre of music you play, if you need to connect unbalanced outputs to a PA, recording interface or flat response speaker system, PCH is the ultimate choice for an absolutely transparent stereo direct interface - and it’s the only one that you can listen to locally via the headphone amp.\u003c\/p\u003e\n\u003cp\u003eTRANSPARENT BY DESIGN\u003c\/p\u003e\n\u003cp\u003ePCH was designed from the ground up to be sonically transparent, virtually unclippable and bulletproof - it’s the ultimate solution for your pedalboard, keyboard rig or synth setup.\u003c\/p\u003e\n\u003cp\u003eTechnology And Features\u003cbr\u003e1. Two channel design - use in stereo or dual mono, whichever fits your setup\u003cbr\u003e2. Runs on 9VDC - internally converted to 24V to be virtually unclippable\u003cbr\u003e3. Onboard headphone amplifier powerful enough to drive high impedance headphones\u003cbr\u003e4. Switchable Mic\/Line level operation for the XLR outputs\u003cbr\u003e5. Defeatable ground lift for the XLR outputs\u003cbr\u003e6. Defeatable Sum for the Thru outputs\u003cbr\u003e7. Internal supply uses custom transformer for galvanic isolation\u003cbr\u003e8. Basically, PCH runs off of a modified internal mini Ojai power supply\u003cbr\u003e9. Flat frequency response\u003cbr\u003e10. Extremely low THD (Total Harmonic Distortion)\u003c\/p\u003e\n\u003cp\u003eConstruction\u003cbr\u003e1. Thick 3mm extruded aluminum external shell with 5mm ribs for bulletproof protection\u003cbr\u003e2. Shell awning design protects headphone volume pot while allowing easy access to jacks\u003cbr\u003e3. High quality long life jacks and switches\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431098675293,"sku":"BM852571008622","price":474.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/pch_press_rearangle_hq.jpg?v=1778348100"},{"product_id":"strymon-pch-x2-active-di-isolator-stereo","title":"Strymon PCH X2 Active DI Isolator (Stereo)","description":"\u003cp\u003eA Real Transformation.\u003c\/p\u003e\n\u003cp\u003ePutting a typical direct box on a high quality analyser can reveal all manner of hidden issues – units sold as premium often exhibit audio behaviour that is anything but, especially in the low frequency region or in measured total harmonic distortion.\u003c\/p\u003e\n\u003cp\u003eIf you disregard all of the technical mumbo jumbo it just boils down to this: the audio running through your direct box is often being treated poorly.\u003c\/p\u003e\n\u003cp\u003eOur phantom-powered and transformer-isolated PCH X1 and X2 active direct interfaces are different.\u003c\/p\u003e\n\u003cp\u003eSonically Transparent.\u003cbr\u003eDesigned to be pristine-sounding before any other feature, these are units that you can trust implicitly to handle your audio, no matter what kind of signal it is.\u003c\/p\u003e\n\u003cp\u003eOther direct boxes can distort low frequencies to the point where a low B on a bass guitar barely resembles the input, but the PCH X1 and X2 remain flat from far lower than that (10Hz) to well above what dogs can hear (80kHz) within a half of a dB, as well as remaining clean and quiet throughout that range.\u003c\/p\u003e\n\u003cp\u003eAlong with pristine audio, PCH X1 and X2 were designed with a host of real-world features that make them ideal as direct interfaces and line isolators.\u003c\/p\u003e\n\u003cp\u003eHoused in a bulletproof 3mm extruded aluminium chassis for protection, it doesn’t matter if you’re using them on a loud stage or in a quiet world-class recording studio, X1 and X2 balance your audio perfectly – and they’re small enough to fit just about anywhere.\u003c\/p\u003e\n\u003cp\u003eX2 is really two X1’s in the same enclosure, so their audio performance and behaviour are largely identical. Each channel’s audio passes through a custom transformer, eliminating most ground loops and offering true galvanic isolation.\u003c\/p\u003e\n\u003cp\u003eEach unit also features a ground lift switch per channel to combat hum, as well as a three position high pass filter that allows you to roll off low frequencies at two different points: 80Hz for taming rumble, and 240Hz for more dramatically carving out space in the mix for low frequencies on other instruments.\u003c\/p\u003e\n\u003cp\u003eX2 features a phase reversal switch for reversing the polarity of the left XLR output, as well as a Sum switch that sums the inputs together and passes them to the left outputs (the right XLR output mutes to let you know Sum is engaged), allowing you to interface with both mono and stereo scenarios on the go without having to rewire anything.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBoth the X1 and X2 feature a non-buffered Thru output in addition to the balanced XLR out, allowing you to feed the input signal to an additional device like an onstage monitor or instrument amplifier separately from the balanced output.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431102574685,"sku":"BM852571008684","price":474.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/PCHX2_Press_TopDown_Trans-2048x1.png?v=1778348172"},{"product_id":"strymon-pch-x1-active-di-isolator-mono","title":"Strymon PCH X1 Active DI Isolator (Mono)","description":"\u003cp\u003eA Real Transformation.\u003c\/p\u003e\n\u003cp\u003ePutting a typical direct box on a high quality analyser can reveal all manner of hidden issues – units sold as premium often exhibit audio behaviour that is anything but, especially in the low frequency region or in measured total harmonic distortion.\u003c\/p\u003e\n\u003cp\u003eIf you disregard all of the technical mumbo jumbo it just boils down to this: the audio running through your direct box is often being treated poorly.\u003c\/p\u003e\n\u003cp\u003eOur phantom-powered and transformer-isolated PCH X1 and X2 active direct interfaces are different.\u003c\/p\u003e\n\u003cp\u003eSonically Transparent.\u003cbr\u003eDesigned to be pristine-sounding before any other feature, these are units that you can trust implicitly to handle your audio, no matter what kind of signal it is.\u003c\/p\u003e\n\u003cp\u003eOther direct boxes can distort low frequencies to the point where a low B on a bass guitar barely resembles the input, but the PCH X1 and X2 remain flat from far lower than that (10Hz) to well above what dogs can hear (80kHz) within a half of a dB, as well as remaining clean and quiet throughout that range.\u003c\/p\u003e\n\u003cp\u003eAlong with pristine audio, PCH X1 and X2 were designed with a host of real-world features that make them ideal as direct interfaces and line isolators.\u003c\/p\u003e\n\u003cp\u003eHoused in a bulletproof 3mm extruded aluminium chassis for protection, it doesn’t matter if you’re using them on a loud stage or in a quiet world-class recording studio, X1 and X2 balance your audio perfectly – and they’re small enough to fit just about anywhere.\u003c\/p\u003e\n\u003cp\u003eX2 is really two X1’s in the same enclosure, so their audio performance and behaviour are largely identical. Each channel’s audio passes through a custom transformer, eliminating most ground loops and offering true galvanic isolation.\u003c\/p\u003e\n\u003cp\u003eEach unit also features a ground lift switch per channel to combat hum, as well as a three position high pass filter that allows you to roll off low frequencies at two different points: 80Hz for taming rumble, and 240Hz for more dramatically carving out space in the mix for low frequencies on other instruments. \u003c\/p\u003e\n\u003cp\u003eX2 features a phase reversal switch for reversing the polarity of the left XLR output, as well as a Sum switch that sums the inputs together and passes them to the left outputs (the right XLR output mutes to let you know Sum is engaged), allowing you to interface with both mono and stereo scenarios on the go without having to rewire anything. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBoth the X1 and X2 feature a non-buffered Thru output in addition to the balanced XLR out, allowing you to feed the input signal to an additional device like an onstage monitor or instrument amplifier separately from the balanced output.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431102607453,"sku":"BM852571008677","price":318.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/PCHX1_Press_TopDown_Trans-2048x1.png?v=1778348174"},{"product_id":"strymon-super-kar-eurorack-voice-module","title":"Strymon Super Kar+ Eurorack Voice Module","description":"\u003cp\u003eSuperKar+ is a Eurorack voice module that uses Karplus-Strong synthesis to create the sound of plucked or bowed strings, struck or blown pipes or tubes, or a suite of other sounds from percussive textures to legato melodies and chords with smart harmonies. This is Karplus-Strong synthesis at its most intuitive and captivating.\u003c\/p\u003e\n\u003cp\u003eKarplus-Strong is a form of delay feedback synthesis, where every tone and texture is constantly in a state of varying tension. SuperKar+ is an engagingly responsive instrument, as tiny changes in attack\/decay time and damping create an infinite variety of subtle or dramatic timbral shifts, and variable random per-note detuning can create lifelike realism.\u003c\/p\u003e\n\u003cp\u003eDeceptively Powerful, Invitingly Simple And Intuitive\u003cbr\u003eWith an interface that can be understood at a glance, the sheer amount of music you can create with a single SuperKar+ module borders on mind-blowing. It draws you in, allowing you to generate full-sounding arrangements with as much musical and timbral variation as you can imagine via CV connections. Powerful enough to be the center of endless sonic exploration, SuperKar+ delivers all of this in a compact 12HP form factor.\u003cbr\u003e \u003cbr\u003eSelf-Contained Voice Module\u003cbr\u003eThe nature of Karplus-Strong synthesis means that you won’t need to dedicate VCAs or amplifier envelopes to SuperKar+. Independent attack, decay and damping are included for both the Solo and Chord voices, and the module also includes an internal mixer with independent output levels for both voices, as well as multiple stereo and mono audio output modes.\u003cbr\u003e \u003cbr\u003eTwo Instruments In One: Independent Melodies and Chords\u003cbr\u003eSuperKar+ is divided into two halves or voices: a Solo Voice and a Chord Voice, both of which can be played simultaneously and independently of each other if desired. Both voices can be triggered and pitched independently via control voltage, while the Solo Voice can also be controlled polyphonically via MIDI.\u003c\/p\u003e\n\u003cp\u003eIndependent timbre selections are available for both voices, and each voice has its own independent level control and can be routed through a separate audio output if desired.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431102640221,"sku":"SN-SUPERKARPLUS","price":664.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/superkarplus_press_front_hq.jpg?v=1778348176"},{"product_id":"strymon-multi-switch","title":"Strymon MULTI Switch","description":"\u003cp\u003eWant to unlock the full functionality of TimeLine’s looper? Or discover a new means of exploring presets on TimeLine, BigSky, or Mobius? Connect MultiSwitch to your TimeLine, BigSky, or Mobius with the included 1\/4\" TRS cable and add a new dimension to your rig.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eConnect to TimeLine, BigSky, or Mobius via expression pedal jack\u003c\/li\u003e\n\u003cli\u003eLatest TimeLine, BigSky, and Mobius firmware provides several Expression Modes compatible with MultiSwitch:\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLoop Control Mode\u003c\/strong\u003e (TimeLine only)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBank Mode\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePreset Mode\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTap Mode\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1\/4\" right-angle TRS cable included\u003c\/li\u003e\n\u003cli\u003eNo additional power supply required\u003c\/li\u003e\n\u003cli\u003eRugged gunmetal gray anodized aluminum chassis\u003c\/li\u003e\n\u003cli\u003eSmall and lightweight\u003c\/li\u003e\n\u003cli\u003eDesigned and built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44431102672989,"sku":"930101004502","price":141.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/multiswitch_topdown_600.jpg?v=1778348178"}],"url":"https:\/\/gearstage.store\/collections\/guitar-pedals-effects-brands-strymon-pedals.oembed?page=2","provider":"GearStage","version":"1.0","type":"link"}