{"title":"Neumann","description":null,"products":[{"product_id":"neumann-mt48-audio-interface","title":"Neumann MT48 Audio Interface","description":"\u003cp\u003eThe MT 48 is an audio interface without compromise. With its huge dynamic range, superior converters, preamps and headphone amplifiers, it sets new standards in sound quality. Internal DSP power allows for monitor mixes with sophisticated EQ and dynamics processing – all intuitively controlled via touchscreen.\u003c\/p\u003e\n\u003cp\u003eTHE PERFECT LINK\u003cbr\u003eThe MT 48 brings Neumann quality to the digital workflow. It is the first audio interface in its class that is able to capture the full dynamic range of Neumann microphones and is optimally matched to the KH-Line of studio monitors and Neumann headphones. The result is an ideal signal chain without any bottlenecks: uncompromising sound quality from the microphone diaphragm to your ear.\u003c\/p\u003e\n\n\u003cp\u003eSWISS PRECISION INSIDE\u003cbr\u003eThe MT 48 was developed in close cooperation with the Swiss manufacturer Merging Technologies, whose high-precision AD converters offer a staggering dynamic range of 136 dB. This gives the MT 48 four times the resolution of comparable audio interfaces.\u003c\/p\u003e\n\u003cp\u003eThe MT 48 comes fully equipped for the reference-class personal studio: two extremely low-noise mic\/line preamps with up to 78 dB gain, two line\/instrument inputs, four monitor\/line outputs and two superb headphone outputs, each with state-of-the-art AD\/DA converters. The MT 48’s connectivity may be expanded via ADAT \/ S\/PDIF and AES67; a MIDI interface is also integrated. Four separate monitor mixes can be controlled directly on the unit via touchscreen. On-board processing includes a fully parametric 4-band EQ and a 3-way dynamics processor (gate\/compressor\/limiter) per channel as well as a high-quality reverb. So musicians get inspiring sound for top performances. And there is still plenty of DSP power for future developments.\u003c\/p\u003e\n\n\u003cp\u003eRECORD WITH OR WITHOUT EFFECTS. OR BOTH!\u003cbr\u003eThe MT 48 is an audio interface and digital mixing desk in one. You can use its DSP processing for monitoring only, or you can print effects while recording. Or both at the same time! Thanks to the unique Dual Output Technology, wet and dry signals can be recorded simultaneously via separate driver channels. So, if necessary, you can fall back on an unprocessed backup.\u003c\/p\u003e\n\u003cp\u003eA NEW USER EXPERIENCE\u003cbr\u003eDespite its enormous scope of features, the MT 48 always remains easy to operate. All settings can be made on the device itself via the built-in touchscreen. The perfect monitor mix is just a touch away! Simply use your fingers to adjust pan pots, channel faders and much more, without having to switch to a mixer software on your computer. The MT 48 can even be operated stand-alone as a mixing console.\u003c\/p\u003e\n\u003cp\u003eThe MT 48 leaves nothing to be desired: audio quality at the highest level, built-in DSP processing, comprehensive expandability, and convenient operation via touchscreen. The MT 48 is the missing link in the Neumann universe, connecting microphones, loudspeakers and headphones to create the perfect studio.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClass-leading AD-converter resolution with a dynamic range of 136 dB\u003c\/li\u003e\n\u003cli\u003e2 premium-quality mic\/line preamps, 2 pristine line\/instrument inputs\u003c\/li\u003e\n\u003cli\u003e4 line\/monitor outputs\u003c\/li\u003e\n\u003cli\u003e2 ultra-low impedance headphone outputs with adjustable crossfeed\u003c\/li\u003e\n\u003cli\u003eADAT \/ S\/PDIF optical I\/O, AES67, MIDI\/GPIO\u003c\/li\u003e\n\u003cli\u003eTwo driver outputs per input channel for pre-FX and\/or post-FX recording\u003c\/li\u003e\n\u003cli\u003eIntuitive touchscreen user interface\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor more information, including tech specs and compatibility, please head to the Neumann website - https:\/\/www.neumann.com\/en-en\/products\/audiointerfaces\/mt-48\/ \u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431570763869,"sku":"NEUMANN-MT48","price":3172.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/mt48.png?v=1778353873"},{"product_id":"neumann-kh150-6-5-2-way-dsp-powered-nearfield-monitor-white-single","title":"Neumann KH150 6.5\" 2-Way DSP-powered Nearfield Monitor - White - Single","description":"\u003cp\u003e\u003cstrong\u003eNeumann KH 150\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePowerful bi-amplified studio monitor with reference-class performance. Its 6.5” woofer in a bass reflex cabinet provides stunning low end and high SPL capability with undiminished clarity. DSP controlled electronics ensure linear phase response and allow for room-adaptive calibration via Neumann’s revolutionary MA 1 Automatic Monitor Alignment.\u003c\/p\u003e\n\u003cp\u003e· Linear frequency and phase response\u003c\/p\u003e\n\u003cp\u003e· Deep low end down to 39 Hz and high SPL capability\u003c\/p\u003e\n\u003cp\u003e· DSP engine for improved performance and automatic room alignment\u003c\/p\u003e\n\u003cp\u003e· Razor-sharp imaging due to extremely low tolerances (± 0.8 dB)\u003c\/p\u003e\n\u003cp\u003e· Analog (XLR) and digital (RCA) inputs, optional: AES67 connectivity\u003c\/p\u003e\n\u003cp\u003e· May be combined with other KH line speakers in immersive\/surround setups.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReference-Class Studio Monitor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe KH 150 follows the same philosophy as all Neumann studio monitors: highest linearity, lowest distortion, no coloration, and perfect adaptability to any acoustic environment. Mixing becomes so much faster and easier, once the guesswork is over. And more creative, too: Sounds genius, but can I get away with that? The KH 150 will tell you. Honestly.\u003c\/p\u003e\n\u003cp\u003eWhat differentiates the KH 150 from its smaller siblings is its deeper bass response down to 39 Hz. The KH 150 is thus ideally suited to urban music, EDM, film scoring, and all styles that require extended low end and\/or elevated listening levels but works just as well for anything from rock to classical music, broadcast and voice-over applications. Thanks to powerful amplifiers (145 W\/100 W) and sophisticated protection limiters, no clarity is lost even at high SPLs.\u003c\/p\u003e\n\n\u003cp\u003eAbout Neumann\u003cbr\u003eNeumann.Berlin has been on the cutting edge of studio technology for close to a century. Founded in 1928, Neumann has created such microphone legends as the U 47, U 67, and U 87. Since 2010, Neumann.Berlin has established a line of award-winning studio loudspeakers. In 2020 Neumann introduced Automatic Monitor Alignment MA 1, a revolutionary hard\/software solution for room-adaptive loudspeaker calibration, jointly developed with Fraunhofer IS. Georg Neumann GmbH has been part of the Sennheiser Group since 1991. www.neumann.com.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431574204509,"sku":"NEUMANN-509131","price":2564.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/1661125640_1713093.png?v=1778354021"},{"product_id":"neumann-kh80-4-active-dsp-studio-monitor","title":"Neumann KH80 DSP 4\" Active Studio Monitors (Single)","description":"\u003cp\u003e\u003cstrong\u003eWith its digital core, the KH 80 DSP enables filtering functions and room adjustment options, which brings reference level reproduction to any environment. Even with its compact design, it has extraordinary reserve capacity - as well as the classic strengths of the Neumann monitor philosophy: clearly defined dispersion angle, distortion-free design and sophisticated material selection.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUltra-compact, DSP-controlled bi-amplified near-field monitor with exceptional power reserves\u003c\/li\u003e\n\u003cli\u003eNew DSP engine optimizes output to achieve reference class sound\u003c\/li\u003e\n\u003cli\u003eMathematically optimized dispersion to deliver excellent detail in any surroundings\u003c\/li\u003e\n\u003cli\u003eOptional tools for room alignment, configuration und control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHE PERFECT SOUND OF HIGHER MATHEMATICS AT WORK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Neumann developers know every nuance, every angle and every wave reflection of the KH 80 DSP. It sounds so pure because they are directing every sound wave so precisely. The KH 80 DSP’s design is based on computer simulations that calculate with a level of accuracy that no one other than Neumann does. The Mathematical Modeled Dispersion Waveguide (MMD™) provides the studio series with a solid base for precise sound direction that remains unique. Maths has never sounded so good.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNEUMANN EVEN INCLUDES THE BIGGEST UNKNOWN FACTOR IN OUR CALCULATIONS: YOUR ROOM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt might be a project studio, an outside broadcast van, a corner at work or just a brick building: The room defines the sound. Surfaces and corners in the room cause interference, diffraction, reflection, and refraction: all are forms of distortion. For a really true sound, without acoustic-physical “accidents”, you normally need expensive equipment plus plenty of time and expertise to align it correctly – or smart algorithms. An easy adjustment to the monitor position (free standing, small\/medium\/large desk) is possible via the rear \"Acoustical Control\" switch.\u003c\/p\u003e\n\u003cp\u003eFor even more precise adjustments we offer the following options:\u003c\/p\u003e\n\u003cp\u003eAutomatic Monitor Alignment – Automatic room correction of stereo systems using the Neumann MA 1 measurement microphone (software for Mac\/PC)\u003cbr\u003eNeumann.Control – Free iPad®-App for setup, operation, and room correction of up to nine KH 80 DSP monitors via guided and\/or manual alignment\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA TOOL FOR EVERYONE WHO HAS PROFESSIONAL STANDARDS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHighest quality components, high-end protection systems and power reserves are what you would expect from this studio class product even under the most demanding circumstances. Its design makes the KH 80 DSP a versatile near-field monitor, which delivers professional-quality sound wherever you need it – in project and music studios, editing and broadcasting rooms or in outside broadcast vans. Some of our customers like it so much, they use the KH 80 DSP in their living rooms. Why not? After all, the KH 80 DSP delivers digital precision for a masterpiece of analog technology: your ears.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431574958173,"sku":"935074000310","price":835.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/kh_80_dsp_right_540.jpg?v=1778354027"},{"product_id":"neumann-kh150-6-5-2-way-dsp-powered-nearfield-monitor-anthracite-single","title":"Neumann KH150 6.5\" 2-Way DSP-powered Nearfield Monitor - Anthracite - Single","description":"\u003cp\u003e\u003cstrong\u003eNeumann KH 150\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePowerful bi-amplified studio monitor with reference-class performance. Its 6.5” woofer in a bass reflex cabinet provides stunning low end and high SPL capability with undiminished clarity. DSP controlled electronics ensure linear phase response and allow for room-adaptive calibration via Neumann’s revolutionary MA 1 Automatic Monitor Alignment.\u003c\/p\u003e\n\u003cp\u003e· Linear frequency and phase response\u003c\/p\u003e\n\u003cp\u003e· Deep low end down to 39 Hz and high SPL capability\u003c\/p\u003e\n\u003cp\u003e· DSP engine for improved performance and automatic room alignment\u003c\/p\u003e\n\u003cp\u003e· Razor-sharp imaging due to extremely low tolerances (± 0.8 dB)\u003c\/p\u003e\n\u003cp\u003e· Analog (XLR) and digital (RCA) inputs, optional: AES67 connectivity\u003c\/p\u003e\n\u003cp\u003e· May be combined with other KH line speakers in immersive\/surround setups.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReference-Class Studio Monitor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe KH 150 follows the same philosophy as all Neumann studio monitors: highest linearity, lowest distortion, no coloration, and perfect adaptability to any acoustic environment. Mixing becomes so much faster and easier, once the guesswork is over. And more creative, too: Sounds genius, but can I get away with that? The KH 150 will tell you. Honestly.\u003c\/p\u003e\n\u003cp\u003eWhat differentiates the KH 150 from its smaller siblings is its deeper bass response down to 39 Hz. The KH 150 is thus ideally suited to urban music, EDM, film scoring, and all styles that require extended low end and\/or elevated listening levels but works just as well for anything from rock to classical music, broadcast and voice-over applications. Thanks to powerful amplifiers (145 W\/100 W) and sophisticated protection limiters, no clarity is lost even at high SPLs.\u003c\/p\u003e\n\n\u003cp\u003eAbout Neumann\u003cbr\u003eNeumann.Berlin has been on the cutting edge of studio technology for close to a century. Founded in 1928, Neumann has created such microphone legends as the U 47, U 67, and U 87. Since 2010, Neumann.Berlin has established a line of award-winning studio loudspeakers. In 2020 Neumann introduced Automatic Monitor Alignment MA 1, a revolutionary hard\/software solution for room-adaptive loudspeaker calibration, jointly developed with Fraunhofer IS. Georg Neumann GmbH has been part of the Sennheiser Group since 1991. www.neumann.com.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431579971677,"sku":"NEUMANN-509127","price":2564.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/1661125640_1713092.png?v=1778354075"},{"product_id":"neumann-kh750-dsp-10-studio-subwoofer","title":"Neumann KH750 DSP 10\" Studio Subwoofer","description":"\u003cp\u003e\u003cstrong\u003eCompact DSP-controlled closed cabinet subwoofer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe compact KH 750 DSP is the ideal choice for smaller rooms and smaller studio monitors, such as the KH 80 DSP. It has a unique and flexible 2.0\/0.1 Bass Manager allowing the subwoofer to be used in many different system configurations. On the back panel there are analog and digital inputs and outputs, four routing modes and adaptable acoustical controls to allow for seamless system integration.\u003c\/p\u003e\n\u003cp\u003eIn addition to its outstanding acoustic properties this DSP-based subwoofer offers functions for the Neumann monitors connected to its outputs regarding the interplay with the following tools:\u003c\/p\u003e\n\u003cp\u003ea) Automatic Monitor Alignment – Automatic room correction of stereo systems using the Neumann MA 1 measurement microphone (software for Mac\/PC)\u003cbr\u003eb) Neumann.Control – Free iPad®-App for setup, operation, and room correction of stereo systems via guided and\/or manual alignment\u003c\/p\u003e\n\u003cp\u003eThe KH 750 DSP can be used in music, broadcast, and post production studios for tracking, mixing, and mastering.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003e- Deep bass in a small space\u003cbr\u003e- The perfect complement to KH 80 DSP, KH 120 and KH 310\u003cbr\u003e- Optional tools to align and operate a complete Neumann stereo system\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003cbr\u003eIncreasing the bass extension of the monitoring system\u003cbr\u003eIncreasing the maximum SPL of loudspeakers\u003cbr\u003eDecreasing harmonic and intermodulation distortion of loudspeakers\u003cbr\u003eReproducing the LFE channel\u003cbr\u003eReproducing the “Sub” signal of a bass managed multichannel source\u003cbr\u003eWorking as an extension for KH line subwoofer systems\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431580233821,"sku":"930074002732","price":2659.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/product_detail_x2_desktop_kh-750-dsp-left_neumann-studio-subwoofer_m.png?v=1778354077"},{"product_id":"neumann-kh310a-professional-studio-monitor-right-only","title":"Neumann KH310a Professional Studio Monitors (Right Speaker Only)","description":"\u003cp\u003eThe KH 310 is a three-way tri-amplified monitor with thermally protected Class AB amplifiers (210 W and two times 90 W). Its Mathematically Modeled Dispersion™ (MMD™) waveguide delivers sound waves into the room with superior accuracy. The drivers are modeled using Neumann’s in-house developed software, which reduces non-linear distortion in every situation. Sound distributed in a horizontally precise manner ensures flexibility in the listening position; the narrower vertical dispersion reduces the negative effects of nearby reflections, for example from a desk or mixing console. The precisely controlled dispersion characteristics optimize reproduction in different room configurations and the response is extremely adaptable through various acoustical control settings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBEST WORKING ENVIRONMENT: CLOSE TO PROFESSIONAL EARS\u003c\/strong\u003e\u003cbr\u003eThe KH 310 is typically used in near-field applications such as project, music, broadcast and post-production studios for recording, mixing and mastering. It it also available as a digital input “D” version.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA SOLID BASS FOUNDATION, HIGH IMPULSE FIDELITY\u003c\/strong\u003e\u003cbr\u003eWith its powerful switched-mode power supply and tri-channel amplifiers, the KH 310 realizes sound pressure of up to 116.3 dB and thereby retains a high-resolution and neutral representation across the entire frequency response. This provides sufficient energy for even the most demanding impulse dynamics with no distortion or losses. The bass goes down to an impressive 34 Hz.\u003c\/p\u003e\n\u003cp\u003eThe closed cabinet design means a lower group delay. 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Its ultralight material and the powerful neodymium magnet enable a significantly better transient response with considerably less distortion than comparable midrange domes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eQuickest transient response of its class\u003c\/li\u003e\n\u003cli\u003eTremendous bass capability down to 34 Hz\u003c\/li\u003e\n\u003cli\u003eHigher precision in the midrange through a specially designed driver\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431581610077,"sku":"935074000290","price":3086.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/neumann_kh310a_zoom_1_2_1.jpg?v=1778354090"},{"product_id":"neumann-kh310a-professional-studio-monitor-left-only","title":"Neumann KH310a Professional Studio Monitors (Left Speaker Only)","description":"\u003cp\u003eThe KH 310 is a three-way tri-amplified monitor with thermally protected Class AB amplifiers (210 W and two times 90 W). Its Mathematically Modeled Dispersion™ (MMD™) waveguide delivers sound waves into the room with superior accuracy. The drivers are modeled using Neumann’s in-house developed software, which reduces non-linear distortion in every situation. Sound distributed in a horizontally precise manner ensures flexibility in the listening position; the narrower vertical dispersion reduces the negative effects of nearby reflections, for example from a desk or mixing console. The precisely controlled dispersion characteristics optimize reproduction in different room configurations and the response is extremely adaptable through various acoustical control settings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBEST WORKING ENVIRONMENT: CLOSE TO PROFESSIONAL EARS\u003c\/strong\u003e\u003cbr\u003eThe KH 310 is typically used in near-field applications such as project, music, broadcast and post-production studios for recording, mixing and mastering. It it also available as a digital input “D” version.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA SOLID BASS FOUNDATION, HIGH IMPULSE FIDELITY\u003c\/strong\u003e\u003cbr\u003eWith its powerful switched-mode power supply and tri-channel amplifiers, the KH 310 realizes sound pressure of up to 116.3 dB and thereby retains a high-resolution and neutral representation across the entire frequency response. This provides sufficient energy for even the most demanding impulse dynamics with no distortion or losses. The bass goes down to an impressive 34 Hz.\u003c\/p\u003e\n\u003cp\u003eThe closed cabinet design means a lower group delay. This results in almost the entire frequency range being reproduced at the same time; the transient response is precisely controlled at all times.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eULTRALIGHT FABRIC DOME OPTIMIZES MIDRANGE REPRODUCTION\u003c\/strong\u003e\u003cbr\u003eThe optimized design of the driver enables a pristine sound right down to the lowest bass regions. For most applications, the rich foundation offers enough bass extension to work cleanly on the mix without the necessity of a supplementary subwoofer. For demanding treble sounds, our own specially developed, powerful alloy fabric dome ensures distortion-free clarity in the high-frequency range.\u003cbr\u003eThe fabric midrange dome captures the middle frequency range with the utmost precision. Its ultralight material and the powerful neodymium magnet enable a significantly better transient response with considerably less distortion than comparable midrange domes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eQuickest transient response of its class\u003c\/li\u003e\n\u003cli\u003eTremendous bass capability down to 34 Hz\u003c\/li\u003e\n\u003cli\u003eHigher precision in the midrange through a specially designed driver\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431581806685,"sku":"935074000289","price":3086.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/neumann_kh310a_zoom_1_2.jpg?v=1778354092"},{"product_id":"neumann-kh420a-professional-midfield-studio-monitor-single","title":"Neumann KH420G Professional Midfield Studio Monitor (Single)","description":"\u003cp\u003e\u003cstrong\u003eThe KH 420 is designed for a working distance of 1.5 to 3 m (5’ to 9’). It handles this space effortlessly thanks to great power reserves and precisely concentrated dispersion. Even in diverse acoustical environments the KH 420 remains neutral and clear in every detail down to the subtlest nuances. No subtlety is lost; every sound element can be localized.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePowerful tri-amplified midfield studio monitor – high-precision dispersion with tremendous sound level reserves.\u003c\/li\u003e\n\u003cli\u003eComputer-modeled cabinet design using Low Resonance Integral Molding (LRIM™) materials\u003c\/li\u003e\n\u003cli\u003eExtraordinary bass depth (26 Hz) with high sound pressure (122.4 dB)\u003c\/li\u003e\n\u003cli\u003ePrecise dispersion in the midrange and high frequencies\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe KH 420 is a three-way tri-amplified monitor with thermally protected Class AB amplifiers (330 W and two times 140 W). Just like the drivers, its Mathematically Modeled Dispersion™ (MMD™) waveguide is engineered for optimum precision. Sound distributed in a horizontally precise manner ensures flexibility in the listening position; the narrower vertical dispersion reduces the negative effects of nearby reflections, for example from a desk or mixing console. The dispersion of the KH 420 is deliberately designed to be narrower, to guarantee reference sound at longer working distances.\u003c\/p\u003e\n\u003cp\u003eBest working environment: Close to professional ears\u003cbr\u003eThe KH 420 is designed for midfield applications and as main monitor in project, music, broadcast and post-production studios for recording, mixing and mastering. And in a multi-channel system, it can also be freely combined with all other Neumann studio monitors.\u003c\/p\u003e\n\u003cp\u003ePorts and high dynamics: No longer a contradiction\u003cbr\u003eWith its tri-channel amplifiers the KH 420 also realizes sound pressures of up to 122.4 dB. And it thereby retains high-resolution and neutral representation across the entire frequency response. This also includes an exceptional bass response down to 26 Hz. Despite using ports, there is no “overhang” or audible resonance in the low frequency range and the transient response is precisely controlled at all times.\u003c\/p\u003e\n\u003cp\u003eThe computer modeled chassis is constructed of LRIM™ materials which eliminates standing wave resonances and suppresses intermodulation distortion, especially in the midrange.\u003c\/p\u003e\n\u003cp\u003eFor demanding treble, our own specially developed, powerful alloy fabric dome ensures distortion-free reproduction. The fabric dome captures the midrange with utmost precision. Its ultralight material and the powerful neodymium magnet enable a significantly better transient response with considerably less distortion than comparable midrange drivers.\u003c\/p\u003e\n\u003cp\u003eDigital input and delay option\u003cbr\u003eThe Digital Input Module DIM 1 expands the loudspeaker electronics by a digital XLR input, a digital BNC input and a digital BNC output (192 kHz\/24 Bit) for flexible digital signal links. With the delay function (adjustment range 0 - 400 ms) of the DIM 1, the audio signal can be delayed to ensure audio-visual synchronization (lip sync). In addition, the high resolution of the delays (0.1 ms) allows equalization of the propagation delays. The delay can be added to both inputs (digital and analog). The KH 420 can be retrofitted with a DIM 1.\u003c\/p\u003e\n\u003cp\u003eThe KH 750 DSP subwoofer\u003cbr\u003eIn addition to its outstanding acoustic properties this subwoofer offers functions for non DSP-based Neumann monitors connected (analog) to its outputs regarding the interplay with the following tools:\u003c\/p\u003e\n\u003cp\u003eAutomatic Monitor Alignment – Automatic room correction of stereo systems using the Neumann MA 1 measurement microphone (software for Mac\/PC)\u003cbr\u003eNeumann.Control – Free iPad®-App for setup, operation, and room correction of stereo systems via guided and\/or manual alignment\u003cbr\u003eHundreds of good reasons from the Neumann philosophy\u003cbr\u003eThe KH 420 has also been developed true to the Neumann philosophy for monitor loudspeakers. Every component, every shape, every signal and every wave motion is a consequence of this philosophy. No form or component is there without reason. There are hundreds of tangible reasons built into the KH 420, which all stand for exceptionally pure and neutral sound. These include, for example, curvatures of the housing that reduce edge diffraction. Also included is the pistonic output of the bass driver which does not give rise to harmonic distortions, even with the highest sound peaks. Some of these reasons are obvious in the KH 420. Others Neumann prefers to keep to itself. But together, each can be heard – sound professionals in both large and small studios all around the world can testify to this.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431588687965,"sku":"935074000296","price":7456.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/neumann_kh420_r_f540.jpg?v=1778354210"},{"product_id":"neumann-ndh30-studio-headphones","title":"Neumann NDH30 Studio Headphones","description":"\u003cp\u003eOpen back studio headphone, silver with black and orange trim. Includes (1) NDH 30, (1) straight symmetrical cable, (1) 6,3 mm (1\/4”) adapter and (1) cloth pouch\u003c\/p\u003e\n\u003cp\u003eThe NDH 30 was developed with the aim of making the reference sound of a Neumann studio monitor setup, perfectly calibrated, available everywhere in the form of an easily transportable headphone. At the same time, the NDH 30 forms its own sound reference in terms of headphone reproduction, which has become a key to success with the consumer. Its superior sound characteristics make the NDH 30 the first choice for mixing and mastering. Thanks to its high long-term comfort, it is just as excellently suited to high-precision editing.\u003c\/p\u003e\n\u003cp\u003eIts high-quality construction of spring steel and aluminum as well as its pleasant handling properties are largely the same as those of the NDH 20. However, the NDH 30 is an open-back headphone, which means that its dynamic 38 mm transducers work as acoustic dipoles. This allows their highly refined sound characteristics to unfold optimally: extremely fast transient response, dry bass, uncolored mids and transparent highs. In other words, the NDH 30 has no sound coloration, but reproduces the signal 1:1.\u003c\/p\u003e\n\u003cp\u003eUncompromising Precision\u003c\/p\u003e\n\u003cp\u003eThe NDH 30 owes its superior linearity, among other things, to frequency-selective absorbers that eliminate the overemphasis in the high frequencies that leads to incorrect mixing decisions in many other headphones. For example, the NDH 30 will accurately reveal whether a voice sounds muffled or needs a de-esser.\u003c\/p\u003e\n\u003cp\u003eThe spatial resolution is impressive. The NDH 30 allows razor-sharp localization in the stereo panorama and makes the depth of the mix evident. To minimize channel crosstalk, the NDH 30 is supplied with a high-quality cable that is internally balanced.\u003c\/p\u003e\n\u003cp\u003ePart of a Successful Family\u003c\/p\u003e\n\u003cp\u003eWith its high linearity and detail resolution, the NDH 30 is perfectly compatible with a loudspeaker system that has been optimally calibrated using Neumann Automatic Monitor Alignment. Mixes begun at home or on the road using the NDH 30 can be seamlessly continued in the studio using KH-Line loudspeakers – and vice versa. At the same time, the NDH 30 is recommended as a headphone sound reference; headphones, after all, have long become the dominant playback system among consumers. The NDH 30 is ideal for checking headphone compatibility and creating binaural mixes of immersive content (including VR and gaming). As consistency and reliability are essential in mixing and mastering, the NDH 30 is manufactured to extremely tight tolerances so each headphone sounds exactly the same.\u003c\/p\u003e\n\u003cp\u003eTransducer: 38 mm dynamic driver with neodymium magnet\u003c\/p\u003e\n\n\u003cp\u003eImpedance: 120 ohms\u003c\/p\u003e\n\u003cp\u003eFrequency range: 12 Hz – 34 kHz (– 3 dB)\u003c\/p\u003e\n\u003cp\u003ePeak power handling: 1000 mW\u003c\/p\u003e\n\u003cp\u003eContiuous power handling: 200 mW\u003c\/p\u003e\n\u003cp\u003eSound pressure level: 104 dB SPL (1 kHz, 1 Vrms)\u003c\/p\u003e\n\u003cp\u003eTotal harmonic distortion (THD): \u0026lt; 0.03 % (1 kHz, 100 dB SPL)\u003c\/p\u003e\n\u003cp\u003eWeight: 352 g (without cable)\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431627780189,"sku":"NEUMANN-509111","price":1053.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/0d87f1bde8f7ef41cae3fea5a56909b16a14fef7.png?v=1778355059"},{"product_id":"neumann-ndh20-black-edition-closed-back-studio-headphones","title":"Neumann NDH20 Black Edition Closed Back Studio Headphones","description":"\u003cp\u003ePremium quality closed-back studio headphone for monitoring, editing, and mixing\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStudio quality sound with outstanding resolution\u003c\/li\u003e\n\u003cli\u003eHigh sound isolation in loud environments\u003c\/li\u003e\n\u003cli\u003eExcellent comfort for extended listening sessions\u003c\/li\u003e\n\u003cli\u003eHigh quality metal construction, immaculate black surfaces\u003c\/li\u003e\n\u003cli\u003eFoldable design for easy transportation\u003c\/li\u003e\n\u003cli\u003eSpecial edition in black with internally balanced cable for improved spatial resolution\u003c\/li\u003e\n\u003cli\u003eStudio Grade Monitoring - Wherever You Go\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Neumann NDH 20 is a closed-back headphone combining excellent isolation with the carefully balanced sound image and outstanding resolution you’d expect from a Neumann product. The NDH 20 is thus ideally suited to monitoring and mixing tasks, even in loud and noisy environments. Circumaural memory foam ear pads offer high long-term comfort. Now also available in a Black Edition.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431627845725,"sku":"NEUMANN-399003","price":901.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/ndh-20-black-edition-diagonal-whitefond_neumann-headphone_mr.jpg?v=1778355062"},{"product_id":"neumann-ndh30-black-edition-studio-headphones","title":"Neumann NDH30 Black Edition Studio Headphones","description":"\u003cp\u003eReference-class open-back studio headphone for editing, mixing, and mastering\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutstanding linearity and transient response\u003c\/li\u003e\n\u003cli\u003eHigh spatial resolution\u003c\/li\u003e\n\u003cli\u003eSound and mix compatibility with Neumann KH-Line speakers\u003c\/li\u003e\n\u003cli\u003eHigh long-term comfort \u003c\/li\u003e\n\u003cli\u003eInternally balanced cable (detachable) \u003c\/li\u003e\n\u003cli\u003eFoldable for easy transport\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Portable Sound Reference\u003c\/p\u003e\n\u003cp\u003eThe NDH 30 is a circumaural, open-back headphone with outstanding detail resolution and high-precision stereo imaging with razor-sharp localization. Its linear soundstage and superior transient response recommend it for the most demanding applications such as mixing and mastering. Now also available in a Black Edition.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431627878493,"sku":"NEUMANN-399006","price":1053.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/ndh-30-black-edition-cable_neumann-headphone_mr.jpg?v=1778355065"},{"product_id":"neumann-ndh20","title":"Neumann NDH20 Closed Back Studio Headphones","description":"\u003cp\u003eNDH 20\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePremium quality closed-back studio headphone for monitoring, editing, and mixing\u003c\/li\u003e\n\u003cli\u003eLinear sound balance, like Neumann’s acclaimed studio monitors\u003c\/li\u003e\n\u003cli\u003eExcellent isolation allows working in noisy environments\u003c\/li\u003e\n\u003cli\u003eTransparent sound with high resolution\u003c\/li\u003e\n\u003cli\u003eHigh long-term comfort, easy transportation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSTUDIO GRADE MONITORING – WHEREVER YOU GO\u003cbr\u003eThe Neumann NDH 20 is a closed-back headphone combining excellent isolation with the carefully balanced sound image and outstanding resolution you’d expect from a Neumann product. The NDH 20 is thus ideally suited to monitoring and mixing tasks, even in loud and noisy environments. Circumaural memory foam ear pads offer high long-term comfort.\u003c\/p\u003e\n\u003cp\u003eCRITICAL LISTENING AND MIXING – IN THE STUDIO, AT HOME, ON THE ROAD\u003cbr\u003eWhile many other closed-back headphones are marred by nasty resonances in the midband, making it difficult to come to reliable mix decisions, the NDH 20 offers an astonishingly detailed, well-balanced sound image, similar to Neumann’s acclaimed studio loudspeakers. Superior sonics along with large memory foam ear pads make the NDH 20 a pleasure to wear for long periods without fatigue.\u003c\/p\u003e\n\u003cp\u003eThe NDH 20 uses newly designed drivers (38 mm\/1.5”) with high-gauss neodymium magnets to ensure high sensitivity and minimized distortion, thus allowing the user to listen to the pure audio signal without unwanted coloration. The mechanical construction, too, meets the highest standards. The adjustable headband is made of flexible steel while the ear cup covers are machined from lightweight aluminum. For easy transportation the headphone is foldable and can be placed into the supplied soft cloth bag. Two detachable cables (one straight, one coiled) and a 6.3 mm (1\/4”) adapter are also included.\u003c\/p\u003e\n\u003cp\u003eAPPLICATIONS\u003cbr\u003eThe NDH 20 is suited to all applications that require high sound isolation such as monitoring for musicians and engineers in the tracking room as well as FOH work. It is also an excellent choice for critical listening, free from disturbance from the outside world and, vice versa, without causing disturbance to people nearby due to leakage. Thanks to its extended frequency response ranging from 5 Hz to 30 kHz the NDH 20 is particularly helpful to check the upper and lower extremes of the audio band.\u003c\/p\u003e\n\u003cp\u003eUnlike most other closed-back headphones, the Neumann NDH 20 is suited to mixing purposes too. An unusually even frequency response and natural stereo image allow for mixing with confidence and ensure compatibility to all playback systems. The NDH 20 is thus an indispensible tool for working on the road. 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While the latter was a high-quality all-purpose microphone for varying acoustic environments, the M 50 was designed as the ultimate pressure transducer microphone for use in concert halls and dedicated recording spaces.\u003c\/p\u003e\n\u003cp\u003eIn practice, this meant that the M 50 was mainly used for recording orchestras, e.g. as the main pickup in various spaced omni configurations. In the 1950s, when the record label Decca experimented with stereo miking techniques, various setups, microphones, and pickup patterns were tried. In the end, the Neumann M 50 was selected as the perfect fit for what is now known as the Decca Tree configuration, i.e. three microphones mounted in a triangle with the outer microphones facing outward. To this day, a Decca Tree setup, often extended with additional outriggers, using Neumann M 50 microphones remains the prime choice for experienced engineers in classical music and film scores. The vivid imaging of this setup in combination with the M 50’s outstanding resolution produces unparalleled results. Today, extended versions of this technique are being used for surround and immersive recordings. Of course, the M 50 has also produced excellent results in other applications, e.g. piano recordings or as a spot mic for string sections and soloists. In pop contexts, the M 50 has been used for miking ensembles or brass sections and as a room microphone, e.g. on drums.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cp\u003e- Reissue of the legendary M 50 with detail improvements\u003cbr\u003e- Prime choice for orchestral recordings, especially Decca Tree\u003cbr\u003e- Made to original specifications using archived documentation\u003cbr\u003e- New power supply automatically adapts to mains voltage\u003cbr\u003e- Handmade and hand soldered in Germany\u003cbr\u003e\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431633350749,"sku":"BM4044155281682","price":18999.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/M-50-V-With-Power-Supply-Bright_Neumann-Studio-Tube-Microphone_MR.jpg?v=1778355236"},{"product_id":"neumann-bcm-104-broadcast-microphone","title":"Neumann BCM 104 Broadcast Microphone","description":"\u003cp\u003eBCM 104 - The state of the art broadcast microphone from Neumann\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSpecially designed for broadcast, podcast \u0026amp; streaming\u003c\/li\u003e\n\u003cli\u003eAll-new speech optimized condenser capsule\u003c\/li\u003e\n\u003cli\u003eIntegrated pop-screen and elastic suspension\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe BCM 104 is a dedicated broadcast microphone for radio, streaming and podcast, designed to convey emotion with Neumann perfection. Its functionally optimized design features an integrated pop screen and a shock protected large diaphragm condenser capsule, specially developed for speech. Transformerless circuitry ensures a direct, noise-free sound.\u003c\/p\u003e\n\u003cp\u003eYou Speak – the World Listens\u003cbr\u003eBroadcast, live streaming and podcast are the most immediate ways to reach your listeners. That’s why Neumann decided to develop the BCM line to specifically address the requirements of radio DJs, announcers, newscasters, talk show hosts, podcasters and all those who guide us through the day with their stories, good vibes, and the latest information.\u003cbr\u003e \u003cbr\u003eThe BCM 104 is designed to convey emotion with perfection. Its characteristic shape is functionally optimized for use with industry standard microphone boom arms. Thanks to its elastic mount, the BCM 104 is well protected against structure borne noise. An integrated pop screen behind the headgrille protects the capsule from air blasts and plosives. For increased hygiene, the headgrille twists off easily for quick cleaning.\u003cbr\u003e \u003cbr\u003eThe large diaphragm condenser capsule of the BCM 104 captures each nuance of your voice without coloration or unwanted artifacts. The BCM 104’s electronic circuit ensures an extremely low self-noise of only 7 dB-A and can handle enormous sound pressure levels of up to 138 dB without distortion. Its balanced output is transformerless to ensure minimal hum interference and high common mode rejection against extraneous signals e.g. from computer screens. A subsonic filter suppresses frequencies below 20 Hz. For close speech operation, an optional 100 Hz low cut is available to compensate for the proximity effect. A second switch activates a –14 dB pre-attenuation to reduce the BCM 104’s output level for use with equipment designed for dynamic microphones (which typically have a much lower sensitivity than condenser microphones). Both switches are hidden inside the microphone as the low cut and pre-attenuation options are usually selected only once, at setup.\u003cbr\u003e \u003cbr\u003eDesigned For The Human Voice\u003cbr\u003eThe BCM 104 has a fixed cardioid pattern with excellent rejection of rearward sound. Its frequency response is very linear with a gentle presence boost around 4 kHz and a slight treble lift above 10 kHz for enhanced speech intelligibility. Due to its outstanding transient response, the BCM 104 captures each nuance of the human voice with stunning detail. Because of its wide frequency response, the BCM 104 can be used for much more than speech applications, e.g. sung vocals and a wide variety of instruments. \u003cbr\u003e \u003cbr\u003eFunctionally optimized design\u003cbr\u003eSpecially designed large diaphragm condenser capsule\u003cbr\u003eTight cardioid pattern\u003cbr\u003eIntegrated pop screen and shock mount\u003cbr\u003eHeadgrille twists off easily for quick cleaning\u003cbr\u003eInternal pad and low cut switches\u003c\/p\u003e\n\u003cp\u003e*Please note - boom arm \/ cable shown for example only - not included.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431635972189,"sku":"BM712392914062","price":1804.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/png__2.png?v=1778355343"},{"product_id":"neumann-kms104bk-stage-condenser-microphone-black","title":"Neumann KMS104BK Stage Condenser Microphone - Black","description":"\u003cp\u003eKMS 104\u003cbr\u003eStudio grade stage microphone for vocalists. Cardioid pickup pattern.\u003cbr\u003eCardioid pattern with excellent feedback rejection\u003cbr\u003eStudio quality condenser capsule\u003cbr\u003eTransparent sound with a gentle treble lift\u003cbr\u003eExcellent pop protection\u003c\/p\u003e\n\u003cp\u003eNEUMANN SOUND ON STAGE\u003cbr\u003eThe KMS 104 is a studio grade vocal microphone for stage use. Its precision manufactured condenser capsule offers true Neumann sound quality, combined with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern.\u003c\/p\u003e\n\u003cp\u003eSTUDIO QUALITY FOR STAGE VOCALS\u003cbr\u003eThe KMS 104 brings studio sound quality to the stage. Unlike usual stage microphones, which use dynamic capsules, the KMS 104 is equipped with a true condenser microphone capsule offering the superior clarity that made Neumann studio microphones famous all over the world. At the same time, the KMS 104 possesses the ruggedness required of a stage mic, thus refuting the myth that condenser microphones must be “fragile”. The KMS 104 can stand enormous sound pressure levels of up to 150 dB without clipping, and its tight, frequency-independent cardioid pattern ensures high gain before feedback. The KMS 104 has a much smoother frequency response than dynamic microphones and an airy top-end. Compared to dynamic microphones, the Neumann KMS 104 has a vastly superior transient response resulting in a more immediate and more emotional vocal sound. In practical terms: effortless intelligibility, without the usual EQ boosts – which further improves feedback resistance.\u003c\/p\u003e\n\u003cp\u003eAs a stage microphone, the KMS 104 is optimized for close miking; a fixed low cut filter compensates for the proximity effect and ensures clear bass, even if the singer’s lips touch the microphone. The headgrille is made of hardened steel and features a highly effective internal pop screen which also keeps moisture away from the capsule. Thanks to careful Neumann engineering, these acoustic filters do not cause any sibilance problems. The head amplifier is protected by a thick-walled housing. Its transformerless output minimizes electromagnetic interference, such as hum. Because of its low output impedance of only 50 ohms, the KMS 104 can drive very long cable runs of up to 300 m (1000 ft) without transmission losses.\u003c\/p\u003e\n\u003cp\u003eAPPLICATIONS\u003cbr\u003eThe KMS 104 is primarily designed as a handheld vocal microphone but can be used for other stage applications as well, due to its high SPL capability and wide dynamic range. Examples include percussion, saxophone, trumpet, trombone, harmonica, acoustic guitar, and guitar cabinets. Thanks to its superior sound quality, the KMS 104 is also an excellent microphone for home recording and broadcast applications. Because it is optimized for close mic placement, the KMS 104 will pick up a dry sound with very little ambience, which is a big advantage in untreated rooms.\u003cbr\u003e \u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431636562013,"sku":"930074001903","price":1177.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/sen008549.png?v=1778355364"},{"product_id":"neumann-kms105bk-stage-condenser-microphone-black","title":"Neumann KMS105BK Stage Condenser Microphone - Black","description":"\u003cp\u003eKMS 105\u003cbr\u003eStudio grade stage microphone for vocalists. Supercardioid pickup pattern.\u003cbr\u003eSupercardioid pattern with excellent feedback rejection\u003cbr\u003eStudio quality condenser capsule\u003cbr\u003eTransparent sound with a gentle treble lift\u003cbr\u003eHighly effective, foam-free pop filter\u003cbr\u003eNEUMANN SOUND ON STAGE\u003cbr\u003eThe KMS 105 is a studio grade vocal microphone for stage use. Its precision manufactured condenser capsule offers true Neumann sound quality, combined with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight supercardioid pattern.\u003c\/p\u003e\n\u003cp\u003eSTUDIO QUALITY FOR STAGE VOCALS\u003cbr\u003eThe KMS 105 brings studio sound quality to the stage. Unlike usual stage microphones, which use dynamic capsules, the KMS 105 is equipped with a true condenser microphone capsule offering the superior clarity that made Neumann studio microphones famous all over the world. At the same time, the KMS 105 possesses the ruggedness required of a stage mic, thus refuting the myth that condenser microphones must be “fragile”. The KMS 105 can stand enormous sound pressure levels of up to 150 dB without clipping, and its tight, frequency-independent supercardioid pattern ensures high gain before feedback. The KMS 105 has a much smoother frequency response than dynamic microphones and an airy top-end. Compared to dynamic microphones, the Neumann KMS 105 has a vastly superior transient response resulting in a more immediate, more emotional vocal sound. In practical terms: effortless intelligibility, without the usual EQ boosts – which further improves feedback resistance.\u003c\/p\u003e\n\u003cp\u003eAs a stage microphone, the KMS 105 is optimized for close miking; a fixed low cut filter compensates for the proximity effect and ensures clear bass, even if the singer’s lips touch the microphone. The headgrille is made of hardened steel and features a carefully designed multi-level pop filter made of wire gauze. Despite its effectiveness, this acoustic filter does not cause any sibilance problems or compromise the capsule’s directivity. The head amplifier is protected by a thick-walled housing. Its transformerless output minimizes electromagnetic interference, such as hum. Because of its low output impedance of only 50 ohms, the KMS 105 can drive very long cable runs of up to 300 m (1000 ft) without transmission losses.\u003c\/p\u003e\n\u003cp\u003eAPPLICATIONS\u003cbr\u003eThe KMS 105 is primarily designed as a handheld vocal microphone but can be used for other stage applications as well, due to its high SPL capability and wide dynamic range. Examples include percussion, saxophone, trumpet, trombone, harmonica, acoustic guitar, and guitar cabinets. Thanks to its superior sound quality, the KMS 105 is also an excellent microphone for home recording and broadcast applications. Because it is optimized for close mic placement, the KMS 105 will pick up a dry sound with very little ambience, which is a big advantage in untreated rooms.\u003cbr\u003e \u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431636594781,"sku":"935074000288","price":1177.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/neu-kms105bk.png?v=1778355366"},{"product_id":"neumann-u47-fet-cardioid-condenser-microphone-w-wooden-box","title":"Neumann U47 FET Cardioid Condenser Microphone w\/Wooden Box","description":"\u003cp\u003eA LEGEND REBORN\u003cbr\u003eIntroduced in 1972 as a successor to the legendary U 47 tube microphone, the U 47 fet became a Neumann classic in its own right. Its smooth yet defined character shaped the sound of the 70s. After a long hiatus, the U 47 fet is finally available again, meticulously reproduced from the same components. A true classic, yet far from outdated.\u003c\/p\u003e\n\u003cp\u003eTHE SOUND OF THE SEVENTIES\u003cbr\u003e“Smooth” is the word that best describes the sonic ideal of the seventies. The then new U 47 fet was very much part of that sound. Introduced in 1972, it soon became a studio favorite combining the refined sound balance of its tube predecessor with a new clarity and greater ease of use. Toward the mid-80s, as records became increasingly more strident, the smooth U 47 fet fell out of favor as a vocal microphone and was discontinued. Yet over the years top engineers discovered new applications for the U 47 fet in front of guitar cabinets and kick drums. Eventually, famous vocalists from boy group pop to heavy metal reestablished the U 47 fet as a versatile vocal microphone. So now, by popular demand, it’s back in production.\u003c\/p\u003e\n\u003cp\u003eFAR FROM OUTDATED\u003cbr\u003eThe U 47 fet uses the same K 47 large diaphragm condenser capsule and the same headgrille design as its tube operated predecessor, the legendary U 47, which revolutionized the recording and broadcast industries from 1949 to1960. For sonic continuity, the U 47 fet also uses a similarly oversized output transformer. Otherwise, its transistorized head amplifier is an amazingly advanced design and a testament to Neumann’s state of the art engineering. This “vintage” microphone has a dynamic range of 119 dB!\u003c\/p\u003e\n\u003cp\u003eThe U 47 fet can handle extreme SPLs of up to 137 dB, and even 147 dB with the –10 dB pad switch engaged. This, along with its smooth top end and lush midrange, makes the U 47 fet an excellent microphone for bright and loud instruments such as brass and electric guitar. Due to its exceptionally clear and uncluttered low end, it is a great choice for upright bass and bass cabinets. Numerous top engineers consider U 47 fet the ultimate microphone to place in front of the kick drum. At the same time it is an excellent vocal mic for crooners and screamers alike, due to its beautifully balanced response with just a slight, unobtrusive boost in the upper mids for added presence in the mix.\u003c\/p\u003e\n\u003cp\u003eThe U 47 fet comes with a unique one-sided swivel mount, which makes it easy to position. Pad and low cut switches are accessible on the rear of the microphone. An additional switch next to the XLR socket allows for attenuating the output signal by 6 dB, which is a handy feature in conjunction with low-headroom vintage preamplifiers.\u003c\/p\u003e\n\u003cp\u003eExact reproduction of the classic U 47 fet (1972-1986)\u003cbr\u003eSolid state successor of the legendary U 47 tube microphone\u003cbr\u003eBalanced sound with superb presence\u003cbr\u003eCardioid pattern\u003cbr\u003eLarge output transformer\u003cbr\u003eLow self-noise and enormous SPL capability\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431636856925,"sku":"935074000363","price":6269.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/3881a6ff9386ca90b745f51b6b66369e7e7103df.png?v=1778355381"},{"product_id":"neumann-km-184-mt-stereoset-condenser-microphone-pair-black","title":"Neumann KM 184-MT-STEREOSET Condenser Microphone Pair - Black","description":"\u003cp\u003eKM 184 Stereo Set\u003c\/p\u003e\n\u003cp\u003eThese are the mics we use to record every Better Music Acoustic Guitar video. Check out some example videos of them in use above!\u003c\/p\u003e\n\u003cp\u003eState-of-the-art small diaphragm condenser microphone\u003cbr\u003eCardioid pickup pattern without off-axis coloration\u003cbr\u003eVery low self-noise\u003cbr\u003eHigh SPL capability\u003cbr\u003eTransformerless electronics\u003cbr\u003eUNCOLORED, TRANSPARENT, VERSATILE\u003cbr\u003eThe KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.\u003c\/p\u003e\n\u003cp\u003eFAITHFUL\u003cbr\u003eWhile many microphones, these days, are designed to add some sonic imprint of their own, there are many applications that require a faithful reproduction of the original acoustic event, without adding or removing anything. That’s where the Neumann Series 180 comes in.\u003c\/p\u003e\n\u003cp\u003eThe Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more cost-effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages).\u003c\/p\u003e\n\u003cp\u003eCARDIOID\u003cbr\u003eDespite its attractive pricing, the KM 184 offers state-of-the-art Neumann engineering. Its cardioid pattern is frequency-independent; rejection of rearward sound (180°) is excellent, even at low frequencies. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo\/surround imaging. The KM 184’s frequency response is very smooth and linear with a slight treble lift around 9 kHz for added brilliance. Its innovative transformerless head amplifier offers a wide dynamic range of 125 dB and is carefully designed to maintain the capsule’s sonic integrity. The KM 184 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 138 dB free from distortion. Due to its low impedance output stage, the KM 184 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.\u003c\/p\u003e\n\u003cp\u003eAPPLICATIONS\u003cbr\u003eThe KM 184 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 184 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds, and brass. The KM 184 can be used for soloists as well as ensembles. Thanks to its superior off-axis behavior, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging. Although the KM 184 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 184 is visually unobtrusive and well suited to TV and radio applications.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431636889693,"sku":"NEUMANN-008523","price":2421.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/91e973d8cd43a86d3afed416ee99f98deb05f581.png?v=1778355382"},{"product_id":"neumann-km183-stereoset-condenser-microphones-stereo-pair-nickel","title":"Neumann KM183-STEREOSET Condenser Microphones - Stereo Pair - Nickel","description":"\u003cp\u003eUNCOLORED, TRANSPARENT, VERSATILE\u003cbr\u003eThe KM 183 is a state-of-the-art small diaphragm condenser microphone with a frequency-independent omnidirectional polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 183 a worldwide studio standard for many applications ranging from classical piano to heavy metal drums.\u003c\/p\u003e\n\u003cp\u003eFAITHFUL\u003cbr\u003eWhile many microphones, these days, are designed to add some sonic imprint of their own, there are many applications that require a faithful reproduction of the original acoustic event, without adding or removing anything. That’s where the Neumann Series 180 comes in.\u003c\/p\u003e\n\u003cp\u003eThe Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more-cost effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages).\u003c\/p\u003e\n\u003cp\u003eOMNIDIRECTIONAL\u003cbr\u003eDespite its attractive pricing, the KM 183 offers state-of-the-art Neumann engineering. Its omnidirectional pattern is uniform and largely frequency-independent. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo\/surround imaging. The KM 183’s pressure transducer capsule is equalized for a flat frequency response in the diffuse field. In the free field (i.e. close to the sound source), it has a treble boost of approximately 7 dB at 10 kHz. Its innovative transformerless head amplifier offers a wide dynamic range of 127 dB and is carefully designed to maintain the capsule’s sonic integrity. The KM 183 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 140 dB free from distortion. Due to its low impedance output stage, the KM 183 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.\u003c\/p\u003e\n\u003cp\u003eAPPLICATIONS\u003cbr\u003eThe KM 183 is a universal microphone for studio applications. Its transparent sound makes the KM 183 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, strings, woodwinds, brass, choir, and wherever sonic authenticity is paramount. As a pressure transducer, the KM 183’s low frequency response is limitless, which makes it an excellent choice for orchestra and church organ recordings. Thanks to its superior off-axis behavior, the KM 183 works extremely well in stereo and surround setups. Due to its small size, the KM 183 is visually unobtrusive and well suited to TV and radio applications.\u003c\/p\u003e\n\u003cp\u003eOmnidirectional polar pattern with excellent off-axis behavior\u003cbr\u003eDiffuse-field equalized\u003cbr\u003ePressure transducer with unlimited bass response\u003cbr\u003eVery low self-noise (13 dB-A)\u003cbr\u003eTransformerless circuitry\u003cbr\u003eCompact size, visually unobtrusive\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431636922461,"sku":"NEUMANN-008522","price":2645.75,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/png.png?v=1778355383"},{"product_id":"neumann-km-183-mt-stereoset-condenser-microphones-stereo-pair-black","title":"Neumann KM183-MT-STEREOSET Condenser Microphones - Stereo Pair - Black","description":"\u003cp\u003eUNCOLORED, TRANSPARENT, VERSATILE\u003cbr\u003eThe KM 183 is a state-of-the-art small diaphragm condenser microphone with a frequency-independent omnidirectional polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 183 a worldwide studio standard for many applications ranging from classical piano to heavy metal drums.\u003c\/p\u003e\n\u003cp\u003eFAITHFUL\u003cbr\u003eWhile many microphones, these days, are designed to add some sonic imprint of their own, there are many applications that require a faithful reproduction of the original acoustic event, without adding or removing anything. That’s where the Neumann Series 180 comes in.\u003c\/p\u003e\n\u003cp\u003eThe Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more-cost effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages).\u003c\/p\u003e\n\u003cp\u003eOMNIDIRECTIONAL\u003cbr\u003eDespite its attractive pricing, the KM 183 offers state-of-the-art Neumann engineering. Its omnidirectional pattern is uniform and largely frequency-independent. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo\/surround imaging. The KM 183’s pressure transducer capsule is equalized for a flat frequency response in the diffuse field. In the free field (i.e. close to the sound source), it has a treble boost of approximately 7 dB at 10 kHz. Its innovative transformerless head amplifier offers a wide dynamic range of 127 dB and is carefully designed to maintain the capsule’s sonic integrity. The KM 183 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 140 dB free from distortion. Due to its low impedance output stage, the KM 183 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.\u003c\/p\u003e\n\u003cp\u003eAPPLICATIONS\u003cbr\u003eThe KM 183 is a universal microphone for studio applications. Its transparent sound makes the KM 183 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, strings, woodwinds, brass, choir, and wherever sonic authenticity is paramount. As a pressure transducer, the KM 183’s low frequency response is limitless, which makes it an excellent choice for orchestra and church organ recordings. Thanks to its superior off-axis behavior, the KM 183 works extremely well in stereo and surround setups. Due to its small size, the KM 183 is visually unobtrusive and well suited to TV and radio applications.\u003c\/p\u003e\n\u003cp\u003eOmnidirectional polar pattern with excellent off-axis behavior\u003cbr\u003eDiffuse-field equalized\u003cbr\u003ePressure transducer with unlimited bass response\u003cbr\u003eVery low self-noise (13 dB-A)\u003cbr\u003eTransformerless circuitry\u003cbr\u003eCompact size, visually unobtrusive\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431637119069,"sku":"NEUMANN-008521","price":2645.75,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/png__1.png?v=1778355388"},{"product_id":"neumann-u87ai-mt-black-condenser-microphone-studio-set-includes-suspension-mount","title":"Neumann U87AI MT Black Condenser Microphone - Studio Set (Includes Suspension Mount)","description":"\u003cp\u003eTHE GOLD STANDARD\u003cbr\u003eThe Neumann U 87 Ai is probably the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 Ai is the standard microphone for speech and vocals. Three polar patterns plus pad and low cut options make it adaptable to a wide range of applications.\u003c\/p\u003e\n\u003cp\u003eOMNIPRESENT YET UNIQUE\u003cbr\u003eThe Neumann U 87 Ai is a true legend. Introduced in 1967, it has shaped the sound of countless hit records for the past 50 years. And when those hits were announced on the radio, many a DJ sat before a U 87 Ai. The legend continues: To this day, no professional recording studio is complete without a Neumann U 87 Ai.\u003c\/p\u003e\n\u003cp\u003eThe U 87 Ai is the epitome of a large diaphragm condenser microphone. Its tapered body and iconic headgrille design have become part of the collective consciousness: This is what a studio microphone looks like. The same is true of its sound: The U 87 Ai represents studio quality; it has become the gold standard by which other microphones are measured.\u003c\/p\u003e\n\u003cp\u003eWhat sets the U 87 Ai apart is its unique combination of linearity and character. Although its on-axis frequency response is remarkably flat, it does exert certain charisma. It just sounds right! This makes the U 87 Ai both versatile and instantly recognizable.\u003c\/p\u003e\n\u003cp\u003eCLASSIC NEUMANN ENGINEERING\u003cbr\u003eTechnically speaking, the U 87 Ai is a traditional design whose timeless formula has remained unchanged for decades. The U 87 Ai uses the same dual diaphragm condenser capsule design as its predecessor, the no less legendary U 67 of the early 1960s. Its head amplifier, too, is based on the same design principles as its tube driven predecessor, but the U 87 Ai realizes them by means of a unique FET circuit with a minimal signal path and a transformer balanced output, ensuring maximum signal integrity and high common mode rejection.\u003c\/p\u003e\n\u003cp\u003eThe result is a studio microphone of unmatched clarity. Its natural sound and unique midrange presence make the U 87 Ai the ultimate vocal microphone, praised by singers and engineers alike, as well the prime choice for speech applications, such as voice over, dubbing, and audio books. Due to its balanced response in each of its three directional patterns, the U 87 Ai is also a versatile microphone for anything from acoustic guitar to drums overheads. Due to its solid bass response and excellent midrange detail, it is often seen in front of bass and guitar cabinets. For classical recordings, the U 87 Ai is frequently used as a spot mic for soloists, e.g. cello. A stereo pair of U 87 Ais is the preferred choice of many engineers for recording piano in virtually any genre from pop and jazz to classical music.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe world’s most famous studio microphone\u003c\/li\u003e\n\u003cli\u003eClassic sound, instantly recognizable yet versatile\u003c\/li\u003e\n\u003cli\u003eBalanced frequency response\u003c\/li\u003e\n\u003cli\u003eThree polar patterns: omni, cardioid, figure-8\u003c\/li\u003e\n\u003cli\u003eSwitchable low cut and pad\u003c\/li\u003e\n\u003cli\u003eVery low self-noise\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431637151837,"sku":"935074000305","price":4939.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/u87-ai-mt-studio-set.png?v=1778355388"},{"product_id":"neumann-tlm102-studio-set-bk","title":"Neumann TLM102 Studio Set Condenser Mic w\/Shock Mount - Black","description":"\u003ch3\u003eTLM 102 Studio Set\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSmall size – big sound: Neumann’s most affordable large diaphragm microphone\u003c\/li\u003e\n\u003cli\u003eTrue Neumann quality at a very affordable price\u003c\/li\u003e\n\u003cli\u003eVery low self-noise\u003c\/li\u003e\n\u003cli\u003eHandles extreme SPLs without distortion\u003c\/li\u003e\n\u003cli\u003eIntegrated pop shield\u003c\/li\u003e\n\u003cli\u003eIncludes EA4 Shockmount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSMALL, SMART \u0026amp; POWERFUL\u003cbr\u003eThe TLM 102 brings Neumann quality to even the smallest studio. Like its more expensive siblings, the TLM 102 combines technical excellence with a beautifully balanced sound for silky vocals, crisp guitars and powerful drums. With its cardioid pattern and an integrated pop screen the TLM 102 is a joy to use, even for novices.\u003c\/p\u003e\n\u003cp\u003eTHE PERFECT INTRODUCTION TO THE NEUMANN SOUND\u003cbr\u003eThe TLM 102 is Neumann’s most affordable large diaphragm condenser microphone. And, of course, it is a true Neumann, designed and manufactured in Germany with great attention to every detail. Compared to more expensive Neumann microphones, the TLM 102 is reduced in size and features, but Neumann would never compromise on sound quality. Despite its affordable price, the TLM 102 has a very attractive look with a gleaming chrome ring between a classic tapered headgrille and the famous Neumann diamond.\u003c\/p\u003e\n\u003cp\u003eSMART LOOKS – SMART ENGINEERING\u003cbr\u003eThe TLM 102 sounds as smart as it looks! Its newly developed large diaphragm condenser capsule has all the qualities that made Neumann microphones the first choice in recording studios all over the world: a clear and focused sound with superb definition. Due to its remarkably linear response across the entire midrange, the TLM 102 is able to capture the authentic character of any voice or instrument, enhanced by a slight lift around 10 kHz for silky highs. The TLM 102 has gorgeous bottom end, too, enriched by the well-controlled proximity effect of a large diaphragm cardioid capsule. A joy for every singer!\u003c\/p\u003e\n\u003cp\u003eThe TLM 102’s technical performance is impressive, too. Its self-noise of only 12 dB-A is much lower than the ambient noise in even a very quiet room. At the same time, the TLM 102 is capable of handling extreme sound pressure levels of up to 144 dB free from distortion. As a member of the TLM range, the TLM 102 is equipped with a transformerless output stage, which means: powerful bass, even at highest signal levels, and a very direct sound without transmission losses.\u003c\/p\u003e\n\u003cp\u003eBIG SOUND FOR SMALL STUDIOS\u003cbr\u003eDue to its enormous dynamic range of 132 dB and a remarkably uniform cardioid pickup pattern, the TLM 102 is a very easy to use microphone for home and project studios, and also for demanding live applications. Its uncolored sound and fast transient response make the TLM 102 an excellent choice for male and female vocals as well as a wide range of instruments, such as acoustic and electric guitar, bass guitar and double bass, drums, percussion, brass, saxophone. The TLM 102 is a true workhorse for any small studio!\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431638757469,"sku":"930074001901","price":1272.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/product_detail_x2_desktop_tlm-102-bk-with-ea4_neumann-studio-microphone_m.png?v=1778355454"},{"product_id":"neumann-tlm103-studio-set","title":"Neumann TLM103 MT Condenser Microphone Studio Set - Nickel","description":"\u003cp\u003e\u003cstrong\u003eA modern studio standard\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe TLM 103 has quickly become one of the biggest successes in Neumann’s history. Its pristine, clear sound is a modern update on the classic U87. The TLM 103 is a transformerless cardioid condenser microphone with a gentle presence boost for a stunningly direct sound with breathtaking definition and ultra low noise.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCapsule design derived from the legendary U 87 A\u003c\/li\u003e\n\u003cli\u003eConsistent cardioid pattern\u003c\/li\u003e\n\u003cli\u003eBroad presence boost for enhanced sound definition\u003c\/li\u003e\n\u003cli\u003eExtremely low self-noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIntroduced in 1997 as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern classic in its own right. Today, the TLM 103 defines the standard by which contemporary studio microphones are measured. Its classic tapered headgrille design gives the TLM 103 a distinct Neumann look.\u003c\/p\u003e\n\u003cp\u003eThe TLM 103 is a cardioid microphone with a large diaphragm condenser capsule derived from the classic K67\/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz. Its very direct yet refined sound is perfect for vocals, and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them the number one choice in studios around the world. A unique feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTECHNICAL EXCELLENCE\u003c\/strong\u003e\u003cbr\u003eThe TLM 103 has set new standards for technical performance, too. With an incredibly low self-noise of only 7 dB-A , it is among the quietest microphones available. And its high sensitivity of 23 mV\/Pa, ensures ultra low noise even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for preattenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy to use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion.\u003c\/p\u003e\n\u003cp\u003eAs a member of Neumann’s TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original, as well as a clear, powerful bass response, even at highest signal levels.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAPPLICATIONS\u003c\/strong\u003e\u003cbr\u003eThe TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U87 e.g. for speech, vocals, drums, guitar amps, and piano. 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Its pristine, clear sound is a modern update on the classic U87. The TLM 103 is a transformerless cardioid condenser microphone with a gentle presence boost for a stunningly direct sound with breathtaking definition and ultra low noise.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCapsule design derived from the legendary U 87 A\u003c\/li\u003e\n\u003cli\u003eConsistent cardioid pattern\u003c\/li\u003e\n\u003cli\u003eBroad presence boost for enhanced sound definition\u003c\/li\u003e\n\u003cli\u003eExtremely low self-noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIntroduced in 1997 as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern classic in its own right. Today, the TLM 103 defines the standard by which contemporary studio microphones are measured. Its classic tapered headgrille design gives the TLM 103 a distinct Neumann look.\u003c\/p\u003e\n\u003cp\u003eThe TLM 103 is a cardioid microphone with a large diaphragm condenser capsule derived from the classic K67\/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz. Its very direct yet refined sound is perfect for vocals, and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them the number one choice in studios around the world. A unique feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTECHNICAL EXCELLENCE\u003c\/strong\u003e\u003cbr\u003eThe TLM 103 has set new standards for technical performance, too. With an incredibly low self-noise of only 7 dB-A , it is among the quietest microphones available. And its high sensitivity of 23 mV\/Pa, ensures ultra low noise even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for preattenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy to use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion.\u003c\/p\u003e\n\u003cp\u003eAs a member of Neumann’s TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original, as well as a clear, powerful bass response, even at highest signal levels.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAPPLICATIONS\u003c\/strong\u003e\u003cbr\u003eThe TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U87 e.g. for speech, vocals, drums, guitar amps, and piano. The TLM 103 is also often used as a spot mic in classical recordings e.g. for cello and double bass.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLarge diaphragm capsule derived from the classic U 87 microphone\u003c\/li\u003e\n\u003cli\u003eBalanced sound with enhanced presence\u003c\/li\u003e\n\u003cli\u003eCardioid pattern\u003c\/li\u003e\n\u003cli\u003eTransformerless circuitry with high SPL capability\u003c\/li\u003e\n\u003cli\u003eExtremely low self-noise: only 7 dB-A\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431639019613,"sku":"930074001897","price":2089.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/product_detail_x2_desktop_tlm-103-mt-with-ea1_neumann-studio-microphone_m.png?v=1778355469"},{"product_id":"neumann-tlm102-studio-set","title":"Neumann TLM102 Studio Set Condenser Mic w\/Shock Mount - Nickel","description":"\u003ch3\u003eTLM 102 Studio Set\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSmall size – big sound: Neumann’s most affordable large diaphragm microphone\u003c\/li\u003e\n\u003cli\u003eTrue Neumann quality at a very affordable price\u003c\/li\u003e\n\u003cli\u003eVery low self-noise\u003c\/li\u003e\n\u003cli\u003eHandles extreme SPLs without distortion\u003c\/li\u003e\n\u003cli\u003eIntegrated pop shield\u003c\/li\u003e\n\u003cli\u003eIncludes EA4 Shockmount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSMALL, SMART \u0026amp; POWERFUL\u003cbr\u003eThe TLM 102 brings Neumann quality to even the smallest studio. Like its more expensive siblings, the TLM 102 combines technical excellence with a beautifully balanced sound for silky vocals, crisp guitars and powerful drums. With its cardioid pattern and an integrated pop screen the TLM 102 is a joy to use, even for novices.\u003c\/p\u003e\n\u003cp\u003eTHE PERFECT INTRODUCTION TO THE NEUMANN SOUND\u003cbr\u003eThe TLM 102 is Neumann’s most affordable large diaphragm condenser microphone. And, of course, it is a true Neumann, designed and manufactured in Germany with great attention to every detail. Compared to more expensive Neumann microphones, the TLM 102 is reduced in size and features, but Neumann would never compromise on sound quality. Despite its affordable price, the TLM 102 has a very attractive look with a gleaming chrome ring between a classic tapered headgrille and the famous Neumann diamond.\u003c\/p\u003e\n\u003cp\u003eSMART LOOKS – SMART ENGINEERING\u003cbr\u003eThe TLM 102 sounds as smart as it looks! Its newly developed large diaphragm condenser capsule has all the qualities that made Neumann microphones the first choice in recording studios all over the world: a clear and focused sound with superb definition. Due to its remarkably linear response across the entire midrange, the TLM 102 is able to capture the authentic character of any voice or instrument, enhanced by a slight lift around 10 kHz for silky highs. The TLM 102 has gorgeous bottom end, too, enriched by the well-controlled proximity effect of a large diaphragm cardioid capsule. A joy for every singer!\u003c\/p\u003e\n\u003cp\u003eThe TLM 102’s technical performance is impressive, too. Its self-noise of only 12 dB-A is much lower than the ambient noise in even a very quiet room. At the same time, the TLM 102 is capable of handling extreme sound pressure levels of up to 144 dB free from distortion. As a member of the TLM range, the TLM 102 is equipped with a transformerless output stage, which means: powerful bass, even at highest signal levels, and a very direct sound without transmission losses.\u003c\/p\u003e\n\u003cp\u003eBIG SOUND FOR SMALL STUDIOS\u003cbr\u003eDue to its enormous dynamic range of 132 dB and a remarkably uniform cardioid pickup pattern, the TLM 102 is a very easy to use microphone for home and project studios, and also for demanding live applications. Its uncolored sound and fast transient response make the TLM 102 an excellent choice for male and female vocals as well as a wide range of instruments, such as acoustic and electric guitar, bass guitar and double bass, drums, percussion, brass, saxophone. The TLM 102 is a true workhorse for any small studio!\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431640002653,"sku":"930074001900","price":1272.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/tlm102_with_ea4.png?v=1778355517"},{"product_id":"neumann-km184stereoset","title":"Neumann KM184 STEREOSET Condenser Microphone Pair - Nickel","description":"\u003cp\u003e\u003cstrong\u003eKM 184 Stereo Set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThese are the mics we use to record every Better Music Acoustic Guitar video. Check out some example videos of them in use above!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eState-of-the-art small diaphragm condenser microphone\u003c\/li\u003e\n\u003cli\u003eCardioid pickup pattern without off-axis coloration\u003c\/li\u003e\n\u003cli\u003eVery low self-noise\u003c\/li\u003e\n\u003cli\u003eHigh SPL capability\u003c\/li\u003e\n\u003cli\u003eTransformerless electronics\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUNCOLORED, TRANSPARENT, VERSATILE\u003cbr\u003eThe KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.\u003c\/p\u003e\n\u003cp\u003eFAITHFUL\u003cbr\u003eWhile many microphones, these days, are designed to add some sonic imprint of their own, there are many applications that require a faithful reproduction of the original acoustic event, without adding or removing anything. That’s where the Neumann Series 180 comes in.\u003c\/p\u003e\n\u003cp\u003eThe Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more cost-effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages).\u003c\/p\u003e\n\u003cp\u003eCARDIOID\u003cbr\u003eDespite its attractive pricing, the KM 184 offers state-of-the-art Neumann engineering. Its cardioid pattern is frequency-independent; rejection of rearward sound (180°) is excellent, even at low frequencies. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo\/surround imaging. The KM 184’s frequency response is very smooth and linear with a slight treble lift around 9 kHz for added brilliance. Its innovative transformerless head amplifier offers a wide dynamic range of 125 dB and is carefully designed to maintain the capsule’s sonic integrity. The KM 184 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 138 dB free from distortion. Due to its low impedance output stage, the KM 184 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.\u003c\/p\u003e\n\u003cp\u003eAPPLICATIONS\u003cbr\u003eThe KM 184 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 184 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds, and brass. The KM 184 can be used for soloists as well as ensembles. Thanks to its superior off-axis behavior, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging. Although the KM 184 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 184 is visually unobtrusive and well suited to TV and radio applications.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431640100957,"sku":"935074000342","price":2421.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/product_detail_x2_desktop_km-184-stereoset_neumann-miniature-microphone_m.png?v=1778355520"},{"product_id":"neumann-kms105","title":"Neumann KMS105 Stage Condenser Microphone - Nickel","description":"\u003ch3\u003eKMS 105\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eStudio grade stage microphone for vocalists. Supercardioid pickup pattern.\u003c\/li\u003e\n\u003cli\u003eSupercardioid pattern with excellent feedback rejection\u003c\/li\u003e\n\u003cli\u003eStudio quality condenser capsule\u003c\/li\u003e\n\u003cli\u003eTransparent sound with a gentle treble lift\u003c\/li\u003e\n\u003cli\u003eHighly effective, foam-free pop filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNEUMANN SOUND ON STAGE\u003cbr\u003eThe KMS 105 is a studio grade vocal microphone for stage use. Its precision manufactured condenser capsule offers true Neumann sound quality, combined with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight supercardioid pattern.\u003c\/p\u003e\n\u003cp\u003eSTUDIO QUALITY FOR STAGE VOCALS\u003cbr\u003eThe KMS 105 brings studio sound quality to the stage. Unlike usual stage microphones, which use dynamic capsules, the KMS 105 is equipped with a true condenser microphone capsule offering the superior clarity that made Neumann studio microphones famous all over the world. At the same time, the KMS 105 possesses the ruggedness required of a stage mic, thus refuting the myth that condenser microphones must be “fragile”. The KMS 105 can stand enormous sound pressure levels of up to 150 dB without clipping, and its tight, frequency-independent supercardioid pattern ensures high gain before feedback. The KMS 105 has a much smoother frequency response than dynamic microphones and an airy top-end. Compared to dynamic microphones, the Neumann KMS 105 has a vastly superior transient response resulting in a more immediate, more emotional vocal sound. In practical terms: effortless intelligibility, without the usual EQ boosts – which further improves feedback resistance.\u003c\/p\u003e\n\u003cp\u003eAs a stage microphone, the KMS 105 is optimized for close miking; a fixed low cut filter compensates for the proximity effect and ensures clear bass, even if the singer’s lips touch the microphone. The headgrille is made of hardened steel and features a carefully designed multi-level pop filter made of wire gauze. Despite its effectiveness, this acoustic filter does not cause any sibilance problems or compromise the capsule’s directivity. The head amplifier is protected by a thick-walled housing. Its transformerless output minimizes electromagnetic interference, such as hum. Because of its low output impedance of only 50 ohms, the KMS 105 can drive very long cable runs of up to 300 m (1000 ft) without transmission losses.\u003c\/p\u003e\n\u003cp\u003eAPPLICATIONS\u003cbr\u003eThe KMS 105 is primarily designed as a handheld vocal microphone but can be used for other stage applications as well, due to its high SPL capability and wide dynamic range. Examples include percussion, saxophone, trumpet, trombone, harmonica, acoustic guitar, and guitar cabinets. Thanks to its superior sound quality, the KMS 105 is also an excellent microphone for home recording and broadcast applications. Because it is optimized for close mic placement, the KMS 105 will pick up a dry sound with very little ambience, which is a big advantage in untreated rooms.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431640166493,"sku":"935074000274","price":1177.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/x1_kms-105-frontal_neumann-stage-microphone_g.jpg?v=1778355524"},{"product_id":"neumann-kms104","title":"Neumann KMS104 Stage Condenser Microphone - Nickel","description":"\u003ch3\u003eKMS 104\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eStudio grade stage microphone for vocalists. Cardioid pickup pattern.\u003c\/li\u003e\n\u003cli\u003eCardioid pattern with excellent feedback rejection\u003c\/li\u003e\n\u003cli\u003eStudio quality condenser capsule\u003c\/li\u003e\n\u003cli\u003eTransparent sound with a gentle treble lift\u003c\/li\u003e\n\u003cli\u003eExcellent pop protection\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNEUMANN SOUND ON STAGE\u003cbr\u003eThe KMS 104 is a studio grade vocal microphone for stage use. Its precision manufactured condenser capsule offers true Neumann sound quality, combined with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern.\u003c\/p\u003e\n\u003cp\u003eSTUDIO QUALITY FOR STAGE VOCALS\u003cbr\u003eThe KMS 104 brings studio sound quality to the stage. Unlike usual stage microphones, which use dynamic capsules, the KMS 104 is equipped with a true condenser microphone capsule offering the superior clarity that made Neumann studio microphones famous all over the world. At the same time, the KMS 104 possesses the ruggedness required of a stage mic, thus refuting the myth that condenser microphones must be “fragile”. The KMS 104 can stand enormous sound pressure levels of up to 150 dB without clipping, and its tight, frequency-independent cardioid pattern ensures high gain before feedback. The KMS 104 has a much smoother frequency response than dynamic microphones and an airy top-end. Compared to dynamic microphones, the Neumann KMS 104 has a vastly superior transient response resulting in a more immediate and more emotional vocal sound. In practical terms: effortless intelligibility, without the usual EQ boosts – which further improves feedback resistance.\u003c\/p\u003e\n\u003cp\u003eAs a stage microphone, the KMS 104 is optimized for close miking; a fixed low cut filter compensates for the proximity effect and ensures clear bass, even if the singer’s lips touch the microphone. The headgrille is made of hardened steel and features a highly effective internal pop screen which also keeps moisture away from the capsule. Thanks to careful Neumann engineering, these acoustic filters do not cause any sibilance problems. The head amplifier is protected by a thick-walled housing. Its transformerless output minimizes electromagnetic interference, such as hum. Because of its low output impedance of only 50 ohms, the KMS 104 can drive very long cable runs of up to 300 m (1000 ft) without transmission losses.\u003c\/p\u003e\n\u003cp\u003eAPPLICATIONS\u003cbr\u003eThe KMS 104 is primarily designed as a handheld vocal microphone but can be used for other stage applications as well, due to its high SPL capability and wide dynamic range. Examples include percussion, saxophone, trumpet, trombone, harmonica, acoustic guitar, and guitar cabinets. Thanks to its superior sound quality, the KMS 104 is also an excellent microphone for home recording and broadcast applications. Because it is optimized for close mic placement, the KMS 104 will pick up a dry sound with very little ambience, which is a big advantage in untreated rooms.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431640199261,"sku":"930074001902","price":1177.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/x1_kms-104-frontal_neumann-stage-microphone_g.jpg?v=1778355523"},{"product_id":"neumann-tlm193","title":"Neumann TLM193 Studio Condenser Microphone","description":"\u003ch3\u003eTLM 193\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAn affordable reference class microphone, extremely easy to use.\u003c\/li\u003e\n\u003cli\u003eEasy “plug-and-play” handling\u003c\/li\u003e\n\u003cli\u003eCardioid pattern without off-axis coloration\u003c\/li\u003e\n\u003cli\u003eVery low self-noise and distortion\u003c\/li\u003e\n\u003cli\u003eEven frequency response, excellent transient behavior\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSIMPLY BEAUTIFUL \u0026amp; BEAUTIFULLY SIMPLE\u003cbr\u003eThe TLM 193 is a reference class studio microphone for project studios and all applications that do not require selectable polar patterns. The TLM 193 is a switchless design with a fixed cardioid pattern and a remarkably even frequency response. This makes it extremely easy to use: Just aim it at the source and press record.\u003c\/p\u003e\n\u003cp\u003eWHAT YOU HEAR IS WHAT YOU GET\u003cbr\u003eThe TLM 193 is a studio condenser microphone with an exceptionally uniform cardioid pattern for a very linear response both on- and off-axis. This makes the TLM 193 a very truthful and straightforward microphone which will capture the source and its room ambience without unwanted coloration. Thus, the TLM 193’s sound image is very close to what you hear with your own ears.\u003c\/p\u003e\n\u003cp\u003ePURE CARDIOID\u003cbr\u003eTechnically speaking, the TLM 193 is a streamlined, cardioid-only version of our acclaimed reference microphone TLM 170 R. It uses the same K 89 large diaphragm capsule, which is a modern, edge-terminated design uniting the benefits of large and small diaphragm microphones. The TLM 193 combines the superior linearity and fast transient response of a small diaphragm capsule with the smoothness and high sensitivity only a large diaphragm microphone offers.\u003c\/p\u003e\n\u003cp\u003eAs a member of our TLM series, the TLM 193 uses transformerless circuitry which minimizes transmission losses and ensures a vast dynamic range of 130 dB. This means, the TLM 193 is able to capture very soft and very loud sources without sonic degradation. In numbers: The microphone’s self-noise of only 10 dB-A is way below the ambient noise in even a very quiet recording studio. And without requiring a pad switch, the TLM 193 is able to handle extreme sound pressure levels of up to 140 dB free from distortion artifacts.\u003c\/p\u003e\n\u003cp\u003eSIMPLY BEAUTIFUL\u003cbr\u003eIts sonic purity and technical excellence make the TLM 193 a very easy to use microphone for many applications. Just point it at the source to capture its natural sonic beauty. The TLM 193 is a superb microphone for vocals and speech, especially dubbing and voice-over work, where it will capture the authentic voice character without “added flavors”. Of course, the TLM 193 may also be used for a great variety of instruments such as acoustic and electric guitar, drums and percussion, piano, and much more.\u003c\/p\u003e\n\u003cp\u003eThe TLM 193 is mainly designed for home, project, and broadcast studios but is also a very useful and versatile addition for larger setups. Its linear, uncolored sound image both on- and off-axis makes the TLM 193 an excellent spot mic in orchestral recordings e.g. for low strings, woodwinds and brass an. Due to its slightly smaller size and dark color scheme, the TLM 193 is visually unobtrusive.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431640232029,"sku":"930074001905","price":2326.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/x1_tlm-193-frontal_neumann-studio-microphone_g.jpg?v=1778355524"},{"product_id":"neumann-tlm103","title":"Neumann TLM103 Studio Condenser Mic - Nickel","description":"\u003ch3\u003eTLM 103\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eA modern studio standard\u003c\/li\u003e\n\u003cli\u003eCapsule design derived from the legendary U 87 A\u003c\/li\u003e\n\u003cli\u003eConsistent cardioid pattern\u003c\/li\u003e\n\u003cli\u003eBroad presence boost for enhanced sound definition\u003c\/li\u003e\n\u003cli\u003eExtremely low self-noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA MODERN CLASSIC\u003cbr\u003eThe TLM 103 has quickly become one of the biggest successes in Neumann’s history. Its pristine, clear sound is a modern update on the classic U87. The TLM 103 is a transformerless cardioid condenser microphone with a gentle presence boost for a stunningly direct sound with breathtaking definition and ultra low noise.\u003c\/p\u003e\n\u003cp\u003eTHE NEW STANDARD\u003cbr\u003eIntroduced in 1997 as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern classic in its own right. Today, the TLM 103 defines the standard by which contemporary studio microphones are measured. Its classic tapered headgrille design gives the TLM 103 a distinct Neumann look.\u003c\/p\u003e\n\u003cp\u003eThe TLM 103 is a cardioid microphone with a large diaphragm condenser capsule derived from the classic K67\/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz. Its very direct yet refined sound is perfect for vocals, and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them the number one choice in studios around the world. A unique feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments.\u003c\/p\u003e\n\u003cp\u003eTECHNICAL EXCELLENCE\u003cbr\u003eThe TLM 103 has set new standards for technical performance, too. With an incredibly low self-noise of only 7 dB-A , it is among the quietest microphones available. And its high sensitivity of 23 mV\/Pa, ensures ultra low noise even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for preattenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy to use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion.\u003c\/p\u003e\n\u003cp\u003eAs a member of Neumann’s TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original, as well as a clear, powerful bass response, even at highest signal levels.\u003c\/p\u003e\n\u003cp\u003eAPPLICATIONS\u003cbr\u003eThe TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U87 e.g. for speech, vocals, drums, guitar amps, and piano. The TLM 103 is also often used as a spot mic in classical recordings e.g. for cello and double bass\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431640264797,"sku":"930074001906","price":1823.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/x1_tlm-103-frontal_neumann-studio-microphone_g.jpg?v=1778355527"},{"product_id":"neumann-tlm102","title":"Neumann TLM102 Studio Condenser Mic - Nickel","description":"\u003cul\u003e\n\u003cli\u003eSmall size – big sound: Neumann’s most affordable large diaphragm microphone\u003c\/li\u003e\n\u003cli\u003eTrue Neumann quality at a very affordable price\u003c\/li\u003e\n\u003cli\u003eVery low self-noise\u003c\/li\u003e\n\u003cli\u003eHandles extreme SPLs without distortion\u003c\/li\u003e\n\u003cli\u003eIntegrated pop shield\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSMALL, SMART \u0026amp; POWERFUL\u003cbr\u003eThe TLM 102 brings Neumann quality to even the smallest studio. Like its more expensive siblings, the TLM 102 combines technical excellence with a beautifully balanced sound for silky vocals, crisp guitars and powerful drums. With its cardioid pattern and an integrated pop screen the TLM 102 is a joy to use, even for novices.\u003c\/p\u003e\n\u003cp\u003eTHE PERFECT INTRODUCTION TO THE NEUMANN SOUND\u003cbr\u003eThe TLM 102 is Neumann’s most affordable large diaphragm condenser microphone. And, of course, it is a true Neumann, designed and manufactured in Germany with great attention to every detail. Compared to more expensive Neumann microphones, the TLM 102 is reduced in size and features, but Neumann would never compromise on sound quality. Despite its affordable price, the TLM 102 has a very attractive look with a gleaming chrome ring between a classic tapered headgrille and the famous Neumann diamond.\u003c\/p\u003e\n\u003cp\u003eSMART LOOKS – SMART ENGINEERING\u003cbr\u003eThe TLM 102 sounds as smart as it looks! Its newly developed large diaphragm condenser capsule has all the qualities that made Neumann microphones the first choice in recording studios all over the world: a clear and focused sound with superb definition. Due to its remarkably linear response across the entire midrange, the TLM 102 is able to capture the authentic character of any voice or instrument, enhanced by a slight lift around 10 kHz for silky highs. The TLM 102 has gorgeous bottom end, too, enriched by the well-controlled proximity effect of a large diaphragm cardioid capsule. A joy for every singer!\u003c\/p\u003e\n\u003cp\u003eThe TLM 102’s technical performance is impressive, too. Its self-noise of only 12 dB-A is much lower than the ambient noise in even a very quiet room. At the same time, the TLM 102 is capable of handling extreme sound pressure levels of up to 144 dB free from distortion. As a member of the TLM range, the TLM 102 is equipped with a transformerless output stage, which means: powerful bass, even at highest signal levels, and a very direct sound without transmission losses.\u003c\/p\u003e\n\u003cp\u003eBIG SOUND FOR SMALL STUDIOS\u003cbr\u003eDue to its enormous dynamic range of 132 dB and a remarkably uniform cardioid pickup pattern, the TLM 102 is a very easy to use microphone for home and project studios, and also for demanding live applications. Its uncolored sound and fast transient response make the TLM 102 an excellent choice for male and female vocals as well as a wide range of instruments, such as acoustic and electric guitar, bass guitar and double bass, drums, percussion, brass, saxophone. 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Now, for the first time in decades, Neumann’s legendary tube microphone is back in production, built to the original specifications.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClassic tube circuit, transformer balanced\u003c\/li\u003e\n\u003cli\u003eReissue of the legendary Neumann U 67\u003c\/li\u003e\n\u003cli\u003eMade to original specifications using archived documentation\u003c\/li\u003e\n\u003cli\u003eNew power supply NU 67 V automatically adapts to the local mains voltage\u003c\/li\u003e\n\u003cli\u003eHandmade and hand soldered in Germany\u003c\/li\u003e\n\u003cli\u003eBalanced sound in three polar patterns\u003c\/li\u003e\n\u003cli\u003eVintage case, handmade in Germany\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHE ORIGINAL – OFTEN IMITATED, NEVER DUPLICATED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIntroduced in 1960, the U 67 was the quintessential studio workhorse throughout the formative years of modern music. Today, more than ever, its inimitably smooth sound continues to be in high demand. To this day, many top-level engineers and artists would choose the U 67 as their “desert island” microphone for its extraordinary versatility and unmatched sound quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHISTORY REPEATING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSonically, the current reissue is identical to the U 67 made from 1960-1971. It uses the same capsule and electronic design. Key parts, such as the BV 12 output transformer, are meticulously reproduced according to original documentation. EF86 tubes are carefully selected for optimal characteristics and lowest noise in a dedicated measurement facility. The power supply was redesigned to meet today’s strict safety requirements and to accommodate the slightly higher filament current of newer premium grade tubes. The new power supply NU 67 V is fully compatible with older U 67 microphones.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431640395869,"sku":"935074000387","price":11399.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/u67-set_z.jpg?v=1778355532"},{"product_id":"neumann-tlm107-set-black","title":"Neumann TLM107 Condenser Microphone Studio Set - Black","description":"\u003cp\u003e\u003cstrong\u003eTLM107 Studio Set (includes EA4 Elastic Suspension mount)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMulti-faceted versatility, no-compromise sound and innovative operation: With five directional characteristics and a novel operating concept, this standard-setting large-diaphragm microphone provides sound without any coloration. Featuring equally impressive level stability and low self-noise, it captures everything from the softest whisper to thundering drums. For studio, broadcasting and demanding home recording applications.\u003c\/p\u003e\n\u003cp\u003eClassic proportions combined with attractive styling and fresh ideas – the TLM 107 perfectly embodies the Neumann philosophy: Innovation based on tradition. Far from evoking vintage or retro nostalgia, the standard-setting TLM 107 represents an impressive, modern studio microphone. Its extensive performance spectrum and high-precision reproduction, very close to the original, make the TLM 107 universally applicable, opening up previously unknown design freedom possibilities in mixing and post-production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNeumann Engineering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe newly developed sound transducer, which was designed especially for this microphone, is impressive with its outstanding impulse fidelity. The great consistency of the five polar patterns, omnidirectional, cardioid and figure-8, with the intermediate patterns wide-angle cardioid and hypercardioid, is also unusual for a large-diaphragm capsule. The TLM 107 provides optimal sound not only for the cardioid setting; it also ensures maximum precision over the entire frequency range for all of the other directional characteristics. The sound always remains balanced, with an almost linear reproduction up to 8 kHz, and a slight boost in the highest frequencies that lends presence and freshness to the voice. Here particular attention has been paid to the natural reproduction of speech sounds, especially the critical “s” sound. The grille is acoustically optimized for low sensitivity to pop sounds. In addition, the sound transducer is edge-terminated, with both diaphragms at ground voltage. Specifically, this ensures considerably reduced sensitivity to dust and humidity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo-Compromise Sound Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTransformerless circuitry permits a high degree of linearity and a large dynamic range. The self-noise of only 10 dB-A is practically inaudible, while at the same time, the TLM 107 features high level stability. The maximum sound pressure level of 141 dB SPL can be increased to 153 dB SPL via pre-attenuation (Pad). This enables the TLM 107 to transmit the sound of even the loudest instruments without distortion. The Low Cut settings of Linear, 40 Hz, and 100 Hz are precisely adapted to practical recording situations. Without side effects, the 40 Hz setting cuts interference noise below the range of fundamental tones (where 41 Hz is the frequency of the double bass open E string), while the 100 Hz setting is optimized for speech and vocals (where 100 Hz corresponds to the lowest notes of a baritone).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInnovative Operating Concept\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor the first time, all of the microphone switch functions are controlled intuitively via a navigation switch. A visual highlight is the illuminated pattern display in the chrome ring, while the Pad and Low Cut status is displayed by LEDs to the left and right of the switch. In order not to distract singers, the switch and display are located on the back of the microphone. After 15 seconds, the displays are turned off automatically.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431640887389,"sku":"930074001941","price":2374.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/62940_1_sq.jpg?v=1778355553"},{"product_id":"neumann-tlm107-set-nickel","title":"Neumann TLM107 Condenser Microphone Studio Set - Nickel","description":"\u003cp\u003e\u003cstrong\u003eTLM107 Studio Set (includes EA4 Elastic Suspension mount)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMulti-faceted versatility, no-compromise sound and innovative operation: With five directional characteristics and a novel operating concept, this standard-setting large-diaphragm microphone provides sound without any coloration. Featuring equally impressive level stability and low self-noise, it captures everything from the softest whisper to thundering drums. For studio, broadcasting and demanding home recording applications.\u003c\/p\u003e\n\u003cp\u003eClassic proportions combined with attractive styling and fresh ideas – the TLM 107 perfectly embodies the Neumann philosophy: Innovation based on tradition. Far from evoking vintage or retro nostalgia, the standard-setting TLM 107 represents an impressive, modern studio microphone. Its extensive performance spectrum and high-precision reproduction, very close to the original, make the TLM 107 universally applicable, opening up previously unknown design freedom possibilities in mixing and post-production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNeumann Engineering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe newly developed sound transducer, which was designed especially for this microphone, is impressive with its outstanding impulse fidelity. The great consistency of the five polar patterns, omnidirectional, cardioid and figure-8, with the intermediate patterns wide-angle cardioid and hypercardioid, is also unusual for a large-diaphragm capsule. The TLM 107 provides optimal sound not only for the cardioid setting; it also ensures maximum precision over the entire frequency range for all of the other directional characteristics. The sound always remains balanced, with an almost linear reproduction up to 8 kHz, and a slight boost in the highest frequencies that lends presence and freshness to the voice. Here particular attention has been paid to the natural reproduction of speech sounds, especially the critical “s” sound. The grille is acoustically optimized for low sensitivity to pop sounds. In addition, the sound transducer is edge-terminated, with both diaphragms at ground voltage. Specifically, this ensures considerably reduced sensitivity to dust and humidity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo-Compromise Sound Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTransformerless circuitry permits a high degree of linearity and a large dynamic range. The self-noise of only 10 dB-A is practically inaudible, while at the same time, the TLM 107 features high level stability. The maximum sound pressure level of 141 dB SPL can be increased to 153 dB SPL via pre-attenuation (Pad). This enables the TLM 107 to transmit the sound of even the loudest instruments without distortion. The Low Cut settings of Linear, 40 Hz, and 100 Hz are precisely adapted to practical recording situations. Without side effects, the 40 Hz setting cuts interference noise below the range of fundamental tones (where 41 Hz is the frequency of the double bass open E string), while the 100 Hz setting is optimized for speech and vocals (where 100 Hz corresponds to the lowest notes of a baritone).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInnovative Operating Concept\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor the first time, all of the microphone switch functions are controlled intuitively via a navigation switch. A visual highlight is the illuminated pattern display in the chrome ring, while the Pad and Low Cut status is displayed by LEDs to the left and right of the switch. In order not to distract singers, the switch and display are located on the back of the microphone. After 15 seconds, the displays are turned off automatically.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431640920157,"sku":"930074001942","price":2374.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/pict3511_tlm107_studio_set.jpg?v=1778355554"},{"product_id":"neumann-tlm49-studio-condenser-microphone","title":"Neumann TLM49 Studio Condenser Microphone","description":"\u003cp\u003e\u003cstrong\u003eThe TLM 49 brings back the vintage tone of Neumann’s post-war classics. The TLM 49 uses the same K 47 capsule and the iconic large headgrille design of Neumann’s legendary M 49, but instead of electron tubes the TLM 49 relies on trouble free FET circuitry with a special sound design for smooth vocals and acoustic instruments with timeless elegance.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe sound of our 1950s tube classics recreated with trouble free FET circuitry\u003c\/li\u003e\n\u003cli\u003eSame capsule design as the legendary U 47 and M 49\u003c\/li\u003e\n\u003cli\u003eOptimized for a classic, silky vocal sound\u003c\/li\u003e\n\u003cli\u003eTube sound characteristics from reliable FET circuitry\u003c\/li\u003e\n\u003cli\u003eClassic look with large M 49 headgrille\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVINTAGE SOUND WITH NEW TECHNOLOGY\u003c\/strong\u003e\u003cbr\u003eMany engineers, these days, long for the smooth sound of classic tube microphones of the 1950s. Unfortunately, vintage originals come at staggering prices and are often in need of maintenance. But for those who want a recording tool rather than a collector’s item, Neumann has developed an elegant solution: The TLM 49 combines the sonic excellence of Neumann’s legendary U 47 and M 49 microphones with the convenience and high reliability of a modern phantom powered microphone. Its looks are classic, too!\u003c\/p\u003e\n\u003cp\u003eAs the model number implies, the TLM 49 is inspired by its famous precursor, the legendary Neumann M 49, a microphone associated with countless jazz and pop recordings of the 1950s and 60s. The TLM 49 shares the same large, acoustically open headgrille and the same large diaphragm condenser capsule design. This classic K 47 capsule, renowned for its unsurpassed sonic elegance, was also used in the Neumann U 47, the vocal mic of choice for Frank Sinatra, the Beatles, and scores of famous artists up to the present day.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRE-ENGINEERING THE PAST\u003c\/strong\u003e\u003cbr\u003eThe main difference between the TLM 49 and its famous predecessors lies in its electronic circuit. Instead of electron tubes, the TLM 49’s head amplifier uses reliable transformerless solid state technology – yet with a special sound design that closely reproduces the sonics of tube circuits. For instance, the TLM 49 intentionally produces soft saturation at higher sound pressure levels, resulting in a seemingly low max SPL figure of 110 dB for 0.5% THD, rising slowly to 5% at 129 dB SPL. The TLM 49 thus captures the sound and dynamic behavior of its legendary precursors without the inconvenience of an external PSU or expensive tube replacements, yet with a substantially improved self-noise figure of only 12 dB-A.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAPPLICATIONS\u003c\/strong\u003e\u003cbr\u003eThe TLM 49 has a fixed cardioid pattern and is designed mainly as a microphone for vocalists, but its clear bass and superb midrange with a gentle presence boost above 2 kHz will produce excellent results with various instruments, too, such as acoustic guitar and upright bass.\u003c\/p\u003e\n\u003cp\u003eSame capsule as legendary Neumann U 47 and M 49 microphones\u003cbr\u003eCardioid pattern\u003cbr\u003eClassic sound for silky vocals\u003cbr\u003eLarge, acoustically open headgrille\u003cbr\u003eTransformerless solid state circuit with tube sound characteristics\u003cbr\u003eVery low self-noise\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431642787933,"sku":"930074001899","price":2754.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/tlm49_z.jpg?v=1778355632"},{"product_id":"neumann-km184-condenser-microphone","title":"Neumann KM184 Small Diaphragm Condenser Microphone","description":"\u003cp\u003e\u003cstrong\u003eThe KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCardioid pickup pattern without off-axis coloration\u003c\/li\u003e\n\u003cli\u003eVery low self-noise\u003c\/li\u003e\n\u003cli\u003eHigh SPL capability\u003c\/li\u003e\n\u003cli\u003eTransformerless electronics\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFAITHFUL\u003c\/strong\u003e\u003cbr\u003eWhile many microphones, these days, are designed to add some sonic imprint of their own, there are many applications that require a faithful reproduction of the original acoustic event, without adding or removing anything. That’s where the Neumann Series 180 comes in.\u003c\/p\u003e\n\u003cp\u003eThe Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more cost-effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCARDIOID\u003c\/strong\u003e\u003cbr\u003eDespite its attractive pricing, the KM 184 offers state-of-the-art Neumann engineering. Its cardioid pattern is frequency-independent; rejection of rearward sound (180°) is excellent, even at low frequencies. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo\/surround imaging. The KM 184’s frequency response is very smooth and linear with a slight treble lift around 9 kHz for added brilliance. Its innovative transformerless head amplifier offers a wide dynamic range of 125 dB and is carefully designed to maintain the capsule’s sonic integrity. The KM 184 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 138 dB free from distortion. Due to its low impedance output stage, the KM 184 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAPPLICATIONS\u003c\/strong\u003e\u003cbr\u003eThe KM 184 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 184 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds, and brass. The KM 184 can be used for soloists as well as ensembles. Thanks to its superior off-axis behavior, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging. Although the KM 184 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 184 is visually unobtrusive and well suited to TV and radio applications.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUniform cardioid pattern without off-axis coloration\u003c\/li\u003e\n\u003cli\u003eLinear frequency response with a slight treble lift\u003c\/li\u003e\n\u003cli\u003eVery low self-noise (13 dB-A)\u003c\/li\u003e\n\u003cli\u003eLow impedance output for long cable runs without transmission losses\u003c\/li\u003e\n\u003cli\u003eTransformerless circuitry\u003c\/li\u003e\n\u003cli\u003eCompact size, visually unobtrusive\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431642853469,"sku":"930074000965","price":1167.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/product_detail_x2_desktop_km-184-with-sg21_neumann-miniature-microphone_m.png?v=1778355635"},{"product_id":"neumann-tlm-62-multi-pattern-transformerless-microphone","title":"Neumann TLM 67 Multi-Pattern Condenser Microphone","description":"\u003cp\u003eThe TLM 67 captures the spirit of Neumann’s classic U 67, which defined the sound of the 1960s. But instead of electron tubes the TLM 67 relies on trouble free FET electronics with a special sound design for a gorgeous retro tone. Like its predecessor, the TLM 67 is a versatile studio workhorse with three polar patterns, pad and low cut options.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe TLM 67 is extremely versatile. Its three switchable directional characteristics (omnidirectional, cardioid and figure-8), selectable 10 dB pre-attenuation and high-pass filter permit detailed adjustments to be made, depending upon the specific recording situation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExterior design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe TLM 67 is a large-diaphragm condenser microphone in the classic Neumann style, with a unique dual-color design. The stylish pearl-gray of the microphone body combined with the classic Neumann nickel lends the microphone a touch of distinctive individuality. The legendary, frequently imitated design of the Neumann U 67 was the first to be developed by Neumann employees in collaboration with the famous German designer, Wilhelm Braun-Feldweg. The design of the TLM 67 represents a contemporary development of that of the U 67, transferring its positive impact to the present era. The enhanced exterior design thus links past and future microphone design trends.\u003c\/p\u003e\n\u003cp\u003eOn the occasion of its 80th anniversary, the Neumann company is honoring its founder, Georg Neumann, with a three-dimensional metal emblem on the front of the TLM 67. The distinctive Neumann attraction is conveyed in every detail of the microphone. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDue to its extensive control features, the TLM 67 is suitable for a wide range of applications. In addition to its primary role as a vocal microphone for all types of music and spoken voice, in orchestral recordings the TLM 67 can be used as a main microphone and as a spot microphone for individual instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe microphone is addressed from the side on which the Neumann logo is located. A large wire mesh grille encloses the elastically mounted double diaphragm capsule. The directional characteristics omnidirectional, cardioid or figure-8 can be selected via a switch below the grille. The selected setting is indicated by a symbol shown in a window above the switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectrical features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe letters “TLM” stand for “transformerless microphone”. In the TLM 67, an electronic circuit is used rather than a conventional output transformer. Like a transformer, the circuit ensures good common mode rejection, effectively suppressing interference signals that affect the balanced modulation line. The microphone can operate at sound pressure levels of up to 105 dB without distortion, and has a dynamic range of 94 dB (A-weighted), without the use of the pre-attenuation switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFilter and pre-attenuation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe pre-attenuation switch on the back of the microphone can be used to reduce transmission levels by approx. 10 dB. It should be used only when there is a risk of overloading following devices due to very high sound pressure levels. Use of the switch does not increase the dynamic range of the microphone, but rather shifts it by 10 dB, to higher sound pressure levels. The other switch on the back of the microphone can be used to change the cutoff frequency of the built-in high-pass filter, so as to suppress the effects of impact sound and wind noise, or to compensate for the proximity effect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOperational reliability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eElastic mounting of the capsule supplies protection from the transmission of structure-borne noise. If required, the EA 87 elastic suspension and WS 87 windscreen are available as accessories, for further suppression of structure-borne and wind noise. The PS 15 or PS 20 a popscreen can be used if the microphone is to be addressed at close range.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcoustical operating principle Pressure gradient transducer\u003c\/li\u003e\n\u003cli\u003eDirectional pattern Omni\/cardioid\/figure-8\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz ... 20 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity at 1 kHz into 1 kohm 10\/18\/9 mV\/Pa\u003c\/li\u003e\n\u003cli\u003eRated impedance 50 ohms\u003c\/li\u003e\n\u003cli\u003eRated load impedance 1 kohms\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, CCIR1) 29\/24\/30 dB\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted1) 16\/11\/17 dB-A\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio, CCIR1) (rel. 94 dB SPL) 65\/70\/64 dB\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) 78\/83\/77 dB-A\u003c\/li\u003e\n\u003cli\u003eMaximum SPL (tube characteristic) for THD \u0026lt; 0.5 %2) 110\/105\/111 dB\u003c\/li\u003e\n\u003cli\u003eMaximum SPL (tube characteristic) for THD \u0026lt; 5 %2) 130\/125\/131 dB\u003c\/li\u003e\n\u003cli\u003eMaximum output voltage -1 dBu\u003c\/li\u003e\n\u003cli\u003ePower supply P48\u003c\/li\u003e\n\u003cli\u003eMatching connector XLR 3F\u003c\/li\u003e\n\u003cli\u003eWeight 490 g\u003c\/li\u003e\n\u003cli\u003eDiameter 56 mm\u003c\/li\u003e\n\u003cli\u003eLength 200 mm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone only - Shockmount not included\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431645376605,"sku":"930074001917","price":3314.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/product_detail_x2_desktop_tlm-67_neumann-studio-microphone_m.png?v=1778355658"},{"product_id":"neumann-u87ai-studio-set-includes-suspension-mount","title":"Neumann U87AI Nickel Condenser Microphone - Studio Set (Includes Suspension Mount)","description":"\u003cp\u003e\u003cem\u003eIf you simply want the best vocal microphone, buy this. Saying that, the U87 can turn its talents to anything from congas to acoustic guitar and has been the microphone of choice for countless hit musicians since its inception. The new AI may sound slightly brighter than the original U87 but this is due to the age and condition of the components in the original models. If you've ever heard a newly serviced U87, you'll know that it sounds like a U87AI. Since learning that Eddie Vedder was recorded through a U87 for Pearl Jam's debut album, Ten, I have been a huge fan of this microphone. I didn't use the word pedigree in this description, but anywhere Neumann are mentioned, you'll see it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Neumann U 87 Ai - voted as THE best microphone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe readers of the SOUND ON SOUND magazine have voted: U 87 Ai - the BEST MICROPHONE, announced during the Winter NAMM show 2012 in Anaheim, California.\u003c\/p\u003e\n\u003cp\u003eThe SOS award went to products, that \"have made our lives in the studio all the more enjoyable\". It is a further evidence for the reputation of the U 87 Ai as the world famous, professional standard studio condenser microphone. Until today the U 87 sets the mark in the microphone industry by which all others are measured.\u003c\/p\u003e\n\u003cp\u003eThe U 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Our users are recognising the microphone immediately by its distinctive design. Well-known for its warm and well balanced characteristics - your perfect choice as vocal microphone for all types of music and speech. The usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone - in studios, for broadcasting, film and television.\u003c\/p\u003e\n\u003cp\u003eThe U 87* is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. Furthermore, the low frequency response can be reduced to compensate for proximity effect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television. The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectrical features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged. The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S\/N ratio of 3 dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFilter and attenuation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion. An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect). The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44431645409373,"sku":"935074000368","price":4939.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/u87_z.jpg?v=1778355660"}],"url":"https:\/\/gearstage.store\/collections\/neumann.oembed?page=2","provider":"GearStage","version":"1.0","type":"link"}