{"title":"Preamps \u0026 Outboard","description":null,"products":[{"product_id":"soldano-x88-ir-3-ch-all-tube-stereo-rackmount-preamp","title":"Soldano X88-IR 3-Ch All-Tube Stereo Rackmount Preamp","description":"\u003cp\u003eThe Soldano X88R is considered by many guitar players as the holy grail of rack mount tube preamps. From its inspiring Soldano tone to distinctive purple anodized panel, the X88R is\u003cbr\u003eone of the world’s most sought-after pieces of vintage gear used by countless professional musicians including Peter Frampton, Warren DeMartini, Michael Landau, Steve Lukather, Lou Reed and Lee Ritenour to name a few.\u003c\/p\u003e\n\u003cp\u003eThe new X88-IR continues this legacy by preserving every ounce of Soldano’s legendary tone, with updated modern features tailored to meet the needs of today’s professional players.\u003c\/p\u003e\n\u003cp\u003eX88-IR\u003c\/p\u003e\n\u003cp\u003eFeatures\u003cbr\u003eSoldano’s famous cascading-gain design\u003cbr\u003eHand built in the USA\u003cbr\u003eTubes: 5 x 12AX7\u003cbr\u003eDimensions (2-unit rack space): 19” (W) x 10.25” (D) x 3.5” (H)\u003cbr\u003eWeight: 10 lbs.\u003c\/p\u003e\n\u003cp\u003eFront Panel\u003c\/p\u003e\n\u003cp\u003ePurple Anodized front panel\u003cbr\u003eAll Channels – Preamp Level, Bass, Middle, Treble, Output Level and Bright switch\u003cbr\u003eChannel 1- Bright switch and selectable Normal\/Altered ModeFender style Normal Mode\u003cbr\u003eBoosted clean Altered Mode\u003cbr\u003eChannel 2\/3 – Fat Switch, Bright Switch and selectable Crunch \/ Overdrive Mode\u003cbr\u003eMaster Level Control\u003cbr\u003eHeadphone Output jack with Level Control\u003cbr\u003eIR cabinet simulation (bypassable)\u003cbr\u003e6 IR presets, individually programmable per channel \/modeLoad your own IRs via the Software Editor\u003c\/p\u003e\n\u003cp\u003eBack Panel\u003c\/p\u003e\n\u003cp\u003eVoltage selector switch – Mains Fuse must be changed (please read manual)\u003cbr\u003eUSB (type B 2.0) connector to connect Software EditorIncludes a 6’ USB cable\u003cbr\u003eMIDI\/Footswitch Input\u003cbr\u003eMIDI Phantom Power input jack\u003cbr\u003e¼” Main Outputs\u003cbr\u003eStereo XLR Outputs with Level Switch and Ground Lift Switch\u003cbr\u003eUltra-transparent stereo series effects loop:Mono Send and Stereo Return jacks\u003cbr\u003eLevel Switch\u003c\/p\u003e\n\u003cp\u003eSoldano Software Editor\u003c\/p\u003e\n\u003cp\u003eEasy to use USB Editor Software\u003cbr\u003eSave up to 128 MIDI presets\u003cbr\u003eLoad and organize your IR libraryIncludes 12 IRs to choose from\u003cbr\u003eMidi Presets allows you to select:Channel\u003cbr\u003eChannel mode\u003cbr\u003eAssign different IRs for all three channels\u003cbr\u003eLow-Pass and High-Pass Filters\u003cbr\u003ePower Amp three position Depth Switch\u003cbr\u003ePower Amp three position Presence Switch\u003c\/p\u003e\n\u003cp\u003eHistory\u003cbr\u003eThe Original X88R\u003cbr\u003eThe initial idea for a three-channel Soldano rackmount guitar preamp came from Bob Bradshaw, rack builder to the stars. According to Mike Soldano “If not for Bradshaw’s request, the X88R would never have happened. I thank Bob Bradshaw for his idea and for his trust in me to make it happen.” Here’s the story:\u003c\/p\u003e\n\u003cp\u003eIn 1987, Steve Lukather began using the new Soldano SLO-100 heads. Bob Bradshaw built Steve’s rack system and toured with him to ensure it always worked flawlessly.\u003c\/p\u003e\n\u003cp\u003eWhile visiting Bob’s shop in North Hollywood, Bob discussed with Mike what a pain it was to haul around three amps just so Steve could get his various sounds. Steve’s complicated wet-dry-wet rig also needed heavy dummy loads to get a low level “slave” signal from the power amp’s output to run into the effects. This large rig generated extra wear and tear and expense, as shipping and handling those heavy amps and load cabinets required more truck space and crew labor.\u003c\/p\u003e\n\u003cp\u003eMike agreed that using his SLO-100 heads just to obtain a rack-system-friendly 0db output signal was inefficient. This was especially true because the SLO’s revolutionary cascading gain design already provided all of Soldano’s iconic tone in the preamp section.\u003c\/p\u003e\n\u003cp\u003eBob requested Mike to build an all-tube preamp with three independent channels, clean, crunch, and overdrive, that could be integrated with his switching systems and replace all that heavy gear. When it was done, Bob wired it into Steve’s rack, it was big smiles all around and history was made.\u003c\/p\u003e\n\u003cp\u003eBy the Summer of 1988, Soldano developed a production version of this preamp, the first of which was purchased by Warren Cucurullo. The X88R was the first of its kind, and the first truly professional stand-alone guitar preamp.\u003c\/p\u003e\n\u003cp\u003eX88-IR\u003cbr\u003eThe Channels:\u003cbr\u003eJust like the X88R, the new X88-IR features three channels each with Preamp Level, 3-Band EQ, Output Level and Bright Switch. The original X88R featured independent channels for clean, crunch and overdrive. The new X88-IR offers significantly more flexibility including:\u003cbr\u003eClean\u003cbr\u003eChannel 1\u003cbr\u003eChannel 1 (the “clean” Channel) now includes a two position Normal\/Altered mode.\u003c\/p\u003e\n\u003cp\u003eThe Normal mode is a Fender inspired clean tone.\u003c\/p\u003e\n\u003cp\u003eThe Altered mode offers a boosted clean for edge of breakup tones\u003c\/p\u003e\n\u003cp\u003eIn Normal Mode, the channel 1 select button will illuminate Green.\u003cbr\u003eIn Altered Mode the channel 1 select button will illuminate Yellow.\u003cbr\u003eCustom\u003cbr\u003eChannel 2 and 3\u003cbr\u003eBoth Channels are identical, both featuring a Fat Switch, a Bright switch and a selectable Crunch\/Overdrive switch. This allows you to customize channels 2\/3 to your liking. You can select one Crunch and one Overdrive channels, two Crunch Channels or two Overdrive Channels.\u003c\/p\u003e\n\u003cp\u003eIn Crunch Mode, the corresponding channel 2\/3 select button will illuminate Purple.\u003cbr\u003eIn Overdrive Mode, the corresponding channel 2\/3 select button will illuminate Red.\u003cbr\u003eChannel Presets\u003cbr\u003eChannel Select MIDI Store\u003cbr\u003eEach of the three channels features an illuminated channel select switch. Press and hold any of the channel select switches to MIDI store a preset.\u003c\/p\u003e\n\u003cp\u003eThe X88-IR preamp accepts external MIDI switchers and controllers, giving you up to 128 user-created presets with real time Control Changes. You can assign and organize your presets right from the front panel or with the included Soldano Editor Software.\u003c\/p\u003e","brand":"Soldano","offers":[{"title":"Default Title","offer_id":44430805696605,"sku":"BM763815134086","price":4299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/x88-ir-left.png?v=1778344246"},{"product_id":"radial-pz-pre-acoustic-instrument-preamp","title":"Radial PZ-Pre Acoustic Instrument Preamp","description":"\u003cp\u003eThe PZ-Pre is a powerful acoustic instrument preamplifier with a powerful EQ and feedback control section and loads of connectivity options giving you complete control over your rig.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003eTwo channels to switch or blend instruments\u003cbr\u003eNotch \u0026amp; resonance filters eliminate feedback\u003cbr\u003ePre \u0026amp; Post Radial DI outputs for PA and monitors\u003cbr\u003ePower booster and mute for more control on stage\u003cbr\u003e \u003cbr\u003ePOWERFUL CONTROL IN A BOX\u003cbr\u003eThe Radial PZ-Pre™ is a powerful acoustic instrument preamplifier. The magic lies in the combination of high performance 100% discrete class-A PZB piezo boosters, an ultra-quiet preamp circuit that will adapt to any pickup system and a host of connectivity options that will put you in total control. The PZ-Pre is equipped with two inputs for quick instrument changes on stage, or, for blending two pickups together. Powerful semi-parametric EQ and feedback eliminating controls allow the user to fine-tune their sound while eliminating troublesome frequencies. Offering both pre and post EQ direct box outputs, the PZ-Pre can be used send a dry signal to the house and performer tailored sound to monitors.\u003c\/p\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":44430958297181,"sku":"930101000429","price":685.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/pz-pre-top-1-768x462.png?v=1778346705"},{"product_id":"behringer-mic500usb-tube-ultragrain-microphone-preamp","title":"Behringer MIC500 USB Tube Ultragrain USB Microphone Preamp","description":"\u003cul\u003e\n\u003cli\u003eHigh-end pre-amplification for all microphone, instrument and line-level sources. Specifically designed for studio-grade condenser mics\u003c\/li\u003e\n\u003cli\u003ePerfectly matches your studio, live and hard disk recording set-up\u003c\/li\u003e\n\u003cli\u003eUltra-flexible Preamp Modeling allows you to optimize your recordings\u003c\/li\u003e\n\u003cli\u003eChoose between 16 preamp voicings designed for electric and acoustic guitars, keyboards, bass guitars, drums, vocals and more\u003c\/li\u003e\n\u003cli\u003eBuilt-in USB\/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument\/effect plug-ins downloadable at behringer.com\u003c\/li\u003e\n\u003cli\u003ePowerful Phones output with Level control and Direct Monitor select\u003c\/li\u003e\n\u003cli\u003eHand-selected 12AX7 vacuum tube with UTC technology for exceptional warmth and lowest noise\u003c\/li\u003e\n\u003cli\u003eEnsures outstanding signal transparency when used as a high-end DI-box\u003c\/li\u003e\n\u003cli\u003eSophisticated output limiter prevents the output signal from clipping\u003c\/li\u003e\n\u003cli\u003eDedicated low cut filter eliminates unwanted noise, e.g. floor rumble\u003c\/li\u003e\n\u003cli\u003e+48 V phantom power, Phase Reverse switch and 20 dB Pad for utmost flexibility\u003c\/li\u003e\n\u003cli\u003eHighly accurate 8-segment LED level meter\u003c\/li\u003e\n\u003cli\u003eBalanced inputs and outputs on ¼\" TRS and XLR connectors\u003c\/li\u003e\n\u003cli\u003e3-Year Warranty Program*\u003c\/li\u003e\n\u003cli\u003eDesigned and engineered in Germany\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44431573188701,"sku":"930006018420","price":189.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/mic500usb_p0b4n_fisheye_b.png?v=1778353989"},{"product_id":"behringer-studio-m-passive-monitor-controller","title":"Behringer Studio M Passive Monitor Controller","description":"\u003cp\u003e\u003cstrong\u003ePremium Passive Studio Controller\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe STUDIO M Premium Passive Studio Controller takes controlling your setup to the next level. Instantly switch between any two audio sources and monitors and adjust their level. The large volume knob makes it easy to dial-in the perfect level every time, without having to reach for your mixer – or your mouse! With two pairs of input and output connectors as well as a 3.5 mm (1\/8”) stereo input, the STUDIO M is ultra-easy to connect to your current system – and so affordable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll-in-one Master Volume controller, Source selector and Monitor switcher\u003c\/li\u003e\n\u003cli\u003eActive-free circuitry guarantees purest signal path\u003c\/li\u003e\n\u003cli\u003eLarge Volume knob for extremely precise level adjustments\u003c\/li\u003e\n\u003cli\u003eConvenient Mono, Mute and Dim functions right at your fingertips\u003c\/li\u003e\n\u003cli\u003e2 pairs of high-quality input connectors and 3.5 mm (1\/8\") stereo input perfectly connect to your DAW\u003c\/li\u003e\n\u003cli\u003e2 pairs of high-quality outputs connectors to connect to your studio monitors\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44431618211933,"sku":"930006023356","price":109.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/studio-m_p0e88_top_xl.png?v=1778354687"},{"product_id":"xvive-p2-microphone-preamp-booster","title":"Xvive P2 Microphone Preamp Booster","description":"\u003cp\u003eThe P2 in-line preamp\/booster is an easy-to-use and budget-friendly way to achieve professional sound quality from your dynamic or ribbon microphone. With innovative Nutube vacuum tube technology, P2 adds natural tube-style warmth to your signal while delivering up to +40 dB of gain—sending a louder, richer signal to your mixer, mic preamp, or recording interface. \u003c\/p\u003e\u003cp\u003eBy adjusting the gain and volume controls, you can shape your sound exactly how you like it—whether you're going for warm, tube-infused tones or a clean, transparent boost. Whether you're using a mixer, interface or other microphone audio device, P2 is a cost-effective way to enhance your sound. By boosting the signal right at the source, you can lower the input gain on your mic preamp—improving your signal-to-noise ratio and resulting in cleaner, more professional recordings.\u003c\/p\u003e","brand":"Xvive","offers":[{"title":"Default Title","offer_id":44431618277469,"sku":"BM6943050419993","price":349.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/XP2_1.png?v=1778354691"},{"product_id":"spl-venos-stereo-bus-compressor-red","title":"SPL VENOS Stereo Bus Compressor - Red","description":"\u003cdiv class=\"group-block\n    group-block--height-fit\n    group-block--width-fill\n    border-style\n    spacing-style\n    size-style\" data-testid=\"group-block\"\u003e\n\u003cdiv class=\"group-block-content\n      \n      layout-panel-flex\n      layout-panel-flex--column\n       mobile-column\"\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-92214a0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"92214a0\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-d4eaa27\" data-id=\"d4eaa27\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-026eb44 elementor-widget elementor-widget-heading\" data-id=\"026eb44\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp class=\"elementor-heading-title elementor-size-default\"\u003eStereo Bus Compressor\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-6cd5783 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6cd5783\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1568721\" data-id=\"1568721\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-a8a2a54 elementor-widget elementor-widget-text-editor\" data-id=\"a8a2a54\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003eAdding size, depth and impact to a stereo signal has never been easier. The Venos stereo bus compressor is based on the same design as many legendary vintage tube compressors. Venos expands this impressive sonic signature with two revolutionary hyper-compression modes, opening up new dimensions of sound. With SPL 120V technology this sound is crowned to king of dynamics.\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-f1f693f elementor-widget elementor-widget-text-editor\" data-id=\"f1f693f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eThe Venos stereo bus compressor is basically a variable bias tube compressor. Venos works on the principle of a bias-controlled remote cutoff tube, but expands the sonic versatility of this concept with the new hyper-compression modes “Focus” and “Punch”.\u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-334c727 elementor-widget elementor-widget-text-editor\" data-id=\"334c727\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eOnce the ideal input level is dialed in, comparing different parameter settings works like a charm. The parameters have been fine-tuned in countless listening sessions to make the compressor intuitive to use. All parameters are set using switches or detented potentiometers. A single control element manages both, the left and right channel, allowing for easy recall!\u003c\/p\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-fc7b9f7\" data-id=\"fc7b9f7\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-9cc2262 elementor-widget elementor-widget-text-editor\" data-id=\"9cc2262\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003eThe input level is adjusted via a detented potentiometer in 41 steps, within a control range of +\/- 10 dB. Increasing the input level results in more intense compression.\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-5e23de5 elementor-reverse-mobile elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-wpr-lazyrender=\"1\" data-id=\"5e23de5\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-1d3cb9f\" data-id=\"1d3cb9f\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-512a02c elementor-widget elementor-widget-text-editor\" data-id=\"512a02c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eThreshold determines the level beyond which the compressor starts with processing. The compressor begins to compress the signal once the set threshold value has been exceeded.\u003c\/p\u003e\n\u003cp\u003eThe Threshold parameter of the Venos can be adjusted in 41 steps with the detent potentiometer.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":44431618343005,"sku":"BM4260149322791","price":8999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/SPL-VENOS-RD_3.jpg?v=1778354693"},{"product_id":"spl-venos-stereo-bus-compressor-black","title":"SPL VENOS Stereo Bus Compressor - Black","description":"\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-92214a0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"92214a0\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-d4eaa27\" data-id=\"d4eaa27\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-026eb44 elementor-widget elementor-widget-heading\" data-id=\"026eb44\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp class=\"elementor-heading-title elementor-size-default\"\u003eStereo Bus Compressor\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-6cd5783 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6cd5783\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1568721\" data-id=\"1568721\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-a8a2a54 elementor-widget elementor-widget-text-editor\" data-id=\"a8a2a54\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003eAdding size, depth and impact to a stereo signal has never been easier. The Venos stereo bus compressor is based on the same design as many legendary vintage tube compressors. Venos expands this impressive sonic signature with two revolutionary hyper-compression modes, opening up new dimensions of sound. With SPL 120V technology this sound is crowned to king of dynamics.\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-f1f693f elementor-widget elementor-widget-text-editor\" data-id=\"f1f693f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eThe Venos stereo bus compressor is basically a variable bias tube compressor. Venos works on the principle of a bias-controlled remote cutoff tube, but expands the sonic versatility of this concept with the new hyper-compression modes “Focus” and “Punch”.\u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-334c727 elementor-widget elementor-widget-text-editor\" data-id=\"334c727\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eOnce the ideal input level is dialed in, comparing different parameter settings works like a charm. The parameters have been fine-tuned in countless listening sessions to make the compressor intuitive to use. All parameters are set using switches or detented potentiometers. A single control element manages both, the left and right channel, allowing for easy recall!\u003c\/p\u003e\n\u003cp class=\"elementor-section elementor-top-section elementor-element elementor-element-e4327d8 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-wpr-lazyrender=\"1\" data-id=\"e4327d8\" data-element_type=\"section\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-fc7b9f7\" data-id=\"fc7b9f7\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-9cc2262 elementor-widget elementor-widget-text-editor\" data-id=\"9cc2262\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003eThe input level is adjusted via a detented potentiometer in 41 steps, within a control range of +\/- 10 dB. Increasing the input level results in more intense compression.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"elementor-section elementor-top-section elementor-element elementor-element-f3abaee elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-wpr-lazyrender=\"1\" data-id=\"f3abaee\" data-element_type=\"section\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-99ab73d\" data-id=\"99ab73d\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-d6cf4c8 elementor-widget elementor-widget-template\" data-id=\"d6cf4c8\" data-element_type=\"widget\" data-widget_type=\"template.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-template\"\u003e\n\u003cdiv class=\"elementor elementor-10640\" data-elementor-type=\"section\" data-elementor-id=\"10640\" data-elementor-post-type=\"elementor_library\"\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-15d80a2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"15d80a2\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b6f4456\" data-id=\"b6f4456\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-8a01465 elementor-widget elementor-widget-spacer\" data-id=\"8a01465\" data-element_type=\"widget\" data-widget_type=\"spacer.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-spacer\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-5e23de5 elementor-reverse-mobile elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-wpr-lazyrender=\"1\" data-id=\"5e23de5\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-1d3cb9f\" data-id=\"1d3cb9f\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-512a02c elementor-widget elementor-widget-text-editor\" data-id=\"512a02c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eThreshold determines the level beyond which the compressor starts with processing. The compressor begins to compress the signal once the set threshold value has been exceeded.\u003c\/p\u003e\n\u003cp\u003eThe Threshold parameter of the Venos can be adjusted in 41 steps with the detent potentiometer.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":44431618375773,"sku":"BM4260149322784","price":8999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/SPL-VENOS-BK_3.jpg?v=1778354692"},{"product_id":"midas-xl4-2-2-ch-class-a-tube-mic-preamp","title":"Midas XL4-2 2-Ch Class-A Tube Mic Preamp","description":"\u003cul class=\"list list--bullet-midas list--circle list--brown list--col-lg-2 pl-1 pl-sm-0\"\u003e\n\u003cli\u003e\n\u003cp\u003eClassic tube microphone preamplifier for vocals, instruments and line-level sources\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePerfectly matches your studio, live and hard disk recording set-up\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClass-A, dual mono architecture with separate signal path for spatial imaging on stereo recordings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExtremely wide dynamic range for highest signal integrity\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e72 dB gain range for high-definition recordings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLarge gain trim knobs provide precision control of input gains\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePremium 12AX7 vacuum tubes for exceptional warmth and lowest noise\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eVintage-style illuminated VU meters feature output signal levels\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAIR circuitry enhances clarity and presence\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIlluminated switches for phantom power, low cut filter, phase reverse, and pad for utmost flexibility\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRugged 2U rack mount chassis for durability in portable applications\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAuto-ranging universal switch-mode power supply\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-start\"\u003e\n\u003cdiv class=\"col-sm px-sm-2 pb-sm-0\"\u003e\n\u003cp\u003eIn a landscape of digital audio production, there’s nothing like a great tube-based preamp to breathe life and warmth into your recordings. Such a piece of studio gear is worth its weight in gold, which is why we spared no expense with the new Midas XL4-2.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-start\"\u003e\n\u003cdiv class=\"col-sm px-sm-2 pb-sm-0\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eVersatile Tube Preamp\u003c\/h5\u003e\n\u003cp\u003eXL4-2 is a classic 2-channel vacuum tube mic preamp. It’s designed to work great with vocals, instruments and any line-level source while also giving you that rich vacuum tube sound in any kind of studio setup, modern or vintage, thanks to its premium 12AX7s that provide exceptional warmth and dynamic response.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-start\"\u003e\n\u003cdiv class=\"col-sm px-sm-2 pb-sm-0\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eIntuitive Control Layout\u003c\/h5\u003e\n\u003cp\u003eControls on XL4-2 are super simple. Each channel features a wide-range, precision gain control that lets you adjust input gain between 20 dB and 72 dB. Front panel switches include toggles for Pad, 48 V, Low Cut and Phase Reverse. The AIR setting boosts a specific frequency to add more presence and clarity to the signal when you need it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":44431618408541,"sku":"BM4033653081528","price":499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/Image_MI_0838-ABB_XL4-2_Left_XL.png?v=1778354695"},{"product_id":"klark-teknik-bbd-320-3rd-dimension-rack-effect","title":"Klark Teknik BBD-320 3rd Dimension Rack Effect","description":"\u003cp\u003eThe chorus effect has been a studio mainstay since the ‘80s. With greats such as Brian Eno, Stevie Ray Vaughan, Peter Gabriel and so many more incorporating this effect into their recordings, the chorus has become legendary effect in the music industry. Now, that legend continues with the 3RD DIMENSION BBD-320, an amazingly affordable analog multi-dimensional signal processor that can recreate those classic tones that so many amazing artists have used in countless releases.\u003cbr\u003e \u003c\/p\u003e","brand":"Klark Teknik","offers":[{"title":"Default Title","offer_id":44431618506845,"sku":"KLARK-454021","price":319.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/bbd320_1.png?v=1778354697"},{"product_id":"solid-state-logic-ssl-bus-2-ch-bus-compressor-dynamic-equaliser","title":"Solid State Logic (SSL) Bus+ 2-Ch Bus Compressor \u0026 Dynamic Equaliser","description":"\u003cp\u003eIf there is a single piece of analogue processing equipment that is synonymous with SSL, it must be the SSL Bus Compressor. From the very first commercially released SSL 4000 B console in 1976 and through many generations of SSL consoles that have followed, the Bus Compressor has always been the stalwart of the console centre section.\u003c\/p\u003e\n\n\u003cp\u003eFor many of the world’s top engineers and producers, the Bus Compressor continues to be the most relied upon processing tool for making mixes sound bigger and more complete, with drive and energy from adding that legendary SSL glue and punch. \u003c\/p\u003e\n\n\u003cp\u003eWith THE BUS+, Solid State Logic have been on a mission to create the ultimate and most versatile incarnation of the Bus Compressor ever. The bedrock of the design remains faithful to the original circuit and using this as the foundation, they’ve built upon it, adding several unique colouration options and advanced processing tools. If you need it to be clean and punchy like the SuperAnalogueTM 9000 Series version, it can be. If you need it to be gritty and grungy like an early 4000E, it can do that also. Or if you need over-the-top, saturated parallel compression for the drums, THE BUS+ has got you covered.\u003c\/p\u003e\n\n\u003cp\u003eTHE BUS+ circuit design not only utilises high-grade components, such as the 2181 THAT VCAs in the audio path for superior analogue performance, it is also incredibly flexible, offering four modes of operation and 3 distinct compression colouration options that can be combined to perfectly suit the genre you’re working on. As if that wasn’t enough, THE BUS+ features an all-new Dynamic Equaliser, a Transient Expander and comprehensive connectivity and routing options.\u003c\/p\u003e\n\n\u003cp\u003eTHE BUS+ is the ultimate SSL Bus Compressor.\u003c\/p\u003e\n\n\u003cp\u003eKey features:\u003c\/p\u003e\n\n\u003cp\u003e· The ultimate, most versatile incarnation of the Bus Compressor ever\u003c\/p\u003e\n\u003cp\u003e· Authentic SSL Bus Compressor circuit utilising high-performance 2181 THAT VCAs.\u003c\/p\u003e\n\u003cp\u003e· 4 modes of operation - Classic Stereo, S\/C Stereo, Dual Mono or Mid-Side.\u003c\/p\u003e\n\u003cp\u003e· New Attack and Release time constant options - more flexibility to shape the Bus Compressor, including the new 'Auto 2' setting.\u003c\/p\u003e\n\u003cp\u003e· 3 distinct compression colouration options, which can be combined or used individually:\u003c\/p\u003e\n\u003cp\u003e- 4K Mode - single VCA operation with variable harmonic distortion to bring some 'grit' and 'grunge' to the mix.\u003c\/p\u003e\n\u003cp\u003e- LOW THD Mode reduces low-frequency distortion caused by compression, cleaning up the bottom-end.\u003c\/p\u003e\n\u003cp\u003e- F\/B Mode alters the compression characteristics for a more 'relaxed' style of compression.\u003c\/p\u003e\n\u003cp\u003e· Outstanding sonic performance and stepped pots designed for mastering and precision processing applications. \u003c\/p\u003e\n\u003cp\u003e· Built-in 2-band Dynamic EQ (D-EQ).\u003c\/p\u003e\n\u003cp\u003e· Transient Expander.\u003c\/p\u003e\n\u003cp\u003e· Configurable processing order - Bus Compressor pre D-EQ (default) or post.\u003c\/p\u003e\n\u003cp\u003e· External side-chain inputs and sends.\u003c\/p\u003e\n\u003cp\u003e· Variable side-chain High-Pass Filter control up to 300 Hz in 10 Hz steps.\u003c\/p\u003e\n\u003cp\u003e· Mix control for instant parallel compression.\u003c\/p\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":44431618539613,"sku":"SS-BUS+","price":4299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/solid_state_logic_the_bus_plus_front.png?v=1778354703"},{"product_id":"warm-audio-wa1b-tube-opto-compressor","title":"Warm Audio WA1B Tube Opto Compressor","description":"\u003cp\u003eThe WA-1B accurately recreates world-class Scandinavian compression, combining smooth tube-optical warmth with precision controls. Like its original inspiration, favored by producers and engineers from Chris Lord-Alge to Rick Rubin, the WA-1B delivers that revered “forgiving” musical compression of tube-optical circuitry with speed and control more closely associated with modern dynamics processing. Hand-wired to authentically recreate the sound of a renowned circuit, the WA-1B combines custom large-core transformers from Lundahl Sweden, select tubes from JJ and Tung-Sol, and a premium high-precision optical element for ultra-fast and accurate operation without sacrificing authentic analog warmth.\u003c\/p\u003e\n\u003cp\u003eOverview:\u003c\/p\u003e\n\u003cp\u003eTube-Opto Tone With Extended Control: Delivering that revered “forgiving” musical compression with the added speed and control functionality, the WA-1B excels on highly dynamic sources that demand analog warmth.\u003c\/p\u003e\n\u003cp\u003eTrue-To-Original Controls:To deliver extended dynamics processing, the WA-1B features all of the classic controls of its modern-classic inspiration. \u003c\/p\u003e\n\u003cp\u003eThreshold: The WA-1B supports a variable threshold giving maximum control to the user regarding how much compression is applied to any signal at various input levels.\u003c\/p\u003e\n\u003cp\u003eRatio: The WA-1B ratio is variable and has infinite controls between 2:1 and 10:1. From soft musical dynamic control all the way to hard-smashing compression! \u003c\/p\u003e\n\u003cp\u003eAttack \u0026amp; Release: The Attack\/Release controls on the WA-1B are unique in that the attack\/release operations can be switched from a fixed setting, manual (variable) setting, or a combined setting. In the “fixed” mode, the WA-1B delivers the natural attack \u0026amp; release time of the optical element. The combined setting in particular creates the opportunity for a more nuanced release-time curve. This dueling time-constant circuit operation is a special feature of the WA-1B and its original inspiration. \u003c\/p\u003e\n\u003cp\u003eMeter Switch: The WA-1B meter switch has three settings: input, compression, and output levels. Set to “input”, the VU meter is reading the level at the input connector. Set to “compression”, the VU meter is reading gain reduction. The steady-state is \"0\", and the amount of compression is shown as the needle moving right-to-left away from 0dB. Set to “output”, the VU meter is reading the level at the output connector.\u003c\/p\u003e\n\u003cp\u003eOn\/Bypass: The on\/bypass switch on the WA-1B activates or bypasses the compressor. This is a hard bypass, meaning no signal passes through the circuitry in bypass mode. \u003c\/p\u003e\n\u003cp\u003ePremium Components: The WA-1B is a 270v circuit with handwired through-hole circuitry, and 100% discrete analog signal path. The custom large-core transformers from Lundahl Sweden bring the full Scandinavian-style analog tone of the WA-1B circuit to life. Paired with select tubes from JJ and Tung-Sol, the high-precision optical element applies sweet analog warmth to audio signals with unrivaled accuracy. \u003c\/p\u003e\n\u003cp\u003eHand-Tested In Austin, TX: Like all Warm Audio gear, the WA-1B is meticulously hand-tested and inspected by trained technicians with a passion for making music in Austin, TX USA\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":44431618572381,"sku":"BM850031640238","price":1799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/wa-1b_front.jpg?v=1778354700"},{"product_id":"behringer-spring-reverberation-unit-type-636","title":"Behringer Spring Reverberation Unit Type 646","description":"\u003cp\u003eBehringer have brought back a legend so you can let your tone spring to life! Give your music that extra twang and sense of space with the Behringer SPRING REVERBERATION 646 – a legendary spring reverb in a compact and portable Eurorack format!\u003c\/p\u003e\n\u003cp\u003eEmulating our heroes is one of the many things we can have fun with as musicians which is why Behringer wanted the SPRING REVERBERATION 646 to be as faithful as possible to the original Grampian Type 636 used by Pete Townshend and legendary reggae dub master Lee “Scratch” Perry. Now you can have their legendary secret ingredient added to your setup so you can create your very own masterpiece, or to just have fun with.\u003c\/p\u003e\n\u003cp\u003eThe 646 is a no-nonsense reverb unit. No digital emulation here. Inside, you’ll find dual mechanical springs that provide that lush and dynamic reverb sound that no other reverb type can match. And if you bump the 646 it can even do that iconic spring reverb “sproing.” Just be gentle with it.\u003c\/p\u003e\n\u003cp\u003eBehringer have built the 636 to be as versatile as possible so you can use it with any instrument you want! The 646 accepts balanced and unbalanced mic inputs where you can control the input level with the Mic Channel knob as well as high- and low-level line inputs such as keyboards or guitars. The integrated overload circuit can even give you a warm analogue overdrive before the signal gets passed to the reverb.\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44431618670685,"sku":"BEH-450770","price":329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/reverb646_1.png?v=1778354702"},{"product_id":"behringer-uv1-mic-preamp-vocal-processor-usb-interface","title":"Behringer UV1 Mic Preamp \/ Vocal Processor \/ USB Interface","description":"\u003cp\u003eWhen it comes to vocals, sound engineers become critical and often prefer a channel strip over a mixing console because of its outstanding sound quality and flexibility. The ULTRAVOICE UV1 is a full-featured channel strip with high-end microphone preamplifier, versatile sound processing features, and the free choice to play out the processed sound via balanced analog outputs or pass it on to the internal USB interface.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003ePristine Midas-designed preamplifier for all microphone and line-level sources\u003cbr\u003ePerfectly matches your studio, live and pro recording environment\u003cbr\u003eHigh-quality mic processor allows you to optimize your recordings\u003cbr\u003eAudiophile 192 kHz USB audio interface to connect directly to your computer\u003cbr\u003eFlexible Compressor for inaudible level control and creative sound processing\u003cbr\u003eEffective De-esser for quick removal of excessive sibilance from your vocal track\u003cbr\u003eIntegrated dynamic Enhancer adds high frequencies, lost through compression\u003cbr\u003eTrue RMS expander for extremely smooth noise reduction\u003cbr\u003eSend and Return connectors allow you to add external processors\u003cbr\u003eInput\/playback mix control to balance between direct monitor and USB playback signal\u003cbr\u003eAccurate LED metering for level and processing indication\u003cbr\u003eInputs and outputs on ¼ TRS, XLR and Combo connectors\u003cbr\u003eIlluminated switches ensure perfect operation in dark stage and studio environments\u003cbr\u003eInternal switch-mode power supply (100 - 240 V~) for noise-free audio and low power consumption\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44431618768989,"sku":"930006023640","price":269.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/uv1_p0e59_left_xl.png?v=1778354705"},{"product_id":"genelec-9320a-sam-reference-controller","title":"Genelec 9320A SAM Reference Controller","description":"\u003cp\u003eUNIO Audio Monitoring\u003c\/p\u003e\n\u003cp\u003eUNIO empowers professionals to confidently work anywhere. As a key UNIO element, the 9320A integrates in-room and headphone monitoring for a single, reliable workflow – completely personalised for total accuracy. With its flexible connectivity, reference grade headphone output and physical control of our adaptive technologies, the 9320A is the ideal hub for professional audio work – from stereo to immersive – in any space.\u003c\/p\u003e\n\u003cp\u003eWhether working in acoustically treated studio environments, at home, in temporary spaces or on the road, UNIO and the 9320A ensure a seamless listening experience when switching between professional in-room and headphone monitoring. With UNIO, the power of our adaptive technologies is now easier to access than ever before, so you can confidently work beyond the studio.\u003c\/p\u003e\n\u003cp\u003eThe 9320A is designed for professional audio engineering on fixed and mobile setups.\u003cbr\u003eIdeal for stereo and immersive music studios, game audio studios, broadcasting, streaming and AV post-production, the 9320A offers smooth management of SAM Monitoring systems – from stereo to immersive – and direct connectivity for monitoring of analogue and digital AES\/EBU stereo audio over loudspeakers and headphones.\u003c\/p\u003e\n\u003cp\u003eThe in-device audio input options are: \u003c\/p\u003e\n\u003cp\u003e• Stereo USB audio\u003cbr\u003e• Two analogue balanced line inputs\u003cbr\u003e• Stereo AES\/EBU digital audio\u003c\/p\u003e\n\u003cp\u003eThese three alternative inputs provide extremely flexible connectivity, with the ability to smoothly switch between each input and to easily channel the signal to directly connected analogue and digital stereo or stereo-with-subwoofer loudspeaker monitoring or professional headphones. Each output can be level-aligned for smooth switching across all inputs and outputs.\u003c\/p\u003e\n\u003cp\u003eThe 9320A is intended to be set up and used with a computer running GLM software and Aural ID software but can be also used in independent mode.\u003c\/p\u003e\n\u003cp\u003ePowered by USB and equipped with a Type C USB interface, the 9320A consumes a maximum of 2.5 W of power, making it compatible with any computer-based DAW. Additionally, when USB interfaces cannot offer power, a separate USB Type C power input is provided. The audio bandwidth for all input\/output combinations extends up to 46 kHz and offers a dynamic range exceeding 120 dB, THD+N lower than -110 dB, and minimal input to output latency in the range 2 to 3.2 ms.\u003c\/p\u003e\n\u003cp\u003eUnique qualities and user benefits\u003cbr\u003e \u003cbr\u003e1. Tactile monitor control from stereo to immersive\u003cbr\u003eManagement of scalable Genelec Smart Active (SAM) Monitoring systems\u003c\/p\u003e\n\u003cp\u003eWith tactile control of key functionality in Genelec Loudspeaker Manager (GLM™) software, the 9320A provides an intuitive, quick-to-access physical user interface with clear haptic feedback – allowing you to speed up your workflow and hide the graphical user interface of GLM, so you can retain focus on your DAW.\u003c\/p\u003e\n\u003cp\u003eEasy management of alternative monitoring systems in one room\u003c\/p\u003e\n\u003cp\u003eHaving GLM control at your fingertips enables fast switching and management of in-room SAM Monitoring layouts, while the 9320A also provides level alignment and standard control of directly connected stereo monitoring systems. This simplifies movement between monitoring options and allows you to fully trust what you hear. Working with any DAW and audio interface system, the 9320A – with GLM – can handle an unlimited channel count for SAM Monitoring systems. And alternative stereo loudspeaker monitoring is easily connected using in-device AES\/EBU and analogue inputs.\u003c\/p\u003e\n\u003cp\u003eIntelligent one-button switching for seamless in-room and headphone monitoring\u003c\/p\u003e\n\u003cp\u003eThe 9320A also provides level alignment for headphone monitoring, meaning it's able to switch from any of your monitoring systems to another without a level change. This gives you smooth and easy switching between all loudspeaker and headphone-based monitoring, without the need to readjust the monitoring level each time.\u003cbr\u003e \u003cbr\u003e2. AES\/EBU connectivity for the purest signal path\u003cbr\u003eVersatile in-device monitoring options\u003c\/p\u003e\n\u003cp\u003eStereo and stereo-with-subwoofer monitoring systems can be directly connected to the 9320A using its analogue and AES\/EBU input\/output connectivity, while the 9320A can also be used as a USB output interface for high resolution stereo audio input from a computer. The 9320A outputs support both fixed line level output in ‘SAM’ mode and adjusted line output. Both modes are available over its balanced analogue outputs and AES output. This makes the 9320A compatible with any professional loudspeaker monitor or headphone sets.\u003c\/p\u003e\n\u003cp\u003eHigh-quality DAC conversion of signal\u003c\/p\u003e\n\u003cp\u003eIt's also possible to use the 9320A as a high-quality converter from analogue inputs to AES out and from AES to analogue outputs – as well as converting USB audio input to any output. This makes it hugely versatile – and an extremely effective hub for professional monitoring tasks. The maximum level of the analogue balanced line input can be set to +12 dBu or +24 dBu. The USB audio and AES digital audio inputs to AES digital output offer an A-weighted dynamic range of 138 dB.\u003cbr\u003e \u003cbr\u003e3. Reference grade headphone output\u003cbr\u003eProfessional headphone monitoring\u003c\/p\u003e\n\u003cp\u003ePersonal headphone sound character calibration is a natural part of the 9320A as a device for reference level listening. The headphone output can handle headphone impedances ranging from 16 to 600 ohms, with excellent linearity (THD+N less than -110 dB) and dynamic range (126 dB), offering a maximum RMS output of 6 volts – for access to the best possible performance from any high-quality professional headphones.\u003c\/p\u003e\n\u003cp\u003eEnhanced headphone monitoring using Aural ID™ Technology\u003c\/p\u003e\n\u003cp\u003eGenelec Aural ID Technology enables access to obtain and use your unique personal HRTF data to render reliable stereo, multichannel and immersive monitoring layouts with accurate virtual loudspeaker positioning and out-of-the-head externalised reproduction – using any high-quality professional headphones. Aural ID integrates perfectly with the headphone output of the 9320A, for the highest possible standard of headphone monitoring.\u003cbr\u003e \u003cbr\u003e4. Monitor calibration with GLM and calibrated listening level\u003cbr\u003eAutomatic GLM AutoCal™ calibration\u003c\/p\u003e\n\u003cp\u003eGLM software works with Genelec Smart Active (SAM) Monitoring systems to enable neutral, carefully aligned audio reproduction over loudspeaker monitors – with correctly calibrated and equalised subwoofer support as needed – and access to detailed GRADE™ Room Acoustic Reports. For this, a factory-calibrated reference microphone is included with the 9320A.\u003c\/p\u003e\n\u003cp\u003eAlignment of all monitoring options\u003c\/p\u003e\n\u003cp\u003eThe 9320A offers reproduction level alignment across all loudspeaker-based monitoring layouts and headphones, for the smoothest possible transitioning between loudspeaker and headphone-based monitoring.\u003cbr\u003e \u003cbr\u003e5. Safe listening – Noise dose estimation \u003cbr\u003eHearing health support during monitoring\u003c\/p\u003e\n\u003cp\u003eContinuous A, C and Z weighted SPL monitoring, shown on the backlit display of the 9320A, allows quick assessment of listening safety. SPL is sampled using the included reference microphone for in-room audio and calculated using headphone sensitivity data for the headphone audio. The audio engineer sound exposure dose is logged, and hearing health exposure dose alarms can be easily set. Combined with the ability to create highly linear monitoring systems – which naturally support minimal hearing fatigue – these features make the 9320A a key ally for hearing protection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePackage contains:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e-9320A GENELEC SAM™ Reference Controller.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e-USB Type C to Type C cable (length 2 m).\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e-Genelec factory-calibrated reference microphone and microphone holder.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Genelec","offers":[{"title":"Default Title","offer_id":44431618867293,"sku":"GEN-9320A","price":2199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/net_4zjnzn055a4v_j54xsofmr0ve9bppaph5m_4333d508ff7efcacf2973e1f747f659f.png?v=1778354710"},{"product_id":"solid-state-logic-ssl-harrison-32classic-ms-mix-strip","title":"Solid State Logic (SSL) Harrison 32Classic MS Mix Strip","description":"\u003cp\u003eThe 32Classic MS is a high-performance all-analog channel strip that brings the signature Harrison sound and processing tools from our flagship 32Classic recording console to your studio. With additional hybrid workflow features and an integrated stereo mix bus for summing multiple units together, the 32Classic MS delivers the sound of legends whilst adding unique and innovative features to enhance your workflow. \u003c\/p\u003e\n\u003cp\u003eBoasting the same design as the 32Classic console, 32Classic MS features premium Jensen JT-MB-CPCA transformer-coupled microphone preamp, characterful Harrison LP\/HP filters with 3 dB resonant peak, and super-smooth 4-band parametric EQ. The original 3232 console was used by artists such artists such as Michael Jackson, Fleetwood Mac, Led Zeppelin, and many others to create some of the most highly regarded and timeless music ever made. Now, for the first time, that unmistakable sound is available in 19” rack format. Add a recording legend to your studio with the 32Classic MS.\u003c\/p\u003e\n\n\u003cp\u003eComprehensive input section: \u003cbr\u003eThe 32Classic MS includes a versatile input section, featuring dedicated Mic and Line XLR inputs on the rear panel. For added convenience, it also offers a front-panel input with selectable Instrument\/Hi-Z and Mic options. The mic input is equipped with essential utilities such as 48V phantom power, a -20 dB pad, phase flip, and a tri-color LED meter. Both the Mic and Line inputs have independent gain controls, ensuring precise adjustments and superior performance across both inputs. Whether you're recording, producing, or mixing, the 32Classic MS provides the connectivity you need to maximize your session.\u003c\/p\u003e\n\n\u003cp\u003eHarrison mic pre - the sound of legends: \u003cbr\u003eA defining feature of classic Harrison recordings is the high-performance transformer-coupled microphone preamp. True to its heritage, the 32Classic MS mic preamp offers 70 dB of clean gain to deliver and the warm, rich tone that Harrison is famous for. Expect full low-end, open mid-range, and super-smooth natural highs, thanks to the Jensen JT-MB-CPCA transformer. The transformer’s gentle roll-off at each end of the frequency spectrum and delicate phase shift creates a remarkably sweet and musical sound, making it ideal for virtually any source material.\u003c\/p\u003e\n\n\u003cp\u003eCharacterful LP\/HP Filters: \u003cbr\u003eAs featured in the original 3232 and the latest 32Classic console, 32Classic MS’s Low Pass and High Pass filters offer a musical 12 dB\/octave slope. The High Pass Filter, ranging from 25 Hz to 3.1 kHz, includes a characterful 3 dB resonant peak, while the Low Pass Filter spans 160 Hz to 20 kHz—ideal for eliminating rumble or smoothing high frequencies. The real Harrison magic starts when used in combination with the EQ section to tighten the low end and ‘bloom’ the top end without it ever sounding harsh or brittle.\u003c\/p\u003e\n\n\u003cp\u003e32Classic EQ:\u003cbr\u003eThe 32Classic MS brings the iconic 4-band parametric EQ from the 32Classic console to a 19” rack format for the first time. Originally crafted in the 1970s – an era where you had to just get it ‘right’ on the way in - its frequency bands and proportional Q design were painstakingly developed to offer both broad, musical curves and precise sculpting to get the best from any source material or recording scenario. Trusted by legendary engineers like Bruce Swedien and Roger Nichols for its power, and featured in renowned studios like The Village and Westlake Studios, LA, and LSI Studios, Nashville for its flexibility - add one of the most sought-after EQs to your toolkit. \u003c\/p\u003e\n\n\u003cp\u003eIntegrated mixbus and hybrid workflow features:\u003cbr\u003eBuild your Harrison recording and mixing system one channel at a time with the 32Classic MS’s integrated mixbus. Designed to enhance workflows and elevate recording and mixing capabilities, the mixbus allows outputs from multiple units to be cascaded together via rear panel ‘summing’ connectors and jumper cables. Balance signals using the Fader control and Pan them across the stereo outputs. Or engage the 0 dB Fader Bypass and record at unity gain. Perfect for hybrid workflows, mobile rigs, or tracking rooms, the 32Classic MS’s integrated mixbus delivers the iconic Harrison tone with exceptional flexibility.\u003c\/p\u003e\n\n\u003cp\u003eInsert point: \u003cbr\u003e32Classic MS unit includes a balanced Insert Point (located after the mic pre, pre-filters) for inserting other processing gear such as a compressor into the signal path of the unit. \u003c\/p\u003e\n\n\u003cp\u003eChannel Outputs:\u003cbr\u003eThe 32Classic MS provides useful pre and post-fader direct outputs for better control when feeding a recording device. \u003c\/p\u003e\n\n\u003cp\u003e32Classic MS sidecar: \u003cbr\u003eEnhance your mixing and\/or tracking workflow by combining multiple 32Classic MS channels for use as a “sidecar” to your existing setup. Perfect for drum or instrument buses, it adds the iconic Harrison sound to your sonic palette, delivering warmth, depth, and flexibility to any recording or mixing application.\u003c\/p\u003e\n\n\u003cp\u003eKey features: \u003c\/p\u003e\n\n\u003cp\u003eFlexible Input Section\u003c\/p\u003e\n\u003cp\u003e· Dedicated Mic and Line XLR inputs on the rear panel. \u003c\/p\u003e\n\u003cp\u003e· Selectable Instrument\/Hi-Z and Mic combi-XLR input on the front panel. \u003c\/p\u003e\n\n\u003cp\u003eTransformer Coupled Preamp \u003c\/p\u003e\n\u003cp\u003e· The microphone preamplifier uses legendary Jensen JT-MB-CPCA transformer. \u003c\/p\u003e\n\n\u003cp\u003e32 Classic Equalizer \u003c\/p\u003e\n\u003cp\u003e· Harrison 4 band parametric EQ with proportional Q from 32Classic Console.\u003c\/p\u003e\n\u003cp\u003e· Legendary Harrison Low Pass and High Pass filters.\u003c\/p\u003e\n\n\u003cp\u003eMixer Section\u003c\/p\u003e\n\u003cp\u003e· Unique mixer section which allows the channel signal to feed a stereo mix bus with panning. The balanced Mix bus can be cascaded across multiple 32Channel Strip MS units.\u003c\/p\u003e\n\n\u003cp\u003eInsert Point \u003c\/p\u003e\n\u003cp\u003e· Each 32Classic MS unit includes a balanced Insert Point.\u003c\/p\u003e\n\n\n\u003cp\u003eSpecification:\u003c\/p\u003e\n\n\u003cp\u003eMic pre:\u003c\/p\u003e\n\u003cp\u003eMinimum Gain – 20 dB\u003c\/p\u003e\n\u003cp\u003eMaximum Gain – 70 dB\u003c\/p\u003e\n\u003cp\u003eInput Impedance – 5.8K\u003c\/p\u003e\n\u003cp\u003eInput Impedance Pad In – 1.3K\u003c\/p\u003e\n\u003cp\u003eMaximum Input Level No Pad - +4 dBu\u003c\/p\u003e\n\u003cp\u003eMaximum Input Level With Pad - +24 dBu\u003c\/p\u003e\n\u003cp\u003eTHD 50 dB Gain - \u0026lt; 0.01%\u003c\/p\u003e\n\u003cp\u003eFrequency Response 20 Hz – 20 KHz +\/- 0.25 dB\u003c\/p\u003e\n\u003cp\u003eEin \u0026lt; -129 dBu\u003c\/p\u003e\n\n\u003cp\u003eLine level input:\u003c\/p\u003e\n\u003cp\u003eInput Impedance – 10K\u003c\/p\u003e\n\u003cp\u003eLine Trim - +\/- 9.5 dB\u003c\/p\u003e\n\u003cp\u003eMaximum Input Level - +24 dBu\u003c\/p\u003e\n\u003cp\u003eTHD +4dBu Line Input To Stereo Mix Output \u0026lt; 0.01%\u003c\/p\u003e\n\u003cp\u003eFrequency Response 20 Hz – 20 KHz +\/- 0.25 dB\u003c\/p\u003e\n\n\u003cp\u003eLine level outputs: \u003cbr\u003eMaximum Output Level - +24 dBu\u003c\/p\u003e\n\u003cp\u003eOutput Impedance – 30 Ohms\u003c\/p\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":44431618900061,"sku":"BM850057437041","price":3639.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/harrison_32classic_mixstrip_left.png?v=1778354710"},{"product_id":"solid-state-logic-ssl-super-9000-superanalogue-channel-strip","title":"Solid State Logic (SSL) Super 9000 SuperAnalogue Channel Strip","description":"\u003cp\u003eSuper 9000 is Solid State Logic’s all-in-one analogue channel strip, combining the best of SuperAnalogue™ technology to deliver the modern SSL sound. First introduced in the legendary SL 9000 J and perfected in the Duality, the Super 9000 Channel Strip offers the ultra-low distortion, exceptional punch, and breathtaking clarity of our SuperAnalogue™ studio consoles in 1 RU. \u003c\/p\u003e\n\u003cp\u003eThe 9000 Series made rock and pop mixes sound bigger than ever, while enhancing hip-hop and R\u0026amp;B with deep, extended low-end and shimmering highs. Renowned for making music sound larger than life, with unmatched dynamics and depth, the 9000 Series became the industry standard of its era – setting a milestone in analogue design and paving the way for the development of the Duality and Oracle consoles. Now, the Super 9000 brings that same professional polish – once exclusive to the colossal 9K consoles – straight into your studio.\u003c\/p\u003e\n\u003cp\u003ePrestigious facilities, including Abbey Road and Metropolis Studios (London), Real World Studios (Bath), Record Plant (LA), and Avatar\/Power Station (NY), quickly made the 9000 Series their standard. Top engineers such as Manny Marroquin (Alicia Keys, Rihanna), Michael Brauer (Coldplay, John Mayer), Kevin Shirley (Iron Maiden, Led Zeppelin), and Tony Maserati (Jay-Z, Beyoncé) used SuperAnalogue™ sound to craft genre-defining hits.\u003c\/p\u003e\n\u003cp\u003eSuperAnalogueTM. Design \u003cbr\u003eSuperAnalogueTM technology creates a signal path so transparent and wide bandwidth that nothing is lost, putting the engineer right there in the room with the artist. Key design elements include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSuper-wide audio bandwidth.\u003c\/li\u003e\n\u003cli\u003eRuler flat frequency response: ±0.1 dB between 20 Hz – 20 kHz. \u003c\/li\u003e\n\u003cli\u003eUltra-low transient intermodulation distortion.\u003c\/li\u003e\n\u003cli\u003eNo electrolytic capacitors in the audio path.\u003c\/li\u003e\n\u003cli\u003eExtremely low noise and harmonic distortion. \u003c\/li\u003e\n\u003cli\u003eExceptionally low phase shift across the audible spectrum.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe result is unmatched punch, definition, and a larger-than-life sound stage—qualities that define the modern “SSL sound” and are why SuperAnalogue™ consoles remain the professional’s choice for music production.\u003c\/p\u003e\n\u003cp\u003eDual Mic Amp – SuperAnalogueTM or VHDTM\u003cbr\u003eChoose between two world-class preamps, just like on SSL’s flagship Duality console. Opt for the pristine, high-headroom SuperAnalogue™ preamp for unmatched clarity, or switch to the Variable Harmonic Drive (VHD) circuit to add character and saturation. Shape your tone by dialling in 2nd order harmonics for rich, valve-like warmth, or add 3rd order harmonics for a harder, transistor-style edge. The INPUT FLIP button allows you to move the VHD circuit from the Mic Input to the Line Input, making it easy to add harmonic colour to DAW stems or line-level instruments and sources.\u003c\/p\u003e\n\u003cp\u003eVariable Harmonic Drive (VHD): \u003cbr\u003eVariable Harmonic Drive was created to provide engineers and producers with a single preamp capable of covering a wide tonal spectrum. Initially designed to complement the Duality console’s ultra-accurate SuperAnalogue™ preamp, VHD technology can be found across numerous SSL consoles and rackmount units – over the years becoming many engineers’ secret weapon for adding vibe to recordings. \u003c\/p\u003e\n\u003cp\u003eFull Dynamics Processing \u003cbr\u003eThe Super 9000 features SSL’s quintessential modern dynamics section, delivering ultimate control and punch. Built around the high-performance THAT 2181A VCA, the compressor includes a switchable Fast Attack mode and the Peak Detect option—first introduced on the SL 9000 console and carried through to the Duality series. It also incorporates SSL’s classic Expander\/Gate section with variable hysteresis built into the Threshold, plus a HOLD control for precise gate and downward expansion management. Additionally, Super 9000 allows the dynamics section to be moved Pre and Post EQ. \u003c\/p\u003e\n\u003cp\u003ePink (292) and Black (242) EQ Circuits \u0026amp; High and Low Pass Filters \u003cbr\u003eChoose your SSL EQ: the 292 G-Series ‘Pink Knob’ EQ circuit or the 242 E-Series ‘Black Knob’ EQ circuit. The 292’s variable-Q design delivers smooth, wide boosts and cuts that tighten as you push harder, while its shelves feature a steeper slope and the signature ‘undershoot\/overshoot’ for that renowned SSL musicality. The 242’s constant-Q design, developed in collaboration with Sir George Martin, gives more surgical control when compared to the 292. The Super 9000 EQ section also features two buttons labelled ‘E Bell\/G÷3’ and ‘Gx3\/E Bell.’ When in 292 mode, these buttons allow the Low-Mid Frequency to be divided by 3 and the High-Mid Frequency to be multiplied by 3, so that the mid-bands can be used to target frequencies normally far outside of their standard range, providing incredible flexibility and range. In 242 mode, these buttons switch the Low Frequency and High Frequency bands between Bell and Shelving modes. As expected from SSL, the EQ can be placed in the dynamics sidechain, and the high-pass (18dB\/oct) and low-pass (12dB\/oct) filters can be fully bypassed or routed to input or sidechain for ultimate control.\u003c\/p\u003e\n\u003cp\u003eFlexible Processing \u0026amp; Routing \u003cbr\u003eSuper 9000 includes a balanced insert point for integrating additional outboard gear into the signal path. The insert can be repositioned from its default location (immediately after the input stage) to the output stage, just before the Output Trim. It also features a dedicated external sidechain (key) input, flexible processing re-ordering, and sidechain linking—ideal when using two Super 9000 units as a stereo pair. \u003c\/p\u003e\n\u003cp\u003eInput Flip control routes the LINE input to the Mic Pre, whilst the rear MIC connection becomes routed through the LINE path – an easy way to process line level DAW returns with saturation\/distortion processing at the mix stage, without having to manually re-patch. \u003c\/p\u003e\n\u003cp\u003eKey Features \u003c\/p\u003e\n\u003cp\u003eDual Mic Pre – Choose between SuperAnalogue™ (9000) \u0026amp; VHD™ (Duality) w\/ +48V, Polarity invert, and Pad. \u003cbr\u003e2 Impedance options for the mic pre: 1.3 kΩ and 11 kΩ. \u003cbr\u003eDedicated LINE Input with “Input Flip”. \u003cbr\u003eQuintessential 9000\/Duality Dynamics section. \u003cbr\u003eo High-Performance THAT 2181A VCA compressor section. \u003c\/p\u003e\n\u003cp\u003e§ Peak\/Hard Knee or Soft Knee modes. \u003c\/p\u003e\n\u003cp\u003e§ FAST attack on\/off. \u003c\/p\u003e\n\u003cp\u003eo Classic Gate\/Expander section. \u003c\/p\u003e\n\u003cp\u003e§ Fast attack on\/off. \u003c\/p\u003e\n\u003cp\u003e§ Hold control.\u003c\/p\u003e\n\u003cp\u003e4-band SSL EQ with switchable modes. \u003cbr\u003eo Fully parametric mid-bands. \u003c\/p\u003e\n\u003cp\u003eo Switchable between G-Series ‘Pink Knob’ 292 and E-Series ‘Black Knob’ 242 circuits. \u003c\/p\u003e\n\u003cp\u003eHigh and Low Pass filters. \u003cbr\u003eo 18 dB per octave HPF \u0026amp; 12 dB per octave LPF. \u003c\/p\u003e\n\u003cp\u003eInsert point for connecting external devices into the signal path. \u003cbr\u003eExtensive ‘to sidechain’ functionality. \u003cbr\u003eo Filters to Dynamics sidechain. \u003c\/p\u003e\n\u003cp\u003eo EQ to Dynamics sidechain. \u003c\/p\u003e\n\u003cp\u003eFlexible process-order routing. \u003cbr\u003eo Filters to input, Dynamics post-EQ, and Insert to output. \u003c\/p\u003e\n\u003cp\u003eLine Output Trim.\u003cbr\u003eSwitchable Input and Output metering. \u003cbr\u003eExternal sidechain (key) input. \u003cbr\u003eDynamics sidechain link – allows 2 x Super 9000’s compressors to work as a stereo pair (loudest signal wins). Linking via a TS\/TRS jack cable (not included). \u003c\/p\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":44431618932829,"sku":"BM878076002118","price":3199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/super_9000_left.png?v=1778354714"},{"product_id":"ssl-revival-4000-channel-strip","title":"SSL Revival 4000 Channel Strip","description":"\u003cp\u003eRevival 4000 is a high-performance, all-analogue channel strip from Solid State Logic, delivering the unmistakable sound of the early 1980s SL 4000 Series consoles—a sound that set the industry standard and helped shape the music of iconic artists including Peter Gabriel, Phil Collins, Bryan Adams, Pink Floyd, Prince, U2, Metallica, and many more. Drawing on the revered circuitry of both the B and E Series consoles, the Revival 4000 offers the signature tone and sonic flexibility that form the very foundation of SSL’s legacy.\u003c\/p\u003e\n\u003cp\u003eOriginally launched in 1976, the SSL 4000 Series consoles revolutionised music production, setting a new industry benchmark that would go on to shape music history. It all began with the rare SL 4000 B console, installed at London’s Townhouse Studios. The 4000 B was used to create groundbreaking hits like Intruder by Peter Gabriel and the seminal gated-drum sensation In the Air Tonight by Phil Collins.\u003c\/p\u003e\n\u003cp\u003eThis set the tone for what would become the most influential mixing console of all time—the SL 4000 E. Introduced in 1979, the 4000 E became the heartbeat of legendary studios such as Abbey Road, Electric Lady, and The Hit Factory. It empowered engineers like Hugh Padgham (David Bowie, Paul McCartney, The Police), Chris and Tom Lord-Alge (James Brown, The Rolling Stones, Santana), and Andy Wallace (Prince, Bruce Springsteen, Nirvana) to craft their sound.\u003c\/p\u003e\n\u003cp\u003eIntroducing the Revival 4000—a signature analogue channel strip that encapsulates the sonic excellence and standout features of the legendary 4000 Series in a compact 1U format. Equipped with the classic E Series JT-115K-E Jensen transformer-balanced mic preamp, B Series De-Esser, the discrete Class A VCA Dynamics section from the E Series, and the iconic four-band parametric E Series EQ—complete with high-pass\/low-pass filters and switchable Brown\/Black knob EQ. \u003c\/p\u003e\n\u003cp\u003eOffering flexible routing, a balanced insert point, and sidechain linking, the Revival 4000 is the foundational legacy channel strip, bringing SSL’s analogue heritage into any modern studio.\u003c\/p\u003e\n\n\u003cp\u003eKey Features: \u003c\/p\u003e\n\n\u003cp\u003eClassic Jensen Transformer Equipped SSL 4000 E Mic Preamp\u003c\/p\u003e\n\n\u003cp\u003eFeaturing a JT-115K-E Jensen transformer-balanced preamp, the Revival 4000 delivers richness and pristine clarity to your recordings. This circuit incorporates the very same Jensen component found in the original E Series channel strips.\u003c\/p\u003e\n\n\u003cp\u003e4000 B-Series De-Esser \u003c\/p\u003e\n\n\u003cp\u003eRevival 4000’s De-Esser is lifted from the original compressor\/limiter design of the iconic 4000 B console, delivering 10:1 ratio and a 7 kHz sidechain filter. This configuration enables broadband compression that’s precisely triggered by sibilance, making it ideal for taming harsh vocals, drums, or other aggressive sources. Its musicality is further elevated by a circuit design that mirrors that of the legendary SSL Bus Compressor, adding a familiar clarity and character to any signal.\u003c\/p\u003e\n\n\u003cp\u003eUltimate 4000 E Series Dynamics Section \u003c\/p\u003e\n\n\u003cp\u003eThe iconic dynamics section that defined the sound of the 1980s—fully featured and faithfully recreated. The compressor\/gate design stays true to the original E Series channel strip, meticulously replicating the circuitry and components that gave it its legendary character. It includes a true RMS sidechain detector and an all-discrete gain reduction stage, identical to the discrete Class A VCA chip used in the original console. \u003c\/p\u003e\n\n\u003cp\u003eFlexible controls allow you to bypass the soft-knee curve, activate a fast attack mode, and choose between logarithmic or linear release curves. Together, these features offer a wide palette of tonal shaping options, capturing the distinctive voicings that helped craft countless classic records on a variety of E Series consoles.\u003c\/p\u003e\n\n\u003cp\u003eClassic 4-Band SSL EQ\u003c\/p\u003e\n\n\u003cp\u003eThe celebrated 4-band parametric EQ that helped shape modern music. Revival 4000 features two iconic EQ options: the classic 4000 E Brown Knob (02) and the legendary Black Knob (242).\u003c\/p\u003e\n\n\u003cp\u003eThe Brown Knob EQ includes two fully parametric mid bands with SSL’s signature symmetrical design, ensuring consistent musical intervals around the centre frequency, no matter the gain or frequency settings. The high and low bands are 6 dB\/octave shelving filters, with an option to switch to a fixed-Q bell response. This EQ became a staple of early '80s recordings and mixes.\u003c\/p\u003e\n\n\u003cp\u003eDeveloped in 1983 the ‘242’ EQ circuit in collaboration with the legendary George Martin for the first SSL console installed at AIR Studios. Known as the Black Knob EQ, it introduced wider cut and boost ranges (±18 dB vs. ±15 dB), a refined control response, and a steeper 18 dB\/octave high-pass filter—offering tighter low-end control and greater tonal flexibility.\u003c\/p\u003e\n\n\u003cp\u003eFlexible Processing \u0026amp; Routing \u003c\/p\u003e\n\n\u003cp\u003eRevival 4000 includes a dedicated balanced insert point, allowing you to seamlessly integrate external outboard gear into the signal path. It also features a dedicated external sidechain (key) input, flexible processing order, and sidechain linking, ideal for pairing two units as a stereo setup. \u003c\/p\u003e\n\n\n\u003cp\u003eSpecification: \u003c\/p\u003e\n\n\u003cp\u003e· Classic SSL 4000 E Jensen transformer-balanced mic preamp.\u003c\/p\u003e\n\n\u003cp\u003e· Musical one-knob 4000 B De-Esser section.\u003c\/p\u003e\n\n\u003cp\u003e· +48V, Polarity invert, Pad and Line Input.\u003c\/p\u003e\n\n\u003cp\u003e· Ultimate 4000 E Series Dynamics section:\u003c\/p\u003e\n\u003cp\u003eo Discrete Class A VCA compressor section.\u003c\/p\u003e\n\u003cp\u003e§ Soft or Hard Knee modes.\u003c\/p\u003e\n\u003cp\u003e§ Fast attack on\/off.\u003c\/p\u003e\n\u003cp\u003e§ Logarithmic or Linear Release modes.\u003c\/p\u003e\n\n\u003cp\u003eo Classic Gate\/Expander section:\u003c\/p\u003e\n\u003cp\u003e§ With Fast attack on\/off. \u003c\/p\u003e\n\n\u003cp\u003e· Classic 4-band SSL EQ:\u003c\/p\u003e\n\u003cp\u003eo Fully parametric mid-bands.\u003c\/p\u003e\n\u003cp\u003eo Switchable Brown Knob ‘02’ and Black Knob ‘242’ EQ Circuits.\u003c\/p\u003e\n\n\u003cp\u003e· High and Low Pass Filters:\u003c\/p\u003e\n\u003cp\u003eo Brown 02 mode – 12 dB per octave HPF \u0026amp; LPF.\u003c\/p\u003e\n\u003cp\u003eo Black 242 mode – 18 dB per octave HPF \u0026amp; 12 dB per octave LPF.\u003c\/p\u003e\n\n\u003cp\u003e· Balanced Insert point for connecting external devices into the signal path.\u003c\/p\u003e\n\n\u003cp\u003e· Extensive ‘to sidechain’ functionality:\u003c\/p\u003e\n\u003cp\u003eo Filters to Dynamics sidechain. \u003c\/p\u003e\n\u003cp\u003eo EQ to Dynamics sidechain.\u003c\/p\u003e\n\n\u003cp\u003e· Flexible process-order routing: \u003c\/p\u003e\n\u003cp\u003eo Filters to input, Dynamics and De-Ess post-EQ options, Insert to output.\u003c\/p\u003e\n\n\u003cp\u003e· Line Output Trim.\u003c\/p\u003e\n\n\u003cp\u003e· Switchable input\/output metering.\u003c\/p\u003e\n\n\u003cp\u003e· External sidechain (key) input.\u003c\/p\u003e\n\n\u003cp\u003e· Dynamics sidechain link – allows 2 x Revival 4000s compressors to work as a stereo pair.\u003c\/p\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":44431618998365,"sku":"BM878076002088","price":3199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/ssl_revival_4000_-_left.jpg?v=1778354713"},{"product_id":"presonus-central-station-plus-monitoring-system","title":"PreSonus Central Station Plus Monitoring System","description":"\u003ch2\u003ePreSonus Central Station Plus Monitoring System\u003c\/h2\u003e\n\u003cp\u003eYou mostly monitor on near-fields, but occasionally switch to big main speakers or a second set of near-fields. You need to be able to switch between multiple sources and want to hear what your mix sounds like with and without subwoofer. You want to monitor straight from digital sources as well as analog. And you don’t want cables cluttering your workspace in order to achieve all that.\u003c\/p\u003e\n\u003ch3\u003eMeet the Central Station PLUS.\u003c\/h3\u003e\n\u003cp\u003eCentral Station PLUS is one of our most popular products for professional studios because it provides the perfect combination of stereo inputs, outputs, and recording-communication functions, allowing you to easily manage multiple sources and monitor speakers.\u003c\/p\u003e\n\u003ch3\u003eA Wide Variety of Input and Output Options\u003c\/h3\u003e\n\u003cp\u003eWith Central Station, you can easily switch between three sets of stereo, analog input sources. Two stereo S\/PDIF digital sources connect via one coax and one Toslink optical port. 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A handy Clear switch lets you clear the peak-hold.\u003c\/p\u003e\n\u003cp\u003eUnlike The Meters, these meters are anything but funky!\u003c\/p\u003e\n\n\u003ch3\u003eA Complete Tool Set\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003eBecause Central Station PLUS is a professional tool, we’ve included all of the key features you’ll need to manage monitors in a commercial or project studio. Speak to the musicians over the headphone and cue buses using the onboard talkback microphone or connect a dynamic mic to the XLR talkback input.\u003c\/p\u003e\n\u003cp\u003eThe cue signal is automatically dimmed when you use the talkback mic, and a jack admits a foot switch for hands-free talkback operation. A Mono switch sums the stereo source so you can check for phase problems, and a Dim switch lets you reduce the speaker output by 16 dB.\u003c\/p\u003e\n\u003cp\u003eOf course, you can mute the speakers as well.\u003c\/p\u003e\n\u003cp\u003eFinally, with the included CSR-1, you can remote-control the Central Station’s main volume, input select, output select, talkback, mute, dim, and mono functions.\u003c\/p\u003e\n\u003ch3\u003eThe Professional’s Choice\u003c\/h3\u003e\n\u003cp\u003eWith pristine audio quality; the ability to switch between multiple analog and digital sources and three sets of speakers; fast, accurate metering; and all of the extras that make your studio work easier and more efficient, it’s obvious why the Central Station PLUS is the professional engineer’s choice for monitor control.\u003c\/p\u003e","brand":"Presonus","offers":[{"title":"Default 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GLM 3’s reference microphone kit allows your acoustic environment to be analysed, after which GLM 3’s AutoCal feature optimises each monitor for level, distance delay, subwoofer crossover phase and room response equalisation, with the option for you to further fine tune the system. By minimising the room’s influence on the sound, GLM 3 helps Genelec monitors deliver an unrivalled reference, with excellent translation between rooms.\u003c\/p\u003e\n\u003cp\u003eWhether you’re a new Genelec SAM user - or you’re an existing user who wants to upgrade to the latest version - then GLM 3 is a free download, available via the links below.\u003c\/p\u003e\n\u003cp\u003ePlease note that to enable GLM software to integrate with your SAM monitors, you’ll also need the Genelec network adaptor kit (8300-601) – which includes the GLM network adaptor, 8300A calibration microphone and microphone holder, 1.8 m USB cable and Quick Connection Guide. 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Using premium and custom components like O-12 (input) and 5002 (output) transformers from CineMag, WA76-A achieves authentic 76 “blue stripe”-style compression, known for its gritty preamp stage with unmistakably analog character. Added modern controls to achieve parallel compression, active \u0026amp; true bypass, selectable input impedance, and sidechain flexibility make WA76-A an ideal choice for modern recording workflows that require vintage tone shaping. WA76-A2 recreates the legendary tone \u0026amp; control of the vintage 76-style compression used in studios by artists like Jack White, The Beatles, David Bowie, Led Zeppelin and many more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClassic Studio Compression With True Analog Grit:\u003c\/strong\u003e The WA76-A2 is a faithful recreation of the vintage 76 “blue stripe”-style 2-channel FET studio compressor with added features to meet modern recording workflows. Recreating the lauded original vintage “Blue Stripe” version of the 76 compressor known for its extra “grabby” fast attack and vintage analog grit, the WA76-A2 offers the ideal blend of vintage circuitry and modern controls to deliver ultimate flexibility without sacrificing vintage analog character. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCritical Classic Controls + Bonus Modern Add-Ons: \u003c\/strong\u003eWA76-A2 delivers vintage circuit design and has all of the traditional 76-style compression controls; attack, release, ratio, input, output, and meter display. In addition to the classic controls expected on a 76-style compressor, WA76-A2 is a stereo unit and has dry\/wet mix for parallel compression, selectable input impedance, active \u0026amp; true-bypass, and variable sidechain high-pass filtering to tackle unruly bass that dominates the compressor’s attention.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustom CineMag Transformers: \u003c\/strong\u003eJust like in the vintage 76-style compressors from revision “A” to D”, the WA76-A2 uses custom large-core, CineMag input \u0026amp; output transformers. The transformers inside the WA76-A2 use the exact same spec data and materials (nickel and steel) used by Reichenbach Engineering in the original vintage designs known for delivering vintage analog grit to any signal chain. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePremium Components \u0026amp; Accurate Blue Stripe-Style Circuitry: \u003c\/strong\u003eWA76-A2 uses premium poly film capacitors, carbon resistors, and a vintage-voiced preamp stage. These key components complete a circuit that cuts no corners in delivering an authentic vintage 76-style “blue stripe”-style compression experience. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHand-Tested In Austin, TX:\u003c\/strong\u003e Like all Warm Audio gear, WA76-A2 is meticulously hand-tested and inspected by trained technicians with a passion for making music in Austin, TX USA.\u003c\/p\u003e\n\u003cp\u003eSpecs \u003c\/p\u003e\n\u003cp\u003e● 100% Analog Discrete 2-Channel FET Compressor\u003c\/p\u003e\n\u003cp\u003e● Faithful Recreation Of The Vintage “Blue Stripe” FET Compressor With Added Recording Features\u003c\/p\u003e\n\u003cp\u003e● VU Meter Options: Gain Reduction | +8dB Output | +4dB Output | “Off” Powers off unit\u003c\/p\u003e\n\u003cp\u003e● 100-230v IEC Inlet Universal Power Supply\u003c\/p\u003e\n\u003cp\u003e● Class-A Line-Level Output Amplifiers\u003c\/p\u003e\n\u003cp\u003e● 100% Discrete Audio Signal Path Using 600Ω Input Impedance Attenuator\u003c\/p\u003e\n\u003cp\u003e● Selectable 10kΩ Input Impedance To Better Match Modern Audio Interface Specifications\u003c\/p\u003e\n\u003cp\u003e● 100% Dry-Wet Mix Control | Variable Sidechain High Pass Filter: 30 - 300Hz, 12dB\/Octave\u003c\/p\u003e\n\u003cp\u003e● Active Bypass For Running Unit As Line Amplifier \u0026amp; True Bypass Option For A\/B Comparisons\u003c\/p\u003e\n\u003cp\u003e● 3 2-Channel Operating Modes: Stereo Linked | Primary:Secondary | Dual-Mono\u003c\/p\u003e\n\u003cp\u003e● 2U 19″ Rackmount Chassis\u003c\/p\u003e\n\u003cp\u003e● Utilizes Premium O-12 Input \u0026amp; 5002 Output Transformers From CineMag USA\u003c\/p\u003e\n\u003cp\u003e● Vintage-Spec Attack \u0026amp; Release: Attack = 20 µS - 800 | Release: 50 mS - 1.1 Second\u003c\/p\u003e\n\u003cp\u003e● “All-Buttons-In” Setting For Experimental \u0026amp; Hard-Limiter Tones\u003c\/p\u003e\n\u003cp\u003e● Frequency Response: ± 1 dB 20 Hz - 20 kHz\u003c\/p\u003e\n\u003cp\u003e● Balanced XLR \u0026amp; TRS Inputs \u0026amp; Outputs\u003c\/p\u003e\n\u003cp\u003e● Total Amplifier Gain: 58dB \u003c\/p\u003e\n\u003cp\u003e● Signal-To-Noise Ratio (SNR): 84dB\u003c\/p\u003e\n\u003cp\u003e● Total Harmonic Distortion (THD): -58dB (at -18dBu)\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":44431619620957,"sku":"BM850031640610","price":1799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/wa76-a2_dual-1.jpg?v=1778354737"},{"product_id":"warm-audio-wa76-a-single-channel-fet-compressor-rev-a","title":"Warm Audio WA76-A Single-Channel FET Compressor (Rev A)","description":"\u003cp\u003eThe WA76-A accurately reproduces one of the fastest and most powerful studio compressors of all time known for its extra “grabby” attack, powerful dynamic control, and vintage analog grit. Using premium and custom components like O-12 (input) and 5002 (output) transformers from CineMag, WA76-A achieves authentic 76 “blue stripe”-style compression, known for its gritty preamp stage with unmistakably analog character. Added modern controls to achieve parallel compression, active \u0026amp; true bypass, selectable input impedance, and sidechain flexibility make WA76-A an ideal choice for modern recording workflows that require vintage tone shaping. WA76-A recreates the legendary tone \u0026amp; control of the vintage 76-style compression used in studios by artists like Jack White, The Beatles, David Bowie, Led Zeppelin and many more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClassic Studio Compression With True Analog Grit:\u003c\/strong\u003e The WA76-A is a faithful recreation of the vintage 76 “blue stripe”-style FET studio compressor with added features to meet modern recording workflows. Recreating the lauded original vintage “Blue Stripe” version of the 76 compressor known for its extra “grabby” fast attack and vintage analog grit, the WA76-A offers the ideal blend of vintage circuitry and modern controls to deliver ultimate flexibility without sacrificing vintage analog character. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCritical Classic Controls + Bonus Modern Add-Ons: \u003c\/strong\u003eWA76-A delivers vintage circuit design and all of the traditional 76-style compression controls; attack, release, ratio, input, output, and meter display. In addition to the classic controls expected on a 76-style compressor, WA76-A has added stereo linking, dry\/wet mix for parallel compression, external sidechain, selectable input impedance, active \u0026amp; true bypass, and variable sidechain high-pass filter to tackle unruly bass that dominates the compressor’s attention.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustom CineMag Transformers: \u003c\/strong\u003eJust like in the vintage 76-style compressors from revision “A” to D”, the WA76-A uses custom large-core, CineMag input \u0026amp; output transformers. 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The 1073 was one such piece of gear. A mic preamp with a unique voice and rich sound, it became famous for shaping the sounds of many music generations, from the grit of ‘70s rock and roll, to the polished pop of the ‘80s. 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Rupert Neve was a legend and pioneer in the audio engineering industry, having fathered some of the most iconic audio gear ever created - 33609 included!\u003c\/p\u003e\n\u003cp\u003eThe 369 is both a compressor and limiter that offers two distinct modes to control the dynamics of any audio signal passing through. The compressor section gives you a more subtle and musical compression while the limiter section clamps down on peaks in your audio signal more aggressively. Each section is equipped with rotary switches, allowing for precise and repeatable settings, which means consistent compression for every recording or mastering session. You can even set both channels at exactly the same settings if that is what your mix demands.\u003c\/p\u003e\n\u003cp\u003eThe 369 compressor gives you plenty of controls, offering a smooth and musical approach to sculpting the dynamic range without compromising your signal’s natural characteristics or the vibe you spent time on recording and mixing. Adjustable Threshold, Recovery, Gain and Ratio controls allow you to set when the compression kicks in, how fast it grabs your sound and when it lets go of it again. With compression ratios from 1.5:1 up to 6:1, 369 can be as gentle or aggressive as your track needs it to be to sound its best. Pre-sets on the Recovery set a defined baseline decay time that automatically adapts to the signal introduced into the 369 - smooth operation and musical dynamics are finally united.\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44431619784797,"sku":"BEH-450771","price":949.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/image_be_0817-abk_369_top-front_xl.png?v=1778354742"},{"product_id":"warm-audio-wa-wl-warm-lifter-inline-active-microphone-preamp","title":"Warm Audio WA-WL Warm Lifter Inline Active Microphone Preamp","description":"\u003cp\u003eThe Warm Audio Warm Lifter is an inline active microphone preamp designed for low output dynamic and ribbon mics with premium features for live \u0026amp; studio use. Warm Lifter boasts 26dB of analog gain with true impedance matching, so any low output mic you plug in will be professionally powered for connecting to audio interfaces or mixers. Beyond gain, Warm Lifter also has a 100Hz high-pass filter and a 3kHz high-shelf boost to sculpt tones. Warm Lifter is built with premium components and rugged material. 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Unlike some inline preamps, signal boosters, and lifters, the circuit design of the Warm Lifter protects your recording from signal loss or phase issues by ensuring there is no “mismatching” of impedance between your mic of choice and the Warm Lifter.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eAdded Frequency Flexibility: The Warm Lifter has a selectable 100 Hz high-pass filter to remove unruly low end frequencies for added clarity and detail. 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This innovative preamp retains the clarity and punch of previous SSL designs while offering the added versatility of switching its character to a warm, harmonically rich, and driven tone that varies with gain. ORIGIN, along with the PureDrive™ microphone preamp, has made its mark in the world's premier studios. Whether it's capturing the delicate nuances of a piano concerto in PURE mode or imparting warmth on a drum recording when set to DRIVE, the PureDrive™ microphone preamp has become an essential tool in some of the most prestigious studios and recording facilities due to its flexibility and superb sonic signature.\u003c\/p\u003e\n\u003cp\u003ePURE DRIVE OCTO continues the legacy into rack format, delivering eight microphone preamps with ORIGIN’s renowned PURE and DRIVE modes, but takes it further, adding a new ‘Asymmetric’ DRIVE, advanced digital connectivity, and an onboard USB interface. PURE DRIVE OCTO offers four mic preamp input impedance options, enabling engineers to explore various tonal possibilities or match the mic pre's impedance closely to the microphone. Additionally, each mic pre includes independent +48V phantom power, polarity inversion, and a High Pass Filter. PURE DRIVE OCTO stands as one of the most capable and feature-rich outboard microphone preamplifiers available, introducing a host of new sonic possibilities and workflows for the discerning producer and recording engineer.\u003c\/p\u003e\n\u003cp\u003e3 DRIVE Flavours, 1 Mic Pre: PURE DRIVE OCTO is a testament to SSL's commitment to progressive analogue circuit design. No electro-mechanical components (potentiometers, mechanical switches, relays etc) are used in the critical audio signal path of PURE DRIVE OCTO, increasing product longevity, and allowing impeccable ‘matching’ between all channels – not just a stereo pair. The use of digitally controlled analogue circuits, controlled by detented pots and electronic switches simplifies recall and precision of settings.\u003c\/p\u003e\n\u003cp\u003eEach of PURE DRIVE OCTO’s mic pre’s can be independently switched between three distinct DRIVE modes: Clean, Classic Drive, and Asymmetric Drive. Clean mode delivers the highly regarded, ultra-low noise floor, linear SSL preamp that is recognised for its ability to faithfully capture the sound of the source with exceptional clarity and detail. Classic Drive is the symmetrical mode that generates predominantly odd harmonics; the same drive sound found on the ORIGIN console. Asymmetric Drive offers up a new colouration option, specifically designed for the PURE DRIVE range, making the even harmonic content dominant and providing more pronounced thickness, colouration and softening of transients.\u003c\/p\u003e\n\u003cp\u003ePURE DRIVE OCTO's advanced connectivity opens a world of recording possibilities. 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Finally, there's an auto-ranging word clock input and output for robust digital clocking.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8 channel high-performance PureDrive™ mic preamps\u003c\/li\u003e\n\u003cli\u003e+48V phantom power, polarity invert and 3rd order hi-pass filter\u003c\/li\u003e\n\u003cli\u003eStepped Gain control up to +65 dB Gain\u003c\/li\u003e\n\u003cli\u003e31-step Trim control, with precise 1 dB increments – overdrive the signal with the Gain control and then reduce to a suitable level using Trim\u003c\/li\u003e\n\u003cli\u003e3 modes for each preamp – Clean, Classic Drive and Asymmetric Drive\u003c\/li\u003e\n\u003cli\u003eMic\/Line Input Switching: Mic via XLR and Line via choice of TRS Jack or dedicated D-Sub connectivity\u003c\/li\u003e\n\u003cli\u003e4 x front panel Hi-Z\/DI Instrument unbalanced inputs with automatic input detection\u003c\/li\u003e\n\u003cli\u003e4 mic preamp input impedance options – explore new tonal possibilities from your dynamic and ribbon microphones\u003c\/li\u003e\n\u003cli\u003eBalanced analogue outputs\/insert sends for external processing\u003c\/li\u003e\n\u003cli\u003e+24 dBu professional line level insert returns\/ADC inputs\u003c\/li\u003e\n\u003cli\u003eAnalogue to digital connectivity via ADAT, AES and USB\u003c\/li\u003e\n\u003cli\u003eAbility to switch ADAT and AES connections to source audio from DAW outputs (USB) instead of the A\/D converter\u003c\/li\u003e\n\u003cli\u003eUSB soundcard mode: OCTO – 8 in \/ 24 out (@44.1\/48 kHz), 8 x analogue \/ 8 AES + 16 ADAT outs\u003c\/li\u003e\n\u003cli\u003eStepped pots and digitally controlled analogue electronics for precision, stereo matching and ease of recall\u003c\/li\u003e\n\u003cli\u003eUp to 192 kHz and 32-bit conversion, professional I\/O levels (+24 dBu = 0 dBFS)\u003c\/li\u003e\n\u003cli\u003eSelectable Auto-Sleep mode\u003c\/li\u003e\n\u003cli\u003eAuto-ranging Wordclock In and Out \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":44431619883101,"sku":"930101005292","price":3809.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/ssl-pdocto_3.png?v=1778354746"},{"product_id":"solid-state-logic-ssl-puredrive-quad-mic-pre","title":"Solid State Logic (SSL) PureDrive Quad Mic Pre","description":"\u003cp\u003eMic Pre’s with prestige: PURE DRIVE OCTO harnesses the renowned SuperAnalogue PureDrive™ microphone preamp technology originally featured in Solid State Logic's ORIGIN console, introduces a new DRIVE mode and connectivity, and makes it available in a 4-channel 2U rackmount unit.\u003c\/p\u003e\n\u003cp\u003eSSL's contemporary-classic recording console, ORIGIN, introduced the PureDrive™ microphone preamplifier. This innovative preamp retains the clarity and punch of previous SSL designs while offering the added versatility of switching its character to a warm, harmonically rich, and driven tone that varies with gain. ORIGIN, along with the PureDrive™ microphone preamp, has made its mark in the world's premier studios. Whether it's capturing the delicate nuances of a piano concerto in PURE mode or imparting warmth on a drum recording when set to DRIVE, the PureDrive™ microphone preamp has become an essential tool in some of the most prestigious studios and recording facilities due to its flexibility and superb sonic signature.\u003c\/p\u003e\n\u003cp\u003ePURE DRIVE QUAD continues the legacy into rack format, delivering four microphone preamps with ORIGIN’s renowned PURE and DRIVE modes, but takes it further, adding a new ‘Asymmetric’ DRIVE, advanced digital connectivity, and an onboard USB interface. PURE DRIVE QUAD offers four mic preamp input impedance options, enabling engineers to explore various tonal possibilities or match the mic pre's impedance closely to the microphone. Additionally, each mic pre includes independent +48V phantom power, polarity inversion, and a sweepable High Pass Filter. PURE DRIVE QUAD stands as one of the most capable and feature-rich outboard microphone preamplifiers available, introducing a host of new sonic possibilities and workflows for the discerning producer and recording engineer.\u003c\/p\u003e\n\u003cp\u003e3 Flavours, 1 Mic Pre: PURE DRIVE QUAD is a testament to SSL's commitment to progressive analogue circuit design. No electro-mechanical components (potentiometers, mechanical switches, relays etc) are used in the critical audio signal path of PURE DRIVE QUAD, increasing product longevity, and allowing impeccable ‘matching’ between all channels – not just a stereo pair. The use of digitally controlled analogue circuits, controlled by detented pots and electronic switches simplifies recall and precision of settings.\u003c\/p\u003e\n\u003cp\u003eEach of PURE DRIVE QUAD’s mic pre’s can be independently switched between three distinct DRIVE modes: Clean, Classic Drive, and Asymmetric Drive. Clean mode delivers the highly regarded, ultra-low noise floor, linear SSL preamp that is recognised for its ability to faithfully capture the sound of the source with exceptional clarity and detail. Classic Drive is the symmetrical mode that generates predominantly odd harmonics; the same drive sound found on the ORIGIN console. Asymmetric Drive offers up a new colouration option, specifically designed for the PURE DRIVE range, making the even harmonic content dominant and providing more pronounced thickness, colouration and softening of transients.\u003c\/p\u003e\n\u003cp\u003ePURE DRIVE QUAD’s advanced connectivity opens a world of recording possibilities. Its comprehensive selection of analogue and digital I\/O offers microphone preamps with exceptional performance and flexibility, whether you're tracking a band in a world-class studio or adding warmth to stems in a production scenario. It's also ideal for project studios and on-location sessions where quality cannot be compromised, thanks to its integrated USB sound card. PURE DRIVE QUAD features four rear-mounted combo XLR inputs, four front-panel Hi-Z\/DI instrument inputs with automatic input detection, and three sets of D-sub connectors for line-level inputs, as well as insert send and insert return. PURE DRIVE QUAD’s insert returns\/ADC inputs operate up to full +24 dBu line-level, for interfacing with other professional equipment.\u003c\/p\u003e\n\u003cp\u003ePURE DRIVE QUAD’s versatile digital connectivity features an integrated USB soundcard providing four channels of audio into your DAW up to 32-Bit\/192 kHz. Two AES\/EBU output pairs, and ADAT out, offering four channels at 24-bit\/48 kHz, or cascade two PURE DRIVE QUADs via its convenient ADAT LINK IN connection and access up to eight channels. The AES and ADAT outputs can even be individually repurposed to be fed from the onboard USB soundcard as outputs from your DAW. Finally, there's an auto-ranging word clock input and output for robust digital clocking.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4 channel high-performance PureDrive™ mic preamps\u003c\/li\u003e\n\u003cli\u003e+48V phantom power, polarity invert and sweepable 3rd order hi-pass filter\u003c\/li\u003e\n\u003cli\u003eStepped Gain control up to +65 dB Gain\u003c\/li\u003e\n\u003cli\u003e31-step Trim control, with precise 1 dB increments – overdrive the signal with the Gain control and then reduce to a suitable level using Trim\u003c\/li\u003e\n\u003cli\u003e3 modes for each preamp – Clean, Classic Drive and Asymmetric Drive\u003c\/li\u003e\n\u003cli\u003eMic\/Line Input Switching: Mic via XLR and Line via choice of TRS Jack or dedicated D-Sub connectivity\u003c\/li\u003e\n\u003cli\u003e4 x front panel Hi-Z\/DI Instrument unbalanced inputs with automatic input detection\u003c\/li\u003e\n\u003cli\u003e4 mic preamp input impedance options – explore new tonal possibilities from your dynamic and ribbon microphones\u003c\/li\u003e\n\u003cli\u003eBalanced analogue outputs\/insert sends for external processing\u003c\/li\u003e\n\u003cli\u003e+24 dBu professional line level insert returns\/ADC inputs\u003c\/li\u003e\n\u003cli\u003eAnalogue to digital connectivity via ADAT, AES and USB – record to your DAW in the way that best suits you\u003c\/li\u003e\n\u003cli\u003eAbility to switch ADAT and AES connections to source audio from DAW outputs (USB) instead of the A\/D converter\u003c\/li\u003e\n\u003cli\u003eCascade 2 PURE DRIVE QUAD units via convenient ADAT LINK IN connection\u003c\/li\u003e\n\u003cli\u003eUSB soundcard mode: QUAD – 12 in \/ 12 out (@44.1\/48 kHz), 4 x analogue + 8 x ADAT in (via Link in) \/ 4 AES + 8 ADAT outs\u003c\/li\u003e\n\u003cli\u003eStepped pots and digitally controlled analogue electronics for precision, stereo matching and ease of recall\u003c\/li\u003e\n\u003cli\u003eUp to 192 kHz and 32-bit conversion, professional I\/O levels (+24 dBu = 0 dBFS)\u003c\/li\u003e\n\u003cli\u003eSelectable Auto-Sleep mode\u003c\/li\u003e\n\u003cli\u003eAuto-ranging Wordclock In and Out\u003cbr\u003e \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":44431619915869,"sku":"930101005293","price":2099.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/ssl-pdquad_3.png?v=1778354749"},{"product_id":"palmer-monicon-xl-active-studio-monitor-controller","title":"Palmer MONICON XL - Active Studio Monitor Controller","description":"\u003cp\u003eSwitching between different signal sources and monitors is one of the most common tasks in any studio. Ergonomic console design and two clearly structured control levels makes the Palmer MONICON XL the perfect, intuitive nerve centre for all your requirements. Selecting audio sources and loudspeakers is convenient and at the touch of a button.\u003c\/p\u003e\u003cp\u003eThe Palmer studio monitor controller features three analog stereo inputs, one S\/PDIF input and outputs for three monitor pairs, each with its own volume controller for level calibration. A further mono summed full-range output is also available for connecting either a mono monitor or a subwoofer. An exclusive highlight of the MONICON XL is its correlation meter, which displays the phase difference between a stereo signal's left and right channels. This facilitates the quick and simple discovery of mono-compatibility errors in mixes. The controller is also customisable to your personal work style.\u003c\/p\u003e\u003cp\u003eIts fully analogue audio circuit means that the MONICON XL demonstrates absolutely no latency or signal distortion. Additional features that are a must for any studio make the device far more than simply a monitor controller. Two headphone outputs with volume controllers and main cue selector switches, a cue master controller and an on\/off talkback microphone with volume control are all also included. As are a mute button and a dim button, with volume control, that instantly reduces the monitor level by a pre-set amount.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLatency-free analogue signal path\u003c\/li\u003e\n\u003cli\u003eCustomisable\u003c\/li\u003e\n\u003cli\u003eLevel indicator L\/R with +4, +10 and +18 dBu calibration options\u003c\/li\u003e\n\u003cli\u003eCorrelation meter for verifying mono-compatibility\u003c\/li\u003e\n\u003cli\u003eTwo headphone outputs with volume controllers and main cue selector switches\u003c\/li\u003e\n\u003cli\u003eThree analogue inputs, one S\/PDIF input\u003c\/li\u003e\n\u003cli\u003eThree loudspeaker outputs with volume controllers for level calibration\u003c\/li\u003e\n\u003cli\u003eMono summed output for subwoofer or mono monitor\u003c\/li\u003e\n\u003cli\u003eMain and cue direct outputs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Palmer","offers":[{"title":"Default Title","offer_id":44431619948637,"sku":"BM4049521402883","price":799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/pal-pmoniconxl_1.jpg?v=1778354752"},{"product_id":"palmer-monicon-l-passive-monitor-controller","title":"Palmer MONICON L - Passive Monitor Controller","description":"\u003cp\u003eThe Palmer Monicon® L is a precise, analogue volume control that connects between a computer or audio interface and active monitor speakers. The switch is completely passive and distortion-free, the LED displays and built-in headphone amplifier are powered via the included power supply. \u003c\/p\u003e\u003cp\u003eSymmetric combo sockets serve as stereo input. The Monicon® L’s AUX input features RCA sockets and a 3.5 mm stereo jack. The compact console offers outputs for two monitor pairs and a mono summed output via XLR sockets. The stereo or AUX input can be selected alternately, the two outputs individually and together. In addition to its large volume controller, the Monicon® L is also equipped with mono, mute and PFL switches, a 6.35 mm headphone output, and separate AUX and headphone controllers for convenient operation. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll-passive volume control circuit\u003c\/li\u003e\n\u003cli\u003eStereo and AUX inputs\u003c\/li\u003e\n\u003cli\u003eDual outputs\u003c\/li\u003e\n\u003cli\u003eAdditional mono output\u003c\/li\u003e\n\u003cli\u003eBalanced and unbalanced connection\u003c\/li\u003e\n\u003cli\u003eIntegrated high quality headphone amplifier\u003c\/li\u003e\n\u003cli\u003eMono, mute and PFL switches\u003c\/li\u003e\n\u003cli\u003eStereo volume, AUX and headphone level controls\u003c\/li\u003e\n\u003cli\u003eElegant design with solid wood side panels\u003c\/li\u003e\n\u003cli\u003eBuilt to last\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Palmer","offers":[{"title":"Default Title","offer_id":44431619981405,"sku":"BM4049521191220","price":399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/pal-pmoniconl_1.jpg?v=1778354753"},{"product_id":"palmer-monicon-passive-monitor-controller","title":"Palmer MONICON - Passive Monitor Controller","description":"Palmer Monicon®, and the volume is right!\u003cp\u003eWith Palmer Monicon®, your monitor volume is always under control. The passive mini-mixer with the oversized control is inserted between the stereo output of the notebook, PC or interface and an active monitor system and thus permits convenient and precise volume control of the monitors from the workstation. The passive circuitry with only a few components has absolutely no affect on the sound. Mute and mono buttons make it possible to mute the outputs and merge the stereo output signal into a mono master signal.\u003c\/p\u003e\u003cp\u003eThe inputs and outputs of the controller are equipped with XLR connectors and the 3.5mm stereo TRS sockets usually found on computers. Combo input sockets also permit connection with 6.3 mm TRS plugs. Thus the Palmer Monicon® is compatible with both professional and consumer equipment. Genuine wood sides make the practical studio tool in its massive powder-coated sheet steel housing an elegant looking \"little helper\" that is a typical Palmer product.\u003c\/p\u003e","brand":"Palmer","offers":[{"title":"Default Title","offer_id":44431620079709,"sku":"BM4049521156564","price":129.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/pmonicon_1.png?v=1778354753"},{"product_id":"palmer-grand-audition-mkii-24-channel-loudspeaker-switching-system","title":"Palmer Grand Audition MKII - 24-Channel Loudspeaker Switching System","description":"When tasting wine, it is important that a comparison is as neutral as possible. The same applies to selecting loudspeakers.To accurately judge sound characteristics, it is essential to listen to different loudspeakers under the same conditions.\u003cp\u003eComfortable loudspeaker routing with variable level control for an uncompromising comparison on the sales floor, along with multi-monitor and multi-room applications, are just some of the ways the GrandAudition MK2 can be effectively put to use.\u003c\/p\u003e\u003cp\u003eGrandAudition MKII lets you connect 16 individual loudspeakers or eight loudspeaker pairs and up to eight subwoofers - all with balanced line-level XLR connectors and housed in two 19\" rack units. Depending on how you want to use GrandAudition MK2, the outputs can be selected either individually or as stereo pairs via an intuitive browser-based app or from the unit itself.\u003c\/p\u003e\u003cp\u003eThereby you can choose to just switch between loudspeakers or freely configure any output combination you want, making it not only the ideal solution for a loudspeaker presentation, but also an excellent choice as a central-control-unit for trade fairs, in laboratories and for multi-room sound distribution.\u003c\/p\u003e\u003cp\u003eSource material is supplied from a mixer, CD player or digital audio workstation through two balanced XLR inputs - with volume control, of course. But that's not all. GrandAudition MKII is also equipped with a built-in USB media player on which reference titles can be accessed in WAV, AIF, FLAC, MP3 and OGG data formats.\u003c\/p\u003eHighlight of GrandAudition MKII\u003cp\u003eThe browser-based remote can be controlled on a tablet or laptop, offering maximum operating convenience. Ethernet and WLAN-capable devices can be used for complete configuration and control of the unit, including channel naming, media player, and other practical functions.\u003c\/p\u003e\u003cp\u003eThe ability to individually adjust the level for each output and its quick and noiseless switching mechanism, makes it possible to accurately compare loudspeakers and help you reliably guide your customers to select the right loudspeaker. Routing applications that use different levels for each output can also be set up, and a fully analogue signal path with the highest quality is also of course guaranteed with Palmer.\u003c\/p\u003e\u003cp\u003eIf necessary, you can cascade units to triple the impressive number of 16 channels plus 8 outputs and thus manage even the largest routing scenarios for monitors, such as in presentation areas. You can also use the subwoofer outputs to connect additional loudspeakers without experiencing any technical drawbacks.\u003c\/p\u003e\u003cp\u003eIn addition to powered loudspeakers, passive loudspeakers can be incorporated with power amps. Signals can also be distributed over multiple line outputs for other applications, for example, by connecting as many as 24 headphone amplifiers to one source signal - an invaluable aid in conference technology and at trade fairs. And to top it all off, Grand Audition MKII performs remarkably well in measuring laboratories.\u003c\/p\u003e\u003cp\u003eIn short, GrandAudition MKII, with its clearly arranged features and ease of use, offers comfortable loudspeaker routing with professional sound neutrality.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e24 switchable balanced line outputs\u003c\/li\u003e\n\u003cli\u003eIntuitive browser-based control software\u003c\/li\u003e\n\u003cli\u003eIndividual level control on each output\u003c\/li\u003e\n\u003cli\u003eMono and stereo modes\u003c\/li\u003e\n\u003cli\u003eMultiple channel selection\u003c\/li\u003e\n\u003cli\u003eUsable for multi-room audio distribution\u003c\/li\u003e\n\u003cli\u003eHigh-quality analogue signal path\u003c\/li\u003e\n\u003cli\u003eInstant channel switching with no noise or interference\u003c\/li\u003e\n\u003cli\u003eXLR line inputs and built-in USB media player\u003c\/li\u003e\n\u003cli\u003eUp to three devices cascadable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Palmer","offers":[{"title":"Default Title","offer_id":44431620112477,"sku":"BM4049521522192","price":1999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/pal-pgamkii_1.jpg?v=1778354757"},{"product_id":"warm-audio-2mpx-dual-channel-tape-era-tube-preamp","title":"Warm Audio WA-2MPX Dual Channel Tape Era Tube Preamp","description":"\u003cp\u003eThe WA-2MPX is an authentic reproduction of the most revered microphone tube preamp that pioneered the birth of rock ‘n’ roll \u0026amp; radio-ready hits. 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With premium components, true-to-original circuit design, and tape saturation control, the WA-2MPX authentically reproduces all the analog tone of the original to bring vintage warmth \u0026amp; color to your sound.\u003c\/p\u003e\n\u003cp\u003eAuthentic Reproduction Of The Most Revered Tape-Era Tube Mic Preamp: The WA-2MPX is based on the 351-style tube preamplifier found in American tape machines that pioneered the birth of rock ‘n’ roll \u0026amp; radio-ready hits.\u003c\/p\u003e\n\u003cp\u003ePower \u0026amp; Versatility For A Wider Range Of Analog Tone: Delivering an impressive 300v of raw power \u0026amp; 90dB of tube gain, WA-2MPX achieves clean gain \u0026amp; powerful volume, that pushes the tubes to saturate just like the most timeless analog gear.\u003c\/p\u003e\n\u003cp\u003ePremium Components \u0026amp; Handwired Construction For An Authentic Vintage Experience: Hand-assembled with three premium tubes per channel paired with custom-wound true-to-spec USA CineMag transformers, the WA-2MPX authentically reproduces all the analog tone of the original.\u003c\/p\u003e\n\u003cp\u003eSelectable, All-Analog Tape Saturation: WA-2MPX uses discrete analog components that provide compression, saturation, and non-linear frequency response for authentic tape-era reel-to-reel sound at 15IPS. \u003c\/p\u003e\n\u003cp\u003eHi-Pass (80Hz) \u0026amp; Low-Pass (2kHz) Filters to Refine Tone: The 2kHz low-pass filter allows you to further shape and focus your tone, dialing in ultimate midrange warmth \u0026amp; punch. 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When used in conjunction with the LEGEND L10, L6, or other standard 500 Series rackmount chassis, the 522 provides the ideal solution for users seeking the legendary Midas sound in a modular format that boasts upgraded, premium-quality performance. Additionally, the 522’s dynamic Presence control enables operators to add “air” to vocals without the unwanted noise or pumping effects found in competing products – and reduces the risk of feedback occurrence during live performance.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompact 500 Series premium compressor\/limiter with dynamic presence control\u003c\/li\u003e\n\u003cli\u003eFully variable dynamic presence feature preserves high mid-range frequencies for a more natural sound during compression\u003c\/li\u003e\n\u003cli\u003eDynamic presence control adds \"air\" to vocals without introducing noise or pumping effects and reduces the risk of feedback during live performances\u003c\/li\u003e\n\u003cli\u003eManual envelope controls with linear peak-sensing compression or easy to use Auto mode with RMS compression\u003c\/li\u003e\n\u003cli\u003eSoft or hard knee compressor response with selection switch\u003c\/li\u003e\n\u003cli\u003eSidechain high pass filter with selection switch eliminates undesirable low frequency compression artefacts\u003c\/li\u003e\n\u003cli\u003eHigh performance electronically balanced input stage with high common-mode rejection\u003c\/li\u003e\n\u003cli\u003eHigh power balanced output drives long audio cables with ease\u003c\/li\u003e\n\u003cli\u003ePrecision gain reduction and signal level metering\u003c\/li\u003e\n\u003cli\u003eTrue hardware bypass selection switch removes all circuitry from the signal path when compression is not required\u003c\/li\u003e\n\u003cli\u003ePower up mute relays prevent switch on thumps\u003c\/li\u003e\n\u003cli\u003ePremium quality components throughout for a crystal-clear audiophile signal path\u003c\/li\u003e\n\u003cli\u003e10-Year Warranty Program* (via online registration)\u003c\/li\u003e\n\u003cli\u003eDesigned and engineered in the U.K.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":44431620669533,"sku":"930006019798","price":349.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/compressor-limiter-522-v2_p0e8j_front_xl.png?v=1778354775"},{"product_id":"sebatron-vmpquadplus-4-ch-valve-microphone-preamp","title":"Sebatron VMPQuadPlus 4-ch Valve Microphone Preamp","description":"\u003cp\u003eIf you're the type of engineer\/producer that prefers a bit more control over the degree of colouration in the signal then it might be a good idea to check out the VMPQuadPlus. The VMPQuadPlus is very similar to the VMP-4000e in the sense that it is a four channel valve microphone preamplifier with the majority of the circuit being almost identical.The differences account for a slightly broader frequency response, a few db of extra gain and a lower reaching bottom but in most recording contexts the differences may be barely perceivable.\u003c\/p\u003e\n\u003cp\u003eThe omission of the 'deep' circuitry accounts for the extra db in gain and allows for the inclusion of the pad\/gain control to further push the limits and fine tune valve colouration. This adjusts the level in between the two stages of the triode\/valve leaving the normal\/+12db toggle to adjust the degree of negative feedback around the first stage similar to the 4000e toggle.\u003c\/p\u003e\n\u003cp\u003eIn the 'normal' position a slight amount of negative feedback linearizes the first stage and makes it run more transparently whereas in the +12db position the circuit runs in 'open loop' with a pleasing coloured texture.\u003c\/p\u003e\n\u003cp\u003eThis allows for a very wide gain range and means the VMPQuadPlus can handle everything from hot Condensers to lightweight Ribbon signals without the use of external pads or lifters.\u003c\/p\u003e\n\u003cp\u003eOther differences include the addition of a front panel face plate that improves shielding and provides some protecton to the toggle switches and a signal LED on each channel to indicate channel activity.\u003c\/p\u003e\n\u003cp\u003eIf your recording requirements extend beyond recording drum kits and other rock styled instrumentation and you desire more control over valve colour then the VMPQuadPlus may be suited to your needs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGain: 70db per channel\u003cbr\u003eFrequency response: 20hz-110khz +\/- 3db 'air' on\u003cbr\u003eMic input impedance: 1K ohm\u003cbr\u003eDirect Input impedance: 1M ohm\u003cbr\u003eMaximum input: +10dbu mic ,+16dbu direct\u003cbr\u003eMaximum output level : +30dbu\u003cbr\u003eNoise (EIN): -126db\u003cbr\u003eMains power input:~110\/120 or ~220\/240\u003cbr\u003eCurrent : 0.8a ~220\/240 or 1.6a ~110\/120\u003cbr\u003eDimensions: 482mmX190mmX89mm (W-D-H)\u003cbr\u003eWeight: Approx. 6kg.\u003c\/p\u003e","brand":"Sebatron","offers":[{"title":"Default Title","offer_id":44431620702301,"sku":"939332000005","price":2200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/8179\/7213\/files\/vmpquadplus-hi-res.jpg?v=1778354775"}],"url":"https:\/\/gearstage.store\/collections\/studio-gear-category-preamps-outboard.oembed?page=2","provider":"GearStage","version":"1.0","type":"link"}